Since Altman is the protagonist, the most important role belongs to him. The hero who came all the way from M78 to help us constantly save mankind from danger is known as the "savior". Of course, Altman, as a righteous party, often knocks down evil, but sometimes he fails, such as the last words of the first generation, Saiwen's last words to Alien Guts, Jack's last words to Nak and so on. The so-called heroes are not absolutely invincible. They are not people, but they are not people. The significance of Altman's battle was named as early as the first generation of 37 words: Altman is not a god, it will only help us when human beings fight hard, and this reason is also because the deep feelings between human beings and Altman are connected as a bond, because the earth is their hometown and the earth people are their relatives. Therefore, we are honored to fight for the peace of the earth with Altman, and Altman is also honored to fight for the protection of the people we love.

2. Group

If Altman is the protagonist, then the protagonists in the supporting roles are all teams. Humans fight for their hometown, and the team is such a group, in which the players also have their own personalities and characteristics, so we often see conflicts between several players, but with the deepening of their feelings, they eventually become perfect partners, such as Xiang and kishida fumio in Jack, which are somewhat similar to the players in Super Team series. In terms of combat effectiveness, each team also has high and low points. SSSP and UG are powerful, but the opposite is weak MAC. Of course, the strength of the team began to weaken from Jack, but it reached its peak in Leo. This is also because Leo is too prominent in individual heroism, but the team has not disappeared. They must exist, because the earth should be guarded by human beings, and Altman is only a temporary rescue. In the final analysis, it is ourselves who really defend peace. Captain Dashan once said, "I am very grateful to you, Eddie Altman, but I feel sorry for always relying on the universe and your strength." The earth should be defended by the earth people themselves. " Indeed, the earth is the hometown of mankind, and it should be obligatory to defend it. Therefore, in the last words of 80 years, UGM defeated the enemy with its own strength and painted a complete picture for the Showa series. Of course, the team also rescued Altman from danger many times and fought with Altman in perfect partnership many times, so the existence of the team is necessary.

child

Altman, as a Showa department, basically has a * * * similarity, that is, there must be children in the play, and there is often at least one child around the human body (7 and 80 are special cases, a group of children in their early 80 s, and then there is no more). In every sentence, there are lots of children's scenes. Compared with the children in Heisei series, the role of Showa's children was more important at that time. And different plays will also show us children with different personalities. This may be because Altman himself is the source of goods. However, the innocent and lively image of children is indelible. Take the children around the human body for example. Hoshino, Jiro, Duane, Jianyi and Scout all have the same characteristics as all other children, which adds a lot of color to the life of the human body, and even in a sense, children have played a decisive role in helping Altman save the day. Children are newborn flowers, and the spirit of these children contains educational significance. So at the end of Meng Biyou's 4 1, when teachers and students who have been separated for decades meet again, nothing can replace that kind of touch. So Altman learned a lot from the children, and the children also learned a lot from Altman. Therefore, these children have a friendly name-"Little Otto Brothers".

4. Monster \ Cosmic Man

If Altman and human represent justice, then monsters and cosmic people represent evil. In the play, their images are colorful and their methods of invading the earth are different, but their strength can not be ignored, which often makes Altman nervous. Of course, among all monsters and cosmic people, some are full of good intentions. They stand on the side of human beings and fight for it. Having said that, I can't help but have a question, should all monsters be eliminated? Because they're monsters, not humans? Besides those kind monsters, there are many living examples. When a Bataan is defeated, the first generation will immediately destroy it in 2 billion Bataan spaceships with a beam of light. Kangaroo monster's mother and son are harmless and even help human beings, but they are killed by human beings because they are actually monsters. There are many other examples, which are not listed here. So, in the above two examples, should these behaviors be? Pedestrians in baltan wandered around just to find a planet suitable for them to live in, but in the end they were completely destroyed in a dormant state. Kangaroo monster just wanted to come out for food, but he really wanted to help human beings, but he was ruthlessly shot by hunters. What is justice at this moment? What is the concept of justice? At this moment, I feel that heroes have become killers and humans have become monsters. Some monsters appeared just to survive, but they were attacked by human beings and forced to resist. This is even more obvious in Gaia, and human nature is also exposed. Of course, the early generation did this because there was no overall plan at that time, only human beings had a single defense, and they did not deeply understand the true meaning of life. From the early generation, Altman was obviously a little tolerant, so the kangaroo monster was finally resurrected by Taylor, but the thinking caused by this was really thought-provoking. Therefore, while acting as enemies, monsters and cosmic people also reflect human nature like mirrors, so monsters and cosmic people also show their incisiveness. For this reason, there is a monster memorial halo and a monster cemetery to show respect for them. Therefore, their existence is necessary. Without them, Altman would lose the meaning of existence.

