1. A collection of famous quotes about calligraphy

▲Words are the voice of the heart; writing is the painting of the heart.

The sounds and shapes can be seen by gentlemen and villains. Sound and painting are the reasons why gentlemen and villains are emotional.

——Yang Xiong's "Fayan" ▲The depth of the pen lies in the distance of the paper. The distance is superficial and weak, and the distance is the weight of the front. Tang Dynasty Lu Xie's "Linchi Jue" ▲ Anyone who wants to learn calligraphy must first learn to use the pen. The method of using the pen is to hook both hands back to the wrist, use the empty palm to point to the solid point, and use the ring finger to press the pen, which will be powerful.

Huang Tingjian's "Lun Shu" ▲The so-called rules are: suppress, hook, uncover, resist, and guide. The Five Dynasties. Li Yu's "Shu Shu" ▲Youjun's pen is inward and forward, mostly in the front, so the law is strict and immersive; Zijing uses the pen to extend outward, with half of the side front, so the spirit is loose and wonderful.

Ming Dynasty. The character "▲" in Feng Wu's "The True Story of Calligraphy" of the Qing Dynasty has the difference of hiding the front and coming out. It is bright and full of Chu. It is better if the hands and tail should match each other, and the top and bottom should be connected.

Song Dynasty. Jiang Kui's "Xu Shu Pu" ▲The power of the pen must be hidden. If the sharp edge is not hidden, the writing will be sick. If the disease is not gone, how can it be done? Tang Dynasty. Xu Hao's "On Calligraphy" ▲Naiwu uses the brush like a cone to draw in the sand, hiding the edge, and the painting is calm. When he uses the brush, he always wants to let it penetrate the back of the paper. This is the ultimate success.

Tang Dynasty. Qing Dynasty. Zhou Xinglian's "Linchi Guanjian" ▲ There are rules in learning and style in writing; otherwise, the writing style will not be refined and the writing will lose its style.

The most important thing about the method of one word lies in the structure: the beauty of the method of one stroke lies in the beginning and end. The secret of structure lies especially in the subtlety of brushwork.

Anonymous "Eight Methods of Yongzi" ▲You will be able to use this pen properly, use it sideways, use it smoothly, use it heavily, use it lightly, use it empty-handedly, be practical, capture it firmly, get it vertically, get it tight, and open it up. , the whole body is full of skills, all controlled by the sharp edge of the pen tip, it is a perfect match. Qing Dynasty. Zhou Xinglian's "Linchi Guanjian" ▲The technique of using the brush can be seen at both ends of the painting, while the ancients' powerful and wanton style that makes people unable to reach it can be seen in the middle of the painting.

There are still signs to be found for the control of the entry and exit of both ends of the cover; the reason why the cut is abundant but not timid, and solid but not empty, is not because of the bone potential, and cannot be caused by anger. Qing Dynasty. Bao Shichen's "Yizhou Double Collection" ▲If the pen is straight, the front is hidden, and if the pen is Yan, the front comes out.

Song Dynasty Jiang Kui's "Xu Shu Pu" ▲The pen must be lifted up at the point where it is started, so as not to let it die on its own. "Essays on Painting a Zen Room" by Dong Qichang of the Ming Dynasty ▲The ancients used the same pen when compiling, including Fen, Zhen, Xing, and cursive scripts. They must mainly use the front edge, and occasionally use the side edge to capture the beauty.

Among the following sub-books, eight are the forwards and two are the flankers. The compilation is completely unpredictable. Ming Dynasty. Fengfang's "Shu Jue" ▲The ancients used to turn the brush point by point to complete the drawings. They did not reach the point where they were pulled, but used the turning function. The ancients drew one by one, all rotating, and put the paper with a straight heart. There is no place where millet has collapsed.

Scholars are skilled at work and have a sharp mind and hands.

However, you need to be proficient in the convenience, and you have to experience the twists and turns before you can know the beauty of breaking hairpins. Wherever the darkness passes, you have to stay somewhere to walk. If you stay wherever you go, you will get really fast.

