The words carved on tortoise shell bones in the Yin and Shang Dynasties are called () A Oracle Bone Inscriptions B Bronze Inscription C Shi Guwen D Pottery Inscription 2. The creator of "Thin Gold Body" is () A Song Huizong B Song Gaozong C Emperor Taizong D Emperor Xuanzong 3.

Zhong You is a famous calligrapher. He lived in the era of () A, Yin, Shang, B, Three Kingdoms, C, Han, D and Tang. The author of the classic Huang Tingjing handed down from ancient times is () A Suo Jing B Wang Xizhi C Wang Xianzhi D Su Shi 5.

Besides Yu Shinan, Yan Suiliang and Xue Ji, there are also a () A Zhiyong B Ou Yangxun C Yan Zhenqing D Li Yong 6. Known as the second running script in the world is () A Preface to Lanting by Wang Xizhi, B Poems on Cold Food in Huangzhou by Su Shi, C Sacrifice to My Nephew by Yan Zhenqing, D Shu Su Tie by Mi Fei, 7.

Zhu Yunming, Wen Zhiming, Chen Chun and Wang Chong are called () A, B, Wu Men Si, C, Kai Shu Si, D and 8 in the history of calligraphy. Dong Qichang's calligraphy style is () A vigorous B elegant C Gu Zhuo D boundless 9.

The following monuments do not belong to Han Li: () A Zhang Qianbei B Yiying Monument C Yishan Monument D Sacrificial Monument 10. Here's a post that doesn't belong to one of the three wishes of Emperor Qianlong's Sanxi Hall () A Sun in the Snow by Wang Xizhi B Preface to Lanting by Wang Xizhi C Mid-Autumn Festival by Wang Xianzhi D Yuan Bo Post by Wang Xun. Reminder: I suggest you choose the grade that suits you, and don't choose too high a grade.

Demotion can only be demoted within the same level. The maximum number of applicants for advanced (8- 10) is reduced to 8, and the maximum number of applicants for intermediate (4-7) is reduced to 4. If the examination grade is lower than the above-mentioned lower limit, it will be deemed as failing and no grade certificate will be issued.

2. calligraphy theory knowledge test questions with answers, thank you, and I will get extra points for good answers.

What does "through the back of the paper" mean?

The "force" in calligraphy and painting is an abstract expression of pointillism, linearity and the author's inner spirit. Specifically, if you can stroke in the center, that is, when you stroke, the bristles are evenly scattered and the pen center walks in the strokes. The force of the arm can be cut into the paper through the soft nib. If the bristles are twisted or twisted into a ball when writing, the bristles are not properly adjusted and spread evenly, and the bristles sweep across the paper like paint, it is called "force-penetrating paper back". Such strokes are "smeared", like ink pigs, and the brushwork is impossible. The strength of brush strokes has nothing to do with the thickness of lines, but the key lies in the author's ability to control the brush and write with the center.

From Chu Suiliang's Preface to the Big Wild Goose Pagoda, we can see that there are many tiny strokes, delicate and powerful. From Yan Zhenqing's "Yan Family Temple Monument", we can feel the dignity of the writing brush, which is like an iron hook and a silver painting. These are all examples that run through the back of the paper.

What is alienation?

"Side shift" means that the stippling of each part of a word gives way and echoes each other, so that words with more strokes do not appear dense, and words with fewer strokes do not appear sparse, such as the words next to "horse" and "bird", and the left side should be written straight to make way for the half word on the right; Other words with left and right radicals are also analogized.

What are the requirements for shelves?

The spacing between characters should be appropriate in size, length, width and inclination.

What are the basic rules for learning calligraphy?

To learn calligraphy, we must master the basic laws of writing, carrying, using and structure.

Why can't you hold a pen with your fingers?

When you move the pen tube with your fingers, it can't stay upright, and the range of motion of the pen tube is very small. I can barely cope with writing small words, but I can't write middle letters, big letters or any big words. Moreover, the fingers of the pen are not practical, and the words written are vain.

