First of all, there are rows vertically and columns horizontally. This layout is suitable for content with more words and must be completed within a certain scale. Through calculation, you can master the number of words. The lattice of small letters should be slightly flat, so that the spacing is tight and the spacing is slightly open. Naturally, the whole layout is neat and symmetrical, with the beauty of artificial accumulation. This vertical and horizontal boundary was called "Wu Si Lan" by the ancients. He Jiang's original calligraphy says: "There are three kinds of white cloth: white cloth in words, white cloth in words and white cloth between lines. Novices stop evenly. When they know that they stop being uniform, they seek change, oblique and dense, scattered in between. " Because every word is bound in a box of the same size, it is also the easiest to bind a person's creative spirituality. There are two points to pay attention to when writing this composition: First, every cell is a small world, and there is also a small composition in this Xiaotian field. The arrangement of glyphs in this space should be very appropriate, just right, not too big, indomitable spirit, not too small, the world is empty, the left and right sides are empty, too little blank space, the composition is tight, too much blank space, and the layout is evacuated. When writing fine print, you should first look at the position of the first pen. If this pen is written incorrectly, it is all misplaced and cannot be saved. It is not easy to master this method. It is rare to write more and copy more. Second, pay attention to the fact that the first word is bound in the same size space. Therefore, it is necessary to avoid flat structure and uniform size. Instead, we should try our best to make up for the deficiency of this style by changing the size, length, width, singularity, density, opening and closing, expansion and contraction of words, and strive to be even in staggered and symmetrical. So writing can make up for the deficiency of this style. Second, there are rows vertically and no columns horizontally. This kind of composition mostly uses lowercase letters. People in the Jin and Tang Dynasties wrote scriptures, while people in the Yuan and Ming Dynasties wrote scriptures by hand, and they liked to use this method. This layout is more flexible than the previous composition, because it breaks the bondage of horizontal grid. Pay special attention to the uneven change of a line, which is patchy and has its own posture. Gaizi is long and short, wide and narrow, large and small. It is impossible to generalize, but it can be unique and guided by the situation. Although complex characters are different, their lines are unique, which is natural and unexpected. "Write in lowercase letters. Although this change is not as strong as cursive script, it can only be as beautiful as nature if there are uneven changes.

Because this composition breaks the shackles of the horizontal grid, we should pay special attention to the relationship between the upper and lower characters in each line and the flow direction of qi. Where people are neither dense nor inclined, there must be spiritual ties. Regular script often produces momentum through the ups and downs of glyphs. Bao's "Double Use of Art" said: "The font size of ancient posts is quite different, such as old people and young grandchildren. This layout of seeking nature in injustice and continuity in strewn at random greatly increases the interest of fine print writing.

This kind of composition, the line spacing is in the middle of the open plain, and there are also statutes. Generally speaking, the distance between white cloth should be uniform, up and down, left and right, but there are also tight spacing and wide spacing. Huang Daozhou and Ni often like to use this composition. There are also spacing and spacing rules. For example, Yang Ningshi and Dong Qichang in Zhang Jizhi like to use this method. And the rules of spacing and spacing are red and special. For example, Yan Zhenqing's "The Fairy Altar of Little Horse". In short, this flexible layout is dense but not close, sparse but not far, dense and flowing, lively but not dull, dense and sparse, so-called less blank and far-reaching. The scattered ones are all wrapped in a bundle, and the cycle is not stagnant. Although sparse, it is dense. The so-called blank space is too dense. Only in this way can the effect of proper density be achieved.

Third, there are no horizontal columns and no vertical lines. This kind of composition completely breaks the shackles of orchid, so it is the easiest to give play to one's artistic personality and the most free and frank pen and ink interest. It originated from ancient Chinese characters, instant characters and early Zhong Ding inscriptions in Jin and Jia dynasties. These ancient characters are either positive or oblique in composition and layout, big or small, sometimes sparse and sometimes dense, sometimes short.

1, the book should have a global view. Taking the whole chapter as a word and the whole as a picture, it emphasizes the balance and symmetry of the whole, the comparison and care and unity of our own, from the local uneven front asymmetry to the balance and symmetry of the whole, from various uncoordinated factors to the coordination of the whole, and combines various contradictory forms into a harmonious whole. Therefore, in writing this composition, we should seek straightness from unevenness and symmetry from strewn at random, which is a very advanced realm of formal beauty of calligraphy art. This state, relaxed and purposeful, reflects the reality and truth, thus making the work richer in life rhythm in the paper space.

2. Although this composition concentrates many contradictory factors, it is bound to run through an internal connection. As Zong Baihua said: "The method of holding hands and holding hands is like a theme in a piece of music, which runs through and unifies the whole song, and at the same time shows the author's basic musical ideas. This method of holding hair by hand is also called bundle wrapping in calligraphy terminology. Wang Shizhen's Fa Shu Yuan in the Ming Dynasty said: "Fonts are controlled in different ways, one word controls two characters, and two characters control words, so they control one line, one line controls two lines, and two lines control three places, so they control one piece of paper. "Bundle is like a chain, which is connected by a ring, and the words are tied together. The whole word is done in one go, which can give people an artistic feeling of spiritual reunion. Zhu Hezhang's "New Interpretation of Linchi" said: "The calligraphy and stippling must be refined, and the ancient posts are far from human, and the structure is successful and finally complete. Is one of the few people who are good at games. This is a swing of potential and force. Every word is related, and every line can reflect the tape, which is naturally consistent.

3, this is the composition, because it breaks the shackles and has a relatively free world, but writing in small letters, uneven density, ups and downs should not be too strong. On the contrary, it should be based on dignity and symmetry. After writing, it should be according to your own will, and it will be wonderful. People who hold the law of death will destroy the cat's nest. So this composition is the most fascinating, intentionally or unintentionally. Try Wang Xianzhi's Thirteen Lines of Luo Shen Fu. The layout is patchy, the lines are dense, and the wind causes Xiao Yuan. Its composition is too dense and loose to increase or decrease. As Jiang Ji said in "The Continuation of Calligraphy": "Being long and disciplined, being empty and full of gas." Looking at ancient books, there is a pen outside the words, which is intentional, powerful and powerful. This chapter is also wonderful. The jade version has thirteen lines, and the composition is the first. Since then, it has been born, and everything has progressed. If there is high and low density between lines, it must be staggered. "Wang Duo's lower case, its composition is strewn at random have send, odd is ups and downs like gather together, very natural interest.