A poem about the image of a pavilion

1. Poems about the image of pavilions

Poetry 1 About the image of the pavilion. On the Pavilion Image in Classical Poetry

The pavilion is to tell other places on land. Li Bai Bodhisattva Xia: "Where are you going home? The pavilion is shorter. " Liu Yong's Yulinling: "Cold and sad, Changting is too late." Li Shutong's Farewell: "Outside the pavilion, beside the ancient road, the grass is green." Obviously, in China's classical poetry, the pavilion has become a farewell place on land.

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Such as: Li Bai's "Bodhisattva Man": "Where is the return journey? Long pavilions and short pavilions

li po

Bodhisattva is beautiful

The flat forest is vast and smoky. The cold mountain area is sad and melancholy. This color blends into this tall building. Someone upstairs is in a hurry.

Jade steps stand empty. It is urgent to stay at home. Where is the return trip? The long pavilion is shorter.

This poem looks at people from a distance and contains feelings in the environment. Write together the realm of cold mountain in Linping, the vastness and tragic of Liangyuan.

Emperor Fu Yun said, "I looked upstairs and saw only smoke in the trees in the distance. I don't know how many roads there are in this plain. " The state of the word

I like it. However, when he wrote about the sunset, he felt even more gloomy. These two sentences are from the inside out. The word "color" comes from the outside.

Inside. Smoke is woven, sadness is blue, and everything has faded. Two sentences fold the building and people, forcing out the word "sadness" and awakening the whole.

Articles. So those who feel sad in Hanshan should worry; So people who are worried will turn a deaf ear to others. Next movie, point out

The word "return". The word "empty" also comes from the word "worry". Wu Guifei, writing about spatial dynamics and writing about birds.

Mood. Birds don't return to people, so this poem looks at people from a distance and contains feelings in the environment. Write Korean together

The mountains are vast and solemn. Liang presented Yun with "Empty City Plan". The words "where" echo each other and remain the same.

The kingdom is over. But it is of infinite significance to see the return journey and not return to people.

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Meet sb. leave

Li Shutong

Outside the pavilion, by the ancient road, the grass is blue.

The evening breeze blows the flute, and the sunset is beyond the mountain.

The horizon, the horizon, intimate friends are half scattered.

Life is once in a blue moon, only parting.

Outside the pavilion, by the ancient road, the grass is blue.

When will you return this? Don't hesitate to come.

The horizon, the horizon, intimate friends are half scattered.

A pot of turbid water spilled all over the floor. Say goodbye to Meng Han tonight.

Although Li Shutong is good at lyrics and songs, the biographer Mr. Chen Xing verified that this song is not a poet's lyrics, but a tune of an American pop song, and the lyrics also refer to a Japanese song-some critics believe that the lines condense the artistic conception of the fourth part of The West Chamber. However, these two songs may have been lost in the ocean of history in the United States and Japan, but this song, which borrows chickens to lay eggs, has gained a long and even eternal life in China. "Outside the pavilion, by the ancient road, the grass is green. The evening breeze blows the flute, and the sunset is outside the mountain. " It is hard not to become a famous song of China, especially in the 20th century, when the old and the new changed and Taoism was destroyed, with such simple and profound but sad and soft words and soothing melodies with China characteristics. This song became the new Three Stories of Yangguan, and people in China in the 20th century used this song to "send away" too many things. "

2. Analyze the pavilion image in classical poetry.

The images of ancient poems include images of people and things.

So, what is image? In short, the poet creates an image by adding subjective meaning to objective things. In the creation and development of ancient poetry, the subjective feelings contained in some things gradually solidified to express specific scenes and meanings.

In the college entrance examination, some images appear repeatedly. In this paper, the author uses a short poem to summarize the images that often appear in the college entrance examination, to help candidates remember, and thus to better answer the question of poetry appreciation: Don't sit in Liu Yiyi for a long time, let the water shed sadness.

