1. What kind of cultural self-confidence does classical poetry demonstrate?
Classical poetry demonstrates the consciousness of life in Chinese culture. The core ideology includes emotion and wisdom.
The earliest emotions of the Chinese nation were recorded in the form of poetry. "Book of Shang Yao Dian" records that "poetry expresses aspirations, songs speak forever, sounds last forever, and rhythms are harmonious." Confucius said, "Poems can be inspired, observed, grouped, and complained about."
Poetry is the comprehensive emotion of human beings’ truth, goodness, beauty, and knowingness. It records the changes in the emotional history of Chinese descendants without prejudice. In traditional Chinese culture, the core soul of emotion is "innocence".
The so-called "innocence" here is not willfulness, let alone ignorance and stupidity, but true temperament, which embodies the "natural" spirit and "homeland" consciousness. Literati during the Wei, Jin, Southern and Northern Dynasties regarded "nature" and "pastoral" as the ultimate pursuit of life.
Ji Kang, the soul figure of the "Seven Sages of the Bamboo Grove", once said, "Leave the world behind the teachings and let nature take its course", and Ji Kang's personal charm of "illuminating others and reaching the clouds" has become a role model for future generations. Where there is "nature", there must be "pastoral", and "pastoral" and "nature" are dependent on each other.
Tao Yuanming’s “pastoral” comes from his admiration for the natural aesthetics of Lao and Zhuang. Tao was born in the mortal world, but he opened up a "pastoral" world of his own outside the world of mortals. He happily captured "the beauty of nature and true aspirations." His transcendent nature not only opened up the aesthetic realm of plain nature and simplicity in Chinese poetry, And it has achieved the pastoral paradigm of Chinese classical poetry.
As a result, countryside and nature gradually became the emotional home of Chinese scholar-bureaucrats. Wisdom is the execution ability of people after the cultural accumulation in a certain region is internalized, that is, people's thinking and behavior under the influence of a specific culture.
"Wisdom" is the combination of "wisdom" and "wisdom". Wisdom is intelligence, which is innate; wisdom is wisdom, which requires diligent study and diligence.
The "wisdom" in traditional Chinese culture embodies the connotation of "wisdom". The Chinese "Huitong" appears as "gentleness and sincerity" on the outside, and "comprehensive and thorough" on the inside.
Regardless of Confucianism or Taoism, their main views are focused on shaping the life temperament of "harmony and harmony", which is the fundamental way to pursue integration and harmonious life aspirations. In this casting process, poetry plays a fundamental teaching role.
Confucius believed that without the teaching of poetry, the word "gentleman" would be nothing more than a name. Therefore, it is not difficult to understand why the Book of Songs has become the foundation of Confucianism’s “investigation of things to achieve knowledge” and “cultivation of order and peace”.
Collective wisdom is the “combined” wisdom that comes from the collision of Chinese civilization and nature. The Han Yuefu folk song "Jiangnan" seems to be about picking lotus, but in fact, besides praising the scenery of Jiangnan, it also wants to convey the vitality of people, which is reflected in the relationship with nature, the mutual cooperation, mutual love and interest between people. Full of collectivistic spirit.
Individual wisdom tests a person’s optimistic spirit on the road of gains and losses in life, and demonstrates personal endurance. Su Shi was demoted to Huangzhou due to the "Wutai Poetry Case", but in this adversity, he did not conflict with the outside world, but chose to accept it.
As he himself said: "Looking back to the desolate place where I came from, there will be no wind or rain or sunshine when I return." No matter how painful life is, no matter how many ups and downs, it will eventually be clear of all wind and smoke, and it will last forever. What exists in life is the calmness we have when facing the ups and downs of life.
"Unity" and "harmony", these tenacious and engraved consciousnesses of life, are tranquil, happy and comfortable. Classical poetry carries the aesthetic conception of the "character" and "qiyun" of Chinese culture. Character and Qiyun are terms from ancient Chinese literary theory, which refer to the clear and vigorous demeanor in terms of article content and diction.
