1. Sentences to describe girls in the Republic of China
Sentences to describe girls in the Republic of China
"The Skills of Sai Jinhua" written by Liu Bannong and others: a review of the once glorious women in the late Qing Dynasty and the early Republic of China Sai Jinhua, the first lady and famous courtesan, described it like this - "Let's just talk about me. When I take it off, I wear a big hairpin and three rows of small hairpins, each row of four, all of jade. I wear five sets of hairpins. ——The most fashionable style at that time was hanging a gold chain around the neck and wearing an enamel silver watch. In winter, I wore fox fur according to the color. The pair of milk bead pendants I wore in my ears cost several thousand taels. "
Shanghai "Times": "There is a kind of obscene clothing currently popular among women, which is really inappropriate and unsightly. The arms of the blouse are about a foot exposed, and the women's trousers hang up more than a foot, and even On summer days, they wear a pink gauze vest underneath and a gauze shirt with eyelets on the outside, almost exposing their muscles. This kind of enchanting clothing was first worn by prostitutes. All ladies imitate the popular bad habits of prostitutes, and women’s education is in decline.” 2. What are the sentences describing women’s clothing in the Republic of China?
1. Light. The green dress has light blue peonies embroidered on the cuffs, a few auspicious clouds are outlined with silver thread, a row of blue sea water clouds is densely arranged on the hem, and the chest is wrapped in a wide piece of light yellow brocade.
2. The body is gently turned and the long skirt is spread out, and the movements are as graceful as the willows blown by the wind. The wind bun reveals the temples, the brows are lightly swept, the eyes are springy, the skin is as smooth as warm jade, and the cherry mouth is small. Her hair is red and delicate, and the two strands of hair beside her cheeks are gently blowing in the wind, adding a bit of seductive charm, while her flexible eyes move smartly, a bit naughty and naughty.
3. Wearing a light green long dress, with a tight waist, she is so flawlessly beautiful, so beautiful that she cannot live in this world. She wears a bright red silk dress with a very low neckline, revealing her plump breasts and face. Like a hibiscus, eyebrows like willows, eyes that are more charming than peach blossoms, very attractive, skin like snow, black hair pulled into a tall beauty bun, beads all over her head shining dazzlingly in the sun, bright red lips Slightly raised, what a beautiful woman.
4. She was all dressed up today. She wore a light pink silk cheongsam, which swayed as she walked, like a peach blossom blooming in winter, which was charming and charming. These dignitaries have seen a lot of women, and they have seen a lot of plum blossom makeup, but this is the first time they have seen something like this.
5. It can be said to be a mysterious thing: this secret has only been revealed since Cixi came to govern behind the curtain and became famous to the world with her "maternal ceremony". The "big pull-wing" popular in the late Qing Dynasty was recognized by the world as the official hairstyle of the imperial concubines. Eunuchs ordered their wives and folk women to imitate it one after another, and it has been passed down to the drama stage to this day. In fact, the hairstyles of concubines in the Qing Dynasty also experienced the same process as the social development of the Qing Dynasty, from low to high, from simple to complex, from simple to luxurious.
6. She squatted on the ground to sort the box, with a small floral saucer attached to her knees. Around her were piles of Chinese azure satin patchwork and bright red and gold skirts for costume dancing.
7. She wore a white gauze cheongsam with a narrow blue edge - dark blue and white.
8. Wearing a blue emerald smoke sweater and a pleated skirt with floral mist and green grass.
9. Women in the Republic of China are like green flowers on Qingshui Lake, with the gentleness of lotus, the aloofness of plum, the romance of peach, and the nobility of lotus.
10. When it comes to women in the Republic of China, how can we ignore the classic Chinese cheongsam, especially the Shanghai-style cheongsam during the Republic of China, which is a model of cheongsam. The three sisters of the Song family during the Republic of China brought the beauty of cheongsam to the extreme and the temperament of women to the extreme. I don’t know whether it is the cheongsam that makes the woman beautiful, or the woman’s beauty that interprets the soul of the cheongsam.
