From Lu Xun's "General Mobilization of the South-to-North Transfer Project" and "Stories of Tricks".
Lu Xun's representative works: novel collection "Scream", "Wandering", historical novel collection "New Stories", prose collection "Morning Flowers" (formerly named "Remembering the Past"), prose poetry collection "Wild Grass", miscellaneous collection "Grave", "Hot Wind", "Gai Hua Collection", "Three Leisure Collection" and "Two Hearts Collection".
"Assembling Southern Tunes and Northern Tunes" is a collection of Lu Xun's essays, including 5 1932- 1933 essays written by Lu Xun. Including We Are No Longer Deceived, Heard Dreams, Memories for Forgetting, About Women, Sand, Shanghai Children, Fire, On Reprinting Woodcuts, Family is the Foundation of China, etc.
Edited in February 1932, 5 1 short articles written between 1932 and 1933 were included. At that time, a scholar named "Mizi" in Shanghai criticized Lu Xun in the article "Sketch of Writers": "Lu Xun likes to talk very much, but he stutters a little, and it is' Southern accent and Northern accent'." In this regard, Lu Xun countered head-on: "I can't say soft Su Bai, I can't play loud Beijing dialect, I don't like it. It's really a southern accent. " Explain that I don't want to go with the flow and despise the position of boring literati. This handy collection despises the enemy and expresses an uncompromising attitude. Therefore, Mr. Wang named this anthology published in March 1934 "South-to-North Transfer", which is a self-mockery and a mockery of witches.