Liu Xie of the Southern Dynasty had a special "Character and Bones Chapter" in "The Literary Mind and the Carving of Dragons". The character reflects the tough nature of the content; the charm reflects the appeal of the words.
The charm sets off the strength of the character, and the character supports the brilliance of the character. The magnanimity of character is nothing more than the energy of observing the years. The description of the years in Chinese classical poetry is the most friendly.
Cao Cao, one of the "Three Cao's" in Jian'an, lamented that "the martyrs are full of ambition in their old age"; Wang Bo of the early Tang Dynasty chanted "I say goodbye to you, we are both eunuchs"; and Wang Zhihuan of the prosperous Tang Dynasty sang "The Yellow River is far above the white clouds" "In the middle of the world, there is an isolated city in Wanren Mountain"; Li Qingzhao in the Song Dynasty sighed, "There is no way to escape the soul, the west wind blows behind the curtain, and people are thinner than yellow flowers." These lives may be solemn or harmonious, love or hate, sparse or infatuated. They interpret the "meaningful and meaningful" meaning of the Chinese aesthetic spirit within the character and bearing.
The poet Jiang Jie of the Southern Song Dynasty wrote "Poppy Listening to the Rain", using the mood of watching the rain to comprehensively describe "youth, adulthood, and now", highlighting the life carved by this brilliant craftsman. The power of time. Years are like rain, and time is also drunk.
No one is more obsessed with "drunk" than the "immortal" Li Bai. His "Written from a Guest" uses wine to soothe the time.
Li Baijiu enters the poem and sings wildly, "I don't know where I am in a foreign country." Hundreds of years later, Su Shi replied, "This place where I feel at ease is my hometown."
In a life confronting time, poetry is the only comfort.
The "compassion" of these years has accumulated the character and highlighted the atmosphere.
The charm of character is nothing more than the ancients’ persistence in “things”. Liu Xie said: "The movement of things makes the mind shake."
The ancients wrote about things with the aim of "forgetting both things and myself". Wang Guowei said: "When I look at things, the old things all have my color." Even the inconspicuous flowers and plants seem to have the quality of "clear mind and nature" compared to the poet.
Lu You, a poet of the Southern Song Dynasty, lived in seclusion in the countryside of Shanyin (now Shaoxing) in his later years. He occasionally saw plum blossoms blooming in the cold winter, and was inspired to write "Bu Suanzi·Ode to Plum Blossoms". Although he did not write a "plum" or a "flower", there is a faint fragrance in your throat after reading it.
In addition to the elegance of "things", there is also a rich charm that permeates the world of poetry. "The clouds are like clothes and the flowers are like faces, and the spring breeze blows over the threshold and the dew is strong." This is true of Li Bai's peonies; "The glazed bells are rich in amber, and the drops of wine in the small trough are true pearl red." This is true of Li He's fine wine, and even Liu Yong's "Don't Hate" is also like this. It's so dense that it can't be dissolved - "The willow bank, the dawn wind and the waning moon".
The ancients’ way of contemplating and valuing “things” is their self-understanding of “poetic nature”. A comprehensive review shows that the aesthetics of traditional Chinese culture is contrary to the full logical thinking of Western philosophy. It always has a deep hidden color, a powerful inner force, and a harmonious appearance. This is the "language" of Chinese philosophy with "Tao" as the core. There are endless ideas."
And the most. 2. Quotes about cultural self-confidence
1. He who knows others is wise, and he who knows himself is wise. ——Lao Dan
2. My talents are destined to be useful. ——Li Bai
3. It is better to rely on yourself than to rely on others. ——Pre-Qin
4. Confidence is the essence of a hero. ——Emerson
5. The most barbaric thing is to despise oneself. ——Montaigne
6. Faith is the master of destiny. ——Helen. Keller
7. Confidence is the first secret to success. ——Emerson
8. You should believe that you are the strong man in life. ——Hugo
9. Go your own way and let others have their say! ——Dante
10. Confidence and self-reliance are the pillars of strength. ——Britain
11. To restore the morale of xx soldiers, it is not appropriate to belittle oneself. ——Zhuge Liang
12. Confidence is the first step towards success. ——Einstein
13. A person without self-esteem is close to inferiority complex. ——Shakespeare
14. People are invincible only if they have firm faith. ——Betty
15. No matter what, "rumors" can never scare me. ——Lu Xun
16. Faith! People with faith can weather any storm. ——Ovid 3. Quotes about cultural confidence
What are the quotes about promoting traditional culture?