Crows and swallows rise and fall, and plants are still moving. 5. "Changting" and "Liu" In classical poems of other times, Liu is often associated with divorce. "Picking Wei" in the Book of Songs wrote: "I have been there, Liu Yiyi; I think about it today, it's raining. "

The swaying figure of weak willows can best convey the feelings of relatives and friends when they leave. In addition, "Liu" and "Liu" are also homophones.

Pavilion is the place where the ancients bid farewell, so it is also an image that often appears in farewell poems. Liu Yong's "Yulinling" wrote these two images at the same time, which are "chilling and sorrowful, coming late for a long time."

And "Where to wake up tonight, Yang Liuan Xiaofeng is dying." 6. Out of the water, convey sadness. Falling flowers make people feel pity and sadness, and the running water is noisy or soothing, which is the most worrying thing. Therefore, out of the water is often used to express sadness in ancient poems.

For example, Li Yu's "Yu Meiren": "When the spring flowers and the autumn moon will end, how much is known about the past", "How much sorrow can there be, just like a river flowing eastward"; Another example is Li Qingzhao's "A Plum": "Flowers come from Shui Piao, one kind of acacia, two places of leisure." 7. "Crow" and "swallow" are ups and downs. Crows often appear in graves and other places and are usually regarded as ominous. Poets often use the image of "crow" to render the declining atmosphere.

Swallow, because of its attachment to the old nest, has become the sustenance of classical poetry to express the changes of current events and express the feelings of historical rise and fall. There are many college entrance examination questions with the image of "crow", such as: In 2006, Hubei volume "Danyang sent Wei to join the army", In the evening, Jiangnan looked at Jiangbei, and Western Western jackdaw flew all over the water, and in 2006, Jiangsu volume "Partridge Sky" and "Mountain meets water, water is bright, and forest remnants meet crows".

In 2007, Zhejiang introduced a comparative appreciation topic, namely "Wuyi Xiang" by Liu Yuxi, "Man Moon Circle" by Wu Ji and "Mountain Slope Sheep" by Yuan Dynasty. Swallow, the three works all express a deep sense of ups and downs through the image of swallow. 8. "Vegetation" is still changing. The vegetation is evergreen, but the personnel are quietly changing.

Ancient poetry often uses "vegetation" to express the emotion of things being transformed and sigh over the rise and fall of history. Such as "Yangzhou Slow" and "Ten Miles after the Spring Breeze, the wheat is green"

In 2007, the appreciation title of Hubei's scroll poem "Crossing the Qing Palace" also used the image of a tree: "The jade tree has ascended to heaven, and only the tree can stay in the Forbidden City forever." (。

3. On the image of "Pavilion" in classical poetry.

During the Qin and Han dynasties, there was a pavilion every ten miles in the countryside. For example, according to the biography of Emperor Gaozu in Historical Records, (Liu Bang) was physically strong, worked hard as an official and served as the curator of Sishui Pavilion. The Qin dynasty made a biography in three miles and a pavilion in ten miles. So a pavilion was set up on the road of the post station about every ten miles, which was responsible for providing construction, materials and other services for the post messenger. Later, it became a place where people stopped for an outing and sent each other. The word "Shili Pavilion" comes from Bai Juyi's original work in Tang Dynasty and Song Kongzhuan's "White Hole and Six Posts". Volume 9: Ten miles and one pavilion, five miles and one short pavilion. For the length and rhythm of poetry, it is often referred to as Changting. Especially after the poetry chanting of literati, Shili Changting gradually evolved into a synonym for farewell. Changting, Liu Yang, Jiujiu, Nanpu and other words often appear in ancient farewell poems and are endowed with specific meanings. They are the most representative and symbolic figures in farewell poems. "Farewell my concubine, Shili Pavilion, Baqiao Bridge with branches and weeping willows" is a classic scene of ancient people's farewell.

