Climbing dragon scales with phoenix wings.

Han Dynasty Yangxiong's "Fa Yan·Yuanqian" refers to fawning and taking refuge with powerful people in order to gain wealth.

Yang Xiong, a scholar of the Western Han Dynasty, "Fayan·Yuanqian"

A crouching dragon rises from the thunderstorm. Famous quotes about dragons by Liu Yuxi, a writer of the Tang Dynasty

I only see dragons and snakes running away from time to time. Tang Dynasty poet Li Bai

The dragons and snakes in his writings seem to have gods. Zhang Huaiguan, a calligrapher of the Tang Dynasty

As graceful as a startled giant, as graceful as a wandering dragon.

Three Kingdoms·Wei·Cao Zhi's "Luo Shen Fu". The general meaning of these two sentences is: The body is light and graceful like a swan in flight; the body is graceful and graceful like a dragon flying on the clouds. This famous sentence expresses Mi Fei's body and posture in a metaphorical way. It uses Hongfei's vigorousness and Longteng's euphemism to cleverly describe the charm of the beauty. It is both vivid and stimulating to the imagination. It has become a model sentence for describing the beauty of classical Chinese women. Later generations " The famous sentence "Floating like wandering clouds, as powerful as a frightening dragon" is based on the artistic conception of this sentence and inherits the mantle of this sentence. Kehua is used to describe the light and healthy beauty of a woman.

"Ode to the Goddess of Luo" by Cao Zhi, a litterateur of the Three Kingdoms

Floating like clouds, as powerful as a frightening dragon. Famous quotes about dragons

Liu Yiqing of the Southern Dynasties and Song Dynasty, "Shi Shuo Xin Yu·Rong Zhi". The general meaning of these two sentences is: as elegant as the wandering clouds in the sky, as vigorous as the startled dragon. This sentence uses a metaphor to describe the wind spirit of people. The metaphors are apt and vivid, making the characters extremely vivid, and are very popular among later generations when describing the style of historical figures. According to the "Book of Jin·Biography of Wang Xizhi", when people praise Wang Xizhi's calligraphy for his extraordinary style, he also uses ~ to describe it, and it is not uncommon for later generations to imitate it. Therefore, this famous sentence can not only express a person's spirit, but also be used to comment on ancient and modern calligraphy masterpieces, especially cursive calligraphy masterpieces.

Liu Yiqing, a writer of the Southern Dynasty and Song Dynasty, "Shishuo Xinyu·Rong Zhi"

The dragon is powerful and the tiger is vibrating, and the sword is at war.

The "Ancient and Modern Book Review" by Yuan Ang of Liang Dynasty in the Southern Dynasties compares the vigorous and powerful calligraphy art of Wei Dan, a calligrapher in the Three Kingdoms era.

Southern Dynasty·Liang Calligrapher and Painter Yuan Ang's "Ancient and Modern Book Review"

A pebble cannot be defeated, and a snake and a dragon cannot fight.

Ming Dynasty Feng Menglong's "Warning Words·Li Banished the Immortal, Drunk the Grass and Scared the Barbarians". Egg: egg. Dragon: A long, scaly, horned animal that can walk, fly, and swim in ancient Chinese legends. It is regarded as a god. The general meaning of these two sentences is: an egg cannot defeat a stone, and a long worm (snake) cannot defeat a dragon. These two sentences use two simple metaphors to illustrate a truth: if the two parties in the struggle have great disparity in strength and the difference between strength and weakness is too great, they will not be able to compete. In the struggle, you must know yourself and the enemy. If you do not analyze the balance of power between the enemy and ourselves, act recklessly and take risks, you will be destroying yourself with an egg against a stone. "Egg against stone" and "egg against stone" have similar meanings.

Feng Menglong, a writer and dramatist of the Ming Dynasty, wrote "Warning Words: Li Banned the Immortal, Drunken Grass and Scared the Barbarians"

The dragon lost power, the same as the earthworm. Fan Ye, a historian of the Southern Dynasty and Song Dynasty

The dragon leaps over the Tianmen and the tiger lies in the Phoenix Pavilion. Dragon Famous Quotes Xiao Yan, Emperor Liang of the Southern Dynasties

Once you climb the Dragon Gate, your reputation will be ten times the price.

See Li Bai's "Book with Han Jingzhou". Climbing the Dragon Gate: Legend has it that a carp swims to the Dragon Gate and if it can jump over it, it can turn into a dragon. The general idea of ??these two sentences is: Once you can be cited by powerful people, your reputation will rise greatly if you step into the officialdom. "The carp leaps over the dragon's gate" is a metaphor for officialdom's pride, which is slightly ironic, so it is generally used to mock frivolous newcomers who have been promoted by others and become successful.

Li Bai, a poet of the Tang Dynasty, "Books with Han Jingzhou"

There is a dragon spring on the tongue, and there is no blood in killing people.

Anonymous "Listening to Slanderous Poems". Longquan: refers to a sharp sword. The general meaning of these two sentences is: Those who slander have sharp swords on their tongues, and they can kill people without seeing the blood. Throughout the ages, countless people with lofty ideals have died due to slander. In order to eliminate dissidents, those treacherous and vicious villains often spit blood and kill people by the hands of others, so the author reprimands them for "killing people without blood." The purpose of this poem is to warn people to be wary of slander. The full text is "If you have a dignified body with an eight-foot body, don't listen to a three-inch tongue.~"

"Listen to the Slanderous Poems" "Listen to the Slanderous Poems"

Dizzy, the writing is large, and the ears are heavy and the sound is loud.