It is legal for ears. Qing Dynasty. Ta Chongguang's "Shu Raft" ▲ As soon as the front is on the paper, it is appropriate to change: when drawing a person going down, the tube will turn upward; when drawing a person going up, the tube will turn downward; when drawing a person going left, the tube will turn right.

Li Misun's "Junxi Collection" of the Song Dynasty ▲The main points of the book can be summed up in one sentence.

Said: The pen is square and the potential is round. The square one is the folding method, which is the starting and ending point of the dotted wave. The square shape is the finger, which is the bone of the word; the round shape is the pen hovering in the air, which is the gesture, and the round arm and wrist are the tendons of the word.

Square and circle interact with each other, just like yin and yang hide each other.

Therefore, the pen should be round and the font should be square. The circle is the divine circle and cannot be stagnated; the square is the square, which cannot be clung to.

Ming Dynasty. Xiang Mu's "Elegance on Calligraphy" ▲ When the ancients wrote, they would make a circle when they started writing, and they would make a square when they started writing, each forming a kind of composition. "Lanting" uses circles, "Shengjiao" uses squares, and the two stickers are models of calligraphy for generations. The so-called rules of square and round are the best.

▲In terms of turning and bunching, the inside is square and the outside is round; in terms of writing, the bones are square and the flesh is round. This is a certain principle.

Qing Dynasty. Zhou Xinglian's "Linchi Guanjian" ▲If it is soft and moist, both fat and thin will be round, while if it is hard and dry, both long and short will be flat. Therefore, the curve and straightness are based on the temperament and reach the shape and quality; the roundness and flatness are based on the shape and quality and originate from the temperament.

Qing Dynasty. Bao Shichen's "Yizhou Double Collection" ▲The round pen is used instead of lifting, and the strokes are drawn out with pauses and setbacks. Fangbi used the word "du" instead, and used the deed to express it.

Use Jiao for round pens, and Fan for square pens. If a round pen is not Jiao, it will be weak, and if a square pen is not Fan, it will be sluggish. Modern times. Kang Youwei's "Guang Yizhou Double Collection" ▲The tip of the pen is like a falling edge, and there is no sharp edge like a sharp edge. The mood is vivid and refreshing, as if it is a god. It is one character and must be included in both numbers and body.

"On Calligraphy" by Wang Xizhi of Jin Dynasty ▲To write a book, you must be able to pick up the pen, but you cannot trust the pen. If the letter pen is used, the waves and drawings will be weak.

When you pick up the pen, every turn and bundle will be dominated by it. The two characters "Zhuan" and "Xu" are the calligrapher's secret.

"Essays on Painting a Zen Room" by Dong Qichang of the Ming Dynasty ▲The beginning has the priority of separation and combination, the closing has the emptiness and reality, the order and reversal, the opposite has the right and wrong, and the connection has the straight and far. Qing Dynasty. Liu Xizai's "Art Summary" ▲The pen must be calm, and the pen must be calm, and the pen will not be floating;

The use of pen to understand this has the effect of gradual change. The skillful and clumsy pens must be used in conjunction with each other. Skillful writing will lead to flexibility, while clumsy writing will make fun of the past. When they are combined and combined, there will be no risk of turbidity when writing.

Qin Zuyong's "Tongyin Painting Jue" ▲The book has two methods: one is disease, and the other is astringency. The two methods of quickness and astringency make the book wonderful.

"Preface to Pulling the Stirrup" by Lin Yun of the Tang Dynasty ▲ If you write too quickly, there will be no pauses, and if you write too late, you will lose power.

Qing Dynasty. Liang Xian's "Xue Shu Lun" ▲The author is familiar with the theory of astringent writing, but I don't know how to get astringent. But when the pen is ready to move, if there is something to reject, and it tries its best to fight against it, it will become astringent unexpectedly and it will become astringent on its own.