Classical Changting poems:

Tang Li Bai's Bodhisattva Man: The flat forest is boundless, the haze is boundless, and the cold mountain area is compassionate. When the color enters a tall building, someone upstairs is sad. There is no one over Wang Jie, and birds are eager to fly. Where to return, the pavilion is shorter

Song Liu Yong's Yulin Order: Cold cicadas wail, pavilions are late, and showers begin to rest. Farewell outside Kyoto, but not in the mood to drink, reluctant to leave, the people on board have been urging to start. Holding hands and looking at each other, tears swirled in my eyes until there were no words at last, and a thousand words stuck in my throat and I couldn't say it. Missing thousands of miles of smoke and waves, the evening is heavy. Since ancient times, the most sad thing for sentimental people is to leave, not to mention the bleak autumn, how can they stand the sadness. Who knows where I am when I am awake tonight? There is a breeze and a waning moon on the bank of Yangliu. This is a long time, people who love each other are not together, and I even expect to be satisfied with the good weather and scenery in name only. There are many kinds of customs, who are you talking to?

In the early Tang Dynasty, Wang Xiucai was sent to Chizhou to pay homage to Wu DuDu: Chiyang was saddled and Shili Pavilion was full of grass. The clothes cover the obstacles and the wind is fine, and the sword is light and snowy. In the sunny suburbs, the soul of my hometown is broken, and the trees are crying and dreaming. Xinglang, the host of the South Pavilion, waved his whip and asked for directions.

Li Shutong (Master Hongyi) saw off: The grass was blue by the ancient road outside the pavilion. The evening breeze blows the flute, and the sunset is beyond the mountain. The horizon, the horizon, intimate friends are half scattered. Life is once in a blue moon, only parting. Outside the pavilion, beside the ancient road, the grass is blue. When will you return this? Don't hesitate to come. The end of the world is short, the end of the world is a corner, the bosom friend is half scattered, and a pot of turbid water is spilled. Say goodbye to Meng Han tonight.

4. On the image of "Pavilion" in classical poetry.

During the Qin and Han dynasties, there was a pavilion every ten miles in the countryside.

For example, according to the biography of Emperor Gaozu in Historical Records, (Liu Bang) was physically strong, worked hard as an official and served as the curator of Sishui Pavilion. The Qin dynasty made a biography in three miles and a pavilion in ten miles. So a pavilion was set up on the road of the post station about every ten miles, which was responsible for providing construction, materials and other services for the post messenger.

Later, it became a place where people stopped for an outing and sent each other. The word "Shili Pavilion" comes from Bai Juyi's original work in Tang Dynasty and Song Kongzhuan's "White Hole and Six Posts". Volume 9: Ten miles and one pavilion, five miles and one short pavilion.

For the length and rhythm of poetry, it is often referred to as Changting. Especially after the poetry chanting of literati, Shili Changting gradually evolved into a synonym for farewell.

Changting, Liu Yang, Jiujiu, Nanpu and other words often appear in ancient farewell poems and are endowed with specific meanings. They are the most representative and symbolic figures in farewell poems. "Farewell my concubine, Shili Pavilion, Baqiao Bridge with branches and weeping willows" is a classic scene of ancient people's farewell.

The classic Changting poem: Tang Libai's Bodhisattva Man: the flat forest is misty, and the cold mountain area is sad. When the color enters a tall building, someone upstairs is sad.

There is no one over Wang Jie, and birds are eager to fly. Where to return, the pavilion is shorter

Holding hands and looking at each other, tears swirled in my eyes until there were no words at last, and a thousand words stuck in my throat and I couldn't say it. Missing thousands of miles of smoke and waves, the evening is heavy.

Since ancient times, the most sad thing for sentimental people is to leave, not to mention the bleak autumn, how can they stand the sadness. Who knows where I am when I am awake tonight? There is a breeze and a waning moon on the bank of Yangliu. This is a long time, people who love each other are not together, and I even expect to be satisfied with the good weather and scenery in name only.

There are many kinds of customs, who are you talking to? In the early Tang Dynasty, Wang Xiucai was sent to Chizhou to pay homage to Wu DuDu: Chiyang was saddled and Shili Pavilion was full of grass. The clothes cover the obstacles and the wind is fine, and the sword is light and snowy.