11. A pretty lady, wearing a graceful cheongsam, graceful and graceful, with a smile like a blooming flower, a melodious jade voice, as bright as the moon covered by light clouds, and fluttering like the drifting snow in the returning wind.
12. Don’t you see the silk and satin, with its beautiful charm, praised by all the gods, and dancing fairies? Beautiful! The most beautiful fairy in heaven is the elegant and noble quintessence of Chinese clothing - the cheongsam.
13. It is not an exaggeration to say that cheongsam is poetry. With its flowing melody and rich poetic sentiment, it expresses the virtuousness, elegance and tenderness of women. It is a complex and a kind of Chinese women. Dream is the beauty engraved in the bones of Chinese women. No matter where you are, as long as there are Chinese women, you can see the beautiful cheongsam.
14. Wearing a red cheongsam, she looks like a wild rose blooming quietly and stubbornly from the corner, like a dancing red butterfly, full of the old-fashioned spirit. The perfect fusion of the times and the temperament of the new era.
15. Cao Qiqiao in "The Story of the Golden Lock" was originally the daughter of a sesame oil shop. After marrying into a wealthy family, in order not to be looked down upon, she followed the latest trends in clothing. She was "wearing a silver-red shirt with scallion-white threads and snow-green shiny blue Ruyi trousers with small feet." After the Revolution of 1911, there was a feminist movement. Influenced by the idea of ??"equality between men and women," tops and pants have become women's fashionable attire.
3. Sentences describing girls' clothing and Beiyang warlords during the Republic of China
"Sai Jinhua's Skills" written by Liu Bannong and others: This is the description of Sai Jinhua, the famous prostitute and wife of the number one scholar in the late Qing Dynasty and early Republic of China. - "Let's just talk about me. When I took it off, I wore a big hairpin and three rows of small hairpins, each row of four, all of them jade.
I wore five sets of hair--the most popular hairpin at that time. Fashionable style - hanging a gold chain around the neck, wearing an enamel silver watch. In winter, I wear fox fur according to the color.
The pair of milk bead pendants I wear in my ears are worth thousands. 2. "Shanghai Times: "There is a kind of obscene clothing currently popular among women, which is really unseemly and unsightly.
About one foot of the blouse's arms are exposed, and the women's pants are hanging one foot high. After a while, even in the summer, she wears a pink gauze vest underneath and a gauze shirt with eyelets on the outside, almost exposing her muscles. This kind of enchanting clothing is only used by prostitutes. All the ladies in Shanghai have imitated the popular bad habits of prostitutes.
Women’s education is in decline.” Zhang Ailing’s description of the clothes: “Huang Kuan. The robe has big sleeves, and the head is covered with noisy clouds; the black silk bottom is inlaid with peach red edges, the blue-grey long skirt, and the light yellow tortoise shell glasses; the Ruyi-trimmed sapphire blue is paired with apple-green embroidered jacket and trousers"; "There is an olive green Dark silk, with big black shadows passing over it, full of wind and thunder.
There is also a silky Japanese material, light lake color, shining with wood grains and water patterns; every once in a while, there are water patterns. There are two plum blossoms as big as tea bowls floating with iron hooks and silver hooks, like the colorful glass window paintings in medieval chapels, with heavy iron rims embedded in the red glass." Recommended "Changing Clothes": "Changing Clothes" is a beautiful article by the legendary writer Ms. Zhang Ailing.
The author uses her calm and indifferent writing to narrate the evolution of clothing over the past century before and after the Revolution of 1911 in a short thousand-character essay, and her unique insights on clothing are cleverly told between the lines. If the clothes passed down from generation to generation were not sold in large quantities to second-hand collectors, the annual June drying of clothes would have been a glorious and lively event.
You walk between bamboo poles, with silk and satin walls on both sides - they are corridors excavated from ancient palaces buried underground. You put your forehead against the gold embroidery.
When the sun was here, it made the golden thread hot, but now it is cold. People in the past labored through their lives, and their deeds gradually became covered with dust. When the descendants hung their clothes to dry, the dust was shaken off and danced in the yellow sun.
