Running script is a font between regular script and cursive script. It is neither as regular as regular script, nor as continuous and winding as cursive script. Below is the copybook for copying brush calligraphy and running script that I compiled for you. I hope it will be helpful to you! Appreciation of copybook for brush calligraphy and running script

Picture 1 of copybook for brush calligraphy and running script

Copying copybook for brush calligraphy and running script Copybook pictures 2

Brush calligraphy and running script copybook pictures 3

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First, the unity of form. This refers to the unity of fonts and shapes. The font of running script should express the characteristics of running script and cannot copy the seal script and official script. Even if you use regular script, you cannot use regular script in the strict sense. You can only use traditional characters in regular script, and use running script, otherwise it will be inconsistent. The unity of structure and shape means that the structure of running script may be fat or thin, flat or long, vertical or horizontal, scattered or flat, and must be changed under the unity of the main body. Contrast is also an artistic method, but it cannot Rough, in short, we need to seek changes with coordination.

Second, use the pen to unify. That is to say, the cursive brushwork must be used uniformly throughout a work, and the same brushwork must be used to achieve consistency and style in the brushwork. Students who learn running calligraphy often learn too many household pens, which are easy to use miscellaneously. If they are not used properly, the style will be inconsistent. According to personal preference, it can be fat or thin, or both fat and thin, square or round, or both square and round, horizontally open, or vertically sharp. Always seek changes in one type of brushwork, between the lines of the brushwork. Coordinate with each other, be harmonious, have unity, and have changes.

Third, the rules and regulations should be unified. It refers to the size, virtuality, verticality and horizontality, flatness, staggering, etc. of the structure, which must be unified and coordinated in a work. Of course, unity does not require uniformity, nor is it rigid and lifeless, but it means consistent and coordinated changes. The key is to be good at handling the relationship between coordination and change. It cannot be rigid, and it cannot be repetitive and monotonous.

Fourth, the style is unified. It does not simply refer to the unification of formats. Banners, couplets, naves, banners and other formats themselves have their own format requirements. This mainly refers to the calligraphy style of a work, that is, the style itself must be unified.

Learning brush calligraphy in running script

When learning brush calligraphy in running script, mastering certain brushwork skills is the first priority! Calligraphy experts say that the brush calligraphy skills in learning brush calligraphy mainly include pressing and tying. kind. Only by pressing the calligraphy can the calligraphy be varied and radiate its unique charm. The purpose of knotting is to grasp the structure of the fonts so that the overall composition is stable and harmonious.

When you press down the brush calligraphy pen, the strokes will become thicker, and when you lift it up, the strokes will become thinner. Just like the two feet of a person walking, one is down and the other is lifted, constantly alternating, the pen is constantly lifting and pressing during the writing process. Only in this way can lines of completely different thicknesses be produced. There are three processes in brush calligraphy writing: starting the pen, extending the pen, and closing the pen. There is the "Exposed Edge" method of writing, which is to make the strokes start in a pointed or square shape; there is the "Hidden Edge" method, which is to enter the brush against the front. When drawing horizontally, you want to draw right first, and when drawing vertically, you want to go down first, so that the edge of the stroke is sharp. Hidden within the strokes, the beginnings of the strokes are basically circular. When writing, you must learn to "use the pen in the center" so that the tip of the pen always runs between dots and dashes. In order to make the strokes powerful, you must also learn to use the brush with a tight stroke, stay in the middle of the line, stay in the middle of the line, and avoid being flashy. There are "Lu Feng" (the pen tip is gradually lifted out of the paper, and the drawing is pointed, such as hanging a needle vertically, skimming, nipping, and hooking), and there is "Zangfeng" (the pen tip is withdrawn into the painting, such as hanging vertically, and the strokes are tailed). rounded end).

The knot character in brush calligraphy learning is also called the knot or frame structure. Mr. Qi Gong once pointed out that when writing calligraphy, one must grasp the frame structure, and second, practice the characteristics of the strokes. The frame structure is more important than the stipple characteristics. If the characters are well spaced, the characteristics of the strokes are not outstanding and they are pleasing to the eye; but the opposite is not true. Therefore, it is very important to carefully study and grasp the structure rules of characters. The so-called "Beginner's distribution, but seek to be fair". When learning brush calligraphy, you should start with regular script or official script. After mastering various calligraphy techniques, you will have the foundation to learn other calligraphy styles. Lin Tie is a necessary means to practice calligraphy well. If you don't post a post and just write it based on your own ideas, you won't get anywhere.

Learning to write calligraphy requires perseverance and perseverance, and guarding against arrogance and impetuosity. It is often said: "As long as you work hard enough, an iron pestle can be ground into a needle." As long as you follow the rules of learning and persist in learning, you will definitely succeed in learning.