The image of Jia Baoyu has the color of Cao Xueqin’s autobiography, but it is essentially an artistic fiction. It is a typical image created by the author consciously that combines the three virtues of lust, mending the sky and benefiting the world, and both good and evil. It is extremely innovative in the history of world literature. Below are the classic quotations about Jia Baoyu that I have collected and organized. Everyone is welcome to read and refer to them!

Jia Baoyu’s classic quotations

1. Suddenly Lin Daiyu asked: "Baoyu, why are you sick? "Is that so?" Baoyu laughed and said, "I am sick for Miss Lin."

2. They say that the three main protagonists Lin Daiyu, Jia Baoyu and Xue Baochai in "A Dream of Red Mansions" are: I am among you, and I am among you. With you.

3. But every time I see only the love between Sister Lin and Brother Bao.

4. Although, the wheel of fate caused the two to miss each other, although there was a lot of unhappiness in the past, of course, there were also many small happinesses.

5. I only hope that there will be reincarnation, and it will no longer be just for repaying kindness. No more fate. No longer so bumpy.

6. Baochai is just one, how should I say it? Not a very unpleasant person.

7. Just a poor third party, a person who is teased by fate whose destiny is in the hands of others.

8. Jia Baoyu's heart moved when he saw Lin Daiyu, and he thought that this sister is the one I have seen before... ?

9. Once you were proud and stubborn, and the world was ups and downs, but now you are as indifferent as water and cherish words like gold; you used to be dumbfounded and silly, but now your love is mysterious and unpredictable; once you were Jia Baoyu, a wealthy idler. , now you are Zhang Qiling with an ageless appearance.

10. When Jia Baoyu first met Lin Daiyu, he said: "I have seen this sister before." This experience is called the hippocampus effect. Because the memory fragments are arranged in such a way that you mistakenly think they are someone, they are just similar.

11. Spring dreams disperse with the clouds, and flying flowers follow the flowing water. A message to all my children, why should I seek leisure and sorrow? Chapter 5: Jia Baoyu travels to the Taixu Mirror. "While I was thinking wildly, I heard someone composing a song behind the mountain."

12. In the old days, Chinese couples only knew their love when they were newly married, and they only knew their love when they were separated when they were separated. There seems to be no word of love. Baoyu and Qingwen are like this, even like outsiders. People will treat themselves like outsiders. In fact, compared to Daiyu, Baoyu and Qingwen are really a couple. Baoyu only realized his love for Qingwen when she was seriously ill and when she learned that she was dead.

13. Without tragedy, life would become boring. For example, if Jing Ke really stabbed Qin Shihuang and Lin Daiyu really married Jia Baoyu, the ending would be better. But it just ended in an ordinary way, otherwise how could there be today's literary works? How could it make human beings sigh with regret and admiration thousands of years later?

14. I think I am The wind blows like catkins, life is like duckweed, but it is hard to escape the emotional pull.

15. I often cry in my dreams and feel sad when I wake up.

16. I thought it was always quiet, and every pen was filled with tears, but every night I was playing the flute and smiling bitterly.

17. I thought I had let go of the old words, how could I wait for the new parting, but I woke up from the dream several times and recalled it.

18. I thought it was difficult to continue sighing after a broken string, and stopped writing in the middle of a poem, but the song eventually became a poem.

19. I thought sadness was like a precious jade, and rouge was like a teardrop, but it looked like sadness but not like tears.

Jia Baoyu’s character

Jia Baoyu is a semi-realistic and semi-imaginary character. Jia Baoyu's character trait is what the Fairy Jing Huan said: "Innate talent is born with infatuation." His "infatuation" is not only reflected in his love for Lin Daiyu, but also in his appreciation of the beauty and intelligence of all girls. Deep sympathy for their unfortunate fate. In the Grand View Garden, Baoyu cared deeply about his daughters. For example, in the thirtieth chapter, when he saw Ling Guan drawing roses, he thought of her "I don't know how she is suffering in her heart? She looks so thin, it's a pity that I can't give you some." Suddenly a burst of rain came, and the first thing he thought of was to remind Ling Guan to take shelter from the rain, but he forgot that he was standing in the rain, too wet to stand still. He was more considerate towards his daughter who was being bullied, and used his tenderness to soothe those hurt hearts whenever he had the opportunity.

For example, in Chapter 44, Shu Ping'er was beaten and scolded by Jia Lian and Sister Feng and hid in Yihongyuan. Baoyu was overjoyed and served Ping'er wholeheartedly, dressing up Ping'er carefully. After Ping'er left, he sighed again: Suddenly he thought that Jia Lian only knew how to please himself with sexual pleasure, but he didn't know how to use it as a nourishing powder. Also, Si Ping'er had no parents, brothers or sisters. He was alone and provided for Huilian and his wife. He was able to handle Jia Lian's customs and Sister Feng's authority in a comprehensive and appropriate manner. He is still being tortured today. I think this person's fate will be even worse than that of Daiyu. Thinking of this, I became sad again and burst into tears.

