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Miyazaki Hayao's quotations can be written as essays

1. Looking for classic quotes from anime, which can be used in compositions

1. Falling in the corridor will cause nosebleeds, falling in life will cause tears---"The Dragon and the Tiger" 》

2. Miracles are not free. Praying for hope will spread the same amount of despair. ——Puella Magi Madoka Magica

3. Time can dilute pain, but I don’t want to use time to heal everything. ——Black Butler

4. We always pay attention to how much we miss, but we don’t pay attention to how much we have. ——We still don’t know the name of the flower we saw that day

5. Years later, looking back on this confusion, you may not even be able to remember the reason for your persistence. Youth is the smile that makes you show off and gives you You are in inexplicable pain... ——The hillside where poppies bloom

6. Please never forget what happened in the past, you just can’t think of it-----Spirited Away

7. A long time ago

I met a person

That person knew that I was just using him with false feelings

But Still treat me sincerely without hesitation

He brings me joy

He brings me hope

He gives me a life I have never had before

And I

not only did not give him anything

but also took away everything from him. -------Extremely split

8. People don’t look at appearance or heart. My principle is to judge by actions——K

9. Yes Things have to be said, don't wait for the other person to understand, because the other person is not you and doesn't know what you want. In the end, you can only be sad and disappointed, especially in relationships - McDull 2. Beautiful essay about Hayao Miyazaki, Inspirational ones, learning from Hayao Miyazaki, etc... The composition materials must be beautiful

There are so many high requirements... I don't know if the bad stuff I wrote can be related to it... If If it works, I'm very happy. If you don't like it, please don't criticize it, just delete it silently... In the dim morning light, I'm still looking for my rescuer. See the Amber River early - the inscription takes advantage of a very short vacation to put it together. I watched the last half hour of "Spirited Away" again, and the table and my heart were wet with tears.

The melody of "Sea" rises on the quiet water, and the piano sound hits the heart like water waves again and again. Qianxun stepped into the cold sea water and embarked on an unknown journey.

The water train moves silently in the still water, like a watermark passing through time. What we meet in a hurry in the almost transparent time and space are all kinds of travelers.

You can’t see the expressions clearly, you can’t see the eyes. Everyone is busy in their own lives, counting unknown expectations, and we are all travelers in time. Qianxun sat on her seat, watching the water waves go away, her determined expression deeply moving.

There seemed to be thousands of dust rising in her heart, but it also seemed to be just silence after the dust settled. The person she worked hard for was looking for an exit in the distant and empty time, and she became the one who led him to find the exit.

She thought repeatedly in her heart that there was someone behind her who expected her to be brave. Even if there were many disasters ahead, she would still go on. The morning light turned into dusk, into night, and into deep tranquility in the endless waiting.

The strange moonlight reflected on the lake, and the tiny lamp guided the front. Qianxun walked through the darkest road, and stood in front of the door of destiny. She once again gathered hope. She didn’t know how brave she was when she stepped on the cursed bug. She didn’t know how brave she was when she walked with endless despair and hope. She didn’t know how brave she was when she became strong for her destiny. She was pure. In my heart, I just want to save one person.

Qianxun had already shed too many tears. In the warm and lively atmosphere of the room, she just sat in the corner with her head buried in her knees, unable to get rid of the strong reluctance and uneasiness. "I want to go back," she said with tears, "because Bailong is waiting for me, and he may die..." The tears continued to surge, the determination that could not be delayed, and countless worries surged in her heart, and finally reflected in What was in her eyes and burned into her heart was the scarred young man, and any warmth surrounding her would only make her more painful.

Even though he was told that he would be safe, even though he vaguely knew that the spell on him had been lifted, he still just wanted to see the reassuring and gentle face of the young man in front of him. There was a sudden sound of wind, and the expected happiness was landing outside the door.

Qianxun opened the door, and Bailong was in front of her. All her persistence was instantly filled with meaning. She cried with joy and flew towards him, her tears turning from cold to hot.

She said goodbye to Granny Qian and others, and finally flew into the night sky with Bai Long. The sky and the sea are the same color, the bright moon is shining brightly, the music that seems to be absent is playing quietly, and the water under the body is pulling out the vague memories little by little. It seems that I have experienced such a flying feeling a few years ago, there is no flash of lightning, just like this As if destined, there is a warmth that has been silent in each other's memories for several years, like the morning star in the other side, slowly rising in the sound of water... It is impossible to forget what happened, it is just that I can't remember it temporarily. .

