Some people say that the golden years should be regarded as the golden years, which is indeed true. Overall, the plot in the second half is slightly better than the first half, but there are still many flaws. After watching the first few episodes, I really couldn’t help but complain. The original author’s views are extremely distorted! As for the screenwriter and director, don’t you have amazingly different views? Character design

The character design of one of the heroines, Zhu Suosuo, is that she is short of money, lacks love, and is young and beautiful. Such a girl is very unfortunate, sad and terrible in real life! Because she will become the best prey in the eyes of men. It is said that such people should have low self-esteem. But the author may want to create a rebellious and bold woman. The Zhu Suosuo we saw in the previous episodes is arrogant and arrogant, ignorant and shameless, a nymphomaniac and mentally retarded! She acts like a nympho when she sees a man, is coquettish, self-righteous, and eager for quick success. She regards making money as her only purpose in life and has no dignity as a woman... I don't know where her confidence comes from? At first, he mistook a driver for an executive and fell in love without asking. This was entirely based on his misunderstanding of money, power, and blind worship of men.

The most ridiculous thing is that she thought Ye Jinyan loved her, and she loudly questioned and yelled in front of Mr. Ye, completely disrespectful...Who do you think she is? In addition, the second rich man Xie Hongzu really loved her and pursued her, but she completely ignored it and claimed that he wanted to make money on his own. After hitting a snag with Mr. Ye, he turned around and married Xie Hongzu... I don't understand what kind of brain circuit this is? I really don’t know what kind of values ????the directors and directors want to convey to young people? I really want to know where the personal value system and chaotic human ethics of the original female writer Yi Shu come from? Background

According to the information, Yishu was born in Zhenhai, Ningbo, Zhejiang. He settled in Hong Kong with his parents when he was young. After graduating from middle school, he entered the society without going to university. Worked in a newspaper office, covering news, writing interviews, essays, novels, newspaper columns, and serving as editor of film magazines, etc. In 1973, when she was 27 years old, she went to study in Manchester, England, majoring in hotel management...

From the author’s life and growth experience, we can see that she graduated from high school but did not go to university, and came to England at the age of 27. Study abroad. It can be said that she has no influence of traditional Chinese culture in her mind, but has completely accepted Western education and lifestyle. Having said that, in a small place like Hong Kong, what kind of traditional culture can be passed down even if you go to university? So I also understood the ins and outs of some of the stories in the play.

The aunt in the play always carries a wine glass at home, and only eats Western food or desserts when meeting people. She has a boyfriend abroad, and Mr. Ye is always giving her a lot of money when she returns home. When you go abroad, you have projects and resources, and you don't have to worry about food and clothing. When you return home, you are a mentor who has a clear understanding of life. If you want to join the job, you can be prosperous, and if you want to leave, you will have no worries... It can be described as a perfect character. And all this is so logical and convincing in the eyes of the Chinese people, without any doubts. Even Dai Qian has a Westernized name. Although the aunt's character is lively and transparent, not dependent on anyone, smart and rich, and frequently makes famous quotes, I still don't like the Western elements in her that have been beautified to perfection. Externalization

Compared with Zhu Suosuo's straightforward externalization and her aunt Dai Qian's Westernization, Jiang Nansun's traditional Chinese restraint and euphemism make people feel comfortable. Her clothes are refreshing and elegant, and she does not need to show off her shoulders and legs. Personally, I prefer the ladylike temperament and ladylike speech and behavior. But her completely unmatched love affair with Phoenix Man is indeed rather stupid. Of course, the ultimate shaping of the different personalities of the characters is all for the sake of the exciting needs of the work itself.

Yishu has created many female characters, and mature women are what Yishu is good at describing. According to the data, as far as the author is concerned, on the one hand she does not believe in love, on the other hand she longs for old-fashioned men who take care of women. The author may have a serious lack of fatherly love, or may have a serious Electra complex. Such plots appear frequently in her works. But the reliance on old men in the work eventually breaks down. For example, in this drama, Zhu Suosuo fell in love with an old man, Ye Jinyan, but in the end it was just an illusion of his own passion.

Perhaps, the author Yi Shu's presentation of the living conditions of various modern women is to encourage women to completely eliminate the psychological complex of "depending on men" deep in their hearts, and ultimately rely on themselves to be a strong possession. A woman with an independent personality. Only when you understand the author can you understand her works. This may be the reason why we think that the three views in her works have destroyed our three views, but her works are so popular.

The drama is over, this drama has a strong cast, grandma Wu Yanshu, Jiang's father Zhang Chenxi, Jiang's mother Wu Yufang, Mr. Ye Chen Daoming, Fan Fan Tianyu, Mr. Yang Wang Xiao, Mr. Tang Wu Yue, Mr. Xie Auntie, Ma Bao Dong Zijian, Wang Yongzheng, Yang Youning, Li Yifan, Yu Xiaowei, the unnamed Professor Dong, as well as the double heroines Ni Ni, Liu Shishi... all the acting skills are responsible, the lines are written very well, Fu Hua Dao and even the light music are all excellent OK. But if the directors and directors could change or weaken the plot that ruined the three views, this drama would be a complete success.