What are the famous quotes about calligraphy?

▲Words are the voice of the heart; books are the paintings of the heart. The sounds and shapes are seen by gentlemen and villains. Sound and painting are the reasons why gentlemen and villains are emotional. ——Yang Xiong's "Dharma Statement"

▲In calligraphy and painting, the first priority is character, and his integrity is excellent. Not only does everyone value his writing, but he also admires his person. ——"Yiyuan Painting Theory" by Songnian of the Qing Dynasty

▲A person who stands upright has an upright and bright outlook outside of his pen and ink. ——Wang Yu of the Qing Dynasty

▲The vastness and falling mood are all reflected in the brush and ink. The so-called high quality means that the rhyme is self-contained. ——Zhang Yuan's "Quotations from Shi Tao's Paintings"

▲The ancients said about calligraphy: one must be of high moral character, and the other must be learned from ancient times. This is the method of calligraphy, and scholars have learned it, so they should be familiar with it. You must first cultivate all the virtues so that they become familiar to you. The virtue is familiar to the body, and the writing is in the hands. In this way, it becomes a book. ——"Three Flavors of Calligraphy"

▲Students of calligraphy have two views: one is looking at things and the other is looking at myself. Observe things to resemble emotions, observe me to understand virtue. ——Liu Xizai's "Art Summary" of the Qing Dynasty

▲Mortals have different qi, blood, muscles and bones. The heart is dense and dense, and the hand is clumsy. The beauty and ugliness of writing lie in the heart and hand. ——Tang Zhang Yanyuan's "Book of Dharma"

▲Hushu is endowed with human nature, and those who are sick cannot be made to suffer from illness: those who are sick cannot be made to suffer from illness. ——Cai Yong of the Eastern Han Dynasty, "The Handwriting Instructed by the God of the Stone Chamber"

▲Correct calligraphy corrects people's hearts, so it also leads to the leisurely holy way. ——Ming. ——Liu Xizai's "Art Summary" of the Qing Dynasty

▲Academic classics and discussions all originate from the heart. If the heart is not right, everything will be wrong. Liu Gongquan said: If the heart is right, the pen will be right. ——Ming. ——Liu Gongquan

▲The book is like Ye, like his learning, like his talent, like his ambition, in short, just like his person.

The book must be clear and thick, and clear and thick books must be based on the heart. Otherwise, although the book is spared from being thin and muddy, it is just a reflection of others. ——Liu Xizai's "Art Overview" of the Qing Dynasty

▲It is better to have the tool at the right time, and to have the right tool than to have the right intention. (It is better to achieve the will than to achieve the Tao.) - Sun Guoting's "Calligraphy" of the Tang Dynasty

▲Calligraphy is just a skill, but the first step is to establish a good work. Those with high quality will have a clear, elegant and upright spirit in each stroke; those with low quality will be impressive even though they are passionate and frustrated, but their vertical and horizontal rigidity will inevitably show up. ——Zhu Hegen's "Linchi Xinjie" of the Qing Dynasty

▲Everyone who is good at calligraphy and painting has good character and learning. When he is an official, he pays more attention to his political achievements and reputation, so he will be valued in future generations. ——Song Nian of the Qing Dynasty, "On Painting in the Summer Palace"

▲The nature of the brush and the emotion of the ink are all based on the human temperament. This is the first task of writing with rationality and emotion. ——Liu Xizai's "Art Overview" of the Qing Dynasty

▲Hands and divine luck, art comes from experience. His ambition is set in the book, his crown cannot be moved, his poverty and humbleness cannot be surrendered, he is proud and contented, and he will live his whole life. ——Song Dynasty. Zhu Wenchang's "Sustained Book"

▲When you want to write, listen to it instead of watching it, concentrate your mind without any worries, and be upright and peaceful, then you will be in harmony with it. If the mind is not right, the writing will be slanted; if the ambition is not harmonious, the writing will fall down. ——Tang Dynasty. Yu Shinan's "Bi Mui Lun"

▲The heart of looking at the world, the emotion of advocating the saints, breaking down the doubts, and reasoning with the differences between the secular and the Confucian. ——Eastern Han Dynasty. Zhao Yi's "Fei Cursive Script"