Jia Baoyu's rebellious character is manifested in the form of "seemingly stupid and crazy" and "perverse behavior". The "incomprehensible" crazy words and nonsense, and the ridiculous behavior with a bit of childishness, contain contempt for the feudal moral principles of "literary advice to the death, military death in battle" regarded as sacred by feudal society, and the life path of official career and economy. He rebelled against the feudal ethics where men were superior to women. In his crazy words and deeds, he regarded holiness as nonsense and happiness as pain. The work focuses on describing the history of his character development and growth. He lived in a sinful and corrupt aristocratic environment, and was inevitably contaminated by the bad habits and decadent ideas of some aristocratic princes. These bad things coexisted with the good tendencies in his character. But with the stimulation and education provided by the major events he saw and heard in life, and with the mental setbacks and blows he suffered when he was involved in real-life conflicts, some of the rotten and bad things in his ideological character gradually diminished. After being cleared, his rebellious thoughts and character gradually became firmer and matured. For example, it is said in the book that Baoyu particularly disliked the Four Books, Five Classics and Eight-legged Articles, but the whole family tried their best to persuade him and forced him to read the classics and write articles and seek fame. Later, even Lin Daiyu persuaded Baoyu to read the Four Books and Five Classics and write Eight-part Articles under the influence of the environment at that time. However, even though Baoyu "felt it was not a big deal" after hearing this, with the repeated persuasion of many relatives and the continuous influence of historical trends in the feudal era, especially when the family business was ruined after the house was confiscated, Baoyu was prompted to obey Baochai asked him to study hard "in order to win a job and comfort his mother's broken heart when her house was confiscated, so he took the exam and passed the exam, ranking seventh. However, his purpose for passing the examination was not to become an official, but simply to make the Jia family's family shine again after the house was confiscated, so that his mother could be comforted. Then, on the day he won the election, he immediately gave up his official position and became a monk. This fulfilled his determination to hate officialdom and break with feudal rule. Baoyu's ending was consistent with his dislike of officialdom and his determination to break with feudal rule. The personality of a rebel who hates official career and never serves the feudal rulers.

The core of Jia Baoyu's character is to treat others equally, respect individuality, and advocate that everyone can move freely according to their own will. In his mind, people only have distinctions between true and false, good and evil, beauty and ugliness. He hates and despises secular men, and is close to and respects women who are in an oppressed position. He said, "Daughters are flesh and blood made of water, and men are flesh and blood made of mud. When I see a daughter, I feel refreshed, but when I see a man, I feel turbid and smelly." Connected with this, he hates the family he comes from, and loves and is close to those people who are of humble origin and low status who have similar character and similar atmosphere to him. This is essentially a denial of the aristocratic class from which he was born. At the same time, he strongly resisted the traditional life path arranged for him by feudalism. As for the feudal ethics, he tried his best to avoid participating in the friendship and entertainment of the scholar-bureaucrats except for the morning and dusk. He was very disgusted with the highest ideals of the feudal scholars, fame, fortune, and the title of wife and son. He completely denied it. He only wanted to live as he pleased and let nature take its course, that is, to live a free and carefree life in the daughter's kingdom of Grand View Garden, playing with grass and hairpins, singing in a low voice. "If I were lucky at this time, I would die while you are all in front of me. If you could cry my tears, they would flow into a big river, float my body, and send it to a remote place where no bird can reach. Wherever I go, I have changed with the weather. From now on, I will no longer be a human being. This is the right time for me to die." Jia Baoyu was limited by the times and could not find a way out of real life. He wanted to get rid of the shackles of aristocratic society, but he had to rely on it. Aristocratic class. This makes his ideological character have tragic and serious contradictions. His ideal is undoubtedly a denial of feudal life, but it is also very hazy, with strong sentimentalism and nihilism.

Jia Baoyu denied the feudal social order, but ideologically he did not reach the height of denying the monarchy and clan power, that is, the feudal ruling power. On the one hand, he developed his rebellious thoughts step by step, completely leaning towards the oppressed and supporting them; he persisted in his love with Lin Daiyu, and urgently demanded independence in marriage; in fact, all of this was due to the privileges granted to him by the feudal forces. , he could not deny the rule of feudalism.

What he hates is exactly what he relies on; what he opposes is exactly what he relies on. He could not completely break with feudal rule, and he could not give up his democratic ideological requirements. Therefore, his way out does not exist in reality, and he can only end up in the illusory and surreal world. Jia Baoyu is a typical tragic figure in "A Dream of Red Mansions".