My preference for Chen Kaige stems from my love of Farewell My Concubine. Many people go to see The Taoist Down the Mountain because they like the novel itself and go to the cinema to watch movies. And I'm looking forward to this movie because of director Chen Kaige himself.

Director Chen Kaige is a film artist branded with national culture. At the beginning, it is a vivid display of violent aesthetics, followed by the nationalized image expression of Deep Flowers, while Down the Mountain Taoist shows the magnificence of hard-core martial arts with fantastic image style. The most dazzling one reveals the classical aesthetic feeling-the perfect combination of smart fighting and special effects. Every fighter's moves and skills in the film vividly depict the character's character and causal trend, and the background of the scene and scenery enriches the character's life attributes.

Martial arts spirit is the important meaning of life repeatedly emphasized in movies, "Never leave, never leave, never leave" and "Life is going up and down the mountain". He Anxia, a young Taoist starring Wang, experienced the cycle of life and death from mountain to mountain. He met all sentient beings, good and evil, and himself. He Anxia is actually about letting go. As Wang Xueyin suggested, only letting go can release you. The whole movie is like the fantasy reincarnation of a teenager named Fang. He experienced all kinds of obsessions and grudges, and worshipped one master after another with superb martial arts, and finally understood the true meaning of Tao. Through narration, even people who don't know martial arts and oriental philosophy of life can understand the truth in the film.

Outside the play, the world is alive. Although the background of the film is the Republic of China, the truth of life and the realm of practice are accurate in any dynasty and at present. Therefore, director Chen is still continuing his symbolic aesthetics, making life more symbolic and making the story more legendary. Wang seems to be the protagonist, but in fact he is just a link between life and story. The real protagonist is Tao. Perhaps such a movie with gorgeous martial arts scenes and simple reasoning can not only let foreigners know what China people say, but also make China people in the secular world rethink their cultural position and direction.

A good horse with a good saddle needs a good actor. As a comedian, Wang's performance in "The Taoist Down the Mountain" makes the film have the effect of comedy and martial arts. The best performers were Aaron Kwok and Zhang zhen, who appeared alone. In their handsome bodies, they can seriously let us feel a Taoist spiritual entity. Fan Wei, Lin Chi-ling, Yuan Wah, Fang Zuming and others satisfied the desires and fantasies of people with different tastes.

Watching movies is like watching yourself and life. A movie is a mirror. The flower of fighting and the bud of truth only stayed in the illusion of those two hours. What we are thinking about is the present fracture, separation and separation. Who can be a warrior of life? Only by experiencing life and society like a little Taoist can you find the life answer that movies can't give you.

Film Review 2: Don't forget your active attitude and return to your true heart.

The film unfolds three stories from the perspective of He An going down the mountain: The first story is starring Lin Chi-ling and Wu Fanni. This story is the comedy part of the whole movie. There are many scenes of Taoist priests in this film. And the story after the performance, in this film, Wang's scenes are less and less, and he has a heavy grudge against Yuan Wah's role. After Aaron Kwok's death, Zhang zhen appeared. This part of He An's next play is the weakest, almost dominated by Zhang zhen's revenge.

There is also the "reasoning" scene of the role of Wang Xueyin. The most serious problem in The Taoist Down the Mountain is that these three stories are completely out of tune, no matter the technique or the atmosphere. The first story keeps the color of comedy, but the last two stories are more serious. If Chen Kaige wants to construct the whole film with the road film mode, then the first story is Tao and color, and the second and third stories are Tao and hatred. Chen Kaige undoubtedly understood the truth that "a hero by hook or by crook is a true hero without changing his original intention" after the Taoist priest went down the mountain and experienced the secular world of lust and hatred.

What was the original intention? He Anxia is puzzled about the relationship between Lin Chi-ling and VanNess Wu, and whether he should help this woman who is seeking children. He Anxia was originally a quiet little Taoist priest on the mountain, but after he went down the mountain, he found a woman he really liked, and he was also involved in Jianghu grievances.

The director should have used this story to express his liberation after his last experience in the secular world, but what is terrible is that Chen Kaige actually chose a role of Rainbow Yin Xue to "reason", which is not enough, and a narrator has to be added. If we say that there is only the role of Wang Xueyin, fortunately, the narrative is very redundant. The use of narration in movies should be very cautious, and it would be nice to be able to achieve terrence malick's extreme of leaving almost only narration. And the narration of "The Taoist Down the Mountain" is like someone standing next to you and pouring it into your ear, which produces a feeling of "I will tell you if I can't shoot it". Of course, the theme of this film is really mysterious and difficult to shoot, which is an objective reason.