Qianxun’s voice rang out in the empty sky and sea. She said, Bailong, this is what my mother told me. When I was very young I fell into a river.

The river has now been filled in. The name of that river is Bailong. The name of that river is Amber River.

At this moment, the sealed memory was instantly released, the long-held bonds disappeared along with the scales, and the white dragon's body turned back into a handsome boy! Chihiro, I remember, you were trying to pick up the shoes that were washed away by the water. My name is Zai Hayami Kohaku River! I remember everything, my name is Zaihaomi Kohakugawa! The two people's hands were tightly held together because of joy, and the tears that overflowed together spread from the close faces and rose into the clear space and time. The ups and downs and pains have turned into steam... This piece of music I love so much reprise is playing, The moving melody seemed to be soaked in their crystal tears, and slowly melted into my heart. Seeing this and listening to this music, I have already burst into tears... The despair in the darkness, the sadness of having no one to turn to, the bumpy road, the tears welling up in the morning, all the pain I have experienced has long been like a dream. Like an illusion, the unbearable memories are filled with sparkle again because of the meeting of two hearts, and the heart that has been empty for a long time is also jumping with happiness because of being with him. What these hands hold is no longer the darkness, but embraces the light. ! Along the way, they continued to become brave because of him. With the power of love that burst out from cherishing each other, they grew crystal wings and flew in such morning light... Until now, every time, I listen to Even if you don't look at the screen, you can't help but feel the tears in the corners of your eyes even if you listen to the music "Reprise" in the original soundtrack.

It allowed me to hear Qianxun’s persistence, hear the echo of bravery, and hear the power of love... And how many times have I relied on it to heal? It seems impossible to count... This extremely moving music just pulled my tears out, until they surged with emotion... Finally, the grassland connected to the blue sky reappeared, the sound of wind remained on the screen, white clouds drifted, and the grass was luxuriant. Gradually charming. The boys and girls who met again finally had to say goodbye with infinitely complicated emotions. Gratitude, nostalgia, longing, wishes, and determination all turned into a small force in the palms of their hands and passed to each other, and the hands they held finally separated.

She couldn't look back or shed tears. This memory could only be remembered by two people. She could only keep looking at the dark door when she finally left, until the place where she met him again changed from the shadow of the green trees. disappear forever... "Will we meet again?" Yes, definitely! "He will always remember, in the early morning light of Xiwei, the brave girl who helped him find his name; and she will always remember, in the early morning light of Xiwei, the rescue she had been looking for. The memory of each other Here, there has been a never-ending feast; on the other side of the wind, there has been a long-term concern for each other.

Even if one day she will forget the face she has tried so hard to remember, the tenderness in the young man’s clear eyes is destined to travel through her lifelong memories. As time goes by, people’s hearts change. It cannot be replaced. In the torrent of time, I lost the shoes I relied on.

Today, in the dim morning light, I am still looking for my rescuer, Amber River. Although the dark and endless road always seems to continue, these hands can definitely be held. 3. An essay describing Hayao Miyazaki’s painting style

There is a saying that goes like this

Girls should watch more Hayao Miyazaki and less Andersen

Hehe Palace Saki Hayao's fairy tales are real fairy tales

Always teach us to live a positive and positive life with hard work

The warmth of light is different from the glitz of Andersen's darkness and Wilde's glitz

Palace The colors of Saki Hayao's animation are also very realistic, thick and full

- - It feels like an exam question.

----------------------------I am the dividing line------------- ----------------

What is missing from Chinese animation?

There are people around me who take it as their own mission to revive Chinese animation.

How should I put it? Personally, I feel that there is a strange gap in Chinese animation.

I am born in the 1990s. When I was a child, I also grew up watching high-quality Chinese animations

Later, I turned to Japanese comics (I can’t help it, it’s Chinese...)

Now, Chinese animations seem to be the same With some development

There will be children watching Chinese animations, including showing them in cinemas

But I personally feel that the current prospects of China’s animation industry are very hazy

p>

Because I have a feeling that I am on the wrong track. Maybe I will only know whether the current development is correct if I look back ten years from now.

- - This is too long.