The ancients wrote "Longan" and "Phoenix Eye". How to enforce the law?

The so-called "longan" and "phoenix eye" are just mysterious statements, which are actually the most disgusting. "Longan" law enforcement means that the forefinger and middle finger only hold the front end of the pen tube in an arc shape with their fingertips, the first joint of the ring finger pushes the top in the pen tube, and the right finger of the thumb pushes the meat on the left side of the pen tube to make the tiger's mouth form a circle. It is laborious and impractical to enforce the law in this way with a twist of the wrist. As for the "phoenix eye" law enforcement, it is even more important. The index finger is high, the thumb is in the middle, the middle finger is below, and the three fingers are distributed in the upper, middle and lower sections, so that the ring finger and the little finger are naturally pinched in the palm, and the tiger's mouth is long and narrow, like the eye of a phoenix. The palm of your hand is pinched and the pen tip is inflexible, so the writer must pay attention to correcting it. In addition, some books also have the words "pinch the tube" and "lift the tube", which is also not practical.

What's so good about Sunshine Station in the Fast Snow?

The paper version of Wang Xizhi's running script "Quick Snow and Clear Post" is now in the National Palace Museum in Taipei.

Quick Snow Clear Post is the only calligraphy masterpiece of Wang Xizhi, a "book saint". Longitudinal 23cm；; Horizontal 14.8cm, running script with four lines and 28 words. "Sunny Post in the Snow" is a letter, the content of which is that the author wrote down his happy mood and greetings to his loved ones in the snowy Chu Qing. This post begins with the cursive script of "Xi's approval" and ends with the regular script of "Yin Shan Zhang Hou". This post is elegant, smart, mellow and charming, in which lines or scripts, or streams, or streams. Nothing is taken lightly, and every sentence reveals fluency and beauty.

Many people think that Kuai Xue Qing Tie is another masterpiece of his running script after The First Running Script in the World and Preface to Lanting. Zhao Meng

3. Calligraphy common sense and answers, including choosing to fill in the blanks.

1, whose work is "the best running script in the world"? (Wang Xizhi; Preface to Lanting) 2. We often say "Four Treasures of the Study" is a pen and ink. May I ask the representative origin of "Four Treasures of the Study"? (Hu Bi, Hui Mo, Xuan Paper, Duan Yan) 3. Who are the four great calligraphers in the history of calligraphy? (Yan Zhenqing, Liu Gongquan, Ou Yangxun, Zhao Mengfu) 4. Who are the two calligraphers in the history of calligraphy? (Wang Xizhi, Wang Xianzhi) 5. "Sacrificing a Nephew" is known as "the second running script in the world". Who is its author? (Yan Zhenqing) 6. Oracle Bone Inscriptions is known as "the earliest writing and the latest calligraphy". Who was its discoverer? (Qing/Wang) 7. The first collection of poems in the history of China literature? (The Book of Songs) 8. Judge which of the following famous posts does not belong to (D)A Sunny Post in the Snow, B Mid-Autumn Post, C Yuan Bo Post, D Duck Head Pill Post, 9. Cursive script is a writing style after the development of running script to a certain stage.

(Wrong) 10. Who are the four calligraphers named "Song Sijia" in the history of calligraphy? (Su Shi, Huang Tingjian, Mi Fei, Cai Xiang) 1 1. Who is Cao Sheng in the history of calligraphy? (Tang/Zhang Xu) 12. Which of the following calligraphers is not a monk? CA Huai Su b Zhiyong c Jin Nong d Huairen 13, which of the following calligraphers has no political stain? AA Cai Xiang B Zhao Meng C Zhang Ruitu D Wang Duo 14, Kang Youwei is a famous politician and a great calligrapher in modern China. He strongly advocated Wei Bei's calligraphy art and set off the peak of Wei Bei's calligraphy creation in the history of calligraphy. Our question is: What is Kang Youwei's nickname?

