Current location - Quotes Website - Excellent quotations - Mary's plays.
Mary's plays.
The flaming colt is decorated with incense, Jade Hall is decorated with spring, and Yuan is decorated with Dou E. Folding drama: The rice in the flower pavilion, the three drops of blood of Zhao Jingtang and the legend of the white snake are decorated with the dignified and atmospheric Shaanxi opera of the White Snake, Hua Dan Mary.

Source: China Drama Network published on 20 10-05- 18.

Mary carefully pondered and absorbed the wonderful parts of singing in Beijing dialect, Henan opera and Huangmei opera, and Mary also used them for reference. The melody of Bel Canto is flying, and the mellow and crisp guzheng and dulcimer are skillfully used for reference. For Mary with true temperament, practicing routines every day is never a burden, but an innate pleasure and instinctive release.

Hua Dan Mary, a young student of Qinqiang Opera, graduated from Zhouzhi Art School in Shaanxi Province, and now works for xi 'an Qinqiang Youth League. The main workers are Xiao Dan and Hua Dan.

1999 won the second prize in the Opera Singing Competition of Shaanxi Secondary Art School, the first prize in the xi 'an Imitation Show Competition in 2000, and the gold medal in the national opera "Little Plum Blossom" award competition in 2006. In 2002, he was hired as an actor in Hua Dan by Shaanxi Youth Drama Troupe. Perhaps the portrayal of Sun Yujiao in Picking up the Jade Bracelet touched the older generation of the Provincial Drama Association, perhaps the voice of the most filial daughter in Dou E Yuan infected the emotional world of insiders, or perhaps the frankness in the trial of Su San San touched the leaders of the competent departments.

In 2002, Mary represented Shaanxi Province in the "National Xiaomei Opera Grand Prix" and won the gold medal. In 2003, she participated in Qin Zhisheng's children's drama "Fan" and won the sixth place in the annual final. In 2004, he won the first prize in the "Hongmei Award" contest of Shaanxi Opera. In 2004, she won the first prize of Qin Zhisheng and Four Little Dancers, and participated in the finals at the end of the year. Scenery: This drama: Famen Temple is decorated with the flaming colt of Sun Yujiao as incense, Yutangchun as Su San's Yuan as Dou E, and the passbook drama: Flower Pavilion Meeting is played by Zhao Jingtang.

It was about three years ago that I first paid attention to Hua Dan Mary, a little Shaanxi opera girl. In 2007, June 5438+00 in Guangrao, Shandong Province was exciting, and the third "Picking Plums in Chinese Opera" contest just ended here. It was a little cold that day, but the performance square of Yiwu Commodity Market was warm and filled with a breath of spring.

The award ceremony of the National Drama Hongmei Competition sponsored by the Chinese Dramatists Association is being held here. Mary, a Shaanxi Opera actress selected by Shaanxi Opera Art Association, stood out among many contestants and won the title of "China Opera Red Plum and Golden Flower" in one fell swoop.

Mary is only 2 1 year old and graduated from Zhouzhi Art School. Her play that time was "dressing and dressing". "Mei Ji of Chinese Opera" is sponsored by the Chinese Dramatists Association, aiming at selecting outstanding opera professionals through competitions and encouraging young opera workers to actively inherit the art of Chinese opera. The contestants cover all kinds of dramas and occupations in China, with high specifications, large scale and wide influence.

Mary won unanimous praise from the audience and the judges for her beautiful appearance, graceful singing and dignified typhoon, and stood out among more than 40 actors who participated in the competition, becoming one of the gold medal winners in that competition.

In 2009, on the occasion of the National Cultural Heritage Day, in order to deepen the social influence of Shaanxi Opera inheritors and inspire young Shaanxi Opera actors' dedication to the cause of Shaanxi Opera and their awareness of pursuing perfection in Shaanxi Opera art, the "Shaanxi Provincial Shaanxi Opera Project Representative Inheritor Exchange Exhibition" was held from June 13 to June 6544.

