Excerpts and insights from Zhu Ziqing’s good words and sentences in “Back View”:
Zhu Ziqing wrote in “The Back View”: “This is what happened, so there is no need to be sad. Fortunately, there is no end to the road! "This sentence makes people feel the author's optimism and tenacity, and also inspires people to actively face the difficulties and setbacks in life.
Zhu Ziqing’s back view: Zhu Ziqing’s back view, a generous and solid back view, embodies the greatness of father’s love.
Zhu Ziqing used many delicate descriptions in the back view to make readers feel his father's love more deeply: "This is when I saw his back, my tears flowed down quickly. I hurriedly I wiped away my tears. I was afraid that he would see it, and I was afraid that others would see it.”
Zhu Ziqing’s back was like the afterglow in the sunset, which was heart-warming.
Influence of Zhu Ziqing's character:
Zhu Ziqing's work "Bixing" traces the origin of the meaning of "Bi" and "Xing", especially the connotation of "Xing". Exploration, and came to a clear conclusion, pointing out that "Xing" is the origin and metaphor. Zhu Ziqing's research results charted the research direction and laid a theoretical foundation for the study of "Xing", which has important theoretical significance for later generations of research.
Throughout the history of the development of modern Chinese prose, the prose achievements of the "May Fourth Movement" period have the greatest influence on the creation of modern and contemporary prose. The writer with the highest achievement in prose during this period must be Zhu Ziqing. Zhu Ziqing's prose is highly praised for those lyrical chapters, in which the parts depicting natural scenery use sincere affection, meticulous observation, and rich imagination to form a rich poetic and beautiful and meticulous artistic style.
The lights and moonlight on the Qinhuai River and the rippling waves of the boats are in harmony with the pleasure and longing of the tourists, while the feelings of sadness, contradiction, and disillusionment caused by the singing of mountain singers and prostitutes make it "pure and beautiful". The night view also adds to its beauty.” When describing a scene, emotions are integrated into the scenery, and when narrating, the meaning is integrated into the matter. This is the moving part of Zhu Ziqing's prose. He integrated Chinese and Western culture on the basis of profound classical literature and created a prose system and style with Chinese national characteristics.
Creative characteristics:
The theme of Zhu Ziqing's prose is mainly reflected in five aspects. First, expressing his ambitions; second, describing his travels; third, expressing his feelings in writing; The fourth is to understand the world; the fifth is to point out the shortcomings of the times.
First of all, expressive prose. Expressive prose plays an important role in Zhu Ziqing's prose creation. This type of prose reflects his philosophy of life and value choices.
Secondly, travel prose about sightseeing. The prose collections such as "Traces", "Miscellaneous Notes on Travels in Europe" and "Miscellaneous Notes on London" contain many famous prose essays about sightseeing and sightseeing. Zhu Ziqing's travel prose notes both the description and display of natural and human geography. For example, "The Qinhuai River in the Sound of Oars and Shadows of Lights", "Green", "Songtang Travel Notes", "Summer in Yangzhou", "Mengzi Miscellaneous Notes", etc., closely integrate the description of natural scenery and the depiction of human landscape.
The third is lyrical prose. Zhu Ziqing's lyrical prose in which he misses his family and friends includes "To the Dead Wife", "Children", "Mourning for the Three Lords of Weijie", "Remembering the Lord Wei and Huaiqing", "The Ye Shengtao I Saw", etc. The impromptu lyrical prose includes "Hurry", "Spring", "Singing", "Moonlight over the Lotus Pond", "Choose a Mate", "Fly" and so on.