Mi Fei loved reading poetry books since childhood, and received a good education since childhood. Coupled with his talent, he was able to recite hundreds of poems at the age of six, learn calligraphy at the age of eight, and copy inscriptions at the age of ten, gaining a small reputation.

At the age of eighteen, Song Shenzong succeeded to the throne. Because he did not forget the old love affair of Yan, Mi Fei's mother, he bestowed Mi Fei as the secretary's proofreader, responsible for proofreading and correcting errors at that time. From then on, he embarked on his official career and died in 117.

Mi Fei's rank is not high all his life, which is related to his inability to please the officialdom and his lofty personality. Mi Fei is a man of real talent and learning, and he is not good at pandering to officialdom.

It has won him a lot of time and energy to enjoy the art of calligraphy and painting, and his pursuit of calligraphy and painting art has reached a state of infatuation. His unconventional personality and quirks in the eyes of others may be the cornerstone of his success. He once wrote a poem by himself: "Chai Jiyan's wife, Mo Qing, a window-opening museum, is a play of fame and fortune, and he has never felt guilty for his life."

He is such a person who values the art of calligraphy and painting above all else. Mi Fei studied calligraphy the most in his life, and his greatest achievement was running script.

Although the paintings are not handed down to the world, many calligraphy works remain. Most of the famous hui posts since the Southern Song Dynasty are engraved with their dharma books, which are widely circulated and have far-reaching influence. They are second to none among the "four great calligraphers in the Northern Song Dynasty".

Kang Youwei once said, "The structure of Tang dialect is interesting to Song and Shang." Calligraphers in the Song Dynasty stress interest and individuality, and Mi Fei is particularly outstanding in this respect, and he is an outstanding representative of the four great masters in the Northern Song Dynasty.

Mi Fei studied books, calling himself "collecting ancient characters". Although some people thought it was a laughing stock, some praised him for saying that "there is no need to praise the heavenly posture, and after collecting ancient characters, he can finally stand on his own feet" (Wang Wenzhi). This explains the reason for the success of Mi's calligraphy to some extent.

According to Mi Fei's self-report, before learning Jin Shu from Su Dongpo, it can be seen that he was most influenced by five Tang people: Yan Zhenqing, Ou Yangxun, Chu Suiliang, Shen Chuanshi and Duan Jizhan. Mi Fei has many special brushstrokes, such as the turning of the right corner of the word "door", the steep rise of the vertical hook and the crab claw hook, all of which are collected from Yan's running script; The shape of the body is cut, when it comes from the imitation of European characters, and it has remained for a long time; Shen Chuanshi's running script is similar to Chu Suiliang's; "Unique four sides" and "brush characters" may come from the season exhibition of Chinese characters in Mi Fei. Chu Suiliang's brushwork is the most varied and vivid, which is in line with Mi Fei's taste. He once praised his words, "If you are familiar with the horse, you will follow others, but you will not have an arrogant color."

Five years after Yuan Feng (182), he began to search for Jin people's law posts, and only one year later he got Wang Xianzhi's Mid-Autumn Post. This ancestor-oriented big order post had a great influence on him, and he always felt that the right army was inferior to his son.

However, Mi Fei, who was unruly by nature, was not satisfied with Wang Xianzhi's words. As early as Shao Sheng's reign, he shouted that "an old man hates slave books and doesn't change geese" and "one washes two kings' evil letters". Mi Fei is said to have studied Yang Xin, and Li Zhiyi said, "The immortal Haiyue is not waiting for me ... Yang Xin's works are even more surprising".

So Mi Fei learned Yang Xin probably in Buju Haiyue Temple, six years after Yuan You. Despite this, Mishu has not been finalized. Tiaoxi Tie, Yin Ling Ming Toutuo Temple Monument and Postscript and Shu Su Tie, which were written in Yuan You for nearly three years, were written within one and a half months, but their styles are quite different, and they have not completely stepped out of the threshold of collecting ancient characters.

I didn't finally complete the establishment of my own style until I was old, and everyone saw it, and I don't know why, probably after I was 5. This stereotyped face of calligraphy, because Mi Fei is too unruly, blindly "potential", even in small letters such as "Holding Words to the Empress Dowager", is also eager to try.

this "potential" is an advantage, but at the same time it has become his defect. It should be more objective and fair to praise and criticize those who are as clear as Huang Tingjian.

