No, Lu Xun's works: 1. The research status of Lu Xun [Lu Xun] 2. Lu Xun and Zhu An [Lu Xun] 3. Pseudo-free book [Lu Xun] 4. Three idle episodes [Lu Xun] 5. Southern accent and northern mobilization [Lu Xun] 6. Lace literature [Lu Xun] 7. Tomb [Lu Xun] 8. Two hearts [Lu Xun] 9. Just decide [Lu Xun] 65438+. 12. impermanence [Lu Xun] 13. Lu Xun was scolded [Lu Xun] 14. Autumn night [Lu Xun] 15. Yecaoming [Lu Xun] 16. Lu Xun and the film [Lu Xun] 65438. 19. About Lu Xun [Lu Xun] 20. A Jin [Lu Xun] 2 1. A new story [Lu Xun] 22. Quasi-romance [Lu Xun] 23. Refusing the dog [Lu Xun] 24. Farewell to the shadow [Lu Xun] 25. Hot air [Lu Xun] 25. 28. Jie Jieting's essays II [Lu Xun] 29. Xie Jieting essays [Lu Xun] 30. Good story [Lu Xun] 3 1. Supplementary collection outside the collection [Lu Xun] 32. Complement the collection outside the collection [Lu Xun] 33. Episode [Lu Xun] 34. Supplement to Gaihuawen Collection [Lu Xun] Page 37. Happy family [1][ Lu Xun] 38. Hope [Lu Xun] 39. Kite [Lu Xun] 40. Argument [Lu Xun] 4 1. Morning flowers and evening flowers [Lu Xun] 42. Wandering [Lu Xun] 43. Weeds [Lu Xun] 44. Passerby [Lu Xun] 44. 48. Mourn for the dead [1][ Lu Xun] 49. In faint blood [Lu Xun] 50. Introduction to Morning Flowers and Evening Picks [Lu Xun] 5 1. A little thing [Lu Xun] 52. The ever-burning lamp [1][ Lu Xun] 53. La Ye [Lu Xun] 54. Lonely people. Gao [1][ Lu Xun] 58. Twenty-four filial piety pictures [Lu Xun] 59. Show the public [Lu Xun] 60. Postscript [Lu Xun] 6 1. Revenge [Lu Xun] 62. Revenge (2)[ Lu Xun] 63. A feeling [Lu Xun] 64. Lu Xun's novels. 67. Such a soldier [Lu Xun] 68. The trembling of decadent line [Lu Xun] 69. Notes [Lu Xun] 70. Beggar [Lu Xun] 7 1. In the dining room [Lu Xun] 72. A Chang and Shan Hai Jing [Lu Xun] 73. 76. Father's illness [Lu Xun] 77. Mr. Fujino [Lu Xun] 78. Fan Ainong [Lu Xun] 79. Blessing [Lu Xun] 80. Social drama [Lu Xun] 8 1. Storm [Lu Xun] 82. Hometown [Lu Xun] 83. Kong Yiji [Lu Xun] 84. Medicine [87. Lu Xun's Poems [Lu Xun] 88. Diary of a madman [Lu Xun] 89. A brief history of Chinese novels [Lu Xun] 90. Outline of China Literature History [Lu Xun] 9 1. Preface and Postscript of Ancient Books [Lu Xun] 92. Duck's comedy [Lu Xun] 94. Dragon Boat Festival [Lu Xun] 97. Run to the moon [Lu Xun] 98. China people's face [Lu Xun] 99. Complete works of Lu Xun's prose [Lu Xun] 100. Complete works of Lu Xun [Lu Xun] 10 1. Go through customs [Lu Xun] 102. Water control [Lu Xun] 65438. 105. Preface [Lu Xun] 106. After death [Lu Xun] 107. Bai guang [Lu Xun] 108. The Story of Hair [Lu Xun] 109. Tomorrow [Lu Xun] 165438. 1 12. Divorce [Lu Xun] 1 13. Lu Xun's essays [Lu Xun] 1 14. Dog, cat and mouse [Lu Xun] 1 15. Lu Xun's name 1 17. Lu Xun's chronicle [Lu Xun] 1 18. Brief introduction of Lu Xun [Lu Xun] 1 19. Diary of Lu Xun's brothers [Lu Xun] 120. My girlfriend is a spendthrift (post-Lu Xun). 56438+022. 58666687 Tomb [Lu Xun] 123. Complete compilation of Lu Xun's essays (full text serial) [Lu Xun] 124. Trendy Lu Xun's Short Stories [Trendy Lu Xun] 125. Clever son-in-law VS unruly mother-in-law three [trendy Lu Xun] 65438 127. Oh, Lu Xun [Oh, Lu Xun] 128. Thoughts, Mountains and Rivers, People [Translated by Lu Xun] Style: Lu Xun is a top writer in the history of modern literature in China. As the pioneer and pioneer of China's new literature creation, Lu Xun has made outstanding achievements in the fields of novels, essays, poems and prose poems. These works have become the most important cornerstone and monument in the history of modern literature in China. It is particularly noteworthy that his essays are not only the same as his novels, but also the literary genre he created is not only the crystallization of profound and rational thinking, but also contains fiery emotions, vivid images and brilliant literary talent, which writes the spiritual history, personality history and cultural history of the whole