▲Happiness means that the Qi is gentle and the characters are relaxed, anger means that the Qi is thick and the characters are dangerous, sadness means that the Qi is depressed and the characters are condensed, and joy means that the characters are flat and the characters are beautiful. There are heavy and light feelings, and the words are calm, gentle, beautiful, deep and shallow, with endless changes. ——Yuan Chen Yizeng's "Essentials of the Hanlin Academy"

▲There are good and ugly people in appearance, but the gentleman's and villain's attitude cannot be concealed. There are arrogant words, but the gentleman's villain's temperament cannot be deceived. Books are clumsy in workmanship, but the heart of a gentleman and a villain should not be messed up. ——Su Shi's "On Calligraphy"

▲High rhyme and deep emotion, solid quality and majesty, neither one of them can make a book complete. ——Liu Xizai's "Art Summary" of the Qing Dynasty

▲The writer is the rest of the heroes, and the urgent task of the article. Although it is a Tao, both the virtuous and the unworthy can learn from it. However, there are always many virtuous and unworthy people who can do it. How can it be that the unworthy can do it and the wise are abandoned suddenly? ——Song Dynasty. Zhu Wenchang's "Sustained Book"

▲There is no shortage of people who write about morality, merit, articles, and integrity. Those who comment on the world admire their people and pay more attention to their books, so the writers will remain immortal through the ages. -- Qing Dynasty. Zhu Hegen's "Linchi Xinjie"

▲The lady's spirit is in all things, and her heart is in all the bones. Therefore, what arises from the heart is accumulated as morality, manifested as economics, established as virtue, established as moral integrity, proclaimed as articles, and carried out as handwriting. ——Ming. ——Ming. The words are clear, the movements are convenient, and there are countless handsome and fashionable heroes. The old man is the strength of the book, and the young man is the beauty of the book. The strength of the muscles is still strong, the appearance is noble and beautiful, if you know it well, you will be good, if you break it, you will be good. It is harmonious and clear, and a few of them are written down. If its scale is grand and far-reaching, its meaning is graceful and restrained... >> Famous quotes on calligraphy

▲Words are the voice of the heart; calligraphy is the painting of the heart. The sounds and shapes are seen by gentlemen and villains. Sound and painting are the reasons why gentlemen and villains are emotional.

——Yang Xiong's "Dharma Statement"

▲The depth of the pen depends on the distance of the paper. The distance is superficial and weak, and the distance is the weight of the front. "Linchi Jue" by Lu Xie of Tang Dynasty

▲If you want to learn calligraphy, you must first learn to use the pen. The method of using the pen is to hook your hands back to the wrist, use the empty palm to point to the real point, and use the ring finger to follow the pen, which will be powerful. Huang Tingjian's "On the Book"

▲The so-called rules are: pressure, hook, uncover, resistance, and guidance. The Five Dynasties. Li Yu's "Shu Shu"

▲You Jun's pen is inward and forward, mostly in the front, so the law is strict and the spirit is immersive; . Ming Dynasty. Fengfang's "Shu Jue"

▲Writing is about stability, while using the pen is about lightness and strength: if it is light, it will be heavy, if it is heavy, it will be astringent, which is called hiding the edge. "The True Story of Calligraphy" by Feng Wu of the Qing Dynasty

▲The characters have the difference of hiding the front and coming out. Song Dynasty. Jiang Kui's "Xu Shu Pu"

▲When using the pen, the sharp edge must be hidden. If the sharp edge is not hidden, the writing will be sick. If the disease is not gone, how can it be done? Tang Dynasty. Xu Hao's "On Calligraphy"

▲Nai Wu uses the brush like a cone to draw on the sand, hiding the sharp edge, and the painting is calm. When he uses the brush, he often wants to let it penetrate the back of the paper. This is the success Extremely good. "Ink Sovereign" by Wei Xu of the Tang Dynasty

▲The so-called "unchangeable through the ages" refers to the texture of the brush, not the appearance of the brush. Qing Dynasty. Zhou Xinglian's "Linchi Guanjian"

▲There are rules in learning and style in writing; otherwise, the meaning of writing will not be refined and the writing will lose its style. The beauty of one-word technique lies in its structure; the beauty of one-stroke technique lies in its beginning and end. The secret of structure lies especially in the subtlety of brushwork. Anonymous "Eight Methods of Yongzi"