Huang Changrui commented on his calligraphy, "But he can write calligraphy, and his calligraphy is correct." At that time, the so-called "Zheng" didn't mean exactly, and it wasn't necessarily the current "block letters", but it was appropriate to refer to the official seal script. The existing seal-seal official in Mi Fei is really not very diligent, and the cursive script is also plain.

Later, he held a negative attitude towards the cursive script of the Tang Dynasty, and was limited by his knowledge of Jincao, so it was inevitable that his grades were average. Mi Fei's book is very serious, unlike some people's imagination.

Mi Fei himself said, "I wrote Poems of Haidai three or four times, but it was difficult to believe in the book" (Notes on Mi Xiangyang by Ming Fan Mingtai). A poem has been written three or four times, but only one or two words are satisfactory to him. The bitterness and bitterness among them are beyond the reach of an expert, which also shows his rigorous creative attitude.

Mi Fei is famous for his calligraphy, and he is one of the northern Song Sijia. If he is handsome, he is the first. His achievement comes entirely from the efforts made the day after tomorrow.

At the age of 3, he was an official in Changsha. He once saw the tablet of Yuelu Temple, and the following year he visited the tablet of Torinji in Lushan, and they all signed their names. In two years, Yuan You also exchanged six paintings by Zhang Xuan, two posts by Xu Haoshu and Shi Yigeng for Li Yong's "How Hot I Want Ge Fen Post".

Proved by his calligraphy, Long Yin, a 24-year-old from Lingui, inscribed a cliff on a rock, with a slight momentum, without any shadow of his own; At the age of 3, the inscription and postscript of "Bu Ji Tu" also made people feel deeply gifted and academically incompetent. It is reasonable for Mi Lao to be crafty and occasionally boast, just as the predecessors said, "set a high standard."

Mi Fei's self-narrative study of books and classics is often somewhat mysterious. For example, he said to the emperor, "I have learned to be Yan Xing since I was a child". However, Mi Fei's success comes entirely from the hard training the day after tomorrow, and there is no element of trickery. Mi Fei keeps coming to the pool every day, citing two historical materials as evidence: "If you don't write for a day, you will feel sleepy, thinking that the ancients never waste books for half an hour."

"Zhiyong inkstone becomes mortar, but it can reach the right army (Wang Xizhi). If it penetrates from Zhong (Yao) to Suo (Jing), it can be encouraged forever." His son, Mi Youren, said that he didn't even forget to write on New Year's Day.

(according to Sun Zubai's Mi Fei Mi Youren). Mi Fei is rich in collections. When he goes out on official tours, he often goes with him. On the boat here, he puts up a banner of "Mijia Painting and Calligraphy Boat".

in his later years, Mi Fei lived in Dantu, Runzhou (now in Jiangsu) and had a mountain forest hall. Therefore, its poetry collection is called "Mountain Forest Collection", with 1 volumes, most of which are lost now.

at present, the collection of Bao Jin ying guang has been handed down from generation to generation. Mi Fei can write and write poetry, poetry is called meaning, lofty and outstanding, and is a school of his own.

I tried to write a poem to vote for Xu Chongyuan, saying that "I don't attack others, and I haven't recorded a poem to vote for luxury in my life", which is unique for its strength and deliberately seeks differences for its shortcomings. Mi Fei's paintings don't exist in the world.

The History of Painting written by Mi Fei records his collection and appreciation of ancient paintings, as well as his preference for painting, aesthetic taste and creative experience. This should be the best basis for studying his paintings.

Mi Fei's success lies in a certain. 2. I recently read Mi Fei's Shu Su Tie, and I really want to learn his handwriting.

To write his calligraphy well, I suggest you practice regular script first.

get to know him first:

It's homonym with "Fu"

Introduction

Mi Fei (151-117) has the characters of Xiangyang Manshi, Haiyue Waishi and Lumen Jushi. Originally from Taiyuan, Shanxi, he settled in Zhenjiang, Jiangsu. He is called "Mi Dian" because of his eccentric personality and crazy behavior, and he is called "brother" when he meets a stone. Huizong Zhao was a doctor of calligraphy and painting, and was called "Mi Nan Guan". Mi Fei is good at poetry and prose, good at calligraphy and painting, and accurate in identification. He is a painter, appraiser and collector. He is one of the "four calligraphers of Song Dynasty" (Su, Mi, Huang and Cai) and second to none. His writing style is bold and unrestrained, and he is strict with statutes. "Biography of the History of the Song Dynasty and Wenyuan" said: "I am especially wonderful in calligraphy, and I am deeply impressed by Wang Xianzhi's brushwork."