In the sunny suburbs, the soul of my hometown is broken, and the trees are crying and dreaming. Xinglang, the host of the South Pavilion, waved his whip and asked for directions.

Li Shutong (Master Hongyi) saw off: The grass was blue by the ancient road outside the pavilion. The evening breeze blows the flute, and the sunset is beyond the mountain.

The horizon, the horizon, intimate friends are half scattered. Life is once in a blue moon, only parting.

Outside the pavilion, beside the ancient road, the grass is blue. When will you return this? Don't hesitate to come.

The end of the world is short, the end of the world is a corner, the bosom friend is half scattered, and a pot of turbid water is spilled. Say goodbye to Meng Han tonight.

5. It contains images such as moon, chrysanthemum, plum, pine, phoenix tree, cuckoo, cicada, willow, fragrant grass and pavilion.

1) month

Sheng Chazi (Song Zhu Shu Zhen)

Last January night, the flower market was brightly lit.

On the moon, after dusk, people with willow heads

On the night of January this year, the moon and lights remained the same.

I didn't see last year's tears wet the sleeves of the spring shirt.

2) Chrysanthemum

Chrysanthemum (Don Huang Chao)

When the Double Ninth Festival comes in September,

After the chrysanthemum blooms, the flowers wither.

The fragrance permeates Chang 'an.

The curse of golden flower

3) Mei

Xiao Mei in Mountain Garden (Pine Forest Department)

All the fragrant flowers are rolled down, and they all occupy the amorous feelings of the small garden.

Thin shadows, oblique water, shallow fragrance and floating moon and dusk

Frost bird will go down, and if he knows it, he will steal his eyes and die.

Fortunately, there are micro songs to talk about, and you don't have to share the golden urn with sandalwood.

4) Loose

Spend the night at the foot of Zen master Ye, waiting for his good friend Ding (Meng Haoran)

Valley after valley became blurred because the sun had set.

My ears are pure from the sound of wind and water, and now the moon and the chill of night come through the pine trees.

Birds perched in the silent fog, and almost all the woodcutter went home.

Playing the lute under the vines by the roadside, still-because you promised-I am waiting for you, waiting.

5) Platanus acerifolia

Qiu Deng Xuancheng Xie Tiao North Building (Tang Libai)

In the picturesque river, the mountains are beautiful and the sky is clear.

Shuangqiao Waterfall Rainbow.

Old phoenix tree with autumn color in cold orange pomelo.

Who reads the breeze in the north building to thank the public?

6) rhododendron

More leaks (Song Zhao Changqing)

Ritongtong

The wind has changed.

Willow flowers flying outside the curtain

Ruide co., ltd

Unlimited green

Fang Yuqing Zhong Jing

Intestinal inch knot

Obsessed with parting

It was the same season last year.

Toona sinensis leaves

Ziguiti

When it hurts spring in March.

7) cicada

Cicada (Don Yu Shinan)

Cicada droops like a hat, and its tentacles suck the clear and sweet dew.

The sound came from the tall branches of the trees.

Raise high, and your voice will spread far away.

It doesn't need the help of autumn wind

8) Willow

Liu Yong (Don He Zhang Zhi)

Emerald is shaped into a tall tree.

There are countless green silk braids hanging.

Who cut these delicate leaves?

The cold wind in early spring

9) Cao Fang

Su Muzhe (Song Fan Zhongyan)

Blue sky

Huangyedi

Autumn continuous wave

Cold smoke on the waves

The mountain reflects the sun and the sky meets the water.

The grass is heartless.

Even beyond the sunset.

Dark homesick soul

Consider traveling

Every night, unless

Sweet dreams put people to sleep.

Yue Ming Tower exists independently.

There is wine in the sad belly.

Into tears of nostalgia.

10) Changting

Bodhisattva Man (Tang Libai)

The flat forest is vast and smoky.

Melancholy blue in Hanshan area

Colour a tall building

Someone upstairs is worried.

