Personally, I think the movie "The Lion" is actually full of surprises, the plot is very exciting, and it is worth recommending.

In fact, the content of the movie is not very complicated. Leo Ku summed it up in one sentence at the end: A group of robbers pretending to be policemen met another group of robbers pretending to be policemen, and then pretended to be policemen. The police robber couldn't stand the behavior of another group of robbers pretending to be police, so they worked with the police to deal with the robbers pretending to be police. In six words: pretending to be police also hit the bridge. However, as the saying goes, sometimes the story is only as good as the storyteller. Without a good script, a movie with perfect gimmicks can be turned into a pot of paste (such as "Now You See Me"), and multi-line narrative is a touchstone to test the skill of the director. The clues are clear and logical, and the explosive points are timely. You can refer to "Two Smoking Barrels" and "Crazy Stone", on the other hand, if any of the above points are omitted, it would be considered as vague as "Little Reunion", and it is not impossible to turn into "Breathless". ?

Clarity of ideas is a major factor in the success of this film. In the first half of the film, the appearance of the characters and the foreshadowing of the plan are all about style, whether it is the character's killer appearance or the various meanings that are frequently exported. The famous lines (such as the one about Ku Juji who overturned the car? The world can be seen from a different angle? and the cold joke that one step ahead of the audience is that Ku Juji and Wu Zhenyu are both No. 36933) or the coquettish moves of Johnnie To's movies from time to time are all now streamlined. Even the highlights that are difficult to see in the kitsch theaters, of course, for the sake of grounding, the Sherlock-like subtitles and on-site analysis can also make passers-by look at it.

The turning point of the movie begins with Wu Zhenyu and his gang rescuing the kidnapped ice cream, and it begins to serve the story attentively. It basically shows Wu Zhenyu’s perspective, the perspective of the villain who is always hung up on, and the entanglement of whether or not. The various conflicts in the second half should be completed from the perspective of Ku Juji, who is wearing underwear like Superman (but he is not), and the rescued ice cream girl. Although some places are too sensational and cliché, they still work hard to make the audience nervous. Instead of using Internet jokes or celebrities selling meat to deceive the audience's attention, all the seemingly inadvertent foreshadowings were resolved in the end.