Sister Xianglin is no longer the object of complete sympathy, pity and pity, but is replaced by satire, ridicule and banter in many contemporary discourses. Her complaining is regarded as irrelevant nonsense by many people, her melancholy is regarded as the negative energy output of "selling miserably" and "complaining", and her whole body is regarded as dissatisfied with women's nagging attitude, which makes people avoid it.

In the eyes of many people, it is also the collapse of moral values and lack of compassion. But what is even more thought-provoking is that throughout the ages, the "spectators" in the world always seem to maintain an irrelevant "bystander" attitude towards the sufferings of others, and when they suffer, they expect others' sympathy abnormally.

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In my opinion, the contemporary controversy about Xianglinsao needs to understand two points. First of all, try to understand the original literary image of Xianglinsao and its typical significance in film and television, drama and modern education; Secondly, when "Xianglinsao" is used to refer to some groups in contemporary society, this sentiment is often not directed at Xianglinsao herself.

Xianglinsao's tragedy is closely related to the specific times and social factors. The film Blessing is a successful case of visualization of Lu Xun's novels in the film history of new China, so it has attracted more attention and provided an excellent film screen model for contemporary people to understand Sister Xianglin.