Chinese nation struggling, struggling, pursuing and exploring a brand-new road for thousands of years. As a traditional carrier, classics not only show the form of variability, but also show the form of constancy. The recognition of the eternal value of classic works reflects readers' pursuit of directionality, certainty and elitism. The difference between classic works and mediocre works is like unicorns to animals, phoenix to birds, mountains to hills, rivers and seas to streams. The biggest difference lies in its constancy. The constant value of Lu Xun's works first represents the fundamental interests of the overwhelming majority of people in China, and reflects their historical requirements for survival, food and clothing and development under the oppression of "three mountains". The advanced nature of China's new literature is reflected in this solid mass position. The constant value of Lu Xun's works is also reflected in his attitude of criticizing hypocrites and ugly social phenomena. The pseudo-revolution in Lu Xun's works made the "fierce man" ignorant of the world and out of the encirclement of the people, the corrupt official who wanted his subordinates to take the "golden bull" and "golden elephant" as gifts after receiving the "golden mouse", the redundant official who only did not do practical things, and the "relying on Chinese and foreign exchanges". Of course, the constant value of Lu Xun's works was also reflected in his extraordinary artistic attainments and great achievements in stylistic innovation. After reading Diary of a Madman, I feel that the common onlookers, stares and comments on madmen in daily life are used to arouse the inner fear of the persecutor and gradually lead to the theme. The madman saw Zhao Guiweng's strange eyes, the children's livid faces, people whispering along the way, the open mouth, and the words of women in the street saying "bite you a few times", which was associated with the story of people eating people when the tenants in the prodigal village announced famine. From the eldest brother's usual remarks, he began to doubt the current arrangement. He understood the doctor's pulse as "grasping fat and fattening thin" and "eating quickly" as "eating him quickly", and then came to the conclusion that this society is a cannibal society, and the history of this society has been a cannibal history for a long time. The diary reads like this: "I look at history, which has no age, and every page is crooked with the words' benevolence, righteousness and morality'." I couldn't sleep. I read it carefully in the middle of the night before I saw the words through the gap. The book is full of the words' cannibalism'. " He thinks that cannibals will not be tolerated in the future society, and cries out loudly "Save the children". This is the first novel in modern literature. This work with the same name as Nikolai Nikolai Gogol's short story was published one year before the May 4th Movement, describing the mental state and psychological activities of a persecutor. Lu Xun used the medical knowledge he learned in his early years to combine the specific description of social life with the unique inner feelings of a madman, and artistically penetrated all the details of the novel. Everything a madman says is crazy, but what a madman says contains many profound truths. Choosing a madman as the protagonist in the novel is a very careful arrangement. In a society where the dark forces Chen Xiangyin are pressing on people, everything is taken for granted. Lu Xun intends to further reveal the more common nature of "cannibalism" in the spiritual field by predicting the feelings and insanity of the persecutors, thus making a thrilling summary of the historical phenomenon of feudal society. Borrowing reality leads to deficiency, and proving it with deficiency. The artistic conception of this novel is very clever.