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1, Du Fu's Looking for Flowers Alone by the River in Tang Dynasty

The spring flowers by the river bother me so much that I have to go everywhere.

He came to the south to find a drinker and went out for a drink ten days ago.

I am troubled by the spring flowers by the river, and this feeling has nowhere to tell, but I can only be intoxicated crazily. I came to my southern neighbor's house to find my drinking partner. Unexpectedly, my bed was empty and I went out for a drink ten days ago.

Appreciation: "The river annoys flowers." Flowers are annoying, but they are actually cute. The flowers on the river, the shadow of the flowers make the water surface flatter, and the water surface is colorful and more lovely. The word "crazy" vividly describes the modality of loving flowers. These seven quatrains are all looking for flowers, running through the word "crazy" This poem is about solving problems.

2. Du Fu's "Seeking Riverside Flowers Alone" in Tang Dynasty

Flowers are like splendid flowers, like rivers, and my heart is really afraid of spring.

But now poetry and wine can listen to me, and I don't have to bear any psychological burden for my bald head.

Flowers and plants are winding around the river like brilliant flowers, and they walk in askew. I'm really afraid of spring. But at present, poetry and wine can still be driven away by me, and there is no need to have any psychological burden on me.

Appreciation: "Fear of the Riverside among the Flowers" originated from the first song "Flowers on the River are Bored". Flowers add poetry and wine, and flowers make youth grow. This is philosophical and reasonable.

3. Du Fu's "Seeking Riverside Flowers Alone" in Tang Dynasty

There are two or three families living in the bamboo forest beside the river bank, and the provocative red flowers set off the white flowers.

I have a place to repay the happiness of spring. Joan can take her time at the hotel.

By the deep river bank, there are two or three families living in the quiet bamboo forest, and the sultry red flowers set off the white flowers. I have a place to repay the splendid spring, and the nectar of the hotel can send away my years.

Appreciation: "There are two or three quiet families in the deep river, and red flowers reflect white flowers." These two sentences originated from the first sentence, "flowers are in chaos, and I am afraid of the river." The first sentence of the poem is static, and red flowers and white flowers are also common. Add the word "how troublesome" and it feels very lively. "Trouble" comes from the annoying flowers in front, and its strangeness is also reflected in the front and back.

4. Du Fu's "Seeking Riverside Flowers Alone" in Tang Dynasty

Look east at the flowers and cigarettes in Shaocheng. It's time for the high glistening in western restaurants to resolve jealousy.

Who can take me to drink, call a beautiful woman, sing, laugh, dance and have a good life?

Looking eastward, there are many flowers in Shaocheng, and the tall glistening restaurant is even more appetizing. Who can bring me wine to drink and call beautiful people to sing, laugh and dance on holidays?

Appreciation: "Looking east, the city is full of smoke, and the high-rise buildings are even more pitiful." On the next floor, the poems are written about colorful flowers on the edge of West China, which are seen by villagers. At this time, the author imagined the flowers in one of the few cities in Chengdu. "The tall buildings with flowers are even more pitiful." This sentence is very similar to his later "flowers, as high as my window, hurt the hearts of wanderers." The first half of the two sentences are very similar, but the last three sentences are very different. "How pathetic" is how cute.

5. Du Fu's "Seeking Riverside Flowers Alone" in Tang Dynasty

The water in front of the Yellow River flows eastward, giving people a sense of sleepiness and spring breeze in spring.

Clusters of peach blossoms bloom by the river. Are they dark red or light red?

When I came to the east bank in front of Huangshi Tower, I was tired and sleepy, bathed in the warm spring breeze. A peach blossom with no owner is in full bloom. Should I love crimson or light red?

Appreciation: "The front of Huangshi Tower faces the river, and the water flows eastward", and write down the specific location. "Spring is lazy and sleepy, leaning on the breeze" is about a person's fatigue. People who are warm in spring are easy to be lazy and tired, so they rest by the wind. But this is to see the flowers better. Look at the sentence "Peach blossoms have no owner, lovely crimson loves light red". The next sentence is gorgeous and beautiful, and poetry is like embroidery.

6. Du Fu's "Looking for Flowers by the River" in the Tang Dynasty

Four yellow maiden flowers thrive on the road covered, and thousands of flowers bow and the branches are low.

The butterflies in the flowers are dancing, and the soft yinger in freedom is just singing happily.

The flowers in Huang Siniang's house are covered with paths, and thousands of flowers are low. Miss the colorful butterflies dancing from time to time in the fragrant flowers, miss the free and happy oriole.

Appreciation: This poem describes the scene and feelings of Shang Huashi, a girl from Huangsi Temple, depicts the splendid spring scenery around the thatched cottage, and expresses her love and affection for beautiful things. The beauty of spring flowers, the cordial harmony between man and nature, are all on paper.

7. Du Fu's "Looking for Flowers by the River" in Tang Dynasty

It's not that the love for flowers will die, but because the fear of flowers can only be.

It's easy to drop flowers when flowers bloom to the peak. Bud, please discuss it slowly.

It's not that I love flowers to death, but that I'm afraid I'll move to my old place when I run out of flowers. Flowers are easy to fall off when they are in full bloom. Buds, please discuss and open slowly.

Appreciation: "Love flowers is death". Happy simply, don't hide. The next two sentences are about the scenery, about the easy falling of flowers, the slow blooming of flowers, and the deep affection of flowers in the scenery, so as to express pairs, which are even more intimate and affectionate.