At that time, the inheritors of 65,438+065,438+0 and their disciples performed three opera performances and an oratorio on the same stage, which showed the artistic achievements of inheriting and developing Shaanxi Opera and exchanging learning experiences interactively, and reproduced their unique style of Shaanxi Opera genre. Ma Youxian, known as the "golden voice", has a pure and clear voice, sweet and passionate singing, strong emotional color, full temperament, strong penetration and galloping high-pitched areas.

With scientific vocalization, the traditional opera singing is integrated into the Shaanxi opera singing, which is natural and smooth, inherits the tradition and does not stick to the rules. On the evening of June 14, Mary, a student from Ma Youxian (in cooperation with Yu Yingchun), performed the opera Dress and Dress, which once again feasted the audience.

According to relevant data, Ma Ligang became an opera fan when he was sensible. "Selling Cloth in Zhang Lian", "Flower Pavilion Meeting" and "The Edge of the Tiger's Mouth" and so on, she will string a few jokes. No matter from the so-called comprehensive quality, Mary is a good material for singing opera. Tiny details, through Mary's series of performances, have the meaning of endless thinking. When she was young, her extraordinary performance conquered countless opera fans in the Midwest.

During her study in drama school, Mary and the bishop teacher cooperated very tacitly. She did not regard a set of existing and established techniques and singing methods taught in school as dead dogma, but made appropriate adjustments according to time, place and feeling, and strictly digested and practiced them. Mary never broke the motto "One minute on stage, ten years off stage" and never gave it up.

Ma Youxian, Li Mei and other predecessors' unique accents, which Mary carefully pondered and absorbed; Mary also learned the wonderful parts of singing in Henan Opera and Huangmei Opera. The melody of Bel Canto is flying, and the mellow and crisp guzheng and dulcimer are skillfully used for reference. For Mary with true temperament, practicing routines every day is never a burden, but an innate pleasure and instinctive release.

Mary's hobbies and striking points are various: many special performances that modern acrobatics can take, and the extraordinary achievements of China Wushu in Qigong are absorbed by her daily practice. Her performance makes young people feel atmospheric, handsome and aura; Older people feel that they are effective, correct and decent; The layman looks at the lively place and thinks it is a solution to greed, anger and boredom; People in the circle looked up at the street and claimed to have eyebrows and eyes.

Because of her excellent performance, she often appears on the TV screen. Mary won the championship of the Children's Competition of Shaanxi Opera, the Xiao Ming Dan Competition of Sichuan and the Hongmei Competition of Shaanxi Opera, and her reputation spread all over the four towns. A group of drama predecessors of Shaanxi Qinqiang Association appreciated this young man's outstanding performance and accepted her as a member of the Provincial Dramatists Association. Since then, Mary has had the privilege of learning skills from elites of various factions in Xi 'an, the ancient capital.

Li from the Provincial Art School and He Ling from the Institute of Traditional Chinese Opera. Everyone has contact with Mary. Face-to-face communication, heart-to-heart talk and careful advice finally enabled Mary to go to by going up one flight of stairs on her own artistic journey and gain more knowledge.

What is commendable is that Mary never copied other people's vocals and routines, but on the basis of perfecting her own artistic performance system, she adapted to the drama from person to person, gave full play to her strengths, comprehensively summarized and carefully purified, and constantly improved in the further study of dance classes in the Conservatory of Music, thus forging her own unique performance language.

In many stage images created by Mary, such as Sun Yujiao, Mrs White Snake, Dou E and Lu Ye Han Yan, almost all factions and schools can be found. But in essence, the characteristics of ontology language are unique to Mary herself.

We hope that the younger generation, like Mary, who has made a name for herself in drama life, will be as determined and strive for perfection as the older generation of artists, and continue to work hard for the re-creation of China's plays.