Liu Xizai's "On Using the Brush" of the Qing Dynasty ▲The pen is firm and never sluggish, and the calligraphy is thick and deep. Tang Dynasty. Zhang Yanyuan's "Book of Dharma" ▲Shanzhou said: The pen should be soft, so that it is soft; the tip of the pen should be long, so that it is agile; the ink should be full, so that it is plump; the writing should be fast, so that the idea will come out quickly.

To use the pen sharply, you need to go against the trend and not follow the trend, which will cause it to be lifeless and childish.

"Tongyin Painting Jue" by Qin Zuyong of the Qing Dynasty ▲ People know that the pen and ink have charm, but they don't know that the charm is all in the hands. Qing Dynasty. Da Chongguang's "Hua Qian" ▲There are people who have mastered the technique of brushwork but cannot use ink, and there are no people who have mastered the technique of ink without using the brush.

Qing Dynasty. Bao Shi. 2. Verses describing calligraphy

1. Zheng Banqiao's "Poetry on Bamboo and Orchid" Every day I go to the pond to study ink, but I never use chalk to compete for beauty.

You must know that painting is the same as calligraphy, and orchids and bamboos are like grass. 2. Huang Tingjian is a person who only learns the appearance of Lan Tingjian, but if he wants to change his character, there is no golden elixir.

Unexpectedly, Yang Fengzi from Luoyang went to Wusilan when he started writing. 3. Sleeping in a restaurant in Chang'an City from Du Fu's "Song of the Eight Immortals while Drinking".

The emperor couldn't get on the ship, so he claimed that he was a wine-drinking immortal. Zhang Xu takes off his hat and tops his head in front of the prince, swiping paper like clouds of smoke.

Jiao Sui fought five battles with Fang Zhuoran, and his eloquent talk shocked the four feasts. 4. Li Xin's "Gift to Zhang Jiuxu after Drunk" Zhang Gong is addicted to alcohol and is open-minded and has no plans.

Hao Shouqiongcaoli was called Taihu Jing at that time. Standing on the bed with the top exposed, he screamed two or three times.

When you are happy, sprinkle it on the plain wall, and the hair will be like a shooting star. 5. Li Huan's "Gift to Lingling Monk" Twenty years after Zhang Dian's death, it was said that the sage of Yancao had no one to pass on.

Lingling Sramana followed, and the new book has text as big as a bucket. When he is excited, he writes like a whirlwind, and when he is drunk, his enthusiasm becomes even more fierce.

Suddenly, Fei Min danced with two swords, and seven stars scattered around the dragon. Another example is Wu Sheng's paintings of ghosts and gods, which frighten oneself.

The hooks and locks are connected and the momentum is endless, and the stubborn and poisonous snakes are fighting for submission. 6. Li Bai's "Songs in Cursive Script to Huai Su" After getting drunk, my master leaned on the rope bed and scanned thousands of lines in a moment.

The wind and rain are blowing, and the falling flowers and flying snow are endless. He stood up and faced the wall without stopping, a line of numbers as big as a bucket.

It’s like hearing a demon and being frightened by thunder, seeing only dragons and snakes running away from time to time. 7. Han Xie's "Screen with Inscription Huai Su in Cursive Script" is on a screen where there is a clear trace of Huai Su.

Although it is dusty and stained, the ink stains are particularly thick. Strange rocks rush into the autumn stream, and ancient pines hang on cold vines.

If you were taught to take photos near the water, every word would be like a dragon. 8. In Wang Menglou's "Kuaixuetang Postscript", I once heard that the whale was caught in the blue sea, and that the divine power was limited and the luck was too weak.

The three tripods of asking Qi, ancient and modern, are Du Shi, Han Bi and Yan Shu. 9. In Dou Ji's "Master Huaisu's Cursive Script Song", the crazy monk plays wildly and freely, letting heaven alone destroy the rhythm.

Dragons and tigers are gradually born due to pointillism, but thunder avoids sharp edges. Isn't it expensive to use fish paper and silk? It's just too cramped for children's play.

There are dozens of pink-walled corridors, so you don’t have to be open-minded when you are happy. The elders and the younger gather together, and the virtuous and powerful arrive. They are still half-drunk while borrowing koji from their pillows.