Mi Fei studied hard and achieved the greatest success in calligraphy all his life. Mi Fei claimed that his works were "Collection of Ancient Characters", and he had a profound understanding of ancient masters' brushwork, composition and charm, which also showed to some extent that Mi Fei had made great efforts in the tradition of learning books. Mi Fei was not involved in the political whirlpool, and his life was relatively stable. Later, he became a doctor of painting and calligraphy, enjoyed the collection of books in the imperial palace, and was familiar with stories of thousands of years. The gains and losses of the ancients were numerous. He studied Yan, Liu, Ou, Chu and other Tang Kai hard when he was young, and laid a solid foundation. When Su Shi was demoted to Huangzhou, he went to visit for advice, and Dongpo advised him to learn Jin. In the fifth year of Yuanfeng (182), Mi Fei devoted himself to the Wei and Jin Dynasties, searching for many Jin people's calligraphy posts, and even named his study "Baojinzhai". Wang Xianzhi's ink Mid-Autumn Festival Post today is said to be his copy, which is extremely exquisite in form and spirit. Mi Fei turned to many teachers all his life, and in his later years, he also said in the book "Self-Narration": "I was a beginner, and I learned to write walls first. I was seven or eight years old. The word is as big as a picture, and it is impossible to write simply. When I see a willow, I admire its tight knot, so I learn from Liu's Diamond Sutra. For a long time, knowing that it is from Europe is to learn from Europe. For a long time, such as printing plate arrangement, it is the longest time to admire Chu and learn, and the season of Mo Duan turns fat and beautiful, and all sides are complete. For a long time, Jue Duan Quanze exhibited "Lanting", so he joined the Jin and Wei Dynasties in a dull way, abandoned Zhong Fang and studied in the appropriate palace. "Liu Kuanbei" is also true. Seal characters love Zui Chu and Shi Guwen. I also realized that bamboo slips are painted with bamboo, and Ding Ming is wonderful and ancient. "

Mi Fei is famous for his calligraphy, and his achievements are entirely due to his hard training the day after tomorrow. Mi Fei keeps coming to the pool every day. According to historical records, "If you don't write for a day, you will feel sleepy, and you will miss the ancients for half an hour." "Zhiyong's inkstone becomes a mortar, but he can reach the right army (Wang Xizhi). If the penetration starts from Zhong (Yao) and Suo (Jing), he can encourage it forever." His son, Mi Youren, said that he didn't even forget to write on New Year's Day. (According to Sun Zubai's Mi Fei Mi Youren). Mi Fei wrote a book very seriously, and said to himself, "She wrote" Poems of Haidai "three or four times, but it was difficult to believe in the book" (Notes on Mi Xiangyang by Ming Fan Mingtai). A poem has been written three or four times, but only one or two words are satisfactory to him. The bitterness and bitterness among them are beyond the reach of an expert, which also shows his rigorous creative attitude.

Mi Fei's calligraphy is in Song Sijia, after Su Dongpo and Huang Tingjian, and before Cai Xiang. However, regardless of Su Dongpo's position as a literator and Huang Tingjian's influence as the leader of Jiangxi Poetry School, as far as calligraphy is concerned, Mi Fei's traditional skill is the deepest, especially running script, which shows the right of both. Dong Qichang's Essay on Painting Zen Rooms in the Ming Dynasty said: "I have tasted the word Mi, thinking that the Song Dynasty was the first, after all, it was based on Dongpo. That is to say, Mi Dian's book is even more self-sufficient. When he changed in his later years, it was strange that ice was colder than water. " When the emperor asked about calligraphy, Mi Fei claimed that he was a "brush character", and he was modest and practical, and "brush character" showed that he was quick and vigorous with his pen and tried his best. His calligraphy works, ranging from poems to slips and inscriptions, are full of vigor and freshness. Judging from the existing nearly 6 Mi Fei's handwriting, the word "brush" is vividly showing the spirit of the word Mi. No wonder Su Dongpo said, "Mi Shu is beyond ecstasy." He also said, "Haiyue has been a seal character, a official, a true character, a line and a cursive script all his life. Sink and be happy, when you are in parallel with Zhong Wang. Not only is it worthy. " Mi Fei's calligraphy had a far-reaching influence, especially in the late Ming Dynasty. Many scholars, such as Wen Zhiming, Zhu Yunming, Chen Chun, Xu Wei, Wang Juesi and Fu Shan, had to take a "Heart Sutra" from Mi Zi, and this influence has continued until now.