1. Culture shapes the future, and legacy cannot be forgotten.
2. Love China and protect its cultural heritage.
3. When you are poor, you are strong, and when you are old, you are strong.
4. Five thousand years of expo, shaping contemporary sages.
5. Pass on ancient and modern classics and establish contemporary style.
6. Learn the wisdom of the ancients and achieve today’s wealth.
7. The past is thousands of years old, but the inheritance will never change.
8. Destroying historical monuments means destroying your future.
9. Carry forward traditional virtues and inherit traditional culture.
10. Cultivate the Chinese soul and establish the Chinese heart.
11. Inherit the excellent traditional culture and carry forward the innovative spirit of the times.
12. Promote traditional culture and become a moral person.
13. The ancestors’ extraordinary skills and uncanny craftsmanship.
14. Inherit the wisdom of our ancestors and spread Chinese civilization.
15. Rooted in the rich soil of Chinese culture, and promote the excellent cultural heritage of the Chinese nation.
1. Traditional culture is a kind of folk culture that reflects the characteristics and style of the nation and is a collection of civilization evolution. It is the overall representation of various ideological cultures and conceptual forms in the history of the nation.
2. All over the world, every nation has its own traditional culture.
3. China’s traditional culture takes the complementarity of Confucianism and Taoism as its core, and also has cultural forms such as Mohism, Legalism, famous schools, Buddhism, Islam, Western style, and modern Western culture, including: ancient Chinese, Poetry, lyrics, music, fu, national music, national drama, folk art, traditional Chinese painting, calligraphy, couplets, lantern riddles, Shefu, drinking orders, idioms, etc.
4. The full name of traditional culture is traditional culture, which is based on culture and corresponds to contemporary culture and foreign culture.
5. The content should be various material, institutional and spiritual cultural entities and cultural consciousness that have existed in the past dynasties. For example, national costumes, living customs, classical poetry, concepts of loyalty and filial piety, etc. are what are usually called cultural heritage. 4. Famous aphorisms about cultural self-confidence
1. The value of culture lies in its impact on human character.
Unless culture can make character noble and powerful.
The role of culture is to benefit life, and its goal is not beauty, but goodness.
(Maugham) 2. Culture cannot be pressed down from above, because it should rise from below. (Reed) 3. Overcoming nationality is the victory of culture.
(Emerson) 4. The so-called culture, compared with civilization, is often just a layer of paper covering ignorance. (Mallory) 5. Just as language is to critics and telescopes are to astronomers, culture refers to everything that gives power to the spirit.
(Emerson) 6. A culture without power will become an extinct culture tomorrow. (Churchill) 7. The outline of any culture may look like a different picture in the eyes of different people.
(Jacob Burckhardt) 8. What the mass media provides is not popular art, but entertainment to be consumed like food, then forgotten, and then used as new dishes replaced. (Auden) 9. News is popular, but it is mainly popular as fiction.
Life is one world, and the life seen in newspapers is another world. (Chesterton) 10. Do everything within your power, this is human; do everything you want to do, this is God.
(Napoleon) 11. A new idea is very fragile. It may be killed by a laugh or a yawn, stabbed to death by a taunt, or depressed by a frown from an authority figure. And finally. (Charles Brower) 12. Anyone can make mistakes, but only fools stick to them.
(Cicero) 13. An eagle can see much further than a human, but human eyes can identify things far better than an eagle. A dog has a much keener sense of smell than a human, but it cannot distinguish one percent of the odors that appear to humans to be specific signs of various things.
(Engels) 14. Culture is a complex whole, which includes knowledge, beliefs, art, morals, laws, customs and any other talents and habits acquired as a member of society. The total score of one's own efforts to adapt to its environment and improve its way of life. (Taylor) 15. The fundamental spirit of Chinese traditional culture is harmony and freedom.