What is really lacking is a complete talent structure. From original animators to animation-oriented directors and voice actors, these are not available

Also, in terms of cultural investment, it has indeed been formed. The industry only focuses on the short term

Unfortunately, no one is willing to put money in a place that will not make money for the time being. . . Haha 4. Please give me a comment about Hayao Miyazaki, the kind you can use in your essay

In 1922, French film critic Elie Fore made an emotional prediction: “One day cartoons will be It has a sense of depth, superb modeling, and layered colors... It will have the soul of Delacroix, the charm of Rubens, the passion of Goya, and the vitality of Michelangelo.

A visual symphony is more exciting than a sound symphony created by the greatest musician. "Eighty years later, Hayao Miyazaki is the one who comes closest to Eli Fore's dream in the world of animation.

Hayao Miyazaki can be said to be a legend in the Japanese animation industry. It can be said that without him, the Japanese animation industry would be greatly inferior. He was the first thinker to elevate animation to a humanistic level, and he was also the spiritual pillar of the three generations of Japanese animators who served as a link between the past and the future.

While breaking the shadow of Osamu Tezuka, Hayao Miyazaki also set an example for future generations of animators with his perseverance and uncompromising struggle. Hayao Miyazaki's cartoons are an important oriental force that can compete with Disney and DreamWorks in the world.

Although the themes of each of Hayao Miyazaki's works are different, they incorporate reflective messages such as dreams, environmental protection, life, and survival. His persistence has not only aroused people around the world, but also attracted worldwide attention. Even the American animation kingdom Disney has introduced the distribution rights of Miyazaki Hayao's animated films (except in Asia).

5. An essay describing Hayao Miyazaki's painting style

There is a saying that girls should watch more Hayao Miyazaki and less Andersen. Haha, Hayao Miyazaki's fairy tales are real fairy tales and always teach us to live hard. The positivity and bright warmth are different from Andersen's darkness and Wilde's flashiness. The colors of Hayao Miyazaki's animation are also very real, thick and full - it feels like an exam question.

----------------------------I am the dividing line------------- ---------------What is missing from Chinese animation? There are people around me who take it as their mission to revive Chinese animation. How do you put it? Personally, I feel that there is a strange gap in Chinese animation. I am born in the 1990s. When I was a child, I grew up watching high-quality Chinese animation. Later, I turned to Japanese comics (I can’t help it) , Chinese.

)

Nowadays, Chinese animation seems to have developed a bit, and some children will watch Chinese animation, including cinemas. But for me, I feel like the current prospects for China's animation industry are very hazy because I have a feeling that I'm on the wrong track. Maybe I won't know if the current development is correct until I look back ten years from now - Sorry.

What is really lacking is a complete talent structure. From original animators to animation-oriented directors and voice actors, these are not available. In addition, in terms of cultural investment, it can indeed be regarded as an industry, but they only focus on It's a pity in the short term, and no one is willing to put money in a place that won't make money for the time being.

Haha. 6. Composition materials about Hayao Miyazaki’s personal experience

“This time, I really want to leave.”

On September 6, 2013, the 72-year-old Japanese animation Master Hayao Miyazaki held a press conference in Tokyo to announce his retirement. As soon as the news came out, fans sighed.

I remember that more than 90 years ago, French film critic Elie Fore once predicted with emotion: "One day, cartoons will have a sense of depth, superb modeling, and layered colors... There will be Drake." The soul of Lois, the charm of Rubens, the passion of Goya and the vitality of Michelangelo. A visual symphony more exciting than the sound symphony created by the greatest musicians."

It seems that Hayao Miyazaki is the one who is closest to Elie Fall’s dream in the world of animation. Although the themes of each of his works are different, they incorporate reflective contents such as dreams, environmental protection, life, and survival, raising animation to a humanistic level.

In 2003, the American "Time" magazine selected Hayao Miyazaki as one of the 20 "Asian Heroes", saying that he is synonymous with Japanese animation. In Japan, Hayao Miyazaki's animated films are a guarantee of high box office, enough to compete with DreamWorks and Disney.

However, in September 2013, the animation master really said goodbye to everyone after completing his last animated film "The Wind Rises". Perhaps, Hayao Miyazaki's retirement will mean the end of a beautiful and great animation era.

Do it yourself and be loyal to hand-painting. Japan's NHK TV station once produced a documentary about Hayao Miyazaki "The Secret of Creation", which recorded the early life of Hayao Miyazaki when he created "Poncho Princess on the Cliff". At that time, the 66-year-old Hayao Miyazaki still insisted on completing hand-painting by himself. His hand grip strength was reduced by half than before, and the pencil he used was also reduced from HB to the softer 5B.