5. World outlook:

The establishment of the above four points is based on the perfection of the world outlook. The Altman series has opened up one world view after another through the ages, such as the five M78 world views, U40 nebula world view, Z95 world view and so on. The independence and connection between these worldviews make the uniqueness of Altman's works more and more exciting. The combination of world outlook in history has brought glory to it, and also fulfilled some of our dreams. Early arrival in the collective battle of the Otto brothers and late arrival at the Showa Peace Dream * * * show are inextricably linked with the world outlook. It is precisely because of this that Altman can radiate unique brilliance, and each world view can better develop the corresponding plot, highlight the corresponding connotation and innovate a brand-new future.

The above five points are the main support in the Altman series. Further subdivision, Altman has other elements that are not easily valued. Like trace elements, these elements are rare and refined, difficult to find and very important, which have made great contributions to the Altman series, that is, plot elements.

The plot elements are roughly divided into the following points.

Small elements:

1. Family:

Most of the Altman series brings us a warm atmosphere, and the strongest one in this atmosphere is probably family. As the representative emotion of Altman series, the beauty of affection is desirable and irreplaceable, and the representative one is probably the irreplaceable affection between human beings and children. Yojiro, Beidou and Duane, He Jianyi and He Tong are the best representatives. In addition, the affection between many enemies is also very human, such as Tyrol's mother-child bird, kangaroo monster family and Totas family. Many plots with this family as the main line are also completed with the sublimation of human families. Therefore, the position of family in Altman is the most important and indispensable.

2. Love:

If affection is the first, then love is one of the second most important elements. From Saiwen, the love elements in Altman began to get a lot of expression. Since then, all the works, except the children around the protagonist, are lovers who have a warm relationship with the protagonist. Among them, I am afraid that several groups have fallen in love with Anu. In the end, it is unforgettable and full of regret. The love stories of several other protagonists are sweet and sour, especially the tragic ending of Xiang He. The love elements in some exclusive dramas, such as Terochilus in Jack and the plot expressing the relationship between rival and lover in 27 words of Jack, are also presented to us with unique style of love dramas. With the changes of the times, the love element has become more and more obvious and important in the Altman series, and it is almost put in the first place and plays an important role in Heisei.

3. Friendship and fetters:

Compared with the first two emotions, the elements of friendship are expressed less, but it contains many aspects. For example, the friendship between man and monster was reflected as early as the early generation, which described the friendship between people very carefully and also showed the complex emotional changes in human heart. Many plays are based on friendship, such as He He, Serra and Tu Shan, and many enemies use this as their plot. In addition to people, the friendship between people and Altman is also deeply manifested. Without this fetter, many tacit cooperation between human beings and Altman could not be realized. As creatures of the same hometown, human beings and Altman support and trust each other like relatives, which is also sublimated into the theme of the whole play in mebius. Therefore, friendship, as an important point of three emotions in Altman series, plays a vital role.