"Yong Huai" by Zhang Ji of Tang Dynasty. Dizziness: dizziness. Erzhong (chóngworm): deafness. The general meaning of these two sentences is: due to dazzling eyesight, the words written become larger and larger; due to deafness, the voice unknowingly becomes louder and louder. In the second sentence ~, the poet vividly describes the old man's mental state and behavior from both visual and auditory aspects. As we age, it becomes more and more difficult to write small characters, so naturally the characters become larger and larger. If you are deaf, you can't hear yourself, so you think others can't hear either, so you speak louder and louder. The poem uses line drawing to describe old age, revealing a touch of sadness. After reading it over and over, sympathy and sentimentality arise spontaneously. The description of Long Zhong's old state can be used as a reference.

"Yong Huai" by Zhang Ji, a poet of the Tang Dynasty

The white fog is like a fish and dragon, and the black clouds are in the shape of cows and horses. Famous quotes about dragons

"Bianhe River Blocks the Wind" by Meng Yunqing of the Tang Dynasty. The general meaning of these two sentences is: the white mist is misty, like the breath of fish and dragon; the weight of black clouds changes into the shape of cattle and horses. Seeing the white mist on the river, I feel like it has the spirit of fish and dragon; seeing the black clouds changing, it seems like I can see the shapes of cows and horses, which is full of imagination. The first sentence can be used to write fog, and the second sentence can be used to write clouds.

"The Bianhe River Blocks the Wind" by Meng Yunqing, a poet of the Tang Dynasty

Fa Shao disliked the sharpness of the comb, and hated the beauty of the mirror.

Liu Yuxi of the Tang Dynasty "Winter Morning Morning Sends Lotte to Lotte". The general meaning of these two sentences is: the hair is sparse, blaming the comb for being too sharp; the color has faded with age, and the mirror is too bright, and the light is too clear. These two sentences express the sigh of aging. In the early morning, when the author was combing his hair, he felt that the comb was stuck in his hair and he had a headache. Instead of blaming himself for the sparse hair, he blamed the comb for being too sharp and too sharp. When he looked in the mirror, he saw his old appearance and resented that the mirror was too bright and the reflection was too realistic. It can be seen that the poet is aging, but he is unwilling to face this reality. Because he has not aged mentally and hopes to make progress in his career and academics. These two sentences describe the psychology of people who are already old but do not want to grow old. They are written very humorously.

Liu Yuxi, a writer of the Tang Dynasty, "Winter Morning Morning Sends Joy to the Sky"

The sun shakes the autumn water, and the white dragon scales shine in the waves.

"Crossing Under the Hengshan Pagoda" by Yang Wanli of the Song Dynasty. The general meaning of these two sentences is: The sun swayed on the autumn water, and the water waves shimmered like layers of white dragon scales. This describes the scene of sunlight shining on the water: the water is turbulent, looking like the sun is swaying; the ripples are shining, looking like dragon scales flashing. The metaphor is accurate and the image is realistic. Can be used to describe sunlight on water.

"Passing Under the Hengshan Tower" by Yang Wanli, a poet of the Southern Song Dynasty

An earthworm dominates a cave, and a dragon travels for nine days.

The third part of "Reminiscences of Leisurely Living" by Fang Xiaoru of Ming Dynasty. Jiutian: Nine Heavens, refers to the highest point in the sky. The general meaning of these two sentences is: earthworms are content with monopolizing a small hole, but dragons aim to soar in the sky. The author uses earthworms and dragons to compare the attitudes and life ideals of two people in society. The former are short-sighted, narrow-minded and humble people. They have no ambitions and only care about their own selfishness. They want nothing more than a comfortable home; the latter are people with lofty ideals and benevolence who have far-sighted vision and the world in mind. They regard the world as their priority. We must fulfill our own responsibilities, work hard, and strive to do great things for the country and the people. The author intends to deny the former and affirm the latter. It can be used as a portrait of two people with different outlooks on life, inspiring people to care about the world.

Fang Xiaoru, a writer of the Ming Dynasty, "Reflections on Leisurely Living"

The dragon catches the clouds and rain, but in the end it is not something in the pond. Dragon's Quotes

Jin·Chen Shou's "Three Kingdoms·Wu Shu·Zhou Yu Biography". The general meaning of these two sentences is: if the dragon gets clouds, mist, rain and dew, he will not be willing to be the thing in the pond. After the Battle of Chibi, Sun Quan worshiped Liu Bei as the general of the left and led the herdsman of Jingzhou. Zhou Yu disagreed, and Shangshu persuaded Sun Quan to transfer Liu Bei to the south of the Yangtze River, to depress his will with beauty, wine and meat, and to transfer Guan Yu, Zhang Fei and other arms away so that he could not achieve great things. Yong Yu believed that if Liu Bei was given land and he had a monopoly on it, and Liu, Guan, and Zhang were allowed to come together, they would fly away as soon as they had the chance. Later, Liu Beiguo established the Shu-Han Dynasty, forming a three-legged situation of Wei, Shu and Wu in the history of our country. This sentence is famous for its "comparison" technique in writing. The dragon is compared to Liu Bei, the clouds and rain are compared to opportunities, and the objects in the pond are compared to people without ambition. The language of this sentence is exquisite, the metaphor is appropriate, it contains philosophy, it is thought-provoking, and it is very popular for future generations.