▲Jiang Neng can use this pen in the right way, use it sideways, use it smoothly, use it seriously, use it lightly, use it empty-handedly, practical, capture it firmly, draw it vertically, tighten it tightly, and open it up. , the whole body is full of skills, all controlled by the sharp edge of the pen tip, it is a perfect match. Qing Dynasty. Zhou Xinglian's "Linchi Guanjian"

▲The technique of using the brush can be seen at both ends of the painting, while the ancients' powerful and wanton style that makes people unable to reach it can be seen in the middle of the painting. There are still signs to be found for the reason why the two ends of the cover are in and out. The reason why the cut is rich but not timid, and solid but not empty, is because the bones are insightful and cannot be frustrated. Qing Dynasty. Bao Shichen's "Yizhou Double Collection"

▲If the pen is straight, the edge is hidden, and if the pen is sharp, the edge comes out. Song Dynasty. Jiang Kui's "Sushu Pu"

▲The pen must be lifted up at the point where it is started, so as not to let it die on its own. Ming Dynasty. Dong Qichang's "Essays on Painting a Zen Room"

▲The ancients used the same pen for compilation, including dividing, true, running, and cursive scripts. They must use the main front, and occasionally use the side front to capture the beauty. The following are divided into books, eight are fronts, two are side fronts, and one is completely unpredictable when it comes to compilation. Ming Dynasty. Fengfang's "Shu Jue"

▲The ancients used to turn the brush point by point to complete the painting. They did not use the stroke to reach the dragging point. Rotate, focus on the paper, and there is no place where the millet falls. Qing Dynasty. Bao Shichen's "Double Collection of Art Boats"

▲The first thing to do at the connection point of the word strokes is to be light and agile, with no trace of writing or ink, like an antelope hanging its horns. Scholars are skilled at work and have a sharp mind and hands. However, you need to be proficient in the convenience, and you have to experience the turning point before you can know the beauty of breaking hairpins. Wherever the darkness passes, you have to stay somewhere to walk. If you stay wherever you go, you will get really fast. Qing Dynasty. Zhu Hegen's "Linchi Xinjie"

▲The transfer of several paintings is about to be folded, and the self-rotation of one painting is more round; the same rotation, if used incorrectly, will cause illness, so do it separately. It is legal for ears. Qing Dynasty. Da Chongguang's "Shu Raft"

▲As soon as the front is on the paper, it is appropriate to change: when drawing a downward movement, the tube is turned upward; when drawing an upward movement, the tube is turned downward; when drawing a left movement, the tube is turned right. Qing Dynasty. Bao Shichen's "Double Collection of Art Boats"

▲The brush strokes in calligraphy and painting should be as if they are already standing in the bones. Although the richness and fertility are different, each has its own body. "Junxi Collection" by Li Misun of the Song Dynasty

▲The main points of the book can be summed up in one sentence. Said: The pen is square and round. The square one is the folding method, which is the starting and ending point of the stippling wave. The square shape is the finger, which is the bone of the character; the round one is the pen hovering in the air, which is the gesture, and the round arm and wrist are the tendons of the character. Zhu Lvzhen, Qing Dynasty, "The Essentials of Learning Calligraphy"

▲The circle is used as a gauge to resemble the sky, and the square is used as a square to point to the earth. Square and circle interact with each other, just like yin and yang hide each other. Therefore, the pen should be round and the font should be square. The circle is the divine circle and cannot be stagnated; the square is the square, which cannot be clung to. Ming. "Lanting" uses circles, "Shengjiao" uses squares, and the two stickers are models of calligraphy for generations. The so-called rules of square and round are the best.

▲In terms of turning and bunching, the inside is square and the outside is round; in terms of writing, the bones are square and the flesh is round. This is a certain principle. Qing Dynasty. Zhou Xinglian's "Linchi Guanjian"

▲If it is soft and moist, both fat and thin will be round, while if it is hard and dry, both long and short will be flat. Therefore, the curve and straightness are based on the temperament and reach the shape and quality; the roundness and flatness are based on the shape and quality and originate from the temperament. Qing Dynasty. Bao Shichen's "Double Collection of Art Boats"

▲The round pen is used to lift, and then it is drawn out with a pause. Fangbi used the word "du" instead, and used the deed to express it. Use Jiao for round pens, and Fan for square pens. If a round pen is not Jiao, it will be weak, and if a square pen is not Fan, it will be sluggish.

