White clouds embrace the quiet stone, and the green Xiaomei is clear and clear.

"Passing the Ningshu" by Xie Lingyun of the Southern Song Dynasty

Zhang Sir commented:

The beauty of these two poems lies in their colorful colors. The three colors of white, green and clear are mixed, and the combination of high, medium and low near and far shows an open, quiet, tranquil and leisurely realm.

However, the artistic charm of poetry does not end there. The word "hold" in the first half of the sentence adds a broad-mindedness; the word "mei" in the second half of the sentence also adds a delicate touch, with hardness and softness complementing each other. Moreover, these two words use personification to skillfully turn silence into movement, making the white clouds and green waves seem to float in front of us and ripple in our hearts!

Generally speaking, the landscape atmosphere of Xie's poems can be seen through this poem. In addition to being light and free, it also has a kind of delicacy and softness, which makes people feel relaxed and happy after reading it.

However, in Zhang Sir's opinion, the most wonderful thing lies in the word "Qinglian". The water waves are clear and rippling, and the skylight, cloud shadows, stone interests, and Xiaozi are all reflected in it. The beautiful scenery is gathered together, and all the wonderful things are gathered together, making it difficult for you to distinguish between the sky and the water. This is the real "painting in poetry, and painting in painting". Poetry" Ah!

The blue sky is like a clear river, and the film washes out at the beginning of the month.

Qing Dynasty Hui Zhouti's "Sitting at Night with Pregnancy"