1. A collection of novels

Scream:

Scream is a collection of short stories written by Lu Xun, a modern writer. It contains 14 short stories written by Lu Xun from 1918 to 1922. It was first published by Beijing Xinchao Society in 1923 and is now included in Volume 1 of Complete Works of Lu Xun. The collection of novels truly depicts the social life from the Revolution of 1911 to the May 4th Movement. Starting from revolutionary democracy, with the purpose of enlightenment and the spirit of humanitarianism, it reveals all kinds of deep-seated social contradictions, deeply analyzes and thoroughly denies the old China system and some outdated traditional concepts, and shows a strong sense of anxiety for national survival and strong hope for social change.

Wandering:

Wandering is a collection of Lu Xun's novels, which was first published by Beijing Beixin Bookstore in August 1926 and listed as one of the Wuhe Series compiled by the author. It is now compiled into the Complete Works of Lu Xun. The collection of novels includes eleven novels written by him from 1924 to 1925. The first "Blessing" was written on February 16th, 1924, and the last "Divorce" was written on November 6th, 1925. The whole collection of novels runs through the concern for farmers and intellectuals living under the pressure of feudal forces, "mourning their misfortune and angering them."

New Stories:

New Stories is a book published by Tianjin People's Publishing House in 214, written by Lu Xun. This book is a collection of historical novels by Lu Xun, with 8 articles, 5 of which were written in the last period of Lu Xun's life. The overall style of this book shows unprecedented calmness, abundance, humor and freedom.

second, a collection of essays?

Weeds:

Weeds is a collection of prose poems written by modern writer Lu Xun. There are 23 prose poems written between 1924 and 1926, with an inscription in front of the book. It was first published by Beijing Beixin Bookstore in July 1927 and listed as one of the "Wu He Series" compiled by the author. Now it is included in the Complete Works of Lu Xun. .

In the early 192s, the author Lu Xun lived in Beijing under the rule of the Northern Warlords. Lu Xun, who was in extreme depression, was in a depressed mood at that time, but his pursuit of ideals was still disillusioned. This collection of poems truly recorded the author's thoughts and feelings of continuing to fight after the division of the new cultural United front, but he felt lonely and explored progress in hesitation. Poems are diverse in content, rich in imagination, unique in conception, full of lyricism and musicality, and have a strong artistic appeal by successfully using symbolism? ; The poetry anthology, in the form of monologue lyric prose, has deepened the artistic and ideological mood of China's prose poems with poetic imagination and sublimation.

Flowers in the morning and flowers in the evening:

Flowers in the morning and flowers in the evening, formerly known as "Revival of the Past", is a collection of essays by Lu Xun, a modern writer. It contains 1 reminiscence essays written by Lu Xun in 1926. It was published by Beijing Weiming Society in 1928 and is now included in Volume 2 of Complete Works of Lu Xun.

As a "memoir of memories", this anthology reflects the author Lu Xun's life as a teenager in many aspects, and vividly reflects the formation of his personality and interests. The first seven articles reflect his childhood life in Shaoxing's family and private school, and the last three articles describe his experience from his hometown to Nanjing, to study in Japan, and then to return to China to teach. It exposes all kinds of ugly and unreasonable phenomena in semi-feudal and semi-colonial society, and at the same time, it reflects the difficult course of aspiring young intellectuals in the dark of old China, and expresses the author's nostalgia for his former relatives, friends and teachers.

The anthology is mainly based on notes, full of strong lyrical atmosphere, and often accompanied by discussion, so that lyricism, narrative and discussion are integrated, beautiful and harmonious, simple and touching. The works are poetic, with humor and allegory interspersed from time to time; Vivid image, clear style and strong appeal.

