Famous aphorisms refer to famous words said, written, recorded by history, conclusions or suggestions drawn through practice, and warnings to the world by some celebrities. Below are the famous aphorisms about Schiller that I have collected. I hope you like them.

1. True love is exclusive. The scope of love is very narrow. It is so narrow that it can only accommodate two people to survive. If you fall in love with several people at the same time, it cannot be called love. It's just an emotional game.

2. If it is need that forces people into society, it is reason that cultivates social principles in people's hearts, but it is beauty that gives people social character. Only aesthetic taste can lead to social harmony because it establishes harmony in the individual.

3. Only when you have wishes will you be happy.

4. Only desperate gamblers are willing to make a desperate gamble. If a businessman puts all his property on a boat, he is called a daredevil.

5. Really beautiful things must be consistent with nature on the one hand, and consistent with ideals on the other.

6. Friends are precious, but enemies can also be useful; friends will tell me what I can do, and enemies will teach me what I should do.

7. Wine can’t invent anything, it can only reveal secrets.

8. The greater the falsehood, the greater the victory of truth.

9. Even if moral character is dressed in ragged clothes, it should be respected.

10. If it is so difficult for the truth to be trusted, then lies must be a pass here.

11. Those who are fearless are as strong as those who are intimidating.

12. Only the exchange of beauty can unite society, because it is related to something that everyone has in common.

13. A suppressed heart will feel relaxed as long as it tells the truth.

14. Really beautiful things must be consistent with nature on the one hand, and consistent with ideals on the other.

15. Commoners make a living by working, while nobles live by status.

16. Children’s games often contain profound thoughts.

17. You can take back your words, but life cannot be like this.

18. No genius can develop in a state of loneliness.

19. Finding beauty from beautiful things is the task of aesthetic education.

20. People with cheerful hearts also have cheerful faces.

21. The real value is not on the stage of life, but in the roles we play.

22. There is something more important than life, which is honor.

23. I feel an army on my fist.

24. Before you jump into a pit, you need to know how deep it is. When you still have happiness to find in this world, you must not take a dead end, otherwise you may wake up soon, and then it will be too late to regret.

25. There are three paces of time: the future arrives belatedly, the present flies like an arrow, and the past stands still forever.

26. The truth is often hidden deep in things.

27. Your destiny is hidden in your own chest.

28. In all ancient habits, there is a profound meaning.

29. If it weren’t for hope, my heart would be broken.

30. Be loyal to your youthful dreams.

31. Time is the angel of mankind.

32. The truth will never feel distressed because someone does not recognize it.

33. True friendship is sincere and bold.

34. It is difficult to accomplish great things by being cautious. Schiller's classic quotations

35. Only when a person is fully human can he play; only when a person plays can he be fully human.

36. Sloth is the factory of poverty; people cannot expect to be great and comfortable at the same time. The important thing is to be diligent, because only diligence can not only provide people with the means of life, but also provide them with the only value in life.

37. Time has three steps: the future arrives belatedly, the present flies like an arrow, and the past remains stationary forever.

Extension

Abstract Lines can reveal the painter's emotions and character, and trying to conceal them is never easy. Learning to express a certain state of mind with pure line form, in my opinion, is also an ability that a painter needs to possess. Line is an important language of expression in Schiele's paintings, and it is also the tool that best captures my thoughts. His use of line is as naked and merciless as his grasp of human psychology, and even makes people sting and heart-wrenching. It is this "heart-wrenching feeling" that drives me to understand Schiller and understand "line" "The unique charm of this painting language.

Keywords lines; emotions; artistic expression; artistic creation

Several years of teaching have awakened my understanding of the basic elements of modeling. When creating paintings, I have been thinking about several issues: how to understand the most basic elements of plastic art - points, lines, and surfaces, how to connect the social environment and artistic creation, and how to capture the softest part of the audience's heart. One point arouses strong excitement among people. In a sense, Schiele's paintings are a key to unlocking my doubts for many years.

1. Schiele’s work style and line use characteristics

The most notable features of Schiele’s paintings are sharp and sensitive line expressions and a sense of depression with variations and geometric structures. image. His works are not satisfied with the beauty, sentimentality and mysticism of symbolist painting, but adopt a more rough, unrestrained and unscrupulous artistic form and creative attitude. His works have a strong expressionist style. Schiele is good at depicting non-static figures and scenery. No matter what form they take, they appear to be in a state of panic. The threat of fear and despair interweaves into a terrible shadow that always hangs over his works.