Modern times. Kang Youwei's "Guang Yi...>> Famous Sentences About Calligraphy

Jiang He: There are three kinds of cloth and white; the cloth in the word, the cloth in the words, and the cloth in the lines. Beginners The distribution must be uniform; knowing that it is uniform, we need to change it, and the slant and density are staggered. Chen Yi: The sparse places are full, and the dense places are lifted; the flat places are full, and the dangerous places are lifted; the full places are fat, and the lift is lifted. Flying leads to thinness. Wang Xizhi: Evenly divide the stipples, match the distance and nearness, spread and refine, and harmonize the pen and ink; the edges and fibers come and go, and the density and density are connected. Xiang Mu: When people are good at calligraphy, there are thousands of shapes, but it is called neutrality. Fat. It is just thin. If the book should be long and short, weight should be balanced, yin and yang should be appropriate, hardness and softness should complement each other, as the world's commentators say, neither fat nor thin. Neither long nor short is the beauty. Zhang Huaijin: Lie on your back; It means that two characters are combined into one character, and the stipples must be drawn up and down to have the tendency of separation and union. Wang Xizhi: When the two characters are combined into one, they should not be long or heavy, single should not be small, and complex should not be large. Dense is better than sparse, and short is better than long. Wei Madam: The stippling is like a falling stone from a high peak, the bump is like a collapse; the horizontal painting is like clouds forming thousands of miles away, faint but actually tangible; the vertical painting is like a long-lived withered vine; the brushing painting is like a rhinoceros elephant breaking off the land; the brushing painting is like crashing waves thundering. The oblique hook is like the hair of a hundred Jun crossbows; the horizontal folds are like the ribs of a powerful crossbow; each word is a character, each of which resembles its shape. This is a wonderful creation, and the calligraphy is complete.

●Calligraphy originates from nature ( Cai Yong, Han Dynasty)

●Silent voice, invisible appearance (Tang Dynasty, Zhang Huaijin)

●Studying books will lead to knowledge and learning can go a long way (Tang Dynasty, Zhang Yanyuan)

< p> ●The mysterious meaning comes from the surface of things; the profound truth lies in the darkness; it cannot be expressed by ordinary feelings, nor can it be measured by worldly wisdom (Tang·Zhang Huaijin)

● It may be used to express one's ambition to achieve great heights, or it may be used to dispel depressed feelings. Although it is noble, it cannot suppress its height, and although it is wonderful, it cannot match its power (Zhang Huaijin of the Tang Dynasty)

●Don't write too hard in words. Don’t spread it randomly

●Writing is like drawing a dog, the more you draw it, the uglier it becomes

●Handwriting is afraid of practicing, and horses are afraid of riding

●Writing cannot be mastered in a hundred days

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●Fistes need to be struck, words need to be practiced

●Words need bones, the muscles must be wrapped around the muscles, and the muscles must hide the flesh, so that the tie must be beautiful and moist (Song Dynasty Mi Fu)

●One point becomes one word, and one word is the final word (Sun Guoting, Tang Dynasty)

●The pen has a thousand tubes, and the ink is polished ten thousand ingots (Su Shi, Song Dynasty)

●The pen is drawn hard, like a swan flying high, and the bird is graceful (Jin Dynasty Wei Heng)

●It is as graceful as a silver hook, and the source is like a Jingluan (Jin Dynasty Suo Jing)

< p> ●Floating like floating clouds, as powerful as a frightening dragon (Book of Jin)

●Dragon leaping over Tianmen, tiger crouching in Fengge Pavilion (Southern and Northern Dynasties·Xiao Yan)

●Clouds and cranes traveling in the sky, A group of heroes playing in the sea (Southern and Northern Dynasties·Xiao Yan)

●The dragon is powerful and the tiger is vibrating, and the sword is at war (Southern and Northern Dynasties·Yuan Ang)