3. Essays?

Just Set:

Just Set is an essay collection published by People's Literature Publishing House in 1927 by Lu Xun. In the face of the massacre of revolutionaries and progressives by reactionary warlords, Mr. Lu Xun was resentful and helpless. "In the past six months, I have seen a lot of blood and tears, but I only have mixed feelings. Tears are wiped away, blood disappears, and Tubo people are happy again, with steel knives and soft knives. And I only have' miscellaneous feelings'. When even the' mixed feelings' were put in the place where they should go, I was only' just'. "

Grave:

Grave is an essay collection by Lu Xun, including On the Fall of Leifeng Pagoda, On Feuilly Should Go Slow, What happened after Nora left, On Fuck! Twenty-four articles, such as cultural partiality, from beard to teeth and widowhood. These essays were written between 197 and 1925. In these essays, Lu Xun used historical writing to vividly cite facts, express his right and wrong, love and hate, point out the shortcomings of the past, demonstrate the ancient and modern times, and show his revolutionary image of indomitable fighting against the old forces to the end.

Lace Literature:

Lace Literature is an essay collection by Lu Xun, which contains 61 essays written by Lu Xun in 1934. Including Women Don't Always Lie, Northerners and Southerners, The ancients weren't honest, Reading a few books, Toys, Counting Accounts, Reading Notes, Chinese Characters and Latinization, Three Ugliness in Examination Room, On Mei Lanfang and Others (I), etc.

Hua Gai Ji:

Hua Gai Ji is a book published by Beixin Bookstore in 1926, written by Lu Xun. Thirty-one essays written by Lu Xun in 1925 are included, including Chewing on Words, Young People Must Read, Soul of Argument, Summer Worm, Suddenly Thinking, My View of Peking University, Broken Words and so on. Published by Beixin Bookstore in 1926. It has been compiled into Volume 3 of the Complete Works of Lu Xun.

Exotic Collection:

Exotic Collection is a book published by Foreign Language Teaching and Research Press in March 21 by Lu Xun. This book is a collection of poems and essays published by the author before 1933.

The Collection of Southern Tunes and Northern Tunes:

The Collection of Southern Tunes and Northern Tunes is an essay collection by Lu Xun, which contains 51 essays written by Lu Xun in 1932-1933. Including We Are No Longer Deceived, Heard of Dreams, Memories for Forgetting, About Women, Sand, Shanghai Children, Fire, On Reprinting Woodcuts, Family as the Foundation of China, etc.

Qiejie Pavilion Essays:

Qiejie is pronounced as Concession, because for a time, Mr. Lu Xun lived in the area where Shanghai Zhabei imperialists built roads across the border, which was called "semi-concession". Mr. Lu Xun has a strong national pride and hates imperialism very much, so he took half of the word "concession" and made it "Jiejie" to show his hatred. "Jiejieting" indicates that these essays were written in the pavilion of Shanghai's semi-concession, and the "grain" and "field" of "rent" and "boundary" were removed, indicating that Mr. Wang did not want to cede the grain and field of his country to imperialism. The word vividly satirizes the dark reality of semi-colonialism and semi-feudalism under the rule of the Kuomintang at that time.

Hot Wind:

Hot Wind is an essay collection written by Lu Xun from 1918 to 1924. At that time, China was in the darkest age, many people with lofty ideals were exploring the root of social diseases, and there were merciless cynicism and sentient satire in the cultural circles. Lu Xun said in the inscription: "I think the air around me is too cold, so I said what I said, so I called it Hot Air instead.

Three Leisure Collections:

Three Leisure Collections, Lu Xun's essays, was compiled in 1932. The word "leisure" appears in the collection because Cheng Fangwu criticized Lu Xun for "leisure", and there are three reasons for "leisure". "What it holds in reserve is leisure, leisure and the third leisure". Mr. Lu Xun took this as the title of the anthology. According to the inscription, "It is called" Three Leisure Collections "when it is compiled, and it is still imitated by shooting."

Pseudo-Free Book:

Pseudo-Free Book is a collection of short comments written by Lu Xun to Free Talk, a supplement to Shenbao, from the end of January to mid-May, 1933. However, it reveals the objective laws through individual events, and it analyzes the exquisite Marxist thought of specific things, but it transcends the limitations of time and space, making it a Marxist literary weapon with universal significance. Foreign languages press published the French version of the book translated by Lu Jinkai in 21.