(Xu Siyuan) 16. There is an inherent relationship between people and culture, that is, people are literate people, culture is people’s culture, people’s existence cannot be separated from the existence of culture, and culture is Existence is also inseparable from human existence. (Li Jinqi) 17. Culture, as the core inner factor of human beings, determines what makes a person human and what makes this person different from that person.
The consciousness and ability to possess culture, dominate culture, and create culture highlight the fundamental differences between people. 18. The text is wrong.
(Xu Shen) 19. Etiquette, quality and writing. The pledger is the foundation.
Etiquette cannot be established without foundation, and it cannot be practiced without writing. If it can be established and practiced, this is what it means. (Liu Baonan) 20. When quality is better than literature, it will lead to wildness, and when literature is better than quality, it will be history.
Be gentle and polite, and then be a gentleman. (Confucius) 21. All rituals begin with chanting, become writing, and end with joy.
(Xunzi) 22. Observe astronomy to observe changes in time; observe humanities to transform the world. (King Wen of Zhou) 23. The rise of martial arts is due to dissatisfaction; if the culture does not change, then it will be punished.
(Liu Xiang) 24. Wisdom culture is philosophy. (Cicero) 25. When I say that culture is everything that our lives depend on, I intend to remind people that culture is an extremely real thing.
The original meaning of culture should be all-encompassing, including economics, politics, and everything else. (Liang Shuming). 5. Quotes about cultural confidence
What are the quotes about promoting traditional culture? 1. Culture shapes the future, and legacy cannot be forgotten.
2. Love China and protect its cultural heritage. 3. When you are poor, you are strong; when you are old, you are strong.
4. Five thousand years of expo, shaping contemporary sages. 5. Pass on ancient and modern classics and establish contemporary style.
6. Learn the wisdom of the ancients and achieve today’s wealth. 7. Thousands of years have passed since the past, but the inheritance will never change.
8. Destroying historical monuments means destroying your future. 9. Carry forward traditional virtues and inherit traditional culture.
10. Cultivate the Chinese soul and establish the Chinese heart. 11. Inherit the excellent traditional culture and carry forward the innovative spirit of the times.
12. Promote traditional culture and become a moral person. 13. The ancestors’ extraordinary skills and uncanny craftsmanship.
14. Inherit the wisdom of our ancestors and spread Chinese civilization. 15. Rooted in the rich soil of Chinese national culture, and promote the excellent cultural heritage of the Chinese nation.
1. Traditional culture is a kind of folk culture that reflects the characteristics and style of the nation and is a collection of civilization evolution. It is the overall representation of various ideological cultures and conceptual forms in the history of the nation. 2. All over the world, every nation has its own traditional culture.
3. China’s traditional culture takes the complementarity of Confucianism and Taoism as its core, and also has cultural forms such as Mohism, Legalism, famous schools, Buddhism, Islam, Western style, and modern Western culture, including: ancient Chinese, Poetry, lyrics, music, fu, national music, national drama, folk art, traditional Chinese painting, calligraphy, couplets, lantern riddles, Shefu, drinking orders, idioms, etc.
4. The full name of traditional culture is traditional culture, which is based on culture and corresponds to contemporary culture and foreign culture.
5. The content should be various material, institutional and spiritual cultural entities and cultural consciousness that have existed in the past dynasties. For example, national costumes, living customs, classical poetry, concepts of loyalty and filial piety, etc. are what are usually called cultural heritage. 6. Poems that promote traditional Chinese culture
1. Spring Festival Wang Anshi's "Yuan Ri" The sound of firecrackers marks the end of the year, and the east wind brings warmth to Tusu.
Thousands of households compete to insert new peaches to replace old talismans on the twelfth day of the month (the boss) 2. Mid-Autumn Festival "Drinking Alone under the Moon" by Li Bai A pot of wine among the flowers, drinking alone without any blind date. Raise a glass to invite the bright moon, and make three people in the shadows.
The moon does not know how to drink, but its shadow follows me. For now, the moon will be shadowed, and we must have fun until spring.
