1, Ou Yangxun's masterpiece "Jiuchenggong Liquan Ming"

The Inscription of Liquan in Jiucheng Palace is a regular script written by calligrapher Ou Yangxun in the sixth year of Zhenguan in Tang Dynasty, and written by Wei Zhi. This paper describes the origin of "Jiucheng Palace" and the grandeur of its architecture.

He praised Tang Taizong's martial arts and frugality, introduced the discovery of Liquan in Miyagi, and published ancient books to explain that the emergence of Liquan was caused by "the emperor's life". Finally, he put forward the admonition of "aim high, persevere and avoid excess".

2. Wang Xizhi's masterpiece "Preface to Lanting Collection"

Preface to Lanting Collection is a work written by Wang Xizhi, a scholar of Jin Dynasty in China, at the foot of Zhu Lan Mountain in Shaoxing, Zhejiang. The full text consists of 28 lines and 324 words. The whole article is charming and elegant, with exquisite words and dancing, as if god and man helped each other. It is considered the best in the calligraphy world of past dynasties.

3. Wang Xianzhi's masterpiece "Thirteen Lines of Luo Shenfu"

Thirteen Lines of Luo Shenfu, referred to as Luo Shenfu for short, is the representative work of Wang Xianzhi's lower case calligraphy in the Eastern Jin Dynasty. The original ink was written on hemp paper, and the content was a famous article "Luo Shen Fu" written by Cao Zhi, a famous writer of Wei in the Three Kingdoms period, but it was damaged and lost in the Tang and Song Dynasties.

4. Yan Zhenqing's masterpiece "Yan Liqin Monument":

Yan tablet is a tombstone erected by Yan Zhenqing for his great-grandfather Yan, and it is the masterpiece of Yan Zhenqing's regular script in his later years. This monument was erected in the 14th year of the Tang Dynasty and unearthed in Xi 'an, Shaanxi Province in the 11th year of the Republic of China (10). It is now in Xi 'an Beilin Museum.

5. Mi Fei's masterpiece Shu Sutie:

Shu Su Tie is a silk ink calligraphy work created by Mi Fei, a calligrapher in the Northern Song Dynasty, in three years. In Shu Su, the author wrote eight poems with different styles, the contents of which were travel notes and farewell works at that time. His artistic style is based on harmonious change, naive and natural, with delicate brushwork, changeable structure and calm and happy brushwork.