Duras lover's classic sentence 1 1, how many changes in spring and autumn, how many bumpy love, how many sighs you have in the sea of people.
2. Hatred is the threshold of silence.
Tears comfort the past and the future.
4, love, for me, is not a meal and a dish; Not a close relative of the skin; It is a heroic dream in ordinary life; This is a desire for eternal life.
When you can't control others, you must control yourself. Racing is the same as being a man. Sometimes you have to stop, and sometimes you have to hurry.
At the beginning, you were beautiful, but now, I love your weather-beaten face more.
7. I love your smashed face more than your face when you were young.
8. I love your withered face more than your former beauty.
9. If you love, please love deeply until the day when you can no longer love.
10, people seem to be infected with some strange qualities, so do we, and my mother's laziness and dullness have also appeared in us. In this place, people don't know anything, just look at the forest, wait for nothing, and cry.
1 1. He told her that he still loved her as before until death did us part.
12, yearning for happiness in life, though so strong, can't completely dispel her despair.
13, I love your smashed face more than you did then.
14, today's sadness, I think it is innate, I can almost transfer my name to it, because it is so similar to me, so inseparable.
15, I think the definition of sinner is still too simple. If a person hurts others and disrupts others' lives, and these people are even his closest relatives, he is a real sinner, I think so.
16, when you were young, everyone said you were beautiful.
Many years passed, and I got married, had children, divorced and started writing. He and his wife came to Paris and called me. He said that he still loved me as before, till death do us part. ...
18, when you are experiencing the youngest and most enviable years in your life, the sudden advance of this time will sometimes surprise you.
19, I know you and will always remember you. At that time, you were young and everyone said you were beautiful. Now I'm here to tell you that I love your smashed face more than you did then.
At that time, you were very young and everyone said you were beautiful. Now, let me tell you, for me, I think you are more beautiful now than when you were young.
Duras' classic love story 2 I. Life and creation
Marguerite duras, formerly known as Margaret Tao Radio, is a famous French writer, playwright and film director. She was born in Jiading, French zhina, in 19 14, which was later Saigon, Vietnam, and now Ho Chi Minh City. Her parents are teachers and she has two brothers. /kloc-When she was 0/6 years old, she met a lover from China to help her family tide over the difficulties. 65438+ Mathematics, political science, from 1935 to 194 1, worked as a secretary in the French colonial department and kept writing. 1996 died.
From 1943, Duras published Shameless Man under the pseudonym, to the last work, This is All, in more than half a century, * * * has published more than 30 novels and participated in the production of more than 20 plays and movies. Among her many famous novels, The Lover published by 1985 is the most famous.
Second, analyze the exotic image of China's lover.
1. Cultural "hybridization"
He bears the brand of ancient China, looks handsome, has golden skin, has no muscles, has few moustaches, is weak, inferior, timid, decadent, lazy, weak, elegant, affectionate, loves to cry, smells of tobacco and spices, and submits to his father and his father's property.
At the same time, it has the color of French gentleman culture, such as: studying in France, speaking French, elegant manners, wearing a suit, taking Muxin car, having a full-time driver in uniform, and having a big house at home.
If he is handsome, elegant, with some French cultural colors and rich, and meets the imagination of a poor French girl for her lover, then his deep China brand, his yellow skin, his timidity and femininity represent the imagination of France and its western society for China culture, while his wealth and his mixed cultural phenomenon represent the collective imagination of overseas speculative and colonial western countries for the eastern countries.
2. Depressed people
In the love relationship, the little girl has always been in a dominant position, controlling the initiative. When we first met, he was timid and self-abased and spoke to the little girl carefully. Out of curiosity, the little girl communicated with him in a charitable manner. In the sexual relationship, the little girl offered herself to him voluntarily, and finally the little girl left him voluntarily, so in the whole love relationship, he was always suppressed by the condescending attitude of the little girl, so he was silent and loved.
In the communication with his family, his family didn't think highly of him because he was rich. On the contrary, they despise him extremely. Similarly, they also gave him an opportunity to treat his family to dinner in a charitable manner. At the dinner table, he wanted to say something to my family, but nobody paid attention and he was silent. At the dance, he was insulted by my two brothers, and he was silent. This is my family's idea.
In family relations, he abides by the concept of male chauvinism, completely obeys his father, is parasitic in his father's huge property, humble and obedient, and has no resistance, so he is suppressed by his father;
Culturally, although he studied in France and can speak French, he still has the blood of ancient China culture. Just like this ancient country, he is lazy, weak, rigid and lifeless. He is also a giant baby disciplined and suppressed by China traditional culture.
3. Desperate waiting and waiting
The protagonist in Lover appears as an eternal waiter, and this kind of waiting is hopeless from the beginning. When we first met, he greeted me with cowardice and inferiority. When I replied to him, he was surprised and said that I didn't expect to talk to him. So he greeted him, but he didn't expect the little girl to respond to him. He is waiting for an unexpected result.
Surprisingly, the little girl responded to him. In the following communication, the little girl's openness and wildness made him unexpected and unprepared. He was shocked and surprised by this. He waited for the little girl to say love. He thought it should be love between them, but the little girl asked him to treat her like any other sexual partner. Therefore, his waiting failed once.
In the communication with the little girl's family, he tried to talk to them and wait for their response and acceptance, but they just buried themselves in eating and completely ignored his existence. He was silent and his waiting failed once.
The little girl is gone, and for the little girl, their love is over, but for Duras, their love is still going on, or just beginning, and she needs to build her own love with his desperate and fruitless waiting. For Duras, waiting-love-reality-leaving-continuing to wait, after these five stages, is a complete love. From the beginning, waiting, their love is truly complete. So, he is a waiter, and that is his affection. For her, there is affection, but behind it, she needs his waiting to build her love, so he is also a waited.