Jade steps stand empty

The birds urgently need to go home.

Where is the return trip?

Long pavilions and short pavilions

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6. What is the image of the pavilion?

An Analysis of the Image of Bieting Pavilion, which is selected from The West Chamber by Wang Shifu, a zaju writer in Yuan Dynasty, has the artistic style of "beauty among flowers".

The beauty of the story, the beauty of the characters, the beauty of the artistic conception and the beauty of the lyrics are harmonious and unified, which has created Wang Shifu's reputation as a representative writer of the "literary school". Among them, the key element is image, not to mention the whole song "The West Chamber" and "All love can't be caged". Pick any one of its "red apricots"-the imagery beauty of Farewell to Changting, and have a good time with you.

The image of the farewell pavilion is beautiful, but so is beauty: 1. Classical. Contemporary society respects and loves fashion, but fashionable things are fleeting, so traditional classic things can be intriguing and invincible.

Beautiful and affectionate Cui Yingying had to give in to her stubborn old mother and bid farewell to her sweetheart Zhang Xun in the suburban pavilion. At this moment, a lot of sadness welled up in my heart, but as the daughter of the prime minister, she could only cry without tears, only silently shed tears.

Wang Shifu skillfully applied classical poetry and its related classic images, artistic conception and scene blending to Cui Yingying's lyrics, thus helping the hostess to express her feelings euphemistically. Classical poems are used in many places, such as "blue sky, yellow flowers" and "blue sky, yellow leaves" in Fan Zhongyan's Su Mu Zhe. You are drunk before you drink is divorced from Liu Yongzhi's Complaining about Love and You are drunk before you drink. "The snail's horn is a hollow reputation, but the fly's head is meager profit", which comes from Su Shi's poem Man Fang Ting. "Shrike goes east and goes west" originated from Yuefu poem "Song of Shrike Flying East".

As a talented craftsman, Wang Shifu skillfully blended classical poetry into music with his pen and skillfully used the beautiful artistic conception that accompanied his "life". So as to achieve the artistic realm of scene blending.

Isn't the "blue sky and yellow land" in the song "Zhengjia" a description of autumn scenery's bleak artistic conception? Therefore, it can especially set off a cold and depressing farewell atmosphere. Cui Yingying, who is in the farewell situation, will naturally be moved by this scene and convey his tenderness to Zhang Sheng because of this scene and feelings. There are many examples of the artistic realm in which songs and lyrics are sung in harmony with the scene.

Farewell Pavilion is only a 10% drama, with 19 qupai, containing more than 30 kinds of images, all of which are classic images. Yun Lan, yellow flowers, westerly winds, wild geese, red leaves, willow branches, sparse forests, weeds, sunset, ancient roads, shrike birds, swallows ... These images have been used by writers to express their feelings and create situations countless times in China's traditional poetry and prose, and some images are still used repeatedly in modern and contemporary songs.

For example, the lyrics of Old Things in the South of the City, "Outside the pavilion, beside the ancient road, the grass is blue and the sky is blue ... the sunset is on the other side of the mountain", contain many traditional images of pavilions, grasslands, sunsets, ancient roads and green hills. 2. combination.

The function of association is to extend something to something similar or related to it. The association of images invisibly expands the richness of image connotation, naturally expands the expressive force of poetry and strengthens the lyricism of Qupai.

Association comes from classicism, and classical images have always been used by literati and poets. These traditional images have accumulated rich cultural connotations and unique aesthetic tastes in the long-term use, and their connotations have been continuously expanded and enriched. Farewell to the Pavilion, like Out of the Flowers, Full of Thoughts, contains examples full of classic and associative images, such as wild flowers scattered in the grass and beautiful stars in the night sky.

"Blue sky, yellow flowers, the west wind is tight, flying north and south. Who is drunk in Xiao Lai's frost forest? It always leaves people with tears ("right is good"), and five classic images are used in several lyrics.

