Martin? Parr-

1. Don't let the person in the photo keep smiling unless you just want to take a snapshot.

2. When you photograph others, the closer you are, the better.

3. Choose a suitable shooting environment, I mean only suitable for the shooting environment of the subject.

4. Then, don't make them laugh, which is the biggest misunderstanding of amateur photographers.

5. As long as you persevere in taking candid photos, the goddess of luck will always come.

Pete? Turner-

6. Looking back, if you want to be noticed, good photo printing quality is very important.

7. shoot what you really like, and this passion is usually shown in the works.

8. When shooting outside, always look back.

9. stick to a lens with a focal length, and you will improve a lot.

1. Keep learning the lighting and shooting angle before you become a master.

John? Rankin-

11. Never think that the camera is the most important thing. He's just your tool. Just close your hands.

12. Experiment and adventurous spirit are very important, just like our magazine-Dazed &; Confused appreciates other people's works as much as it did in the early days, but refuses to copy them!

13. Pay attention to the change of light all the time. Photography is the art of light, whether it is sunlight, candlelight or light generated by computer screen.

14. Have a deep understanding of your shooting theme and involve the people in front of your camera. You can't keep your eyes on the frame, build more trust between photographers and models, communicate more, and finally, press the shutter.

15. Helmut? Newton-Intellectuals are keen to discuss the significance of photography, so photographers are more and more hesitant to press the shutter. This situation may lead to polarization of photography, and in the end there are only two kinds of people left: news photographers and philosophers. Kodeka-I don't consider myself an intellectual or a philosopher, I just watch.

16. Kodeka-I'm not interested in photography philosophy, I'm interested in limits. I always shoot the same people and the same scenes. Because I want to know the limits of these people, these situations and myself, it doesn't matter whether it is the first success, the fifth or even the tenth.

17. Kafka-People take pictures of things to drive them out of their hearts, and my story is a way to close their eyes.

18. Ralph? Gibson-I don't care how the camera looks at things, I want it to see the way I see the world.

19. Eugene? Smith, who always calls me a romantic, can't trust anything because they are cynical and frustrated in life. And when I stick to my beliefs, they call me romanticism.

2. Mark? Lyu3 bu4-Dream and discipline do not conflict, they are two sides of an organic whole. Just like music, it is built on the accuracy of mathematics, but it touches us from the feeling and the heart. Skill and sensibility are inseparable.

21. Edward? Bubba-A photographer knows that there are sufferings all over the world behind the flower. Through this flower, he can touch other things.

22. Edward? Bubba-the photographer is actually the one who found nothing, but he always keeps hope until the last moment. This hope inspired him to persevere. Photographers can stay young because they hope to take a successful photo until the last moment. Andre? Cortez-The camera is my tool, through which I give a reason to everything around me.

23. William? Klein-Why should photography bear the burden of testifying for the real world? Bresson ordered the wide-angle lens to distort the facts. Only a standard lens of 5 cm is normal vision, and photographers of the whole era regard it as a standard. In my opinion, a wide-angle lens is more normal than a standard lens. You can even say that 5 centimeters is a punishment from a limited point of view. We are looking at the world with two eyes, but the camera has only one eye. No matter what lens we use, any photo is a distortion of what our eyes see.

Diane? Arbus-

25. I'm often impressed by my photography skills, but I don't like this temple very much. I am moved by it because really good skills only obey the mysterious inner world.

26. I take pictures in a clumsy way. I don't arrange objects. I stand in front of them. I don't arrange them. I arrange myself.

Bresson-

27. For me, the camera is a sketchbook, a tool to capture instant inspiration. You have to ask questions and make decisions about everything you see in an instant, and explain to people what happened in this world through a limited viewfinder. This is the simplest and most direct expression, but it also requires you to concentrate, be well-trained, be sensitive and have the aesthetic feeling of geometric composition.

28. What I want most is to grasp the whole essence of a situation that is unfolding before my eyes. I am convinced that only one photo is enough.

29. Sarah? Mohn-I have always understood that I should close my eyes before I open them. When I choose, my eyes are not completely mine. It has no age limit, because it is looking at it for the first time, unconsciously discovering what is known in the soul. I've always understood that I don't know what I'm looking for, and exploration has surpassed what I've gained and pushed me forward.

sentence recommendation with superb photography skills

3. Susan? Sontag-Photography implies that we can understand the world with the images recorded by the camera, and such understanding runs counter to' understanding', because the real' understanding' must start with not seeing the world by appearances. Therefore, I think strictly speaking, we have never been able to really understand anything through a photo.

31. alfred? Eisen Tast-Keep it simple.

32. alfred? Stiglitz-You can take pictures when there is light.

33. Andres? Faninger-A technically perfect photograph may be the most boring image in the world. Good photos are a successful combination of technology and art. Unless the scenery interests me, I will skip shooting and save my film to shoot better things.

34. Ansel? Adams-You don't take photos, you make photos. There are only good photos, but there are no rules for good photos. Not everyone believes in painting, but people believe in photography. 12 meaningful photos in any year is a good harvest.

35. Arnold? Newman-The photographer must be part of the photo.

36. Barbara? Morgan-Light gave me creative shapes and scripts, which is why I became a photographer.

37. David? Pull? Syaber—People say that photos can't lie, but mine can.

38. Dorothea? Lange-The camera is a teaching aid, which teaches people how to see the world without a camera.

39. David? Leifield-not the investment in the camera, but the perspective of the camera.

4. Doug? Batereau-As a photographer, the hardest thing is that you have to shoot.

41. Emily? Zola-In my opinion, you can't say you've seen something until you photograph it.

42. Edward? Thompson-Don't tell me about the photos you didn't take, just let me see the good photos you took.

43. Fred? Pique-The truth in photographers' eyes is what their photos show.

44. Freeman? Patterson-A roll of 36 photos with satisfactory exposure means that the photographer has no new attempt.

45. Gerry? Kapulukin-Photography is my second language.

46. Gandhi-I believe that everything is equal to everyone, except journalists and photographers.

47. Owen? Payne-a cake can also be a work of art.

48. Jane? Cocteau-a real photographer is as rare as a real poet or a real painter.

49. John? Zakovsky-Luck is the best teacher for a conscientious photographer.

5. Mary? Allen? Mark-it's the hardest thing to find the best one to shoot.

51. Mark? Twain-When the imagination is out of focus, the eyesight is unreliable.

52. Neil? Rever-You must be prepared for luck. Sometimes the simplest photos are the hardest to take.

53. Orson? Willis-If the camera is not an eye on the poet's head, the film in it is useless.

54. Percy? Harris-photography skills are acquired by spending effort rather than money.

55. Pete? Adams-For great photography, it is the depth of feeling that matters, not the depth of field.

56. pablo? Picasso-The two most lost careers are dentists and photographers: dentists want to be doctors and photographers want to be painters.

57. Ronald? Reagan-I like photographers because you don't ask questions.

58. Robert? Du Wanuo-If I knew how to take good photos, I would take good photos every time.

59. Sam? Abel-My best works are often unconscious and beyond my comprehension.

6. Terence? Norman-The problem with amateurs is that there is no reason to take photos.