4. Human nature:

In Showa series, there are relatively few descriptions of human nature and few related works. However, in the Showa series, a few words about human nature are quite profound. Among Showa's numerous plays, the most profound description of this kind is the one in Jack's Monster Messenger and Teenager, which shows the selfishness, greed and inner ugliness of human nature incisively and vividly, bullying and abusing the weak. The children who dig the spaceship have been digging thick soil because they are desperate for human beings. He believes that what is buried deep in the soil is only a faint hope. Therefore, compared with Heisei's complete description of humanism, some finishing touches in Showa are more memorable.

5. Environment:

The environment is a problem that the whole world is paying attention to. There are many portraits of environmental problems in Altman. As early as Q, I began to focus on describing the problem of ULBALANCE, but most of the dramas were embodied in Pingcheng. Showa's description of the environment is less, but the plot is profound. The classic impression is the early words of geissler and Ragon. Marine pollution has aroused people's deep thinking. This is a profound theme. In addition, that is, Jack's background has something to do with the environment. In contrast, Heisei has two works with the theme of environment-NEOS and Max. Perhaps it was not enough to highlight and attach great importance to environmental problems at that time, but one of them strongly reflected environmental problems-the first generation of 32 words "infinite anti-terrorism elite", which was a bit of the embryonic form of Gray and Marx, that is, "human beings wantonly destroyed nature for urban construction and industrialization. But on the whole, it has been more profound. Therefore, although Showa's description of the environment is less than that of Heisei, it is by no means shallower than Heisei.

6. War:

Due to the background of the Showa period, there are many flaws in the war dramas, and these dramas are mainly concentrated in the Showa trilogy, and most of them are written by four famous screenwriters in Yuangu, such as Jia Mila and baltan in the early generation, Nonmalto and Alien Spell in the competition, Gu Mo Naizhen in Jack, etc. Almost all the early generations and competitors are victims of the war, while Jack is mainly satirizing the war. What's more, a major cause of war is the desire of human nature itself. It can be said that these dramas are all revealing the cruelty of war in disguise and satirizing the so-called "pseudo-peace". I believe that Jia Mila's piercing cries and painful actions before he died will make everyone restless for a long time. Doesn't Jia Mila seem to represent the painful life after being oppressed by the war? This is true for humans, animals and cosmic people. Therefore, compared with Heisei, Showa's description of war is extremely profound, which is also the unique plot style of Showa series.

The above plot elements allow Altman to present its essence to us on the basis of perfect structure. Diversified plots and thought-provoking philosophies are all fascinating places in Altman's works. The development of these preliminary works has cast the eternal connotation of Altman. The purpose of watching Altman is also for this, that is, to experience the philosophy of life with appreciation, so as to help him grow and fly higher. Philosophy, yes, this is the seed sown by Altman, waiting for us to pick and absorb, and Altman's philosophy is different according to each work. Let's analyze the philosophy of each work.

The first generation:

Originally, the first generation only protected human beings, so I didn't think too much at first. At the beginning, the picture of baltan killing two billion pedestrians was still fresh in my mind. However, with the deepening of his feelings with human beings, the first generation gradually realized the true meaning of life. Finally, under the call of the children, Altman opened the way to release Gabriel the monster for the first time, which changed Altman's theory that he would only destroy monsters and made people who had always regarded Altman as a violent film aware. Later, in Jia Mila's speech, the selfish side of human beings was deeply revealed, and the ugliness of human nature was first revealed without reservation. It's disgusting to sacrifice innocent people for the overall situation. In 35 words, Altman observed a moment of silence for the dead monster, further showing his complicated heart. I think, at this time, the first generation has led us to understand the true meaning of life, which is also the embryonic form of his great move of giving his life to save Zaotian. Therefore, what the first generation taught us the most was respect for life.