For a time, their association can also make our minds suddenly "scrape together" many related poems. Can't "yellow flowers" touch our feelings, and think of Yi 'an layman's "yellow flowers are piled on the ground, haggard and damaged, who can pick them now?" "West Wind" reminds me of the poem "Ode to Haitang" written by Lin Daiyu, the concubine of Xiaoxiang. "Who is shy and silent? I am dizzy because of the west wind night! " These two images also appear in Li Qingzhao's "The curtain rolls west wind, and people are thinner than yellow flowers". "Red leaves" can naturally remind us of Du Mu's trip of "stopping in the maple forest late, frosty leaves red over February flowers".

In Asha, Yingying's Don't Worry uses many images to describe it, such as "green hill", "sparse forest", "light smoke", "twilight", "sunset", "ancient road", "millet", "autumn wind" and "Ma Si". Using these images to write "worry" can be seen everywhere in Tang poetry and Song poetry.

Castle Peak means "pedestrians think infinitely in the autumn wind, and the castle peak across the water is like their hometown", "the castle peak on both sides of the strait meets each other, but who knows the parting"; The "ancient road" means "advising the monarch to drink more, and there is no reason for people to go out of Xiyangguan", "a thousand miles of heartbroken, closing the ancient mountain road, looking back at the high city like a sky; Sunset "means" can I follow your footsteps in the autumn grass, when the sunset sets in the cold mountains? ""Beyond the sunset, Western jackdaw in the west is a little bit, and the water flows around the lonely village; "gloom" means "but I look home and the twilight is getting thicker? "There is a sad fog on the river waves" and "Think about it, it's a thousand miles away, and the twilight is heavy." In Four Evil Ghosts, Yingying sighed, "Who is this sorrow for? Acacia only knows one. " When I am about to leave, how can I confide my love and hate to Zhang Sheng? Not in line with the identity of a lady, slightly light and pale. Using images to create situations to convey feelings is naturally more euphemistic and profound.

"Tears add nine twists to the Yellow River, and I hate the low mountain peak in Hua Yue." Look! Using water as a metaphor for sorrow, didn't Li Yu, the king of the Southern Tang Dynasty who died, say, "How much sorrow can there be, just like a river flowing eastward?" The book "The Ending" is "How can you afford these big and small cars?" It is by no means Wang Shifu's initiative to use "car" as a tool to write parting words and establish images. Dong Jieyuan's "The West Chamber of the Palace Tune" said: "Mo Wen's sorrow is so heavy that one horse can't carry it." Master Wang just changed horses and cars.

Dong Zhi's description of leaving sorrow and taking horses is not his first creation. There is a metaphor in the poem "Jade Tower Spring" by Songshi Xiaoyou that "spring worry is more important than resentment, and I don't believe that horses can carry it". In ancient poetry, horses, cars and boats are used as images to carry and express worries, which is by no means limited to this. Li Qingzhao's "Wuling Spring" "I heard that Shuangxi Spring is still good, and it is also intended to be a canoe.

I'm afraid the ship can't carry much worry. The image beauty of Farewell to the Pavilion lies not only in their classic charm, but also in their association, which is easy to expand readers.

7. What are the ancient poems about Changting?

Li Shutong's farewell.

Outside the pavilion, by the ancient road, the grass is blue.

The evening breeze blows the flute, and the sunset is beyond the mountain.

The horizon, the horizon, intimate friends are half scattered.

Life is once in a blue moon, only parting.

Outside the pavilion, by the ancient road, the grass is blue.

When will you return this? Don't hesitate to come.

The horizon, the horizon, intimate friends are half scattered.

A pot of turbid water spilled all over the floor. Say goodbye to Meng Han tonight.

Farewell Pavilion shows the farewell of Cui Yingying and Zhang Junrui, and embodies the farewell theme of "A glass of wine for joys and sorrows, Wan Li Road for north and south, Wan Li Road for east and west". The plot is not complicated. Cui Yingying, the lead singer of the whole opera, consists of three scenes: Tingzhong Road, the middle of the banquet and the parting moment. With the transformation of the drama scene, the author specially arranged three landscape pictures, so that the combined images depicting autumn scenery were merged into the drama space one by one. Readers appreciate beautiful lyrics, just like accompanying people in the play in picturesque scenery, and entering a poetic realm. The following design played down the plot of the drama, highlighting the grasp of the characters' psychology, the perception of the artistic conception of the lyrics and the appreciation of the drama language.