Suddenly there were three or five screams, and the paper was filled with tens of millions of words. 10. Fu Shan's "Lun Shu" did not study Lu Gong's writings, but first studied Lu Gong's exegesis.

Pingyuan Qi is in the chest, and Mao Yingzhi swallows the captives. 3. A collection of famous words and couplets commonly used in calligraphy creation

1. When a rooster sings, the world becomes white - Li He's "Wine Tour" of the Tang Dynasty

2. The sky is open and the trees are low, The clear moon on the river is close to the people - Tang Dynasty. Meng Haoran's "Su Jian Dejiang"

3. The wilderness and the sandy shore are clean, the sky is high and the moon is bright in autumn - (Southern Song Dynasty) Xie Lingyun's "First Arrival in the County"

4. The sky is blue, the fields are vast, the wind blows the grass and you can see the cattle and sheep - (Northern Qi) Northern Dynasties folk song "Cele Song"

5. One man can guard the gate, but ten thousand people can't open it - Tang Dynasty .Li Bai's "The Road to Shu is Difficult"

6. The green mountains are endless, but the flowing water is so interesting - Tang Dynasty Qian Qi's "A Banquet at the East Pond Pavilion in the Outer City of the Kao Gong King"

7 .The river is a green belt, and the mountains are like jade hairpins - Tang Dynasty Han Yu's "Send to Guizhou Doctor Yan with the Same Character Nan"

8. The green mountains cannot cover it, after all, it flows eastward - Song Dynasty Xin Qiji's "Bodhisattva" quite.

"Book on the Ostomy Wall of Jiangxi"

9. From the top of Huidang, you can see all the mountains at a glance - "Looking at the Mountains" by Du Fu of the Tang Dynasty

10. The river flows beyond the sky and the earth, and the mountains are beautiful Wuzhong - "Hanjiang Linfan" by Wang Wei of the Tang Dynasty

11. The mountains are better when clouds come, and the mountains are picturesque when clouds go away. The mountains are dim because of the clouds, and the mountains are high and low due to clouds - Zhang Yanghao of the Yuan Dynasty "Double Tune of Wild Geese Falling and Victory Order"

12. The green mountains on both sides of the strait come out facing each other, and a solitary sail comes from the sun - "Looking at Tianmen Mountain" by Li Bai of the Tang Dynasty

13. Horizontal It looks like a ridge with peaks on either side, with different heights near and far. ——Su Shi, Song Dynasty, "Inscription on the Wall of the Western Forest"

14. Amidst the mountains and rivers, there is no way out, but there is another village with hidden willows and bright flowers. ——Lu You, Song Dynasty, "Visiting the Village in Shanxi"

15. 1 The water protects the fields and surrounds them with green, and the two mountains with rows of gates bring in the green - Song Dynasty Wang Anshi's "Book on Mr. Hu Yin's Wall"

Words are the collective name of words and phrases, including words, phrases and the entire vocabulary. The smallest word structure form of text that forms a sentence article.

The new dictionary is rich in words and has a large amount of information. Word is the smallest sentence unit composed of morphemes. Words are classified into 2-character, 3-character, and 4-character categories, but please note that words do not belong to the idiom category.

Famous aphorisms refer to famous words spoken, written, recorded in history, concluded or suggested through practice, and used to warn the world by some celebrities or ordinary people. Famous aphorisms are easy to pass down and are the concentrated essence. Couplets, one of the traditional cultures of the Han nationality, also known as couplets or pairs, are dual sentences written on paper, cloth or carved on bamboo, wood, or pillars. Couplets are neatly contrasted and harmonious, and are a unique art form of the Chinese language that uses one word for each sound. According to legend, the couplet originated from Meng Chang, the lord of Shu after the Five Dynasties. Couplets are a treasure of Chinese Han traditional culture. 4. Sentences describing calligraphy Sentences

Take a look at Sun Guoting’s calligraphy. Among those who have been good at calligraphy since ancient times, Zhong Zhang was the best in the Han and Wei dynasties, and the two kings were called the masters in the late Jin Dynasty.