●The body is extraordinary, different from the ancient times. Every drop of pearls and jade, Fluttering Tassel Group (Tang Dynasty·Zhang Huaisheng)

●Like the breeze coming out of the sleeves, the bright moon entering the arms (Tang Dynasty·Li Sizhen)

●The dragon and snake in the pen seem to have gods (Tang Dynasty·Zhang Huaijin) < /p>

●The brush strokes are like clouds of smoke (Du Fu, Tang Dynasty)

●I only see dragons and snakes walking away from time to time (Li Bai, Tang Dynasty)

●If you teach by the waterside, the words A word may become a dragon (Han Wo of the Tang Dynasty) Famous quotes on life philosophy in calligraphy

1 word cannot be completed in a hundred days.

2. You need to punch and practice your calligraphy.

3 words are afraid of practicing, and horses are afraid of riding.

4 Floating like floating clouds, as powerful as a frightening dragon.

5 Clouds and cranes travel in the sky, and flocks of crocodiles play in the sea.

6 The dragon leaps over the Tianmen, and the tiger lies in the Phoenix Pavilion.

7 Books originate from nature. ——Cai Yong

8 Writing is like painting a dog, the more you describe it, the uglier it becomes.

9. Don’t write words twice, and don’t spread words randomly.

10 I see dragons and snakes walking away from time to time. ——Li Bai

11 The brush strokes are like clouds of smoke. ——Du Fu

12 The dragons and snakes in the painting seem to have gods. ——Zhang Huaijin

13. There are thousands of bald pens and thousands of ingots. ——Su Shi

14 The dragon is powerful and the tiger is vibrating, and the sword is at war. ——Yuan Ang

15 As graceful as a silver hook, the source is like a Jingluan. ——Suo Jing

16 Silent voice, invisible appearance. ——Zhang Huaijin

17 Drawing the pen and working hard, like a swan flying high, the sky is graceful.

18 If you teach near the water, every word may become a dragon. ——Han Wo

19 Like the breeze coming out of the sleeves and the bright moon entering the arms. ——Li Sizhen

20 If you learn books, your knowledge can go a long way. ——Zhang Yanyuan

21 One point becomes one word, and one word is the final word. ——Sun Guoting

22 It is better to have the right tool at the right time, and it is better to have the right tool than to have the right intention. ——Sun Guoting's "Shu Pu"

23 A person who is upright has an upright and bright outlook on his writing. ——Wang Yu

24 Use the pen with your heart in mind, and if your heart is right, your pen will be right, and your pen will be right. ——Liu Gongquan

25 The book is like Ye, like his learning, like his talent, like his ambition, in short, just like his person.

26 characters must have bones, the meat must wrap the tendons, the tendons must hide the meat, and the post must be beautiful and moist.

——Mi Fu

27 His physical appearance is extraordinary, different from the past and present. Falling pearls and jade, fluttering tassels. ——Zhang Huaisheng

28 The person who writes old books is also a student of the mind; the person who writes is also a writer of aspirations. ——Liu Xizai's "Art Introduction"

29 High rhyme and deep affection, solid quality and majesty, one without the other cannot make a book. ——Liu Xizai's "Introduction to Art"

30 Correct calligraphy rectifies people's hearts, and it also rectifies the holy way. ——Xiang Mu's "The Elegant Words of Calligraphy"

31 People have different personalities and different temperaments, and the style of writing will take its own form. ——Xiang Mu's "The Elegant Words of Calligraphy"

32 The heart that sees the world, the emotion of recommending saints, the doubts and arguments, and the reasoning between vulgar and Confucianism. ——Zhao Yi's "Non-Cursive Script"

33 Husband's script is endowed with human nature, and those who are sick cannot be made to make them sick: those who are sick cannot be made to make them sick. ——Cai Yong's "Brushstrokes Instructed by God in the Stone Chamber"

34 Scholars of calligraphy have two views: one is looking at things and the other is looking at myself. Observe things to resemble emotions, observe me to understand virtue. ——Liu Xizai's "Art Overview"

35 The nature of the pen and the emotion of the ink are all based on the human temperament. This is the first task of writing with rationality and emotion. ——Liu Xizai's "Art Overview"