Some of Chen Kaige's recent films are "semi-good", such as Mei Lanfang and The Orphan of Zhao. Search is good, but it's not typical of Chen Kaige. The first half of "The Taoist Down the Mountain" is also wonderful. A few times, I thought it was going to a peak again. Unfortunately, it was completely leaked in the end. Judging from the final decisive battle, there was a suspicion of perfunctory, and the previously built structure collapsed. Especially in the last few minutes, the narrative is moralistic and cumbersome. I don't know why Chen Kaige's handling of the ending is so out of control recently. Perhaps because he personally participated in the scriptwriting, he wanted to say too much and the elements were too complicated, and the result was out of control.

Having said so many questions, it is time to talk about the advantages. After all, I gave a "recommendation". First of all, several surrealist clips of Chen Kaige are very eye-catching. The role of Wang He eats the heart of the beast and grabs the merit box, which is undoubtedly the most wonderful and brilliant part of the whole film. First of all, the heart of the beast represents "evil" and is an indulgence, which runs counter to the original intention of the little Taoist priest. And this time, grabbing the merit box is also the most indulgent move of the little Taoist. In the illusion, Taoist priests saw evil thoughts, and the role of Lin Chi-ling reappeared. Because the little Taoist actually has feelings for his mistress, and he feels guilty about her. Teacher Niang became a "nightmare" in his mind, and the nightmare appeared when he was crazy, which was a great test for the little Taoist priest after he went down the mountain. This part, seemingly absurd, is actually sharp. It is worth pondering.

There is also a scene where Yuan Wah's character recalls the death of his master in front of the mirror. At this time, the use of mirrors appeared again. Chen Kaige loves to use mirrors, which are also very interesting props in movies. The mirror is a portrayal of the character's heart here. After Yuan Wah smashed the mirror, many images of Master appeared in the debris. At this time, the broken mirror reflects the broken and twisted heart in Yuan Wah's character. We saw the same technique in Black Swan.

There is another thing that I appreciate and will cause controversy, that is, the CG fragment inserted when recalling the past to Wang. This is a very bold and novel method. It is rare among the fifth generation directors. For birds flying high and flowers blooming, this is a very surreal scene. But these montages are well used and make the finishing point, but they are not well used and puzzling. I think the setup here is quite successful. These pictures are hard not to remind people of the CG special effects of the origin of the earth and the birth of life in the Tree of Life.

In fact, this also means why "The Taoist Down the Mountain" is a Chen Kaige's "Tree of Life". In addition to the technique, the two films are strikingly similar in the theme, except that The Tree of Life is linked with religion, while The Taoist Down the Mountain is oriental and packaged with the principles of Buddhism and Zen. Both films tell us to be relieved, to forgive the world and to forgive ourselves. The bitterness of the world is just some scenery of life. Do not forget your initiative mind, returning to one's original heart is the final thing.

The tree of life evaluates the two poles, and so does the Taoist priest who goes down the mountain. Of course, I must admit that the Taoist priest who went down the mountain was not as extreme, experimental and brilliant as the tree of life. The reasoning in "The Taoist Down the Mountain" is put on the bright side, which is a bit stiff.

In a word, "Taoist Down the Mountain" has various drawbacks, but objectively speaking, this film is still the best domestic film in the cinema recently, even for a while. Not to mention Chen Kaige's consistent humanistic feelings and broad vision, this film is also very attentive in scene special effects. The martial arts scene is carefully designed and has great personal characteristics. At the same time, this film is a breakthrough and experimental attempt by Chen Kaige, and his intentions can be seen in many paragraphs. The effect achieved is also better than the recent domestic films.

Film Review 3: Ten years later, you can watch it again.

Ten years ago, Chen Kaige made a film called "The Promise", and it is said that it took ten years to understand it.

2005 to 20 15 years. Chen Kaige has been living a free life for ten years. The so-called free life means that he rarely appears in public view, and there is little entertainment news, so low-key that most people forget the existence of such a director. In 2008, I became Mei Lanfang under the guidance of others. 20 10 gave birth to an orphan of Zhao. 20 12 He made a highly complete search that people could understand. Then some people say that he has a small pattern.

Teacher Chen ha ha smiled and looked at Chen Hong, and finished filming "Taoist Down the Mountain".