Wang Xizhi said: "After searching for famous books for a while, Zhong Zhangxin was unparalleled, but his success is not enough to be seen." It can be said that Zhong Zhangyun disappeared, and Xi Xian succeeded him.

He also said: "My book is compared to Zhong Zhang. Zhong should resist, or it can be said to be better. Zhang Cao is like a flying goose.

However, Zhang is skilled, and the water in the pond is exhausted. If I am delayed like this, I will not necessarily thank you." This is the intention of recommending Zhang Maizhong.

Examining his expertise, although he failed to achieve the results as set forth above, he has mastered all aspects, so he is not ashamed of what he is doing now. A commentator said: "The four sages among them are unique in ancient and modern times; today we do not follow the ancients, but study the ancient quality and study the present." Although it is a written deed, it is suitable for recording words; but once Chunji moved, the quality and writing changed three times, and the evolution was rapid, the physics is normal.

In ancient times, noble people were not obedient, but now they have different disadvantages. The so-called "gentle and gentle. Then a gentleman."

Why should you carve a palace on the acupoint and turn the jade chariot on the vertebrae? It is also said: "Zijing is not as good as Yi Shao, and Yi Shao is not as good as Zhong Zhang." The intended person thinks that he can evaluate his outline, but does not specify his origins and endings.

Moreover, Yuan Chang specialized in official script, and Boying was particularly good at cursive script. They are both beautiful, but they are both elegant and less. If you draft a draft, it will remain true, if you compare it with the truth, the grass will grow. Although it is a small thing to specialize in work, but it is excellent in many things, from the beginning to the end, there is no good relationship.

Xie Ansuo was good at rulers and tablets, but he was fond of Zijing's books. Zi Jing tried to write a good book for him, saying that it must be recorded, and he always answered questions and answered them, which made him hate him very much.

An Chang asked Jing: "How can Qing Shu be like a right-wing army?" He replied: "That's why we should win." An Yun: "The theory of things is different."

Yu Jing also Answer: "The people at that time knew it!" Jing Jiquan used these words to explain what he had learned from An, and calling himself the father of Sheng was not an exaggeration! Moreover, when he established his reputation and became famous in his career, he could not get into the home of Victory Mother. Because of Yu Jing's heroic Han, Shao Youjun's writings and letters may not be able to defeat Ji Qiu even if they are restored to regular rules.

Kang Nai pretends to be a god, shamefully respects his family's example, and achieves education in this way, who is more likely to face a wall! When Hou Xi went to the capital, he wrote an inscription on the wall before leaving. Zi Jingmi wiped it out and changed the writing to another place. His private behavior was not evil.

When Xi returned, he sighed and said, "I was really drunk when I left!" It is known that if Yi Shao is better than Zhong Zhang, then Zhuan Bo Si is different; if Zi Jing is not as good as Yi Shao, there is no doubt about it.

When Yu Zhi was a scholar, he paid attention to calligraphy and calligraphy, and paid no attention to Zhang Zhili. He has the art of being obedient to the trees and the ambition to be near the pond.

Observe the difference in the hanging needle of a husband, the strangeness of the thunder falling on the rocks, the frightening nature of the flying beasts, the frightened state of the luan and the dancing snake, the momentum of the cliff and the collapse of the peak, the shape of the haggard in the face of danger; or It is as heavy as a collapsing cloud, or as light as a cicada's wing; when it is guided, a spring will flow, and when it is stopped, the mountain will be safe; as slender as the first moon rising from the horizon, and falling like a series of stars in the river; like the wonders of nature, there are things that cannot be achieved by force. ; The letter can be said to be both intelligent and skillful, with a clear heart and hands. Within a single stroke, everything rises and falls like a sharp edge; within a single point, everything changes like a hair.

Kuang Yun accumulated his dots and painted them to form his characters; he never glanced at the ruler and calf, but looked down at the shade; he quoted Ban Chao as his words, borrowed the items from the book and became complacent; he let the pen form the body, and gathered the ink to form; the heart It would be absurd to try to imitate the effect of the recipe in a faint way, and to be confused by the principles of waving luck with your hands, and to seek its beauty! However, when a gentleman establishes himself, he must cultivate his roots. Yang Xiong said: "Poetry can be written in a small way, but a strong man cannot do it."