Evaluation of Ling (Liu Yong)

Cold and sad, Changting is late, and the spell begins to rest. Farewell outside Kyoto, but not in the mood to drink, reluctant to leave, the people on board have been urging to start. Holding hands and looking at each other, tears swirled in my eyes until there were no words at last, and a thousand words stuck in my throat and I couldn't say it. Thinking of returning to the south this time, this journey is another road. Thousands of miles away, it is misty, and the night sky is a vast night fog. Since ancient times, feelings have hurt and left, and the autumn season is even more worthy of being left out! Who knows where I am when I am awake tonight? Fear is just the edge, facing the sad morning wind and the setting sun of the waning moon. This is a long time, people who love each other are not together, and I even expect to be satisfied with the good weather and scenery in name only. There are many kinds of customs, who are you talking to?

Liu Yong is an outstanding representative of the graceful school of Song Ci. Later generations commented that "if you have well water to drink, you can sing Liu Ci" (Ye Mengde's Summer Tale), which shows that his works are widely circulated. And his masterpiece "Cold Sorrow in Yuling" is regarded as a model of writing other feelings, which has been deeply loved by readers for thousands of years.

Wu Songming's poem "Title Wall" said: "Baita Bridge sells land classics, and the short posts in the long pavilion are the most distinctive. How can you just say Lin 'an Road? It is not a few miles away from the Central Plains! " It satirizes the cold reality that some people in the Southern Song Dynasty lived and worked in peace and contentment, unwilling to recover the Central Plains and "made Hangzhou Bianzhou".

"The sunset pavilion is full of sorrow and sorrow in the smoke", ending the whole poem with the pen of scene blending. The sun is setting, the pavilion is far away, there is a song of lamentation and smoke is everywhere. In such a bleak environment of war, a poet who is "shocked but helpless" (see his "Double Ninth Festival in Jingzhou") is sad and sentimental alone.

8. The intention of the wine swan and the double carp pavilion in the poem

Yang Zai in the Yuan Dynasty said, "Anyone who gives people more wine to show their feelings, write a picture to comfort them and show their gratitude." Wine can not only relieve depression, but also contain deep blessings. There are countless poems that associate wine with parting. For example, Wang Wei's "Wei Cheng Qu" advises you to drink more and leave Yangguan for no reason, and Bai Juyi's "Drinking without joy, leaving without joy, being broad and bright" all use wine to express your feelings of parting.

Hongyan: Hongyan is a large migratory bird. Every autumn, it struggles to fly back to its lair, which often causes homesickness and sadness of wanderers, so poets often use geese to express their feelings. For example, in Li Qingzhao's "A Piece of Plum", "The word geese return, and the moon is full of the West Building". In the West Chamber at the end of Yuan Dynasty, Cui Yingying Changting sang "Blue sky and yellow land, tight west wind, flying north and south". Who is drunk in Xiao Lai's frost forest? Always leaving people crying ",the scene is born together, and its feelings are unbearable, and it has become a swan song. "

Double carp, carp and carp elements: letters

In ancient times, there was a pavilion on the roadside of Changting, which was used for rest or farewell party. For example, Yu Xin, a writer in the Northern Zhou Dynasty, wrote "Mourning for the South of the Yangtze River": "Ten miles and five miles, roadside pavilions. It's called ten miles and one long pavilion, and five miles and one short pavilion. " "Long Pavilion" has become an image with feelings of parting, which constantly appears in ancient farewell poems. For example, in Liu Yong's Yulin Order, "It's cold and sad, and the pavilion is too late".

9. On the image of "pavilion" in classical poetry. Let it be discussed, but it cannot be written. It is urgently needed. I'm going.