Schiele’s paintings express the most primitive desires and impulses with thick, concise and random lines, expressing the restlessness of Westerners when transitioning from traditional forms to modern forms. His paintings express his decadence, Fear, fantasy, and cruel self-torture, the figures are often drawn on a blank background, sometimes only outlines are drawn, and the human body is elongated and deformed. His cold and handsome lines are shocking. The thick lines in his works emphasize the clear outlines. However, in the anxious paintings, we can clearly appreciate his passion for lines and his concern for the human spiritual state.

2. The emotional expression of lines in Schiller’s paintings

Schiller does not use horizontal lines much in his works, but only uses them in a very short period of time when his emotions are relatively stable. Relatively many horizontal lines. Horizontal lines give a sense of stillness and tranquility, and can play a role in dividing and stabilizing the picture. Although Schiele used many horizontal lines in his works of this short period, the painting does not convey a pure sense of tranquility, but a state of alert under emotional repression. His landscapes feel crowded, like a mentally disturbed person who has been soothed temporarily only to explode later.

If the horizontal line becomes uneasy in Schiller’s writing, then the curve is Schiller’s powerful language. When the curves are further emphasized, the image becomes an expression of strong emotion. A space dominated by curves represents a fantasy universe or an uneasy vortex. Therefore, it can create an uneasy feeling state for both the painter and the audience. Speaking of "uneasy vortex", the first thing we think of may be the post-impressionist painter Van Gogh. From a painting perspective, Van Gogh directly influenced Schiele. Although their performance styles are different, they have been sublimated and recognized by the audience in the naked presentation of themselves, which is a complete expression of self-emotion.

They paint in the simplest and most personal way, not content to express what they see, but take us into their painful souls, using swirling and wavy brushstrokes to express the storm of their inner excitement. The provocative human bodies and erotic scenes in Schiele's paintings reveal the psychology of the people at that time, and depict things that people wanted to do but did not dare to do, or that were severely cracked down and banned at the time, even in the field of moral public opinion. Things that no one dares to mention. It makes people feel like their psychological acne is being poked and their inner secrets are being peeped into. Just as Mr. Lu Xun said: "Dare to face the bleak life, dare to face the dripping blood."

For Schiller to convey these emotions, he found a suitable, powerful and shocking expression tool - "line". His lines are extremely crazy and unmodified, showing human nature and unpredictable huge potential, releasing huge artistic energy in self-catharsis. Schiele's lines are both direct and mysterious. People often think of a line as a continuous symbol connecting two points. In fact, lines can be formed through imagination. Just give the starting point and the end mark, and give some hints in between, and the imagination will fill in the rest. This method allows the viewer to participate in the creative process. Imaginary lines can also highlight atmosphere and add depth. It is common in Schiele's works to depict the face and hands in detail while omitting other parts of the body. Or just select a certain part of the body to draw. In this way, it is easy to draw the audience into his works and into his emotional whirlpool, allowing people to unconsciously follow his sometimes omitted and sometimes twitching lines and enter the spiritual world of the people in the paintings. It is not an exaggeration to describe his line as "painful and happy".

3. Get inspiration from Schiller’s painting lines

Think back to the reason why your works cannot arouse the audience’s excitement, why they fall into mediocrity, and why they cannot grab people’s attention. At least I can get some inspiration from the line of sight. Analyzing your own paintings with rational thinking is an effective way to continuously improve yourself. Because art itself is a continuous cycle from sensibility to rationality, from rationality to sensibility, and it is also a process of continuous understanding of society.

The crux of the problem that my works fail to arouse screams from viewers is mainly because I cannot break away from the constraints and fully express my emotions. I am unable to rationally face life, old age, illness and death, and I dare not face it. I pretended to be a rational person. In a sense, perhaps Schiller's mentality is healthier. He dared to face the madmen in the mental hospital, dared to face the nature of human naked desires, dared to describe his own views on death, and dared to "tell" his pain , twitching, struggling, sensitive psychology. Perhaps it is precisely because of our "emotional disguise" that we dare not use the language of "thread" to express it to the extreme, until we degenerate to the point where we cannot use this language.

Paul Klee famously said, "Take a walk with a line." "Line", the most basic modeling language, is the language we use when we first come into contact with painting, but it is also the most expressive and profound language. I love and appreciate the line in Schiele’s work and I have always been guided by the line in his work. But as an art creator, you should have your own way of expression. Especially today, when many works of art are full of sight, "refreshing" is the way for works to survive. While trying to perceive and absorb the excellent elements in Schiele's works, I am also insisting on and looking for my own way of expression. I pay more attention to the "nutrition" in Chinese "line drawing" and deliberately ignore the sense of depth in Western oil paintings. I hope we can all experience it through online performance and find our own way of expression through online performance.