Kuang Fu is a man who is obsessed with thinking even the smallest detail, and is reduced to being a master of calligraphy! The husband's hidden spirit is facing Yi, which is still the name of sitting and hiding; he is happy to fish and fish, and he still has the interest of physical movement and hiding. If Gong determines rituals and music, it is a wonderful imitation of gods, and it is like the indifference of the old man, which is transported together with the furnace.

A man who likes the strange and yet curious, who plays with the many ways of physical postures, and who knows the subtleties and subtleties, can obtain the mysteries of movement. The one who writes the book ignores its dross, and the one who learns and reviews it picks up the essence, who consolidates the principles and principles, and who believes in the virtuous and the wise and is good at the same time.

How can it be in vain to save the essence and enjoy it? The scholars of the Eastern Jin Dynasty cultivated each other. The family belongs to the clan of Wang Xie and the relationship between Xi and Yu. Although it is not full of magic, it is also salty and has its flavor.

As time goes by, the path becomes weaker and weaker. Fang Fu heard the doubts and expressed doubts, and finally reached the end. He was blocked from the past and the present, and there was no question. He had a meeting and kept it secret. This made the scholars confused, unable to understand the essentials, only seeing the beauty of success, and not understanding the reason.

Or it may be that it has been distributed over the years, but it is still far away from the rules. The true picture is not understood, and the practice will lead to confusion. If Ling Bo can write in cursive and pass down official laws in a rough way, he will tend to be too rigid and self-defeating.

Knowing that the heart and hand will return, if they come from the same origin but are of different sects; the technique of switching is like a tree divided into strips? Taking advantage of the changes at the right time, running script is the most important; writing the title in a square format is really the first thing to do. If the grass is not true, it is almost due to concentration; if the true grass is not clear, it is not a letter. The true uses dot painting as the form and quality, so that it can be transformed into emotion; the grass uses dot painting as the emotion, so that it can be transformed into form and quality.

If the grass turns around well, it cannot be written into words; if it is really bad, it can still be written down. Although they are different from each other, they are generally related to each other.

Therefore, it is also attached to the two seal scripts, which extend over eight points, including the chapters, and the words flow freely. If you don't notice it at all, you will be in a different situation.

It is as good as Zhong Yao Li Qi and Zhang Zhi Cao Sage. This is the combination of specialization and excellence, which makes it unparalleled. Boying is not true, but his stippling is messy; Yuan Chang is not straight, but his painting is vertical and horizontal.

Those who are self-reliant and unable to do both have shortcomings and are not experts. Although seal script and official seals are made of cursive seals, their functions are varied and their functions are beautiful and each has its own advantages.

The seal script is graceful and clear, the official script is precise and dense, the cursive script is flowing and smooth, and the rules and regulations are easy to check. Then cool it with wind spirit, warm it with beauty, drum it with dry energy, and harmonize it with leisurely elegance.

Therefore, we can understand their emotions, shape their sorrows and joys, and examine the special knots of dryness and dampness, which have remained the same through the ages; when the body is old and strong, it is a hundred years old, and it is possible to learn and call, without entering the door, to have a look at it. The most powerful one! Another time when writing, some are good and some are combined. If they are combined, they will be charming, and if they are good, they will be sparse. I will briefly explain the reasons, and each has five reasons: Shen is happy and leisurely, which is the first combination; feeling benefit and partiality, the second combination is; the time is harmonious and the spirit is harmonious. Moisture is the three combinations; the paper and ink are mixed, the four combinations; and the occasional desire to write is the five combinations. The heart is left behind, which is the first good thing; the mind is bent against the situation, the second good thing is; the wind is dry and the sun is burning, the third good thing is; the paper and ink are not in harmony, the fourth good thing is; the feelings are lazy and the hands are blocked, the fifth good thing is it.