My singing moon lingers, my dancing shadows are scattered. They make love together when they are awake, but they separate when they are drunk.
We will travel together forever, and we will meet each other in Miao Yunhan. The moon on the night of August 15th (Du Fu) The full moon flies into the bright mirror and returns to the heart to fold the sword.
Turn around and travel far away, climb the laurel tree and look up to the sky. There is frost and snow on the waterway, and feathers are visible on the forest habitat.
Looking at the white rabbit at this time, I want to count the hair. 3. "Remembering Brothers from Shandong on September 9th" by Wang Wei during the Double Ninth Festival. Alone as a stranger in a foreign land, I miss my relatives even more during the festive season. I know from a distance that my brothers are planting dogwoods all over the place where they climb. 4. "Qingming" by Du Mu during the Qingming Festival. It rains heavily during the Qingming Festival, and pedestrians are walking on the road. Want to die.
Where is the restaurant? The shepherd boy points to Xinghua Village in the distance. 5. Clothes are given on the Dragon Boat Festival (Du Fu). Official clothes are also famous, and the Dragon Boat Festival is honored. The thin kudzu is soft in the wind, and the fragrant flowers are covered with light snow.
Festival Lingmen. Duanyang (Qing Dynasty) Li Jingshan bought cherries, mulberries and calamus, and even bought a pot of realgar wine. There is a yellow paper post hanging high outside the door, but it is suspected that the account owner is afraid of the magic talisman.
During the Dragon Boat Festival at Lao She, it was windy and rainy, and the village children were still wearing their old clothes; they invited each other to carry their coir raincoats, and they dared to fall in love with the thatched cottage for the sake of mud; there were guests who treated each other as flesh and blood, and no money to buy wine or sell articles; that year The fish in this meeting is not as fragrant as the beans today. 6 Lantern Festival, Lantern Festival on the 15th Night (Tang Dynasty) Lu Zhaolin, Jinli Kaifang Banquet, orchids and reds in early years.
The colorful flowers are far away from the ground, and the bright light is far away in the sky. The stars are falling when the Han Dynasty is suspected, and the moon is hanging by the building.
Don’t have the smile of a thousand gold, come and reflect in front of the nine branches. 7. What impact did the Book of Songs have on China’s cultural confidence?
The historical status and influence of the "Book of Songs" As the first collection of poems in my country, the "Book of Songs" has a lofty historical status. Poetry creation and influence are huge and far-reaching, mainly reflected in the following three aspects: 1. "The Book of Songs" established the national cultural tradition of Chinese poetry art creation.
The creation of "The Book of Songs" established the national cultural tradition of Chinese poetry creation. This tradition is: (1) The tradition of lyric poetry. China is a country with the most developed lyric poetry. Ancient Chinese poetry creation was dominated by lyric poetry.
It was the editing and writing of the Book of Songs that established the tradition of Chinese lyric poetry creation and established its national cultural characteristics. (2) The tradition of mass art.
Chinese lyric poetry creation is popular and is a mass art, and this tradition was also established by the Book of Songs. The writing team of "The Book of Songs" is quite broad, including people from all walks of life and various statuses, which influenced the popularity and mass nature of poetry creation in later generations.
(3) The tradition of realism. Ancient Chinese poetry creation is directly oriented to reality and is a realistic and secular art.
Poets face real life and use poetry as a tool to express emotions and thoughts. And this is precisely influenced by the realism spirit of "The Book of Songs".
2. The Book of Songs established the artistic principles of Chinese poetry creation and criticism. The creation and criticism of poetry in ancient China followed the principles with Chinese cultural characteristics, which are "elegance" and "bixing".
They are the theoretical sublimation of the Chinese poetry creation tradition formed by later poets since the Book of Songs. (1) Elegance.
Feng and Yaben are a poetry genre in the Book of Songs that are divided according to different music, and the wind poetry and elegant poetry in the Book of Songs embody a unique artistic creation spirit. That is, poetry creation has noble meaning and serious emotional content. This creative spirit had a particularly significant impact on the poetry creation of later generations. It guided poets to seek healthy and correct values ??in expressing emotions and cultivate good moral sentiments.