Mr. Chen said, I took a big picture, but you said you couldn't understand it. I don't take big pictures. You said you wanted to see the big picture.

Just like you make a youth film, people say, look, no youth, no abortion, no youth, no tear, no youth, no dog blood. So you made a youth film without more than that. People say, look, what kind of shit is this? They don't even beat the fetus or tear the dog.

Fortunately, Mr. Chen is not a flattering director. It may take another ten years to wait for him to please the audience.

I'm also glad that Mr. Chen doesn't kiss up to others, otherwise "Down the Mountain Taoist" is not "Down the Mountain Taoist" but "Fools make a scene on the beach".

Frankly speaking, I can't reach the artistic conception of Teacher Chen. I don't fully understand its essence. I am in a state of compulsion, as if my back is itchy, but I only scratch. It's nice to feel crazy about heaven.

I don't beep too much about movies, because I can foresee how much criticism Mr. Chen will get, and I don't know when scolding famous directors has become a fashion. Some self-righteous people will dissect his films frame by frame and then point at his nose and scold him. These people usually analyze the boxing in the most critical place in the movie into the meat.

I remember someone spoofed "The Promise" and called it "a bloody case caused by a steamed bun". "Spoofing refers to malicious humor. Now it refers to re-creation on the basis of existing resources (such as news photos and literary works). The original style and atmosphere have changed greatly, including all kinds of funny elements. At the same time, the comparison between new works and original works can often enhance the degree of humor. " The above is taken from Baidu Encyclopedia, which is very authoritative in the eyes of Chinese people. Let me explain that spoofing is to reduce the style and atmosphere of the original work so that everyone can understand it. Then I want to ask, when do people need to laugh? Where is the heartfelt smile?

In ten years, you will go to see Wuji, and then you will go to see a bloody case caused by steamed bread.

Which is better or worse, who is a clown and who is a joke.

As for The Taoist Down the Mountain, you can watch it in ten years.

Film Review 4: On the Sincerity and Intention of Down the Mountain Taoist

I think The Taoist Down the Mountain is a masterpiece. Although it is not perfect, there are some shortcomings objectively pointed out by film critics, but the shortcomings are not hidden, at least three steps better than Return.

The Taoist priest who went down the mountain was full of sincerity from beginning to end. That's right, sincere. This is also the only reason why I was put in my seat to watch the whole movie when I doubted the plot. He Anxia, Cui Daoning, Zhou Xiyu and Boss Cha are all Taoist priests who went down the mountain. Some of them entered the world of mortals for the first time, and some returned to the world of mortals to see the world, all beings and themselves in their practice. They live a chic life. He Anxia, who is new to the world of mortals, Cui Daoning, who loves the world of mortals, and Zhou Xiyu, who sees through the world of mortals, all live their true selves, sincerely face themselves, sincerely treat others and sincerely face grievances.

Looking back at many domestic films I watched in recent years, they were either too hard, too cold, or crying or unintelligible. However, it is really rare to portray movie characters so sincerely like this. A group of actors also gave a very sincere performance. Wang's grass-roots temperament and demonic grin are such an inexperienced innocent little Taoist; Fan Wei's last scene (really immortal) couldn't be more immortal! There is also Aaron Kwok's performance of Zhou Xiyu's unique cold temperament, which is no ordinary skill. I don't like Rainbow Yin Xue's performance either. I always feel that the monk he plays is a murderous villain who takes refuge in an empty net. But after pondering what he said, "Is it compassion or lust", I believe that monk Rusong is not an old abbot without stories. I think Lin Chi-ling and VanNess Wu made it this time. Don't say that VanNess Wu's Kunqu Opera is not in place. He just plays a perverted dude, not a traditional China opera actor.

Both the original work and the screenwriter are the authors of The Grand Master, so they can't help being compared. However, compared with Wong Kar-wai's independent film vocabulary, it is not important that the audience can't understand it. Chen Kaige is more like an old teacher who preaches and teaches in school. He may not be liked by students, but he is really sincere. In "The Taoist Down the Mountain", he is actually trying to put Xu Haofeng's immortal works on the big screen in a more popular way. He is really afraid that the audience will not understand what he wants to say.

