Naughty boy, there is a way:

Tell the fish to bite your vegetarian feet,

Tell the oriole to peck your nails,

Wild rose, grab your skirt ...

White butterflies know color, fragrance and taste best.

Look for oral fat during your nap,

I'll wait for you to drink spring water.

Make fun of you and kiss yourself.

Is my eight-array diagram good?

It's a little bad for you to laugh,

I know you still have tricks!

Ha ha! Who is the winner?

You are on the wall opposite me.

I wrote "I am really naughty".

This poem was written by the poet Bian in his early years. Mr. Zhu Ziqing once affirmed that it was a love poem, hidden in the micro-lock of practical jokes. The poem takes the word "naughty" as the proposition, and writes about the pursuit of naughty love, which is free and easy.

"urchin" is you in the poem. My way to cure urchins is "My Eight Arrays". They are really urchins: tell the fish to bite your barefoot, the oriole to peck your nails, the wild rose to hold your skirt, and the white butterfly to suck your mouth fat ... But you wrote "I am really naughty" and "naughty" on the wall opposite me.

Metaphors such as "fish swimming", "oriole", "wild rose" and "white butterfly" run through the whole poem, making it lively and innocent.

Bian is good at grasping the common characteristics of Chinese and western poems, reconciling the ancient world, creating a new way, and suggesting hidden psychological activities from popular poems; The harmonious way has become a serious proposition of "naughty" behavior. Bian has a childlike heart. In Bian's works, I relived old dreams: a reed boat, a sponge filled with water, a bee crashing into a window, and a snail walking with his house on his back ... His childlike innocence includes his love for natural vitality, his love for free life, his hope for colorful life and his persistence in innocence.

Bian is very concerned about and sensitive to the structure of poetic language, and has made unremitting exploration and efforts in meter. He once described the poetic art of Valery, a famous French poet in the late symbolism period, as "rigorous and flexible in meter", from which we can see the height he pursued in this respect. This poem has four sections and fourteen lines, and its rhyming language structure is rare in China's new poems.

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