If memories had a smell, it would be the scent of camphor, sweet and steady, like well-remembered music, sweet and melancholy, like forgotten sorrow. We can hardly imagine that the world in the past was so slow, quiet and neat - under the three hundred years of Manchu Qing rule, women had no fashion to speak of! Generation after generation wears the same clothes without getting bored.
At the founding of the People's Republic of China, because "men were subordinated but women were not surrendered", women's clothing still retained a significant legacy of the Ming Dynasty. From the middle of the 17th century to the end of the 19th century, extremely wide shirts and trousers were popular, giving them an air of stability and composure.
The collar is very low, and it means nothing. The "big coat" worn outside, in informal occasions, is loosened to reveal the "middle coat".
Inside the "middle coat" there is a "small coat" that is tight and well-fitting, and is not taken off when going to bed. Most of them are charming, pink or water red. On top of the three coats, a "cloud shoulder vest" is added, which is widely trimmed with black satin and has a large cloud head coiled around it.
The standard beauty with slim shoulders, slim waist, flat chest, thin and small body was lost under the weight of these layers of clothes. She itself does not exist, it is just a clothes hanger.
Chinese people do not approve of women who are too eye-catching. The sensational virtues recorded in history - for example, cutting off an arm after being pulled by a strange man - although they attract ordinary admiration, the intelligentsia always feel a little regretful about them, because a woman You shouldn't attract excessive attention; Ren Zhengzheng's name, hanging on the lips of millions of people, has also become rusty in the vapor of breath.
If a woman wants to stand out, some people are opposed to even such a grand approach, let alone dressing up in strange clothes, which is naturally immoral. Wearing a skirt over trousers when going out is more regular.
They are usually black. On festive occasions, the wife wears red and the concubine wears pink. A widow wears a black dress, but many years after her husband's death, if her parents-in-law are present, she can wear lake color or snow-green.
The fine pleats on the skirt are the most stringent test of a woman's manners. The well-educated girl walked gracefully, her pleated skirt not motionless, but only trembling the slightest.
Xiaojiabiyu, who is not used to wearing skirts, gives people the impression of being in a storm when she walks. Even more demanding is the bride's red dress, with ribbons about half an inch wide hanging from the waist, with bells tied at the ends.
There should be only a faint jingle when moving, like the wind chimes on a pagoda on a distant mountain. It was not until around 1920 that the more free-spirited wide pleated skirts became fashionable, and this type of skirt was completely abolished.
Wearing leather and not being able to tolerate some outings, you are regarded as a nouveau riche. Leather clothing has certain seasons and is divided into categories in detail.
If it is extremely cold in October, it is okay to wear three layers of leather. As for what kind of leather to wear, you have to take into account the season rather than the weather. Wear "small wool" in early winter, such as green sheep, purple lamb, pearl lamb; then wear "medium wool", such as silver rat, gray rat, gray spine, fox leg, Ganjian, Japanese sword; wear "big wool" in mid-winter, - —White fox, green fox, western fox, black fox, sable.
Only those with "famous status" can wear mink. People in the middle and lower classes used to be much wealthier than they are now, and most of them had a robe inlaid with gold and silver or sheepskin.
The girls' "Zhaojun sets" add a bit of color to the gloomy winter moon. According to the pictures of the past dynasties, the windbag that Zhaojun wore when going out to the fortress was Eskimo style, simple and elegant, and many Hollywood stars imitated it.
China's "Zhaojun hat" in the 19th century is extremely glamorous - a melon-skin hat with a circle of skin around the brim and a huge red pom-pom on the top of the hat. There are two pink satin ribbons, with a pair of gold seals on the ends of the ribbons, making sounds when they strike each other. Excessive attention to detail.
Key points for clothing of this period. Modern Western fashion has a variety of unnecessary embellishments, but they all have a purpose - to promote the blue of the eyes, supplement the underdeveloped chest, make people look taller or shorter, and focus on the eyes. On the waist, eliminate the excessive curves of the hips... The embellishments on ancient Chinese clothes are completely meaningless.
