Zhang Daqian's famous sayings

Introduction: Zhang Daqian is an expert in poetry, calligraphy, painting and seal cutting, and has a unique eye for the appreciation of ancient Chinese calligraphy and painting. In particular, he created the light-ink and splash-color landscape genre, which promoted the development of modern Chinese painting art and had a profound influence. He is an outstanding artist in China. Below are the famous quotes about Zhang Daqian that I compiled for you. I hope you like them!

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1. The inkstone should be washed frequently and no ink should be left there. The ink and glue are scattered, the color is dark and dull, and there is a lot of dregs. It is not suitable for landscapes, figures, flowers and birds.

2. The center serves as the backbone, and the wingers help it. You must use a center to draw, a winger to attack, a center to press, and both a center and a winger to draw. The wet brush should be heavy and elegant, the thirsty brush should be green and moist, and the brush should be bright, moist and thick, not gray and blurry.

3. The brush method is difficult, the ink method is even more difficult, and the water method is extremely difficult. Jiashi's name is always on people's lips, but he doesn't care about hunger and cold throughout his life.

4. Traveling throughout Europe, Southwest, and North America, one must look at the green mountains to see the mountains. My hometown thousands of miles away is like a dream. When will it be the year to return when I hang up my sails? It has been difficult to beg for food for ten years, and my dream of returning to the green mountains is unattainable. Are you old and have no plan to return to your country? In your dream, you are satisfied with your hometown. There are no Ba people speaking Ba language, trying to teach Shu guests to pity Shu Mountain. I have been in Jiangnan pictures for half a lifetime, but now I can draw but cannot return. A single reed reaches thousands of hectares and streams light. The waxing and waning is like the waves passing by. How long is the water? There is only the clear breeze and the bright moon. My ears and eyes have endless sources. I forget about everything. I wash my cup and drink my wine, and my pillow is facing the east. Drinking wine reminds me of Linjiang, Wuchang and Xiakou facing each other. The mountains and rivers are lush and green, and the sampans are thousands of miles away. At that time, the hero I held back his hands to avoid Zhou Lang. Success or failure is uncertain through the ages, and the character Fei Pingzhang.

5. Spring is like a scene in my hometown in February. Can I pay a tax of oxen in the peach grove? I can see the clouds and mountains cut off the wall, and green lotuses bloom on the strange peaks. The plum blossoms are all gone, surrounded by apricots, and swallows are flying in the February spring breeze.

6. If you don’t learn from Dong Ju, you won’t be able to learn from Jingguan. He splashes ink and flies into the pot and laughs at himself. When I want to get up, I look sideways and I know that there is Mount Lu in my chest. Looking from the side and sideways, you can see the ravines and mountains in the mist. It's like Po Xian is laughing, you really have Lushan Mountain in your chest. Yuan Gong is far away from the Lotus Society, and Tao Ling Jianyu left without returning it. When the miasma smoke and mist clear away, I look at the mountains in front of the pavilion across the stream.

7. Art is the expression of emotion and the expression of personality! The theory of beauty: The first class of beauty is fat, white and tall; the second class is hemp, demon and coquettish; the third class is spicy and spicy ,knife.

8. As soon as you touch the paper and ink, you can identify the Song and Ming Dynasty, and you can know the authenticity by touching the signature. If you want to get rid of the vulgarity, wash away the frivolity, and get rid of the craftsmanship in painting, the first thing is to read, the second is to read more, and the third is to read systematically and selectively.

9. I have traveled half the world, traveling north to Boxi and Xixia.

10. To be good at painting, you need to see more famous mountains, great rivers, and all things in the world to understand physics, feel the feelings of things, and understand the state of things.

11. What does the ancient saying mean: read thousands of books and travel thousands of miles? Because knowledge and knowledge must be gained from actual observation, not just books, the two must complement each other. OK. Famous mountains and rivers are familiar to the mind, and there are hills and valleys in the mind, so the writing will naturally have a basis, and it takes a lot of experience to gain something. The mountains and rivers are like this, and other flowers, people, and animals are the same.

12. To get the temperament of Huangshan Mountain, there is no need to specify its place.

13. We all like to use old paper. It does not mean that paper is easier to draw when it is old. In fact, the ancients did not want to cut corners when doing things, and it is easy to use if it is good in nature.

14. There are four noble qualities in plums: rare rather than complex, old rather than young, thin rather than fat, and plum blossoms rather than blooming.

15. Appreciation is not easy! If a person does not go deep into this matter, then he does not know the joys and sorrows of the ancients, and has no way of knowing what he did; if he goes deep into it, then there is still something good about it. Wherever you go, there is no way to know everything, which is why it is difficult.