Mi Fei's calligraphy has reached a very high standard, and there are many calligraphy theories. He is the author of History of Books, Famous sayings of Haiyue, Records of Treasures to Be Visited, Comments on Copyrights, etc. It shows his outstanding courage and refined taste, and he often scorns his predecessors. However, he never follows the ancient language and is valued by calligraphers of all ages. However, he also talks too much, belittles Liu Yan and Xu Su, and is harsh and critical. Mi Fei's ink handed down from ancient times mainly includes Tiaoxi Poetry Volume, Shu Sutie, Fiona Fang An Ji, Tian Ma Fu and so on, among which there are many essays by Han Za.

Mi Fei is good at ink and wash landscapes and is called "Mi's Yunshan", but Mi Fei's paintings do not exist in the world. But at present, the only thing that can be seen is hardly a real "rice painting"-"Coral Penholder Picture", in which a coral penholder is painted and the word "golden sitting" of Zuo Shu is set. Then add rice points and inscriptions, and Mi Jiashan water will pop out. Mi Fei's ghostwriting with paintings is quite interesting.

Appreciation of works: Coral Post Yan Shanyan Mingyan and Zhang Duda Post Hongxian Poem Shu Post Participating in Politics Post Tiaoxi Poem Volume Discussion Cursive Post

Zhang Jiming Post Uncle Hui Post Township Stone Post Bo Chong Post Sanwu Post, Middle Post Bamboo Front Huai Post Poem Post Linyi Messenger Post Qing He Post 3. What are the four words in Mi Fei Yunshan

Mijia of Mi's father and son? He lived in Taiyuan (now known as Shanxi), moved to Xiangyang (now known as Hubei), and then settled in Runzhou (now known as Zhenjiang, Jiangsu). Huizong was called a doctor of calligraphy and painting, and was once a member of the official etiquette department, known as "Minangong". Because of behavior madness, also known as "rice epilepsy." Able to write poetry, be good at painting and calligraphy, and be precise in identification. Line and cursive script are powerful in Wang Xianzhi, and they are handsome in brushwork. They are commented as "calm and happy", and they are called "Song Sijia" together with Cai Xiang, Su Shi and Huang Tingjian. He is good at mountains and rivers, learns from Dong Yuan, does not ask for meticulous work, and uses ink and ink to dye more. He calls himself "writing with a letter, hiding trees and stones with clouds, and returning to the meaning seems to be enough". Zi Youren, who inherited his painting technique, called himself "Moxi", and was called "Mi Jiashan" and "Mi's Yunshan" in the history of painting, and also known as "Mi Pai". He also painted flowers such as Mei Songlan Chrysanthemum, and painted figures in his later years, claiming that "taking care of (Kaizhi) answers Gao Gu, and does not enter Wu Sheng (Daozi)". 4. How to preview the Mi Fei Book of Lesson 14, Chinese Version S, Volume II, Grade Four

1. Understand the meaning of words such as "attainments, private schooling, getting the message, remembering".

2. Read the text correctly, fluently and emotionally. Can tell this story.

3. Know that no matter what you do, you should feel and understand with your heart, so that you can make rapid progress. 4. Learn how to portray people carefully.

teaching emphasis: on the basis of reading the text, guide students to understand that no matter what they do, they should understand with their hearts. Teaching difficulty: you can tell this story in your own words and talk about the inspiration in combination with the reality.

Teaching process: First, introducing new lessons. The text we are going to learn together today is the story of Mi Fei learning calligraphy when he was a child. Writing on the blackboard: learning books in Mi Fei II. Guide students to question the topic and stimulate their reading interest. What do you want to know after seeing the topic? How did Mi Fei learn calligraphy? What good methods does he have? How does he practice calligraphy ...) [Primary School Teaching Design Network =-.

xxjxsj。 CN=-] Then let's read with these questions.

third, reading the text for the first time, the overall perception 1. Please read the text for the first time. Tips for self-study: (1) Read the text silently. After reading it, talk about what the text mainly says. (2) Mark the questions you don't understand.

we'll solve it in the group later. 2. Read the text by name.

Objective: To check the self-study and correct the pronunciation of new words. 3. Name one thing. What did the text say? What kind of child do you think Mi Fei was when he was young? (Diligent and earnest) Fourth, read the text silently, and deeply understand why Mi Fei and the scholar can find the knack of writing. Please read the text silently, draw relevant sentences from the text and write your own feelings next to it.

1. Students read and think silently as required. 2. Communicate your reading experience in the group.

3. Read the drawn sentences aloud. Fifth, talk about the harvest and summarize the full text.

1. I studied the class.