In The Taoist Down the Mountain, Chen Kaige wanted to say a lot, and he did it. He Anxia met Cui Daoning's emotional entanglement and lust; When you meet Brother Song Like, you will see your mind. When Peng Ganwu killed his disciples, he saw selfishness and betrayal. When I met Zhou Xiyu, I saw detachment. See the boss, see the truth. Look carefully at these story paragraphs, which one is not a metaphor for the current society. Don't say that the story is scattered and connected, this is the test of Chi Mei by the world of mortals! Don't say the narrator is stupid, Inception (reprinted from the study abroad network, please keep these materials. ) Space and Interstellar Do you feel profound because you don't know English? Can you feel the atmosphere and people calmly? Movies are not just plots, but also characters, art, shots, structures and performances!

On the first day of screening, it was unforgettable to walk out of the cinema after watching it. However, looking back, the bad reviews given to the bad reviews on the Internet are the spit of the spit. It seems that Chen Kaige's films are not literary unless they speak out, and it feels that the world is deeply malicious. Some viewers think that he can shoot a classic in minutes with his camera, and he can edit a blockbuster the night before sitting on the computer. As long as he is given the opportunity, he can write the best script with perfect logic and reasonable rhythm. Swearing, disrespecting the creator, as if the stock fell because Chen Kaige was short.

I remembered the teacher's words when I was studying: if you don't read that, if you don't read this bad review, you have no artistic bearing at all. How can you be an atmospheric person?

Film Review 5: Taoist priests go down the mountain, and there are different opinions.

Just finished watching "The Taoist Down the Mountain", not to mention the quality of the film, which is a matter of different opinions, but I spent two hours happily and felt quite excited.

Some people criticized Wang's performance, but I don't think it is necessary. As a film review I saw today said, the role of Wang is just a string of pearls. He is an abandoned child. He grew up in the Taoist temple, never went down the mountain, and didn't understand many emotions in the world. Although the Taoist temple could not afford to eat and chose the person with the strongest kung fu to go down the mountain, Master's original intention was nothing more than to let him go down the mountain to continue his practice. I haven't seen it before. How can I put it down? So He An went down the mountain, met boss Cui, had feelings, experienced the experience of boss Cui, understood hatred and did evil. Then I met Peng Ganwu, who killed his disciples, set foot in rivers and lakes, and met Peng Ganwu's son Peng Qizi, who was his first friend in life. But because Peng Qizi met Zhou Xiyu, he was attracted by his superb martial arts and wanted to learn from his teacher. There was an episode in the middle. He Anxia is attracted by a patroness who wants to have children, which shows that he has experienced love and desire. Zhou Xiyu's incident led Zhang zhen to play Boss Cha, and the last experience also made He An see through the world and concentrate on following Boss Cha's practice, completing the secular practice of leaving and returning.

The special effects in all aspects of the film are used freely, and 3D is really 3D. Unfortunately, the brightness of the cinema is worrying as always, and the whole process is a bit hazy, which makes me always doubt that my myopia has deepened. The use of special effects is more to show the inner thoughts of the characters and the deeper connotation of martial arts. (Don't follow the example of The Master, there are two styles of painting. In fact, it is very chewy to mix reality with reality. If you just watch the excitement, you may feel exaggerated.

The story is actually a running account, and one thing affects the whole body, but each story has its own wonderful, which also makes the little Taoist realize the ordinary love. Sister Lexus is really beautiful in this movie. No wonder Taoist priests are emotional. Fan Wei's kindness to his father makes people cry. VanNess Wu's younger brother likes the Kunqu Opera Peony Pavilion and often entertains himself by dressing up as a costume. Cha, our boss, is a martial artist in Beijing opera and a role related to traditional Chinese opera. After killing his brother and bullying his sister-in-law, the boss took revenge for his former friend in America. I wonder if the difference between these two roles is meaningful.

This is a film full of gay feelings. I won't say anything except Little Taoist and VanNess Wu. The absolute passion between Zhou Xiyu, played by Aaron Kwok, and Boss Cha, played by Zhang zhen, is bursting, and even the scenery is full of metaphors! Two people met in a war-torn trench. Zhang zhen, smoking a big pipe, was frightened by the gunfire and ran wildly. Aaron Kwok was afraid that something would happen to him and chased him to the bridge. On both sides, the water sprayed by shells was directed at the awning, so we hugged each other on this bridge and then rolled on the grass! What do you mean, you're not gay? ! This is the paragraph that impressed me the most. Other lines, eyes, etc. Both reveal the unknown story between two people. Anyway, their gay feelings have repeatedly made the audience laugh, which is quite interesting.