In a sense, Hayao Miyazaki's success largely stems from his insistence on himself and his dream of animation. Hayao Miyazaki once said: "Negotiation is not work for me, drawing on the table is work."

In the digital age where CG (digital) animation has taken over the world, Hayao Miyazaki has always been loyal to hand-drawn drawings. . Japan's animation industry has always been at the forefront of the world in terms of technology. Even so, when creating "Ponyo on the Cliff" in 2008, Hayao Miyazaki still used 170,000 hand-painted paintings to interpret the people and objects in the film. 80% of the pictures were drawn by him himself.

Adhering to its own language form of animated film and television, this makes people think of the blue sky and cotton candy-like white clouds, the endless green grassland, and the innocence every time they think of Hayao Miyazaki’s animations. , a beautiful and strong little girl. After Hayao Miyazaki announced his retirement, the Japanese animation industry once believed that this might mean the end of the era of 2D traditional hand-drawn animation.

Material Instructions Today, when computer animation is so advanced, Hayao Miyazaki still insists on hand-drawing. This allows us to see his love for animation and his sincerity to the audience.

Applicable topics: Stick to oneself, technology and humanities, oppose war, stick to beauty, and oppose war are the themes that Hayao Miyazaki and himself have always adhered to in his works. This is very closely related to his childhood experience.

On July 12, 1945, the US military launched an attack on Japan. About 800 tons of bombs were dropped on Utsunomiya City, Tokyo, where the Miyazaki family lived. Just as the Miyazaki family, who had narrowly escaped death, was preparing to drive away, Hayao Miyazaki saw a neighbor holding a little boy and running and banging the car door to call for help, but the car was already crowded with the Miyazaki family.

In this way, the 4-year-old Hayao Miyazaki looked through the car window and watched the figures of the father and son gradually falling behind the car... The pain that the war brought to Hayao Miyazaki was more. After the war. Japan is poor and has lost its self-confidence, a mother who always says that "human beings are hopeless", an uncle who often tells how he killed people in China... These all make Hayao Miyazaki, who seems cheerful and obedient on the surface, grow into a delicate and timid person on the inside. juvenile.

Coupled with the anti-war sentiment in Japan after the war, this also caused Miyazaki to have strong doubts about the war and inevitably grew into an anti-war activist. He has always strived to let people see hope through his works and see that the future world is still beautiful and worthy of continued survival and exploration.

Hayao Miyazaki's anti-war is not only reflected in his works, but also in his words and deeds. In 2003, when "Spirited Away" won the Oscar, Miyazaki refused to go to the United States to receive the award because "I didn't want to go to a country that was bombing Iraq."

Material Instructions Hayao Miyazaki is not only a profound artist, but also a staunch anti-war fighter and pacifist. His animations are attractive without fancy packaging, and thought-provoking without boring preaching. He lets us know what a true master is.

Applicable topics: justice, peace, longing for beauty, European shell, Eastern heart. In Miyazaki Hayao's works, there are often very "European" factors, such as European-style architecture, European-style clothing, European style The utensils and even figures with European characteristics are related to his early travels in Italy. But no matter how many "European" elements appear in Miyazaki's animations, these will not affect the viewer's basic judgment.

Whether it is a European or American audience or a Chinese audience, they can easily tell that this is not a European or American work, but a Japanese or at least an Oriental work. This shows that Miyazaki Hayao's works are Japanese soul. Hayao Miyazaki has a special liking for creating cartoons with Japanese style.

Whether it is the depiction of the Japanese countryside in "My Neighbor Totoro", the depiction of the belief that "all things have spirits" in "Princess Mononoke", or the depiction of Japanese Shintoism in "Spirited Away" The narratives of many gods all reveal an authentic Japanese flavor. As Hayao Miyazaki said: "Only national things can be international things.

If you start with the idea of ????entering the international market, then you will be deformed when you create , create works that are not what you expected. "It is the material that enlightens the nation.

The national spirit of Hayao Miyazaki’s works is very full. This is a national spirit that can push persistence to stubbornness, perseverance to cruelty, but at the same time, it can develop beauty to the point of trembling. . Applicable topics: Persistence, nationality is the world, and going back on words comes from inner love. This is the seventh time Hayao Miyazaki has said that he wants to retire. He has made mistakes six times before. He is a huge complex of contradictions.