If it is purely decorative, why? 4. Words describing "girls of the Republic of China"
1. Slim [tíng tíng yù lì]: tall and upright.
Describes a woman’s slender figure. It also describes the tall and straight shapes of flowers and trees.
2. bud ready to bloom [hán bāo yù fàng]: describes the shape of a flower when it is about to bloom. It is also a metaphor for a young girl who is about to become an adult.
3. Meiqingmuxiu [meiqingmuxiu]: Describes a person’s appearance as being pretty and not tacky. 4. The lady of the family [dà jiā guī xiù]: used to refer to a talented and virtuous woman from a distinguished family.
It also generally refers to the daughter of a wealthy and powerful family. 5. Xiuwaihuizhong [xiù wài huì zhōng]: beautiful on the outside but smart on the inside.
6. Sinking fish and falling geese [chén yú luò yàn]: It means that when fish see it, it sinks to the bottom of the water, and when geese see it, it lands on the sandbank. Describes a woman's beautiful appearance.
7. Natural beauty [tiān shēng lì zhì]: Describes a woman’s natural beauty, talent, and intelligence. 8. 小鸟伊人 [xiǎo niǎo yī rén]: 小鸟伊人 means clinging to a person like a bird, describing the petite and cute appearance of a girl.
9. Huarong Yuè mào [huā róng yuè mào]: used as a predicate and attributive to describe a woman as beautiful as a flower or the moon. 10. My fair lady [yǎo tiǎo shū nǚ]: refers to a beautiful and virtuous woman.
11. Graceful [ē nà duō zī]: refers to soft and beautiful, describing various light, soft and beautiful postures. Describes the different postures of women, light and soft.
12. Talented scholar and beautiful woman [cái zǐ jiā rén]: refers to talented men and beautiful women, and generally refers to talented men and women. Sentences: 1. The reflection of the willow tree in the river is so graceful.
2. The wickers on the lakeside swayed in the wind, making them graceful. 3. The delicate Jiangnan is a graceful, gentle and quiet Xiaojiabiyu.
4. The fairies sang and danced gracefully, scattering the petals of happiness to the world. 5. Look at those plum blossoms, how graceful and moving they are! 6. The breeze blows, and the willow trees are graceful.
7. The couple are truly talented and beautiful. 8. Most of those martial arts novels cannot escape the cliché of the joys and sorrows of talented men and beautiful women.
9. In today's society, many young people regard talented men and beautiful women as the ideal marriage model, which is a bit intolerant. 10. Don’t completely deny the drama of talented men and beautiful ladies.
11. The groom and the bride are a perfect match for each other. 6. The novels of the Mandarin Duck and Butterfly School mostly describe stories about talented men and beauties, talented men and beautiful women, and their contents are generally similar.
Extended from the Republic of China girls, four Republic of China beauties were selected during the Republic of China based on a certain aesthetic sense of modern people and modern popularity. The four beauties of the Republic of China include Lu Xiaoman, the "campus queen", Lin Huiyin, who is both talented and beautiful, Zhou Xuan, known as the "golden voice", and Ruan Lingyu, the "silent film star".
Lin Huiyin: Lin Huiyin (June 10, 1904 - April 1, 1955), female, Han nationality, from Min County, Fujian (now Fuzhou), was born in Hangzhou, Zhejiang. His original name was Lin Huiyin, and his name came from "Poetry·Daya·Siqi": The great concubine Huiyin is the son of Bai Si.
Later, because he was often mistaken for Lin Weiyin, a writer at that time, he changed his name to Huiyin. Famous Chinese architect, poet, and writer.
The first wife of architect Liang Sicheng, the designer and architect of the Monument to the People’s Heroes and the deepening plan for the National Emblem of the People’s Republic of China.
