(1) Mom is busy around the stove. Handfuls of firewood with symptoms of male vitiligo were stuffed into the stove chamber, and a raging fire was added to the black iron pot. The hot air in the pot came out, and so did the aroma. Children look like vitiligo. What are the remedies for gene therapy of psoriasis? Look through the lid, hook the annual flavor in the iron pot into gluttony and have a big meal. The village is noisier, the smoke is thicker and the taste of the year is stronger. I am a little closer to home, and my dream has sneaked into the arms of the village.
(2) The cooktops in the country are both sides, which are used for boiling water and cooking at the same time. My grandmother put the washed duck eggs into the cauldron. What about vitiligo? I scooped a few spoonfuls of water from another hot pot and put it in the cauldron, then carefully put a spoonful of salt in it. Then I added some dead branches to the stove, sat down next to me and began to knit my silk.
(3) In the long-term treatment of vitiligo, there is a clean and tidy stone stove on the ground; From high to low, the right corner is neatly placed with taste boxes for adjusting vitiligo money; The brightly painted wok was placed on the stove, without any oil stains and glowing. 20 13 is a very sad sentence: life is more than loneliness; Good and bad.
2. Proverbs or poems related to kitchen painting were not found online, but they were found. I hope to adopt them:
Kitchen painting is no stranger to rural people. Today, when the protection of intangible cultural heritage is advocated, farmers' earthen stoves, once filled with fireworks, also reveal a strong cultural atmosphere. A pair of "flower stoves" is a folk art with strong local flavor. However, in the modern society where folk handicrafts are drifting away, kitchen painting has gradually faded out of people's field of vision, and inheritance and protection are imminent. What is the history and present situation of Tongxiang stove painting art? What kind of situation will its inheritance and protection face? A few days ago, the reporter conducted a special interview for this purpose-
In Tongxiang countryside, as soon as you walk into the farmhouse kitchen, you will see a pair of stoves with unique shapes. From the stove hill, chimney to the stove body, there are all kinds of different patterns and patterns, and most of them are rough and exaggerated, with bright colors and characters. This mural on the kitchen stove is called "Kitchen stove painting".
As an important part of folk art, hearth painting not only constitutes a unique folk culture in Jiangnan, but also is a typical representative of rice culture in Jiangnan.
The Origin of Kitchen Painting
When kitchen painting originated, there is no exact textual research. Some of the old artists who painted stoves in Tongxiang originated from the Ming and Qing Dynasties, while others believed that they originated from the Sui Dynasty more than 1000 years ago. In the end, I couldn't find out what year it was. But one thing is certain, it mainly comes from the folk tradition of offering sacrifices to the kitchen god, and combined with the structural characteristics of the firewood stove in the south of the Yangtze River, it was drawn by masters who are good at painting with simple and smooth brushwork.
Kitchen painting is very common in Tongxiang countryside. In the past, whenever a new stove was cooked, there was bound to be a kitchen painting. The traditional wood stove used in rural areas consists of a stove body and a stove wall. Two or three iron pots are arranged in parallel on the kitchen surface. There are two pots called "two-eye stove" and three pots called "three-eye stove". Generally speaking, the pot inside is relatively large, which is called "the wok inside"; The pot outside is small, called "external wok"; If it is a "three-eye stove", there is also a "medium wok", which is generally between the "inner wok" and the "outer wok". Put a small pot between two cauldrons, which is called "soup pot". "Three-eye stove" is widespread in rural areas of our city.
According to some old people in rural areas, farmers in Tongxiang have always attached importance to cooking stoves, and the size, orientation and orientation of stoves are not arbitrary. Generally, they have to choose a good day to "break ground", which is second only to building a house. Some farmers also use small cookers to store rice and tea, or bury copper coins to pray for the health of the whole family. It is out of the need of life and the desire for a better life that the chefs in the kitchen began to draw various auspicious patterns on the wall of the kitchen stove, and kitchen paintings came into being.
There is such a saying again. Because there is a kitchen god living on the stove, these patterns accompanying the kitchen god naturally symbolize auspiciousness, indicate wealth, express yearning, and include prayer. If someone simply brushes a layer of lime slurry on their stove, people will disdainfully call it a "tofu stove".
Kitchen painting has rich and colorful meanings.
On the stove, you can generally see auspicious patterns and characters such as rich peony, birds paying homage to the phoenix, carp yue longmen, fighting for gold every day, and being careful with candles. According to some old kitchen artists, Tongxiang kitchen paintings can be roughly divided into three types: line type, pattern type and text type, which are similar to those in other areas of Jiangnan. Among the three types, the line type is the simplest, while the pattern type of kitchen painting is much more complicated, and it can also be divided into three types: story legend type, landscape type and moral object type. Legendary stories such as "Making Friends in Taoyuan", "Visiting Shanzhai", "Taigong Fishing" and "Xiao He Chasing Han Xin under the Moon". Landscape types such as West Lake in Hangzhou, Three Ponds Reflecting the Moon, Qianjiang Bridge and Xin 'anjiang Power Station. Symbols include "Phoenix Flying", "Kirin Sending a Son", "Birds Facing the Phoenix", "Song He Extending Life", "Magpie Climbing Plum Tree" and "Carp yue longmen". If there is a single word in a kitchen painting dominated by words, the most common words are "blessing" and "longevity"; There are also four words: "use water in rice", "more than a year", "make more money every day" and "be careful with your candles". There are also sentences in the form of dialogue, such as "Peace in the four seasons, all the best" and "Longevity is better than Nanshan, and happiness is like flowing water in the East China Sea".
It is also very particular about which position of the stove is suitable for all kinds of stove paintings. Traditional cooking stoves in rural areas are generally composed of cooking feet, cooking bodies, cooking stems, cooking mounds, cooking door walls and cooking tops. The composition on the stove foot is generally full of ink, showing a long scroll shape, showing a sense of stability. Generally, the furnace body is a continuous and symmetrical pattern, and the stability of the furnace foot gives people a harmonious aesthetic feeling. The kitchen fence, kitchen mound, kitchen door wall, kitchen roof and other parts are actually long, square or diamond, giving people a constantly changing and patchwork artistic enjoyment. On the other hand, the words "Beware of fire candle" are generally engraved on the hole in the back of the stove, and the word "fire" is often written backwards. The images embodied in kitchen paintings, like folk songs, condense the working people's love for life, their wishes for happiness and their pursuit of beauty. Just like the most common "cornucopia", it expresses people's yearning for peace and satisfaction, entrusts people's simple thoughts and feelings of getting rich through hard work, and reflects people's general psychology of pursuing perfection, beauty and wealth.