In addition to the "animation master" side, he also has an "other side" that few people know about. In 1986, for "Castle in the Sky." 7. Hayao Miyazaki's famous sayings

Life is like a train bound for the grave. There will be many stops along the way. It is difficult for someone to accompany you from beginning to end. When the person accompanying you wants to get off the bus, feel grateful even if you are reluctant to leave, and then wave goodbye.

"Spirited Away"

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One Leaf Ruoyu

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No matter how hard the road ahead is, as long as you go in the right direction, no matter how bumpy it is, you will be closer to happiness than standing still.

"Spirited Away"

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Baishui

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I didn’t know the feeling of parting was so desolate, and I didn’t know it was necessary to be so strong to say goodbye.

"Spirited Away"

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Free

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No matter how deeply you have been hurt, there will always be someone who can make you forgive all the difficulties that life has dealt with you.

"Princess Mononoke"

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Ah 9

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It is impossible to forget what happened in the past, it is just that we cannot remember it.

"Spirited Away"

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The End of Days

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I always believe that in this world, there must be another me who is doing things that I dare not do and living The life I want to live.

"The Cat's Repayment"

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Traveling on a snail

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You never know who will never see you again after they say goodbye to you inadvertently.

"Spirited Away"

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Candy sometimes falls on sunny days

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I can only send you here. You have to walk the rest of the way by yourself and don't look back.

"Spirited Away"

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Looking at fallen leaves in late autumn

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The rebirth of something that has come to an end is just another death. Like all beginnings, it is actually just a written ending.

"Spirited Away"

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Jian Moyan

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I do not know go where, but I have been on the road.

I do not know where to go, but I have been on the road.

I do not know where to go, but I have been on the road. But I'm on my way.

8. Please give me some quotes from Hayao Miyazaki

We have no choice but to start from this world where influenza is prevalent. —— Hayao Miyazaki on "On Your Mark"

We use drugs, sports competitions or religion to escape attention to reality. —— Hayao Miyazaki on "On Your Mark"

Even in the midst of hatred and killing, there is still something worth living for. A beautiful encounter, or the existence of something beautiful. We describe hatred in order to describe something more important. We describe the curse in order to describe the joy of liberation. ——"Princess Mononoke" Project Book

Mongolians live on grass. Various creatures eat grass, and then humans obtain salt, meat and skin from the creatures. The corpses of dead creatures also return to other creatures and to the soil, thereby nourishing the grass. Mongolians survive in this huge food chain and life cycle system, and they also see their own existence. Compared with their spiritual life, how poor is our current spiritual life? ——Miyazaki Hayao on "Princess Mononoke" ("Japan Digest")

When I decided to become an animator, I was determined not to plagiarize anyone. Our children are born into a world of AIDS, drugs and who knows what else. Even if the world's population reaches 10 billion, we will still survive - we may be restless, struggling, screaming, but we will still be alive.

When I started working on Nausica? of the Valley of the Wind, my point of view was one of extinction; when it ended, my point of view was one of survival. People can't be too arrogant. We have to realize that we are just one small species among many species on this planet. If we want humanity to survive another thousand years, we must create an environment for it now. That's exactly what we're trying to do.

Hayao Miyazaki talks about the current education in Japan: There was a kitten that grew up without its mother cat. When it grew up, it also gave birth to kittens. As soon as the kitten crawled out of the nest, it nervously The child took it back. Gradually, the kitten's range of activities became wider and wider, but it still found a way to take them back. In the end, the kitten didn't listen to it at all. It went crazy and ran wildly in the house to death. (Excerpted from "Starting Point: The Future of the Country - A Conversation between Hayao Miyazaki and Tetsuya Tsukushi")

"This is an adventure story without weapons and superpowers. It does not describe justice and evil. The struggle is about how to survive in a society where good and evil are intertwined. She learns human friendship and uses her own wisdom. In the end, Chihiro returns to human society, but this is not because she completely defeated the evil forces, but because she discovered the truth. Because of the vitality contained in itself. Today’s Japanese society is becoming more and more ambiguous, and it is difficult to distinguish between likes and dislikes. Using characters in the animated world to tell the reasons and power of life is what I considered when making the film.”——(“ "Spirited Away" Hayao Miyazaki)

"This is really a shame for Japan" ------- Hayao Miyazaki's views on former Prime Minister Taro Aso's mispronunciation of Chinese characters (Taro Aso once vigorously promoted The fact that he and Hayao Miyazaki are college classmates, but Hayao Miyazaki actually doesn’t think highly of him)