Ba Zhu Qing B Nanhai C Shi An D Xiangguang 15 and "Silkworm Head and Wild Goose Tail" are the characteristics of which calligraphy? Ba Zhuan Shu B Li Shu C Kai Shu D Xing Shu 16, Oracle Bone Inscriptions was discovered in which dynasty? Where was it first discovered (Qing Dynasty)? (Anyang, Henan) 17. Calligraphy often says a pair of couplets "Zhong Zhang is the foundation of books, and literature is the hall of Qin and Han dynasties". Which two calligraphers do "Zhong Zhang" refer to? (Zhong You, Zhang Zhi) 18. Which of the following ancient calligraphers is not famous for writing seal script? Dali Temple B Li C Wu Changshuo D Snowflake 19, the famous monument ""is a masterpiece of that style? (official script) 20. Please name the author and dynasty of Shuo Wen Jie Zi? (Eastern Han Dynasty/Xu Shen) 2 1. Su Shi was a great writer and calligrapher in Song Dynasty. One of his running script works is known as "the third running script in the world". What is this work? ("Huangzhou Cold Food Post") 22. There is a saying of "Zhang Zui" in the history of calligraphy. Which two calligraphers do "Zhang and Su" refer to? (Zhang Xu, Huai Su) 23. Which emperor created the world-famous "thin gold body" in Song Dynasty? Please tell me its temple number and name? (Song Huizong/Evonne) "Those who like me die, those who oppose me live" is a famous saying of which modern artist in China? CA Pan Tianshou b qigong c qi Baishi d Li Keran.

4. What are the common problems in calligraphy?

Basic knowledge of calligraphy Calligraphy is one of the traditional arts in China.

It is the art of writing Chinese characters with a brush to express the author's spiritual beauty. Its basic requirements are: one is to use a soft brush, and the other is to write Chinese characters with rich images.

Therefore, there are two meanings: first, it refers to the rules of calligraphy, which mainly include methods such as holding a pen, using a pen, stippling, structure and distribution; Refers to the art of expressing the author's spiritual beauty by writing Chinese characters. It expresses the author's personality, interest, knowledge, temperament and other spiritual factors with the help of exquisite techniques and vivid modeling, with the focus on "heart painting"

The combination of the two forms China's calligraphy art. Therefore, from the elements of calligraphy, it includes three aspects: first, brushwork, which requires skilled use of brush, and correct fingering, wrist, body, brushwork and pen and ink; The second is the pen gesture.

It is required to properly organize the relationship between stippling and stippling, between words and between lines; The third is the brushwork. It is required to show the author's temperament, interest, learning elements and personality in the writing process.

In style and style, it is even more colorful. China's calligraphy art has a history of over 3,000 years. The reason why it has become an art mainly depends on the fact that China people are good at turning practical things into exquisite art, and it is also closely related to China's unique brush.

Its characters brew the soul of calligraphy art with the characteristics of image conception and imagery. The square configuration with brilliant conception and posture constitutes the formal basis of calligraphy art, and its tool is "only soft and strange", which can give birth to the charm of Fiona Fang's hiding, advancing and retreating, thickness, thickness, wetness, cadence and convergence.

Break and follow-up momentum, both rigid and flexible; With special paper and ink, the art of calligraphy is more unpredictable. Charming.

Calligraphy has not only become a national art to express the highest artistic conception and sentiment, but also ranks first among all arts. Calligraphy is not only popular all over the world in China, but also has already gone abroad and become a medium for spreading friendship. It is influential in the eastern world and attracts the attention of the western world.

Composition refers to the method of arranging and arranging the relationship between words and lines in the whole work. That is the "white cloth" of the whole work.

Also known as "big rules". Traditionally, it is also called the arrangement of one-word stippling, and the relationship between one-word arrangement and numbers is "small chapter method"

Zhang Shen explained calligraphy in Ming Dynasty: "The ancients used a writing method to write articles. Composition, article method and final structure are all corresponding.