Sai Wen:

Severn, in order to protect mankind, fights with all kinds of cosmic people. In the end, even for the sake of human peace, he would rather violate the laws of the universe and lead himself to be imprisoned in the dark. But Saiwen has no regrets, because he has such a spirit, a spirit worth learning from each of us, and that is trust in friends. Although Sai Wen has sat down many times to think about why he wants to fight for mankind and experienced many ups and downs, although I doubt whether I have gone the wrong way, my belief in protecting mankind has never wavered, because Sai Wen believes that human beings, as partners, have no reason not to fight for it. Therefore, Saiwen may be tragic, but the spirit it upholds is eternal, that is, never abandon or give up.

Jack:

Speaking of Jack, many people may look down on him or think he is weak. Yes, on the whole, Jack is unfortunate, but please don't ignore some things he taught us. Look at the essence through the phenomenon. If nothing else, Jack's 38 words reflect the importance of teamwork, and the five vows left for us in the last words are also called classic quotations. But please savor these five vows carefully. In these seemingly simple sentences, there is a philosophy of life. Based on this,

Ace:

The first half of "Ace", like a youth idol drama, leads us into new events with a very relaxed and elegant atmosphere. In this work, the most outstanding performance is the sublimation of the feelings between the Otto brothers. The deep affection between brothers makes our hearts warm, as if telling us that the world is full of the brilliance of love. The last wish that Ace left before he finally left is also praised by us so far, because in these sentences, there is trust in his partner, which is exactly what our world needs most, and this is also the content of many subsequent works.

Taylor:

When it comes to Taylor, many people will say that this is the most childlike work in the Showa series. Yes, Taylor's style has a completely different sense of relaxation compared with other series, but this series, which focuses on children's elements, teaches every child to be self-reliant step by step. The importance of team spirit is highlighted in 33 or 34 sentences, and I think the most profound educational significance in the whole work is the last sentence. Some people say that Taylor's last words are a failure, which seems to be reasonable on the whole, but if you carefully taste them, you will find that the most important part of the last words is not whether the enemy is strong or not, nor whether Altman's battle is wonderful or not, which is vaguely reflected in the conversation between Otto's mother and Kotaro. It tells us that people always have to grow up, people have to be independent after all, and grown birds have to fly out after all. Kotaro finally said what he said, and we will be able to do it in the end. This also echoes the fourth of Otto's five vows-don't rely on the strength of others.

Leo:

Throughout Leo, this is a work full of darkness and sadness. Gen Ohtori's tragic fate has disturbed our hearts for a long time, and the connotation of this work is also obvious, that is, masculinity, men's tears are not easy to move, men's sweat should be strong, and Gen Ohtori's independent growth has become an important part of this work, from Leo's fledgling to the final monopoly. Let's look at the whole process of a man's independent growth. Although he lost his relatives and partners, there is still hope in his heart, because Leo is not fighting alone at this time. Behind him, there are countless hands supporting him. That is the link between human beings and Altman. The earth is Altman's hometown, so human beings are Altman's relatives. Who doesn't want to fight for their loved ones? The last sentence of this series reveals a truth: the despair of adults is pushed down by the hope of children, and people's hearts are ushered in a new life, which is also the predecessor of Diga's last sentence miracle. Therefore, a closer look at Leo also tells us a lot about the true meaning of life.

Eddie:

Eddie's original idea was obvious, that is, to save the human mind from disaster. As a teacher, it is unique in Otto's history. In this beautiful and short-lived word 12, there are countless philosophies, including some shadows of the previous series. Eddie told us that one must have goals and perseverance in life to succeed. With this belief, the students came out one by one, and their gratitude to this irreplaceable teacher has been perfectly reflected in Meng Biyou's 4 1 word. So, Eddie taught us to be grateful. Once lost, it will never come back. What impressed me most was the motto of a fierce arrow-hanging one's life.

To sum up, the Altman series not only won our excitement, but also taught us a lot of philosophies, which will play an important role in enlightening children, and some even caused adults to think. This is the real meaning of Altman's existence.

This is the colorful element in Altman, which fascinates us and makes us pursue it. It all boils down to one word: love.