When good things come together, there are differences between good and bad. It is better to have the tool at the right time, and it is better to have the right intention than to have the tool. If the five good things are the same, the thoughts are restrained and the hands are blocked; the five combinations are perfect, and the spirit is integrated and the writing is smooth.

Feel free of discomfort and confused. A benevolent person is so proud that he forgets to speak, and seldom expresses his important points; a scholar who is eager to describe the wonderful things in a style, even though the description is still sparse.

He did his work in vain and failed to fulfill his purpose. Don't criticize mediocrity, but always try to make things clear; people who want to promote the rules of the past and guide the knowledge of the future, eliminate the complexity and excess, and see the traces to clarify the mind.

There are seven lines of "Brush Formation Picture" in the ancient times. The middle painting is written by three hands. Suddenly, it was spread from north to south, and it was suspected that it was made by the right army.

Although the authenticity is unknown, it can still enlighten children. Since it is stored in common customs, it is not cataloged.

As for the reviews of various schools of thought, they are mostly about glitz and glamour. They are all about external descriptions of their shapes and internal confusion about their principles. What I have written now has no reference to them. If it is the high reputation of the teacher and the official, it will only show the history; the order of Handan Chun will be empty and sealed.

Since the time of Cui and Du, Xiao and Sheep have passed away, offering sacrifices to distant places, and famous families have multiplied. Maybe by virtue of being very persistent, one's career will be revealed; or by virtue of being attached, the price will be increased, and one's body will be withered. 5. Verses praising calligraphy

The lowest price is 0.27 yuan/day to become a member of Baidu Wenku, and you can view the full content in Wenku> Original publisher: Dumi Wenku Verses of praise for people who love calligraphy Part 1: People who love calligraphy Hymn Verses 2: Zheng Banqiao goes to the pond every day to study ink, but never fights for beauty with chalk.

You must know that painting is the same as calligraphy, and orchids and bamboos are like grass. 3. Huang Tingjian is a person who only learns the appearance of Lan Tingjian, but if he wants to change his character, there is no golden elixir.

Unexpectedly, Yang Fengzi from Luoyang went to Wusilan when he started writing. 4. Wang Wenzhi's "On Calligraphy Quatrains" has many ink ponds, pens and graves, and it is not easy to understand the Zen of calligraphy.

After carefully reading Sun Gong’s book, we found out that Qu was from the past. 5. Sleeping in a restaurant in Chang'an City in Du Fu's "Song of the Eight Immortals while Drinking".

The emperor couldn't get on the ship, so he claimed that he was a wine-drinking immortal. Zhang Xu takes off his hat and tops his head in front of the prince, swiping paper like clouds of smoke.

Jiao Sui fought five battles with Fang Zhuoran, and his eloquent talk shocked the four feasts. 6. Li Xin's "Gift to Zhang Jiuxu after Drunk" Zhang Gong is addicted to alcohol and is open-minded and has no plans.

Hao Shouqiongcaoli was called Taihu Jing at that time. Standing on the bed with the top exposed, he screamed two or three times.

When you are happy, sprinkle it on the plain wall, and the hair will be like a shooting star. 7. Li Huan's "Gift to Lingling Monk" Twenty years after Zhang Dian's death, it was said that the sage of Yancao had no one to pass on.

Lingling Sramana followed, and the new book has text as big as a bucket. When he is excited, he writes like a whirlwind, and when he is drunk, his enthusiasm becomes even more fierce.

Suddenly, Fei Min danced with two swords, and seven stars scattered around the dragon. Another example is Wu Sheng's paintings of ghosts and gods, which frighten oneself.

The hooks and locks are connected and the momentum is endless, and the stubborn and poisonous snakes are fighting for submission. 8. Li Bai's "Songs in Cursive Script to Huai Su" After getting drunk, my master leaned on the rope bed and scanned thousands of lines in a moment.

The wind and rain are blowing, and the falling flowers and flying snow are endless. He stood up and faced the wall without stopping, a line of numbers as big as a bucket.