Finally, sigh, Aaron Kwok's facial contour is really amazing, so dignified and handsome! For the first time in my life, I think he is really handsome! However, I still love Zhang zhen. I wonder if he deliberately studied Wu Sheng. After dressing up, his eyes are really breathtaking. The close-up of wearing a blue robe makes my mouth water. All right. At the end of the climax, the robe he wore was pure white, lined with blood red, and red and white when flying up and down. Is there a flowing picture of the whole person?

The movie is a matter of opinion, and you can watch it if you are interested.

Film Review 6: Life Practice

"Yellow Land" cried and "king of the children" liked it. In my mind, Chen Kaige didn't rely on a film Farewell My Concubine as a director. At that time, I always thought that Chen Kaige should have accidentally fallen into the pit in the disaster of The Promise. At least he is an artist. When I was in Mei Lanfang, I felt that he was still capable of making a third of good films, and artists still had to shoot artists. There are at least a few supporting roles in the classical tragedy orphan Zhao, which is his specialty. Even if it is as bad as search, I think it is ridiculous and sad that he is trying to catch up with young people in the Internet age. However, the radial "Taoist going down the mountain" is shocking. Perhaps his artistic achievements in the first half of his life were accidental-even if they were given by the times.

Making movies is really a life practice.

Ever since Wang showed an evil and dissolute smile, I had a hunch that he would play dumb until the end like "I'm sorry for Thailand". If the hairstyle can be forgiven, VanNess Wu's lame Kunqu opera can be ignored, and Lin Chi-ling's heart can be ignored, the style of the film will be seriously wrong when the ship sinks to the bottom of the West Lake and a pile of horrible stone carvings appear (before that, I was only familiar with the aesthetics of typical local film and television bases).

Then, Wang went to see the big monk.

Teacher Wang Xueyin doesn't have to talk, but he is a man with a story. He pretended to be himself in the cinema, gave me his heart for a while, and urged everyone to eat first, so I couldn't help laughing.

Back in the front, Chen Guokun came through Jingwumen, and I was scared for a while, thinking that this movie was going to start tearing devils. Fortunately, it didn't belong to China. The master broke the medicinal liquor and the apprentice took the lunch away. Although the master didn't win the apprentice, he ate the words "people can't be so shameless" in one breath.

After playing in a basketball court like Zhijiang Campus of Zhejiang University, the second paragraph began to twitch. "Down the Mountain Taoist" seems beyond recognition, and the faces of Wang and Wang began to be strongly distorted, inexplicable and creepy. Everyone knows if Wang wants to talk to Lin Chi-ling. But a Taoist temple suddenly appeared next door, and then there was an unnecessary fight. Wang learns from his teacher like a mad dog. Peach blossoms sweep in the temple, and women want children. I began to smell the promise strongly. Is Wang going to put on a sex scene that transcends the blind and touches the elephant? ! As a result, he just passed the electricity and was once again won by Wang Xueyin's great wisdom.

Aaron Kwok, he can sweep the floor. When he began to appreciate the beauty of reading in life, it was a cool breeze and flowers were in full bloom. If you are fine, it doesn't matter.

Peng's feud is meaningless. In fact, they are behind closed doors. Teacher Tian Zhuangzhuang contributed an egg. I only know that Chen Kaige likes Stephen Chow's kung fu very much, and invited Yuan Wah Chen Guokun to have a P-fight with a headless group of people in Zhang zhen, and occasionally sing a mixed Peking Opera (it seems that he will never forget the big stage of Peking Opera). Post-modern experiments are mixed, and my heart is shaking.

The fight in the movie, even a fool can see, Wang is bluffing, if it is tolerable (personally, it should be tolerable), there is a sudden teleport, the gravity of the world, moonlight like water, fire and ice, killing people because the sun is too dazzling, and I can't keep up with Chen Kaige's brain black hole completely. Are these the legendary Xu Haofeng's knives and stars? ! By the way, there is also a period of warlord melee blasting in junior middle school, and its professional effect can be compared with that of Xiaogang Feng's team.

By the time Zhang zhen came out, The Taoist Down the Mountain was already a disaster comedy. People will say that there is no evaluation of grass-rolling drama here.

I don't want to remember it anymore.