Gai must have studied it for a long time, read it extensively, soaked it for a long time, his temperament is broad, his heart is fair, his knowledge is refined, his Qi is calm, his understanding is superb, he is not confused by what the predecessors said, and he explores this matter alone. The rhinoceros, the candle and the mirror are hanging, and the common people have nowhere to hide!

16. A close friend once said: "The paintings with thousands of inscriptions are not bad, they must be fakes!" Such a painting has won three titles. , good and funny!

17. How do you become proficient in painting? In short, the emphasis is on sketching, and the second is sketching. The second is freehand brushwork. Regardless of whether you are painting flowers, feathers, landscapes, or figures, you must always understand three things: object, emotion, and state. First, we must start copying and observing famous works. No matter ancient or modern, the eyes are present and the hands are present. Be careful not to be partial; everyone has their own strengths and should adopt them, but each person's strokes are inherently different. You must not specialize in one person, and you cannot pursue your own style of writing alone. You must absorb the spirit of famous works with reason and wisdom. To be able to transform it.

18. Write down what you see when you go out. This is life sketching.

19. People today only know that Qing Hunan is unbridled, but they don’t know how rigorous it is; but they know that Qing Hunan is simple and far away, but they don’t know its complexity. If you don't know the classics well, it's called vulgar learning; if you don't know the seal script, it's called vulgar calligraphy; if you don't paint with the ancients, it's vulgar painting.

20. Use a bald pen and half-dry light ink. Use a straight pen to make an empty hook on the paper, like an insect eating a leaf, and then apply it again with burnt ink to see the yin and yang stains. The same is true for writing trees. Use the pen to It is better to taper thoroughly.

21. Learn from the ancients, learn from nature, and seek originality.

22. A close friend once said: "The paintings with thousands of inscriptions are not bad, but they must be fake!" It is ridiculous that such a painting has won three names!

23. We all like to use old paper. It does not mean that paper is easier to draw when it is old. In fact, the ancients did not want to cut corners when doing things, and it is easy to use if it is good in nature.

24. The center serves as the backbone, and the wingers help it. You must use a center to draw, a winger to attack, a center to press, and both a center and a winger to draw. The wet brush should be heavy and elegant, the thirsty brush should be green and moist, and the brush should be bright, moist and thick, not gray and blurry.

25. The brush method is difficult, the ink method is even more difficult, and the water method is extremely difficult.

26. Art is the expression of emotion and the expression of personality!

27. The theory of beauty: The first-class beauty is fat, white, and tall; the second-class hemp, Demonic and coquettish; the third level is spicy, spicy and knife.

28. If you don’t learn from Dong Ju, you won’t be able to learn from Jingguan. He splashes ink and flies into the pot and laughs at himself. When I want to get up, I look sideways and I know that there is Mount Lu in my chest. Looking from the side and sideways, you can see the ravines and mountains in the mist. It's like Po Xian is laughing, you really have Lushan Mountain in your chest. Yuan Gong is far away from the Lotus Society, and Tao Ling Jianyu left without returning it. When the miasma smoke and mist clear away, I look at the mountains in front of the pavilion across the stream.

29. Jasic’s name is always on people’s lips, but he does not care about hunger and cold throughout his life.

30. Traveling throughout Europe, Southwest and North America, one must look at the green mountains to see the mountains.

31. My hometown thousands of miles away is like a dream. When will it be the year to return when the sails are hung?

32. It has been ten years of hardship to beg for food, and the green mountains are unattainable.

33. When you are old, do you have no plan to return to your country? In your dream, you are satisfied with your hometown.

34. I don’t see Ba ??people speaking Ba language, trying to teach Shu guests to pity Shu Mountain.

35. I have been in the Jiangnan paintings for half a lifetime, but now I can paint but cannot return.

36. To get the temperament of Huangshan Mountain, there is no need to specify its place.

37. A single reed spreads over thousands of hectares and shines with light. The waxing and waning is like the waves passing by. How long is the water? There is only the clear breeze and the bright moon. My ears and eyes have endless sources. I forget about everything. I wash my cup and drink my wine, and my pillow is facing the east.

38. Drinking wine reminds me of Linjiang, Wuchang and Xiakou facing each other. The mountains and rivers are lush and green, and the sampans are thousands of miles away. At that time, the hero I held back his hands to avoid Zhou Lang. Success or failure is uncertain through the ages, and the character Fei Pingzhang.

40. The spring in my hometown is like a scene in February. Can I pay a tax of cattle in the peach forest?

41. I have seen the clouds and mountains cut off the wall, and green lotuses bloom on the strange peaks.

42. The plum blossoms are all gone and surrounded by apricots, and swallows are flying in the spring breeze in February. ;