It’s like hearing a demon and being frightened by thunder, seeing only dragons and snakes running away from time to time. 9. Han Xie's "Screen with Inscription Huai Su in Cursive Script" is on a screen where there is a clear trace of Huai Su.

Although it is dusty and stained, the ink stains are particularly thick. Strange rocks rush into the autumn stream, and ancient pines hang on cold vines.

If you were taught to take photos near the water, every word would be like a dragon. 10. In Wang Menglou's "Kuaixuetang Postscript", I once heard that the whale was caught in the blue sea, and that the divine power was limited and the luck was too weak.

The three tripods of asking Qi, ancient and modern, are Du Shi, Han Bi and Yan Shu. 11. In Dou Ji's "Master Huaisu's Cursive Script Song", the mad monk plays wildly and freely, letting heaven alone destroy the rhythm.

Dragons and tigers gradually come to life due to pointillism, but thunder avoids them. 6. What are the poems that praise "calligraphy"?

1. The dew is full of spring, and the clouds are full of strength.

Please look deeply into the wood, not even an inch is empty. ——"Book" by Li Qiao of the Tang Dynasty Translation: The dew drops are round and powerful, each stroke is like a broken cloud that hides the time.

Please observe every stroke carefully. Every inch is round, smooth, and well-developed. 2. You are so good at this art, you pile up walls and fail like hills.

——"Shi Cang Shu Drunk Mo Hall" Su Shi of the Song Dynasty Translation: Mr. Wang has reached the highest level in the art of calligraphy. The worn out pens are piled up against the wall as high as a hill. 3. Wine is like flags, drums, pens, knives, and wine, and its power falls from the sky to the Milky Way.

——"Inscriptions on Cursive Script Written in Drunkness" Translated by Lu You of the Song Dynasty: Cursive writing is like marching into a war. Drinking before writing is like the flags and drums in the army, which are powerful, and the pen in the hand is like the sword and gun of a soldier. The momentum is like the Milky Way pouring down from the sky. 4. Orchid Pavilion's cocoon paper enters Zhaoling, and the ruins in the world are like dragons.

——"Sun Xin Lao Qiu Mo Miao Pavilion Poetry" Su Shi of the Song Dynasty Translation: The original "Preface to the Lanting Collection" written on cocoon paper has been buried in Zhaoling, and the glyphs of Wang Xizhi's dragon and tiger leaping are still left in the world. 5. Yan Gong’s reforms brought out new ideas, and the thin tendons penetrated into the bones like an autumn eagle.

——"Sun Xin Lao Qiu Mo Miao Pavilion Poetry" Su Shi of the Song Dynasty Translation: Yan Zhenqinggong changed the calligraphy to create new ideas, and the sinews and bones of the font are as strong as the eagle in autumn. 6. Banqiao’s calligraphy is like writing orchid, with its odd and graceful waves.

——Qing Dynasty Jiang Shiquan Translation: Zheng Banqiao's writing is like painting blue, with a handsome momentum, solemn and solemn, standing proudly. 7. The father and son of the Xu family are also very beautiful, with strong edges hidden in their words.

——"Sun Xin Lao Qiu Mo Miao Pavilion Poetry" Song Dynasty Su Shi Xu Qiao's father and son's calligraphy is also extremely delicate, with no sharp edges but vigorous and vigorous strokes. 8. The strokes of a pen are like a whirlwind - "Gift to Lingling Monk" by Su Huan of the Tang Dynasty. Translation: The strokes of a stroke are as fast as the wind.

9. The paper falls like clouds of smoke. ——"Song of the Eight Immortals in Drinking" by Du Fu, Tang Dynasty Translation: If you write quickly with a pen, if you get divine help, your writing will fall on the paper like clouds and smoke.

10. The legend of Yishan is engraved with codes and punishments, and the writing style remains in the ice for thousands of years. ——"Sun Xin Lao Qiu Mo Miao Pavilion's Poems" Su Shi of the Song Dynasty Translation: The stone inscriptions on Mount Yi show an example. The inheritor of calligraphy for thousands of years is Li Shi Yangbing.