Elegance therefore became the artistic principle followed by later poets when creating and criticizing poetry, and became the best weapon against formalist style of writing. For example, Chen Zi'ang in the Tang Dynasty criticized the poetic style of Qi and Liang Dynasties with the concept of "fengya but not composition", while Du Fu took "different styles and pseudo styles to be elegant" as his creative direction.
(2) Bixing. Bixing was originally an important expression technique in the creation of "The Book of Songs". Bixing means "comparing another thing to this thing", while Xing means "prefacing other things to trigger the chanting of this word".
However, Bixing, which is the principle of poetry creation and criticism in later generations, is a special artistic means to express healthy thoughts. It requires poetry not only to place feelings on the scenery and blend the scenes, but also to achieve the purpose of satirizing and satirizing objects. Analogy cuts to the purpose. It contains two aspects. On the one hand, it refers to the need for poetry to use external objects to express emotions; on the other hand, it refers to the noble and serious feelings placed in external objects.
3. The Book of Songs laid the foundation for the language form of Chinese poetry. The basic form of the Book of Songs is four-character poetry, and this artistic form of four-character poetry has always been one of the basic styles of ancient Chinese poetry.
Moreover, the four-character style of "The Book of Songs" was also the source of the development of other poetry genres in later generations. Chu Ci, Han Fu, parallel prose, and five or seven character poems were all greatly influenced by the four-character style of "The Book of Songs." At the same time, his word choice, sentence structure, rhythm and rhythm also laid the foundation for later generations of poetry. 8. Poems about self-confidence
Traveling is Difficult
Li Bai
A gold bottle of wine costs ten thousand dollars, and a jade plate of delicacies costs ten thousand dollars.
Stopping the cup and throwing chopsticks, I can’t eat. I draw my sword and look around at a loss.
If you want to cross the Yellow River, which is blocked by ice, you will have to climb Taihang in the dark snowy sky.
I would go fishing and sit on the stream in my spare time, and suddenly I would take a boat and dream about the sun.
The journey is difficult, the journey is difficult, and the paths are many divergent, but now I am at peace.
There will be times when the wind blows and the waves break, and the cloud sails are hung directly to help the sea.
Notes
① Delicacies: Expensive dishes.
② Fishing and sitting on the stream: Legend has it that before Lu Wei met King Wen of Zhou, he once fished in the stream (southeast of today's Baoji City, Shaanxi Province).
③Riding in a boat and dreaming about the sun: Legend has it that before Yi Yin saw the soup, he dreamed of riding in a boat and dreaming about the sun and the moon. The combination of these two allusions is a metaphor for the impermanence of life, mostly by chance.
Brief analysis
"The journey is difficult" mostly describes the hardships of the world and expresses the meaning of separation. There are three poems from Li Bai's "The Journey Is Difficult", one of which was selected from the collection of Hengtang Retired Scholars. The poem uses "difficulties in traveling" as a metaphor for the dangers of the world, and expresses the poet's uncontrollable anger when encountering difficulties on the political road; but he did not give up his lofty political ideals because of this, and still looked forward to one day displaying his ambitions. His ambition reflects his optimistic and heroic spirit about the future of life, and is full of positive and romantic sentiment. The poem begins with "golden bottles of wine" and "jade plates of delicacies", giving people a happy banquet scene. Then he wrote "stop the cup and throw chopsticks" and "draw the sword and look around", which also shows the reader the impact of the author's emotional waves. The middle four sentences not only sigh about "the river is blocked by ice" and "the mountains are covered with snow", but also feel like they are traveling for thousands of years and see Lu Shang and Yi Yin suddenly being reused. The four short sentences "The journey is difficult" express the dilemma and the psychology of continuing pursuit. The last two sentences are about writing that your ideals will be realized one day. After a high degree of hesitation and a lot of sighs, the whole poem suddenly opens up to a strange world with the words "There will be times when the wind and waves break", and firmly believes that a good prospect will eventually arrive, so it "hangs sails directly on the clouds to sail across the sea" and marches forward bravely. The meaning is full of ups and downs.