36 Moreover, the vastness and falling mood are all reflected in the brush and ink. The so-called high quality means that the rhyme is self-contained. ——Zhang Yuan's "Quotations from Shi Tao's Paintings"

37 In calligraphy and painting, the most important thing is character, and his integrity is excellent. Not only does everyone value his brushwork, but he also admires his person. ——Songnian's "On Painting in the Summer Palace"

38 Those who are good at calligraphy and painting are all good at both character and learning. When they are in the official position, they pay more attention to their political achievements and reputation, so they will be valued in future generations. ——Song Nian's "On Painting in the Summer Palace"

39 Academic scriptures and discussions all originate from the heart. If the heart is not right, everything will be wrong. Liu Gongquan said: If the heart is right, the pen will be right. ——Xiang Mu's "The Elegant Words of Calligraphy"

40 It may be a message of ambition, or it may be a message to relieve depression. Although it is noble, it cannot suppress its height, and although it is wonderful, it cannot control its power. ——Zhang Huaijin

41 Mortals have different qi, blood, muscles and bones. The heart is dense and dense, and the hand is clumsy. The beauty and ugliness of writing lie in the heart and hand. ——Zhang Yanyuan's "Book of Dharma"

42 The book must be clear and thick, and clearness and thickness must be based on the heart. Otherwise, although the book is spared from being thin and muddy, it is just a reflection of others. ——Liu Xizai's "Art Summary"

43 The mysterious meaning comes from the surface of things; the profound truth lies in the darkness; it cannot be expressed by ordinary feelings and measured by the wisdom of the world. ——Zhang Huaijin

44 Words are the voice of the heart; books are the paintings of the heart. The sounds and shapes are seen by gentlemen and villains. Sound and painting are the reasons why gentlemen and villains are emotional. ——Yang Xiong's "Fayan"

45 Hands and divine luck, art comes from experience. His ambition is set in the book, his crown cannot be moved, his poverty and humbleness cannot be surrendered, he is proud and contented, and he will live his whole life. ——Zhu Wenchang's "Sustained Book"

46 Therefore, there is no shortage of people who write about morality, merit, articles, and integrity. Those who comment on the world admire their people and pay more attention to their books, so the writers will remain immortal through the ages. ——Zhu Hegen's "Linchi Xinjie"

47 When you want to write, you should listen to it instead of watching it, concentrate your mind without any worries, and your heart will be upright and peaceful, then it will be in harmony with the wonderful. If the mind is not right, the writing will be slanted; if the ambition is not harmonious, the writing will fall down. ——Yu Shinan's "The Essence of Writing"

48 There are good and ugly people, but the gentleman and the villain... >> Tag: Composition classics Previous article: The beauty of color in ancient poetry Imagery in ancient poetry Next article: Mother’s Birthday Wishes Messages Mother’s Birthday Messages

How to sign excerpts of ancient famous lines from couplet calligraphy works

Of course it’s an ancient name, so you can’t Just write your own name when writing "Lanting Preface", but you can stamp your own seal when you are done. A collection of commonly used poems and couplets in calligraphy creation

"Commonly used ancient poems and famous couplets in calligraphy creation" Commonly used in calligraphy creation Couplet 1 of famous ancient poems and poems, heaven, earth and mountains and rivers 1. The sky is low and the trees are low in the wilderness, and the clear moon on the river is close to the people - Tang Dynasty. Meng Haoran "Su Jiandejiang" 2. The wild sandy shore is clean, the sky is high and the moon is bright in autumn - (Southern Dynasties and Song Dynasty) Xie Lingyun's "First Arrival to the County" 3. The sky is blue, the fields are vast, the grass is blown by the wind and cattle and sheep are low - (Northern Qi) Northern Dynasties folk song "Chile Song" Famous quotes about calligraphy

Jiang He: There are three kinds of cloth and white; the word cloth is white, Every word is written in white, and every line is written in white. When you are new to learning distribution, you must stop evenly; once you know it is still even, you need to seek changes, such as diagonal, straight, dense and scattered.

Chen Yi: If the sparse place is full, the dense place will be lifted; if the flat place is full, the dangerous place will be lifted; if the place is full, the body will be fat, and if the place is full, the body will be thin. Wang Xizhi: Dot painting is divided evenly, distance and near are related, spreading and grinding are refined, and the brush and ink are blended; the sharp edges come and go, and the dense and dense are connected.

