In daily study, work or life, everyone has the experience of writing compositions, and they are very familiar with compositions. With the help of compositions, you can vent your emotions and regulate your mood. What kind of compositions have you seen? Below are the essays I have collected for you on why the "old accent" is shocking for getting a perfect score in the college entrance examination. You are welcome to learn from it and refer to it. I hope it will be helpful to you. Why is "Laoqiang" shocking? College Entrance Examination Full Score Essay 1
This article wins with a perfect beginning and profound thinking.
The beginning of the article quotes the words of an old artist, and can combine the text with the analysis of Mr. Chen Zhongshi’s four words “hearty and hearty”. Then, Mr. Lu Xun's language in "Collected Essays of Qie Jie Ting" was used for analysis, and it was proposed that the charm of Huayin Laoqiang lies in its richness and depth, its use of metaphors to demonstrate, its vigor and unique reasoning method. The body of the article is accurate and profound; it starts from the charm of the old tune, traces back to the traditional skills, and analyzes them. It quotes the famous sayings of Lu Xun and Hegel and analyzes them to provide insights. The writing makes good use of rhetorical questions to arouse alertness: parallel questions and rhetorical questions create a smooth transition. It not only summarizes the current situation above, but also leads to the discussion below. The article is deeply thought-provoking, and throughout it is the examinee's reflections on Laoqiang and an analysis of the current phenomena.
"The bitten middle finger is used as ink, and the torn dragon robe is used as paper." When the old artist shouted this sentence while playing the yueqin, the feeling of tearing silk penetrated his heart and desolation reached his ears. Mr. Chen Zhongshi was afraid that he could not describe it even if he came up with endless words, so he reluctantly wrote the four words "heartily". Wooden benches and wooden bricks are extremely ordinary utensils, but they have the power to purify the world, which is truly thought-provoking.
Mr. Lu Xun said in "Collected Essays of Qie Jie Ting": "Only the national can belong to the world." I think this "national" is by no means like a sculpture in an ivory tower, but It is a soul treasure produced in the ups and downs of the vast and magnificent historical folk. Perhaps this is the charm of Huayin's old tune. It is different from the "old tune" sung by some pop singers. When these local artists speak, what appears everywhere is not roundness, but vigor full of loess. I'm afraid I don't know how many days it has been buried in the loess before it can be stained by the vastness of the loess.
Laoqiang has transcended its own art form and become a cultural symbol. This symbol not only represents the old tune itself, but also represents the culture and skills passed down orally among folk artists. The popular documentary "I Repair Cultural Relics in the Forbidden City" pointed out to us a worrying fact. There are few successors to the culture and skills passed down by word of mouth. I once heard the descendant of "Clay Man Zhang" say: "I used to develop my interests in the mud room at the age of six or seven, but now my children never have such time." Mr. Chen Zhongshi also frankly admitted in the article that he People have never heard of Laoqiang before. Does this serve as a warning to us? Today, are we paying too much attention to foreign cultures and not inheriting our own nation? Is it not possible to use Chinese learning as a substance and Western learning as a practical application? Have the teachings of ancient sages been silently forgotten by people?
Laoqiang shocks people, not only because of its expression form that is different from classical beauty and its beauty full of life, but also because at this time, there are few traditional folk skills as complete as Laoqiang. As China moves toward the world, its foundation is exactly what these civilizations are losing and what the world needs. It is not a China that imitates, but a China that inherits. Hegel said: "History is a pile of embers, and deep within the embers there is residual warmth." The residual warmth is ultimately a pile of embers. Only by giving it suitable conditions and a broad space can it hope to burn again and comfort the soul. , giving support to people, solidity to the country, and warmth to the world.
We need to work hard for it. What is popular nowadays may not be the best. What we need to leave behind is something that is enough to leave to future generations. Look at how much China has left us in the past five thousand years. Soul treasures and art, think about Kun Opera and Peking Opera; and what can we leave to future generations? Perhaps what we would rather see is that the old tune is no longer shocking, because it is not only the old tune that shocks us.
The old tune is shocking and thought-provoking. Why is the "Laoqiang" shocking? College Entrance Examination Full Score Essay 2
Why is the "Laoqiang" shocking?
A candidate
Huayin Laoqiang, how many A few years ago it was a little-known piece. However, such a niche or even unknown old tune makes Mr. Chen Zhongshi unable to help himself, intoxicated and unable to extricate himself. I can't help but wonder, what is so shocking about "Laoqiang"?
Maybe it's the sonorous and powerful roar that hits the heart, maybe it's the melodious tunes that turn over and over again, maybe it's the melodious tunes that turn over and over again, maybe it's the It is the dedicated singing of the actors on and off the stage, the passionate infection of the people...or, it is the disconnected strands of nostalgia, the belonging and identity that are deeply rooted in the heart. Needless to say, the first three have indeed moved many people, but it is difficult for people to have a deeper, heartfelt tremor and screams - this kind of screams require different memories and emotions. Emotional. Chen Zhongshi was born in Guanzhong and grew up in Guanzhong. He understands it and has loved it for decades; but in the old tune and the highly infectious and impactful performance, he could not see the face of his hometown more clearly. , heard the song of the gods of the land that they were proud of.
This is why the old tune is so shocking. This profound and broad sense of national belonging and cultural identity allows us to be moved to tears by a local tune when we are integrating with Western civilization, gradually becoming Westernized, and gradually forgetting folk ditties. This is really a happy and sad thing. Fortunately, folk culture like Laoqiang can still easily move and shock us; sadly, folk culture like Laoqiang can still easily move and shock us. What is rare is precious. The harder it is to get, the more precious it becomes and the eyes shine. When did the customs and customs that should be deeply rooted in daily life reach the point where they can cleanse the soul?
Have people nowadays gone so far that they can no longer see the way home? What happened?
Two years ago, the candidates sitting at the desks were still at a loss when faced with the "old Beijing rules". The scenes of every family courtyard and the 70% off alleyways and bays no longer exist, and it seems that those old and warm habits have gone with it. When someone mentions it, I suddenly realize, and I am very surprised: This is how it should be! The old tune is like this, the old rules are like this, even the famous Peking Opera, the quintessence of China, I don’t know how many children have listened to it in its entirety. The experience of acting. The memory style of this land is gradually changed in our generation; the essence of the culture of this land is gradually buried in our generation. The shock brought by accidentally hearing, seeing, and feeling is ultimately short-lived, and is followed by long-term forgetfulness; and what we need is never forgetfulness.
When chasing a more diverse future, sometimes we need to stop and look more at the way we came. Even if it reaches the top, a person without its own unique memories is not a complete person; even if it develops rapidly, a country without its own unique culture is not a country worthy of respect. I hope that in the near future, when we appreciate folk art similar to Laoqiang, we will no longer be so "superficially" shocked.