Therefore, the cloud says:' One is divided into one word rule; A word is the owner of the last article. Dong Qichang's "Essays on Painting Zen Rooms: Comment on Books" in Ming Dynasty said: "The ancients took the composition of books as a major event and covered the so-called thick lines.

See Mi Chi in fine print, and write an elegant collection of West Garden. It's ten thousand fans, straight as a string. There must be another way, but you should pay attention to the rules and regulations on weekdays. Xu Lanting by the right army is the first in ancient and modern times, and its words are reflected, small or big, and all the things it likes are in the law, so it is also a masterpiece. "

It can be seen that the number of sheets is important in a calligraphy work. When writing, we should deal with the white cloth in words, word for word and between lines, so that stippling echoes stippling, words keep pace with emotion, and lines reflect each other. If you are self-sufficient, fluent, exquisite and harmonious, you will have the effect of "gold in the word and jade in the line". Generally speaking, there are three forms of cloth white: first, there are ranks, second, there are ranks (or ranks), and third, there are no ranks, which may have the artificial beauty of "picking gold by mistake" or the natural beauty of "hibiscus".

The method of writing and drawing with a pen. China's paintings and calligraphy are dominated by lines, and the tools used are all sharp pens. In order to enrich the line stippling of calligraphy and painting, we should first pay attention to writing, and grasp the weight, speed and correctness when lifting the pen.

Straightening, straightening and other methods are called "brushwork". Zhang Tang Huai Guandao's "Forbidden Classics in Yutang, Digested with a Pen" says: Generally speaking, the brushwork is eight types of stippling, and the word "forever" is prepared.

Therefore, Yuan Zhao Mengfu said in the Postscript of Lanting: "It is not easy to use a pen through the ages, because it takes a long time." Ink method is also called "blood method".

One day: using ink. The predecessors called it ink painting, and the blood of the word is also.

Therefore, when writing books in the field, I am extremely particular. Too light ink will damage the color, too thick ink will delay the pen.

We must "long for life and talk about it." Song Jiangkui's "Continuation of Book Spectrum with Ink" says: "To write a script, you should do it, but not too dry.

When the grass is dry, it is good to moisten it, and it is risky to dry it. It is not known that thick ink leads to sluggish pen and dry ink leads to dry pen. "

Bao Qing Chen Shi's "The Story of the Art Boat II Series" said: "Painting and calligraphy are both based on pens and formed in ink, so ink painting is a key to calligraphy. In fact, the pen is heavy, but it is floating.

..... "The style of pen and ink, on the one hand, often varies from person to person. For example, the thick ink in the Northern Song Dynasty is practical, while the thick ink in the Southern Song Dynasty is flexible. Liu Yong likes to use thick ink, while Meng Lou just uses light ink.

On the other hand, it is often different because of different book styles and paper properties. Second: the method of grinding ink.

Su Song Jianyi's "Four Books of Study: Ink Spectrum" said: "Learning ink is like a disease, and it is important to be even without mud." Grinding ink should be cold, and it will give birth to light when it is cold.

Don't heat the ink, it will blister when heated. The cover avoids the urgency and ink fever of its research.

Li said, "users won't stop for a long time, but the dust pollutes each other for a long time and the glue will die." It's too dull to write. "

Chen Yuan-Yi once said in the book "The Essentials of Hanlin Meat Method": "The method of grinding ink is both pressing and pushing, and the operation is nearly folded." "Never use inkstone to grind the ink, so that the ink will stagnate, and you must temporarily worry about it with water drops." "Don't grind your own ink, your hands will tremble and your bones will be strong. It is also a taboo. "

Structure is also called "knot", "frame" and "structure". Refers to the arrangement and layout of each dot.

