Reflections after reading Lu Xun's works

In Lu Xun's works, the word "loneliness" always appears like a shadow. The source of loneliness comes from everywhere in his life. Today, Loneliness is not what it used to be. The so-called memory, although it can make people happy, can also make people lonely sometimes, causing the spiritual thoughts to still be tied to the lonely time that has passed. In short, it is difficult to forget. ?I am not happy to express myself, but I am afraid to express the loneliness that no one cares about in my heart. For example, if a person's ideas are praised, it will promote his progress, and if he is opposed, it will promote his struggle. The only way to cry is in life. Among people, there is no reaction from others, neither approval nor objection. It is like being in a boundless wasteland and being helpless. How sad this is, so I regard what I feel as loneliness. ?With great hesitation and fear of unknown public reaction. The sequelae of being accustomed to long-term loneliness.

This kind of intellectual loneliness is widely reflected in the characters in his works, from the pessimistic and persistent Wei Lianshu to the other extreme; from the active Lu Weifu to a vague person in the world, Disappearing everyone's shadow. These stumbling characters rise and fall in an era where they are surrounded by a cold wall. They are different from the mediocre and those in power. Perhaps in the future, they will be different from their high-spirited self at the beginning. This is actually the unspeakable difficulty of intellectuals.

So much so that later this kind of loneliness gradually became a habit of the fighters in his works, who were used to walking alone. In "The Everlasting Lamp", the one who insisted on extinguishing the everlasting lantern always emphasized that he couldn't, don't. You guys, I'll put it out myself. ?Here, the so-called lone act is the opponent who rejects them.

In his preface, Lu Xun also lamented that he did not want to infect the loneliness that he felt was painful to young people who had the same sweet dreams as when he was young. Here, he really refuses any followers.

Then, suddenly there was a feeling of being alone and surrounded by shadows.

In the movie "Mei Lanfang", Qiu Rubai said to Meng Xiaodong that no one can destroy Mei Lanfang's loneliness. Similarly, if Lu Xun's loneliness was destroyed, I'm afraid there would be no "Scream". This loneliness has been suppressed by his own boredom and sadness for a long time, and like the cold wind biting his bones, it repeatedly urged him to break this era of silence. ?It’s just that I have to get rid of my own loneliness, because it’s too painful for me. So I used various methods to anesthetize my soul, make me sink into the people, and make me return to ancient times. ?I am speechless because of loneliness, and I want to express my feelings because of loneliness.

After hesitating whether to speak or not, what is then revealed is that Lu Xun’s works are some of his concerns and struggles with the current situation, including his disgust and compromise with the old era. On the one hand, he is revealing, On the one hand, they anesthetize themselves and sink themselves into the people. This kind of contradictory collision is more revealed in his early novels.

This kind of tangled struggle can be vaguely glimpsed in "Dragon Boat Festival": Or if you see a soldier driving a rickshaw driver, you would have been angry at first, but now you have changed your mind and said, what if The driver became a soldier, and the soldier pulled the cart. He probably just fought like this and didn't care about it anymore. ?What was wrong was not the individual at that time, but the positioning of the individual's way of doing things. Soldiers' bullying of coachmen has become a phenomenon recognized by society. It seems to have become the nature of the profession. Both the oppressor and the oppressed will naturally bear it. With this fact.

Just like in the article, "As long as his status is not shaken, he will never open his mouth." In fact, if you think about it carefully, when Lu Xun was alone in copying tablets in his early years, he once faced such an iron room and had such an attitude. I have thoughts that I don’t speak out, and I just feel like Fang Xuanchuo about the things around me, but I don’t take any action. I deeply believe that I am powerless to awaken them, I deeply believe that big and radical changes will not work in China, and I deeply believe that I am not a person. He is a hero who raises his arms and shouts and is answered by a cloud of people. He is afraid of the so-called "screaming" in the midst of life, and no one responds with neither approval nor objection, just like being in a boundless wasteland.

Lu Xun believed that the arrogance of the Chinese people was a kind of gregarious arrogance, and I am afraid that he himself had experienced the same, because a thought can only be fluently stretched if it lingers in the heart in various ways and asks itself in various ways. In words, the various people who entered his eyes, different from the bleak hometown of his childhood, finally came to the paper. There were too many characters in his writing who were numb and living without knowing it, and Fang Xuanchuo seemed to be related to them. There is a slight difference between them. Although this little man also shrank within the established rules of the society at that time, he was once indignant. He also once realized that "everywhere is the same", and he recognized the phenomenon of numbness while being numb.

When we write about our past selves, especially the sad years, when we see our original selves exposed in our writings today, we feel relieved that it must be there, and we are also relieved that it is just the past. , and now there are some changes after all. When Lu Xun was shaping him, he must have glimpsed his own shadow in the past, and he was already very different from the "noble and disciplined" Fang Xuanchuo. He completed the transformation that Fang Xuanchuo had not achieved.

Of course Lu Xun was a warrior and a dagger of the times, but he was also an ordinary mortal with his own timidity and melancholy. It was this kind of thing that made his works not blindly extreme. And irony, it seems to have the helplessness and pity of ordinary people.

Not from the beginning, Zhou Shuren was Lu Xun. Although his sharpness was outstanding, the temporary bluntness before the sharpness was even more valuable. Second Thoughts after Reading Lu Xun's Works

Read Mr. Lu Xun's "Morning Blossoms Plucked at Dusk" carefully, enjoying the innocent and romantic feelings revealed from time to time between the lines, and you can't help but see a series of fascinating pictures before your eyes. Natural paintings that fascinate people.

When I read Mr. Lu Xun’s prose about his childhood memories, I feel like I am reading the innocence and innocence that comes from Mr. Xun’s heart of loving nature and yearning for freedom. I seemed to see the young Lu Xun, sneaking into the Herb Garden while adults were not paying attention. He was accompanied by insects and picked wild flowers and fruits. In Sanwei Bookstore, despite Mr. Shou's strict teachings, he still couldn't bear the childishness in the students' hearts.

Every feeling is so innocent and evocative, and it probably arouses a scream in my heart. That’s why I love it so much, especially because the author sees the world through the eyes of a child. , reading makes people feel extremely kind and full of passion. My partner and I are working hard for our future and studying hard. Therefore, we can no longer indulge in the innocence and looseness of childhood. We are a little less kind, a little less free, and a little less open to the big world. Love of nature.

For Mr. Lu Xun, childhood has gradually faded away, leaving only those trivial memories. Experience the following childhood dreams of different eras, and experience Lu Xun’s beautiful childhood at that time.

I highly recommend