Xiang Mu: People are very good at books. There are thousands of shapes and forms, but they can only be said to be neutral. Said fat. It's just that I'm thin. If the length of the book should be in harmony, the weight should be balanced, the yin and yang should be appropriate, the hardness and softness complement each other, and the person who talks about the appearance of the world will be neither fat nor thin. Neither long nor short is beautiful.

Zhang Huaijin: Yan Yang and his back; that is, the two characters are combined into one character, and it must be drawn up and down to have the force of separation and union.

Wang Xizhi: The two characters are combined into one, the weight should not be long, the single should not be small, the complex should not be large, dense is better than sparse, short is better than long.

Mrs. Wei: The stippling is like a rock falling from the peak, and the bump is like a collapse; the horizontal painting is like a cloud formation thousands of miles away, but it is faint and tangible; the vertical painting is like a long-lived withered vine; the left painting is like a rhinoceros in the land. ; The strokes are like crashing waves and thunder running; the oblique hooks are like the hair of a hundred Jun crossbows; the horizontal folds are like the tendon joints of a powerful crossbow; each word is a character, and each resembles its shape. This is a wonderful creation, and the calligraphy is completed. Famous sayings and proverbs for practicing calligraphy

1. Words are the voice of the heart; calligraphy is the painting of the heart; the sound and shape are what a gentleman and a villain see. Sound and painting are the reasons why gentlemen and villains are emotional. ——A sentence from Yang Xiong's "Fayan"

2. Fu Shu originates from nature. When nature is established, yin and yang are born; when yin and yang are born, the situation emerges. ——A sentence from Cai Yong's "Nine Positions"

3. Hide the head and protect the tail, the power is in the words, write hard, and the skin will be beautiful. Therefore, it is said: The power coming is irresistible, and the power going is irresistible. But if the pen is soft, strange things will happen. ——Cai Yong's "Nine Movements" Sentences

4. When writing a sentence, the upper part covers the lower part, and the lower part carries the upper part, so that the situations are mutually reinforcing and there is no need to back them up. ——Cai Yong's "Nine Powers" Sentences

5. Hushu first sits silently and meditates, doing as he pleases. No words are spoken, no breath is filled, and the expression is dense, just like facing the Supreme Being, there is no Not good. ——Cai Yong's "Bi Lun" Sentences

6. The writer is scattered. If you want to write, you should first let go of your arms, let your emotions run wild, and then write; if you are forced to do so, even if you are a rabbit in Zhongshan, you will not be able to do well. ——Cai Yong's "Bi Lun" Sentences

7. Handwriting is a world, beauty is a person, it is beyond ordinary knowledge, everything you see is similar. ——Zhong Yao's writings

8. Mortals have different qi, blood, muscles and bones. The heart is sparse and dense, and the hands are clumsy. The book is so ugly, how can it be strong? If people have good and bad looks, how can we learn to look alike? ——Zhao Yifei's cursive script

9. Every stroke, stroke, wave, curvature, and curvature must be delivered with all your strength. ——Verse from Wei Shuo's "Bi Zhen Tu"

10. All books are more precious than silence. The meaning is in front of the pen and the words are behind the heart. The thought is completed before it is started. ——Wang Xizhi's Commentary on the Book

11. Wang Seng's pious writing is like that of the king and the children of the Xie family. Even if they are not upright, Yi Yi has a kind of upright spirit. ——Xiao Yan's comments on the pros and cons of ancient and modern books

12. The beauty of books is first, followed by form and quality. Only those who have both can be introduced to the ancients. ——Wang Sengqian’s words of praise for his penmanship

13. The heart never tires of refinement, and the hand never forgets familiarity. If the application is done with proficiency and the rules are familiar to the mind, it will be natural and wandering, the meaning will be written first and then free and flowing, the writing will be free and flowing, just like the heart of a sheep, foreseeing the boundless; the chef's eyes will not see the whole cow. —— Sun Guoting's Book of Music

14. When you are new to distribution, you should seek fairness and justice; now that you know fairness and justice, pursue danger and danger; once you are able to avoid danger and danger, return to fairness and justice. At the beginning, it was said that it was not enough, in the middle, it was too much, and later it was called Tonghui. By the time of Tonghui, everyone was old. ——Sun Guoting's book score