Chinese characters are formal, and calligraphy is "metaphysics" (Qing Kang Youwei), so knot is particularly important. Yuan Qian's Postscript to Lanting: "Calligraphy is based on the use of pens, and it also requires labor to form words."

All kinds of fonts of Chinese characters are connected and matched with dots and strokes. The length, short, thick, thin, prone, upturned, contracted and stretched strokes, and the width, narrow, high, low, narrow and straight radicals constitute different forms of each character. In order to make the stroke matching of Chinese characters appropriate, appropriate and uniform, it is necessary to study its structure.

As Feng Ban said in the Pure Book of Songs in the Qing Dynasty: "Learn the frame first, and the ancients call it a knot; Learn to use a pen when the shelf is clear. You can see the stone tablet on the shelf, so you must use a pen to create it.

5.20 1 1 year calligraphy common sense examination questions

20 1 1 provincial calligraphy proficiency test calligraphy common sense test sample questions (non-range) Please fill in the letters of a correct answer in the registration of each question, and score 10 for each question.

(Pass 60 points) (Only those who pass common knowledge of calligraphy can decide the level of candidates 8- 10) 1. The characters carved on the bones of tortoise shells in the Yin and Shang Dynasties are called () A Oracle Bone Inscriptions B inscriptions C Shi Guwen D tile inscriptions 2. The creator of "Thin Gold Body" is () A Song Huizong B Song Gaozong C Emperor Taizong D Emperor Xuanzong 3. Zhong You is a famous calligrapher. His time was () A, Yin, Shang, B, Three Kingdoms, C, Han Dynasty and D, Tang Dynasty. 4. The authors of the classic Huang Tingjing handed down from ancient times are () A Suo Jing, B Wang Xizhi, C Wang Xianzhi and D Su Shi. 5. Besides Yu Shinan, Yan Suiliang and Xue Ji, there is another one () A Zhiyong B Ou Yangxun C Yan Zhenqing D Li Yong 6. Known as the second running script in the world, () A Preface to Lanting by Wang Xizhi, B Poems on Cold Food in Huangzhou by Su Shi, C Sacrifice to My Nephew by Yan Zhenqing, D Shu Su Tie by Mi Fei, 7. Zhu Yunming, Wen Zhiming, Chen Chun and Wang Chong are known as () A Song Sijia B Wumen Four C Regular Script Four D Yuan Sijia Eight in the history of calligraphy. Dong Qichang's calligraphy style is () A vigorous B elegant C Gu Zhuo D boundless 9. There is a monument that does not belong to Han Li () A Zhang Qianbei B Yiying Monument C Yishan Monument D Libei 10. () A Wang Xizhi's "Quick Snow Clear Post" B Wang Xizhi's "Preface to Lanting" C Wang Xianzhi's "Mid-Autumn Post" D Wang Xun's "Yuan Bo Post" Jiangsu Education Examinations Institute Nanjing Art Institute 201kloc-0/March.