There is no Wang in the last two paragraphs of the film. I don't know what he mixed up there. One minute he was beaten by Yuan Wah, the other he wouldn't let Aaron Kwok die, the next he pestered Zhang zhen, and finally he chased the car, but he didn't catch up. It was not until the bad guy died that he inexplicably flew with Zhang zhen (Zhang zhen also exclaimed that Aaron Kwok could not have had an apprentice before! ), and eventually become a generation of great apes. I finally understand that he jumped up and down in the whole movie to show his talent for playing monkeys.

By the way, did he forget about medicinal liquor and peeping from a distance?

Chen Guokun, you died a terrible death.

Anyway, "Taoist Down the Mountain" is not going to be made into a funny film. I can only understand it as a magic stick film, which is the painstaking work of Kaige Rinpoche.

Wang's grimace of a grin, Lin Chi-ling's moan, his double-training in rolling wild holes, his hairstyle, Yuan Wah's tidal clothes and his paralyzed face. Skeletons are surprised to smash things from a distance, sweep the floor in the moonlight and burn their hearts in the hot sun. Martial arts slam dunk, chicken soup pumpkin.

Film Review 7: What a strange fate

A film Farewell My Concubine spent all Chen Kaige's talents and luck.

Almost every line in the film from beginning to end seems to let me see the "bloody case caused by a steamed bun" of that year. Like the famous works of that year, you will hear the monologue of life, the wisdom of seeing flowers in the fog, what "the wind is surging" and what "the moon is falling and the moon is rising" Chen Kaige brought his obsession with real speed from infinity to the decline of Taoist priests.

"I want to scream with the teacher!" And "Do you want to see me undress?" It is the same. Anyway, do you want Chen Kaige's lines? Then give me your heart. I can't find my heart.

Everything is illusory, don't force it, life and death are just flowers blooming and falling. All the mirror images in the field of root organs are illusory, and clinging to care will only increase troubles. All sentient beings are empty and have no beginning, which comes from sexual purity. The film begins with a puzzling boy's story and ends with his story. As for who he is?

Wang is the leading actor, but what he does is to make soy sauce. Demonic laughter has its own punch line. When his face appears, the audience will laugh sometimes happily and sometimes embarrassed. He plays a little Taoist Conan in the movie, and he dies wherever he goes. Taking the king as a disciple is equivalent to self-reliance. I, Zhang zhen, must have lived to the end for handsome reasons!

As always, Lin Chi-ling's voice is charming, her eyes are flashing, her colorful cheongsam is gorgeous, and she begins to wander. My humble woman is almost crisp in the cinema.

As for the role of VanNess Wu, there are two most famous similar images in Chen Kaige's works: Farewell My Concubine and The Promise. But, I'm sorry, that kind of role, Mr. Wang is definitely a beautiful woman, playing neither fish nor fowl, and VanNess Wu is a perverted dead bitch who is neither male nor female.

Fang Zuming plays a guy who smokes. He has a father who is desperate to pave the way for his son. Speaking of director Chen Kaige's predictive ability, let alone the China film circle, even the world film circle is unparalleled.

Speaking of Aaron Kwok, you can't leave me in Zhang zhen.

One is Xianpa in Yuen Long, and the other is flawless jade. If there is no strange fate, I will meet him again in this life; If you say there is a strange fate, how does your mind eventually become empty?

One is daily practice and the other is monthly practice. Embrace each other in the rain of bullets and roll in the mountains and rivers. You said you would never leave me, but you let me get married and have children. Even if we are separated, we have the same heart.

I'm not afraid of death. I just want to see you one last time before I die, thinking about our past and sighing about our future.

You said you would always wait for me and never give up, but why did you leave me first? From now on, I will avenge you, and I will teach your apprentice.

What a cruel love it is!

This film is so clear and clear about the basic feelings, except saying to Wang: I am your teacher's mother.

I wonder if it's because my brain hole is too big.

The ugly version of Bruce Lee and Yuan Wah fighting in the rain, and the battle with an enemy in Zhang zhen Hutong, seem to show me the rough version of a generation of masters. Similar scenes fully reflect the delicacy and elegance of Wong Kar-wai's light consumption.

The scene in which Zhang zhen learned the news of his lover's death backstage was like paying tribute to his Farewell My Concubine.

Aaron Kwok's story about the true meaning of martial arts is like an animation made by AE, which makes me feel that the ape has crossed into the lion king.

I seem to be watching the scene of the last car rolling and blasting in The Fast and the Furious again.

Coupled with the lines of the bloody case of steamed bread, I really don't know whether Chen Kaige pays tribute to classics or destroys memories.