15. The seal script is graceful and clear, the official script is precise and dense, the grass is noble and smooth, and the rules and regulations are easy to check. Then cool it with wind spirit, warm it with beauty, drum it with dry energy, and harmonize it with leisurely elegance. Therefore, it can reach its temperament and shape its sorrow and joy. ——Sun Guoting's book composition

16. In ancient times, noble people were not well-behaved, but now there are different disadvantages. The so-called gentleness and gentleness are followed by gentlemen. Why bother to carve the palace into the acupuncture point and turn the jade chariot into the vertebra wheel? ——Sun Guoting's book score

17. Only by writing a few words can you see the meaning. When writing a word, you can already see the heart. This can be said to be a simple way. ——Zhang Huaiguan's essays

18. Momentum comes from the stool, and spirit comes from the front. ——Zhang Huaiguan's essays on writing

19. Those who know books well can only see the spirit but not the glyphs. If the essence is profound and profound, there will be no illumination of things, so why not understand them? ——Zhang Huaiguan's essays on writing

20. When I write, I care about stability, and when I use the pen, I care about lightness and strength. Therefore, the brush must be heavy if it is light, and it must be astringent if it is used. This is called hiding the edge. ——Han Fangming’s words for teaching

21. Su said: “I see many strange peaks in Xia Yun, and I often learn from them. Their pleasure is like birds flying out of the forest, frightening snakes into the grass. And when I encounter a wall, The road is natural. Zhenqing said: "What's the leakage mark in the house?" At that time, Zhang Xu was good at cursive writing, but he could not control his other skills. He was feeling happy and angry, embarrassed, sad and happy, resentful, yearning, drunken, bored, and unfair. If something moved his heart, he would have to express it in cursive writing. ——Han Yu's preface to Master Gao Xian

23. Use the pen with your heart in mind, and if your heart is straight, your pen will be straight, and you will be able to write the law. ——Shu Xiaoshi contains Liu Gongquan's sentence

24. Su Zimei said: The windows are bright and clear, and the pen, inkstone, paper and ink are all very fine, which is a joy in life. However, those who can achieve this kind of happiness are very rare, and those who do not let external things change their good taste are also extremely rare. ——Collected Sentences of Ouyang Wenzhonggong

25. You must be familiar with writing. If you are familiar with it, your expression will be complete and sufficient. ——Collected Sentences of Ouyang Wenzhonggong

26. The pen becomes a tomb and the ink becomes a pond. If it is not as good as Xi's, then offer it. The pen is bald with thousands of tubes, and the ink is polished with thousands of ingots. If it is not Zhang Zhi, it will be Suo Jing. ——Su Shi's Inscription on the Calligraphy of Two Kings

27. The calligraphy is prepared in the main script, and the overflow is used as running cursive. Not being able to write straight words but being able to write in cursive style is like not having a taste of Zhuang language, but always talking freely, which is not the way. ——Dongpo's Collection of Sentences

28. The old servant's writing is like Cai Junmo, a little proud like Yang Fengzi, and even more relaxed like the words of Fahua. ——Su Dongpo on calligraphy

29. Although I am not good at calligraphy, there is no one who knows how to calligraphy better than me. If you can't understand its meaning, it is often said that you can't learn it. She is beautiful but has wrinkles, so why not be beautiful? Dignified and graceful, strong and graceful.

——Su Dongpo Ciyunziyu's poetry on calligraphy

30. Books must have spirit, flesh and blood,...>> Ancient anti-drug famous calligraphy works

Xu You said Famous aphorisms about drug control:

If opium is not eliminated for a day, and this minister will not return for a day, I swear to stay with this matter forever, and there will be no reason to stop. I will not hear the sound of cannons and beat my wife. Ions disperse.

The ancient maxims about staying away from drugs are roughly as follows:

A smoking gun; a piece of tinfoil, no flames shooting into the sky Tags: Composition classics Previous article: The color of beautiful bananas in ancient poetry Imagery in ancient poetry Next article: Mother’s Birthday Wishes Messages Mother’s Birthday Wishes Messages