6. Common sense of calligraphy

1. Do you know what "calligraphy" contains? ...................... (1) 2. What is the meaning of "Shu Dao"? What are the similarities and differences with "calligraphy"? ………………………………………………………………………………… (2) 3. Do you know what "calligraphy" means? ........................ (2) 4. Do you know what calligraphy is? …………………………………………………………… (3) 5. What is "calligraphy aesthetics"? ………………………………………………………………… (4) 6. What is the content of "Calligraphy Philosophy"? .................. (4) 7. What is the difference between "calligraphy art" and "calligraphy works"? ............ (5) 8. What does the content and form of "calligraphy art" mean? .................. (6) 9. What are the contents and forms of "calligraphy works"? ......................... (6)10. Please talk about the independence of calligraphy art form ......................................................................................................................... What is the relationship between "degree" and calligraphy? ........................... (7) 12. Please talk about the ontology of calligraphy, ....................... (8) 1 3. Please talk about the abstract art of calligraphy ..................................................................................... (1 1) 16. What is the dimension of calligraphy? ………………………………………… (13)17. How to understand the relationship between calligraphy and society? ……………………………… (14)18. What is "calligraphy management"? What does it include? ............. (16) 19. Please talk about "calligraphy economics" and ...................... (17) 20. What does "calligraphy pedagogy" include? ……………………………… (18) 21.What is the relationship between calligraphy and "aesthetic education"? How to cultivate the aesthetic feeling of calligraphy? …………………………………………………………………………… (19) 22. What is the relationship between learning calligraphy and history? What does "Calligraphy History" include? …………………………………………………………………………………………………………………………………… (20) 23. Why do you want to establish an "international calligraphy exchange"? What are the main contents? ……………………………………………………………………………………… (20) 24. What is "calligraphy psychology"? ……………………………………………………… (21) 25. Please talk about the relationship between calligraphy and physiology? What is the main task of "Calligraphy Philology"? 10、 1 1、 12、 13、 14、 14、 15、 16、 16、 17、 18、 18、 1 9、 18、 19、 19、 19、 19、 19、 18、 19、 19、 19、 19、 19、 19、 / kloc-0/8、 19、 19、 19、 19、 19、 19、 19、 19、 19、 19、 19、 19、 1 9、 19、 19、 19、 19、 19、 10、 19、 19、 19、 19、 19、 19、 19、 / Kloc-0/9, 19, 19, 19, 19,1………………………………………………………………………………. ......... (26) 3 1. What is "calligraphy talent"? ………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………… ……………………………………………………………………………………………………………………………………………………… ............ (28) 33. What are the main internal laws of the growth of calligraphy talents? ............ (28) 34. Please be more specific about "optimizing knowledge structure" ............ (29) 35. What are the external factors for the growth of calligraphy talents? ..................(3 1) 36. Please talk about some problems in the management of calligraphy talents. ............................................................................................................................................................ (33) 38. What are the requirements for talents in calligraphy theory? .......................... (33) 39. Is there "inspiration" in calligraphy creation? What is "inspiration"? (34) 40. Why should we pay attention to the study of calligraphy information? What are the ways to collect information? …………………………………………………………………………… (35) 41.What are the contents of "calligraphy futurism"? ...................... (36) 42. What is the significance of calligraphy appreciation? .................. (37) 43. Please talk about the characteristics of calligraphy appreciation ..................................... (39) 44. Historically, the evaluation of the same work is often quite different. Please talk about the reasons for this situation, .............................................................. .......................... (41) 46. What is the "charm" of calligraphy? …………………………………………………………… (42) 47. How to understand the "artistic conception" in calligraphy? ................... (43) 48. Please talk about the style of calligraphy ................. (44) 49. What is the "image" of calligraphy? ……………………………………………………………………………… (45) 50. What is the "style" of calligraphy? Please give an example to illustrate the significance of ....................'s (46) 5 1. .................................. (48) 52. What is "calligraphy"? ....................................... (48) 53. What is a "case"? ………………………………………………………………………………………………………………………………………………………………………………………………. .......................... (50) 55. Please explain the "circle knowledge" .................. (5 1) 56. What is the "living reference" in calligraphy appreciation? ..................... (52) 57. What is the common beauty of calligraphy? What is the reason? (53) 58. Please talk about the "structural beauty" of calligraphy. ................... (55) 59. What is the relationship between calligraphy and literature? .................... (56) 60. Please talk about the relationship between calligraphy and music ................. (57) 6 1. Briefly describe the relationship between calligraphy and architecture ........................ (58) ................................... (58) 63. What is the enlightenment of dance to calligraphy? ............................................. (59) 64. How to understand "the homology of calligraphy and painting"? What is the relationship between calligraphy and painting? ……………………………………………………………………………………… (60) 65. What is the influence of Confucianism on calligraphy? .................. (6 1) 66. What is the influence of Laozi and Zhuangzi's thoughts on calligraphy? …………………………………………………………………………………………………………………………………………… (64) 67.