Zhun Feng Yue Tan:

Zhun Feng Yue Tan is an essay collection by Lu Xun. It contains sixty-four essays written by Lu Xun in 1933. Including Ode to the Night, Eating White Meals, A Story of Morning Cool, A Journey in Autumn Night, Rare Books of Si Ku Quan Shu, The Evolution of Men, Lessons from Movies, About Translation (Part I), Drinking Tea, Foreign Countries, etc.

Extended information:

Lu Xun (September 25, 1881-October 19, 1936), originally named Zhou Zhangshou, later renamed Zhou Shuren, whose name was Yushan, later changed to Yucai. "Lu Xun" was the pseudonym he used when he published Diary of a Madman in 1918, and it was also his most influential pseudonym, Zhejiang. A famous writer and thinker, an important participant in the May 4th New Culture Movement and the founder of modern literature in China. Mao Zedong once commented: "Lu Xun's direction is the direction of the new culture of the Chinese nation."

Lu Xun has made great contributions in many fields such as literary creation, literary criticism, ideological research, literary history research, translation, introduction of art theory, introduction of basic science and collation and research of ancient books. He has a great influence on the development of China's social ideology and culture after the May 4th Movement, and is well-known in the world literary circles, especially in the fields of Korean and Japanese ideology and culture. He is known as "the writer who occupied the largest territory on the cultural map of East Asia in the 2th century".

Lu Xun is known as the "national soul", who took the place of Ge with his pen and devoted himself to writing and fighting all his life. Mao Zedong commented that he was a great writer, thinker and revolutionary, and was the chief commander of the Chinese cultural revolution. It is a portrayal of Mr. Lu Xun's life that "he looks down on a thousand fingers and bows his head as a willing ox". I realized the oath of "I recommend Xuanyuan with my blood" by myself.

Lu Xun's famous aphorism:

1. The brave are angry, and draw the blade to the stronger; The timid are angry, but they draw their swords at the weaker ones. There must be many heroes in the hopeless nation who stare at the children. These pimps.

2. Never, right?

3. When I was young, I didn't treat him like a human being, but I can't be a human being when I grow up.

4. Time is like water in a sponge. As long as you are willing to squeeze it, there is always some.

5. I seem to be a cow, eating grass and milking it.

6. Our urgent task now is: first, to survive; second, to have enough food and clothing; third, to develop.

7. You always have to study to understand.

8. May all the young people in China get rid of the cold air, just go up, and don't have to listen to the words of those who give up on themselves.

9. China has always had few failed heroes, few tenacious resistance, few warriors who dare to fight alone, and few hangers-on who dare to cry traitors. When you see the signs of victory, you gather in succession, and when you see the signs of defeat, you flee in succession.

1, where there is a genius, I spend all the time drinking coffee in other people's work.

11. If you only read books, you will become a bookcase.

12. In fact, there is no road on the ground, and more people walk, so it becomes a road.

13. Look down at a thousand fingers and bow your head as a willing ox.

14. The harder it is, the more you have to do it. Reform has never been smooth sailing.

15. You must dare to face up to it. Only in this way can you dare to think, say, do and act.

16. There is no freedom if you are greedy for stability. If you want to be free, you have to go through some dangers. There are only two ways.

17. Ruthlessness may not be a real hero. How can Reiko not be a husband?

18. I'd like to express my gratitude to Han Xing for not observing her. I recommend Xuanyuan with my blood.

19. A lie written in ink can never hide the fact written in blood.

2. In fact, pioneers can easily become stumbling blocks.

21. Dissatisfaction is an upward wheel, which can carry people who are not complacent forward.

22, calm and brave, discerning, not selfish.

23. It's common for farmers to dig hoes for generations. If we take pictures, generations will pretend to be rough and play with "hoes and hats". The farmer is holding a book in Liu Xia, pretending to be a "deep willow reading map" and so on, which will be disgusting.

24. You must study everything before you can understand it.

25. Only the national soul is valuable. Only when it is carried forward can China make real progress.

reference link: Baidu Encyclopedia: Lu Xun