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Spring in the Renaissance
In spring, Botticelli showed the beautiful god Venus and her garden. Venus was originally a rain god, representing many symbolic meanings: spring, reproduction, and prosperity ..... and "creating love and beauty of all things in the world" is her main symbolic meaning. Legend has it that no matter who she is, she can't escape the temptation of love.

Even when she walks, she will glow. At this time, flowers will bloom and animals will run out of the forest and follow her. Botticelli was one of the first painters to return this excellent and exquisite "beauty" to Venus. Standing in the middle of the picture is Venus, and the unusual plants behind her highlight her central position.

She is S-shaped, wearing a long white silk dress with a nylon robe. One side is a red diamond-encrusted pattern, and the other side is embroidered with gold thread on a blue background, decorated with tassels dotted with pearls. This main color of red and blue is often used to represent the Virgin Mary.

In the eyes of neo-Platonists, Venus in ancient mythology, like the Virgin in biblical stories, is a young, beautiful and noble ideal to beautify the body. They can improve people's souls through their own beauty. The artist who first named this painting "Spring" was the Renaissance art historian Ann vasari.

He said that this painting is Venus symbolizing spring, because "her left and right sides are full of flowers". After the painting was restored at 1890, experts have been identifying more than 500 kinds of plants in the painting, 90% of which can be collected in Florence in March and April. From this, we can be sure that it really expresses the theme of spring.

Spring was sponsored by an important member of medici family, and Botticelli was hired to finish this work. It is likely that he gave this work to a cousin as a wedding gift to decorate the bedroom of his country house. Because it is placed in private space, we find that there seems to be a more subtle communication between the picture itself and the viewer.

According to scholars' research, the order of spring should be reading from right to left. In spring, in the beautiful courtyard of Venus, the west wind god on the far right chased and embraced the beautiful flower god Cororis. She wore a thin tulle skirt, and the breath from her mouth turned into flowers. In front is the flower god who has completed the transformation. Her body is covered with flowers that bloom in spring.

Venus stands peacefully in the center of the picture, and at the top of the picture is her son Cupid shooting Cupid's arrow at the elegant and dignified three goddesses. Their graceful dancing and smooth curves make people poetic. According to scholars' research, their images come from ancient Roman Pompeii murals.

On the far left, Mercury, a symbol of rationality, turns his back on everyone in the picture, and his walking stick fiddles with a cloud among the trees, so that the viewer's eyes, together with all his thoughts, continue to walk out of the picture with his walking stick. Therefore, this work depicts the theme of birth and transformation.

Through the combination of different characters, a vibrant image is portrayed, and life shines here through the cold winter. Venus invites the viewer to enter her world in the picture, where there are not only goddesses and flowers, but also the beauty of life that evokes joy. It reminds us of this famous saying: "Love begins with beauty and ends with joy."

Extended data:

Introduction to Spring:

"Spring" is an egg-colored painting created by the painter Botticelli from 148 1 to 1482, based on the poems of Poligino. This work is based on a poem by the poet Polizzi Anno: There is also a Venus in the middle, but this image is not very joyful.

On the contrary, the three beautiful goddesses on the left (Agrasi, Celia and Youmerosini) are vividly depicted: on the edge of the forest, these three goddesses are bathed in sunshine and dancing hand in hand. The symbol on the right is beautiful, the symbol in the middle is chastity, and the symbol on the left is joy.

They will bring joy to life to the world. Botticelli used the medieval decorative style to express the images of these three women. The lines are full of rhythm, and the physical beauty of the characters is reflected through the lines, which is very smooth. There are three images on the right side of the painting, namely the flower god, the spring god and the wind god (from left to right), symbolizing that spring is returning to the earth and the natural season is coming soon.

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