In the early 1930s, together with Liang Sicheng, he used modern scientific methods to study ancient Chinese architecture and became a pioneer in this academic field. Later, he achieved great academic achievements in this area and laid a solid scientific foundation for the study of ancient Chinese architecture.
In literature, he has written essays, poems, novels, scripts, translations and letters, etc. His representative works include "You Are April in the World", "Lotus Lantern", "Ninety-Nine Degrees", etc. Among them, "You Are the April Heaven in the World" is the most well-known and widely recited.
Lu Xiaoman: Lu Xiaoman (1903-1965), a native of Changzhou, Jiangsu, is a modern female painter. He studied under Liu Haisu, Chen Banding, He Tianjian and other famous painters, and was recruited as a professional painter at the Shanghai Chinese Painting Academy in his later years.
He participated in the first and second national art exhibitions of New China. Lu Xiaoman is good at drama and has collaborated with Xu Zhimo to create the five-act drama "Bian Kungang".
She is also proficient in Kun Opera, can also play Pi Huang, is a good writer, has a profound foundation in ancient Chinese prose and a solid ability to modify words. He became a famous modern figure because of his marriage and love affair with Xu Zhimo.
Died in Shanghai Huadong Hospital on April 3, 1965, at the age of 63. Zhou Xuan: Zhou Xuan was born in Changzhou, Jiangsu Province on August 1, 1920. She is a Chinese film actor and singer.
In 1931, he joined the Mingyue Song and Dance Troupe and attracted attention for singing the song "Light of the Nation". In 1932, the first album "Special Express" was released.
She became famous in 1934 with the song "Flowers of May"; in the same year, she ranked second in the "Radio Singer Competition" organized by Shanghai's "Da Wanbao". He entered the film industry in 1935 and appeared in the movie "Children of the Storm" in the same year.
The 1937 movie "Street Angel" starring in it became the masterpiece of her acting career, and the film interludes "Songstress from the End of the World" and "Song of the Four Seasons" she sang were also popular in the Chinese area; she used traditional ethnic vocal music The vocal method, with the help of a microphone, creates a unique singing style. In 1938, he signed a contract with Shanghai Guohua Film Company.
In 1941, "Shanghai Daily" held a "Movie Queen" selection. After being elected, Zhou Xuan declined the honor of "Movie Queen". In 1946, he went to Hong Kong to develop.
In 1947, she starred in the movie "Sauvignon Blanc", and the film episode "Night in Shanghai" sung by her became one of the representative works in the Chinese music scene. In 1948, he starred in the costume film "The Secret History of the Qing Palace".
Returned to Shanghai from Hong Kong in 1950. In 1951, he starred in the movie "Peace Dove" and was sent to the hospital for treatment due to sudden mental illness during the filming.
On September 22, 1957, Zhou Xuan died of illness in Shanghai. In 1995, she won the Actress Award at the China Film Century Award.
Ruan Lingyu: Ruan Lingyu (1910.4.26-1935.3.8). His original name is Ruan Fenggen.
Ruan Lingyu is one of the most famous movie stars in China's silent film period. During the Republic of China, her status in the film industry was second only to that of actress Hu Die. Born in Shanghai, his ancestral home is Xiangshan County, Guangdong (now a native of Zuobutou Village, Nanlang, Zhongshan City).
Due to the early death of her father, Ruan Lingyu has been working as a domestic helper with her mother since she was a child. Her mother scrimped on food and clothing so that she could go to school. In 1926, in order to make a living on her own to support her mother, Ruan Lingyu was admitted to the Star Film Company and began her career in film art, such as "Weeds and Idle Flowers", "The Goddess", and "New Women".
After Ruan Lingyu became famous, she was involved in a dispute over the reputation of Zhang Damin and Tang Jishan. Unable to bear the abuse of her lover Tang Jishan, she committed suicide by taking sleeping pills on Women's Day in 1935. The bad news shocked the film industry and received overwhelming messages of condolence from all parties. A few days ago, more than 200,000 people in Shanghai took to the streets to pay their respects to him. The procession stretched for three miles. Lu Xun once wrote an article "On Human Words" about this.