A beauty is worth more than a man but a bad life. Ouyang Xiu, a writer and historian of the Northern Song Dynasty

The beauty is old and the hair is new. Bai Juyi, a famous poet from the Tang Dynasty, famous for her beauty and great ambitions, sighing at this fleeting time.

The beauty in "Looking in the Mirror" by Shen Quanqi of Tang Dynasty: the rosy complexion of young people.

"Looking in the Mirror" by Shen Quanqi, a poet of the Tang Dynasty

White silk and beauty are so close to each other.

Tang·Shao Ye's "Looking in the Mirror" So close: describes a very short distance. The distance between white hair and temples and youthful beauty is just a stone's throw away. It is a metaphor that life is easy to grow old.

Shao Ye, a poet of the Tang Dynasty, "Looking in the Mirror"

How long can you get good results by treating others with sex?

See "Concubine's Unfortunate Life" by Li Bai of the Tang Dynasty. Color: Beauty. The general meaning of these two sentences is: How long can you be favored by serving others with your appearance?

Most beauties in feudal society have poor lives. The powerful often use sex to attract people, and women use sex to serve others. When she is lustful, she can be favored, but when her lust fades, she will be cut off from love and become an abandoned wife. Li Bai uses "～" to reveal the tragic fate of women in feudal society. At the same time, it is also a warning to those who are temporarily favored by "using sex to interfere with others". The poem is alert and thought-provoking. It can be used to reveal the tragedy of the fate of a beauty in feudal society. It can also be used to satirize and warn those who "use Israel to make trouble"

will not have a good fate.

"Concubine's Unfortunate Life" by Li Bai, a poet of the Tang Dynasty

It's late in spring when the swallows don't return, and the apricot blossoms are cold in the misty rain. Famous quotes from beauties

"Su Xiting" by Dai Shulun of the Tang Dynasty. Spring

Things: refers to spring. Ting (tingting): flat land in or near water. The general meaning of these two sentences is: the swallows have not yet returned to their old nests but the spring has faded. The water bank is covered with mist and mist, and the apricot blossoms seem to be hard to withstand the cold spring. The original poem is

"The grass is long on the Suxi Pavilion, who is leaning against the east wind?~", which depicts the scene of late spring and expresses the feeling of resentment. In the sentence, "the swallow does not return" is used as a metaphor for the wanderer who has not returned, and "spring event is late" is used to allude to the beauty and old age; and "Yiting

The misty rain and apricot flowers are cold" is used to metaphorize the painful lovesickness of the people in Yilan. His face was haggard and haggard due to the torture, and he looked miserable and pitiful. Today, we can ignore the original meaning of the poem and just use these two sentences to describe the scenery of late spring, or to express the melancholy when spring is fading.

"Suxi Pavilion" by Dai Shulun, a poet of the Tang Dynasty

Weeping and mourning, the six armies are all in plain clothes, and they are angry and beautiful.

"Yuan Yuan Qu" by Wu Weiye of the Qing Dynasty. Sixth Army: refers to Wu Langui's army. Sui Su: white plain clothes. Beauty: Beauty

Female, here refers to Chen Yuanyuan. The general meaning of the last two sentences is: Wu Sangui's troops were all wearing white clothes and mourning. In name, they entered the pass to mourn Sizong of the Ming Dynasty. In fact, Wu Sangui sent troops out of anger because his beloved concubine Chen Yuanyuan was captured. In the 17th year of Chongzhen in the Ming Dynasty, Li Zicheng's uprising army attacked Beijing, and Wu Sangui's concubine Chen Yuanyuan was captured. Wu Sangui was the commander-in-chief of Shanhaiguan at that time. Out of personal hatred, he surrendered to the Qing Dynasty and led the Qing army into the pass. ~ Two sentences reveal the essence of Ding Wu Sangui's favoritism and disregard for the people's flag

the righteousness, but it conceals the reactionary side of Wu Langui's hatred of peasant uprisings. This famous sentence can be used to expose and criticize corrupt and reactionary figures who abandon the interests of the country and nation in order to satisfy their own lust.

Wu Weiye, a poet in the late Ming Dynasty and early Qing Dynasty, "Yuanyuanqu"

Since ancient times, the body has been tired of beauty, so who can benefit from eating meat? Ouyang Xiu, a writer and historian of the Northern Song Dynasty, "Hand Marks of Princess Chonghui of the Tang Dynasty"

The water flows eastward but never returns, and the beauty and white hair destroy each other one by one. Han Yu, a litterateur of the Tang Dynasty

Beautiful women are reluctant to say goodbye, but they meet again only when they are gray-haired. Only the tears of the past remain, and there is no return to the old appearance.

See "Feng Xie Yan" by Gao Shi of Tang Dynasty. Beauty: When you are young. 怆(chuàng

Chuang): sadness. The general meaning of these two sentences is: we parted with tears when we were young, but our hair was white when we met again. The original poem of "Feng Xie Yan" is: "~. Only the tears of the past remain, and there is no return to the old appearance." It expresses the joy and sorrow of meeting old friends. Gao Shi and Xie Yan were childhood friends. They waved goodbye in tears, and decades passed by. How can we not bring tears to our eyes when we meet each other with gray hair! This is consistent with Wei Yingwu's "The laughter is still as old as before, and the hair is stained" (see "Meeting Old Friends in Liangchuan on the Huai River"), Du Fu's "Where is the farewell in the past? We are all old men when we meet" (see "Meeting Old Friends in Liangchuan") "Gift to Gao Shiyan") has similarities, but Gao's poems are more emotional and less sentimental than those of Wei and Du. It can be used to write about emotions when old friends reunite.

"Feng Xie Yan" by Gao Shi, a frontier poet of the Tang Dynasty

Flowers bloom and fall, flowers fall and flowers bloom. Young disciple Jiang Hu Lao, the pretty girl finally saw white hair on her temples. The most famous martial arts novelist about beauties, Jin Yong, "The Heaven and the Dragon Sword"

A man's biggest secret is often told to his beauties, who are not same-sex family members or wives. When a confidante becomes a wife, this part of her power is immediately revoked. This is called gain and loss. Modern Chinese writer Zhang Ailing

Love is like depositing money in a bank. Appreciating the other person's strengths is like supplementing income; tolerating the other person's shortcomings is like controlling spending. The so-called eternal love is love from beauty to gray hair, love from flower to flower. Bacon, a British Renaissance writer and philosopher

Everything in the world is the most bizarre, the rich tend to be greedy, the wise tend to be crazy, the strong are easily broken, the drowned are good at swimming, and beauties tend to have bad luck. Heroes must be sentimental, those who are sick must be healed more often, and those who are not sick are difficult to get sick. This is the trick of nature. Martial arts novelist Gu Long's "Hua Ling"

Books are like women. When a person gets a new book, when he flips through it, he will feel like seeing a virgin, because at least the characters in this book He was the first to read the content; on the contrary, holding an old book in hand was like marrying a remarried woman, her beauty was half old and her beauty was half lost, and he was not interested in reading it - because the content he read had been read many times by others, and it was impossible to read it. Nothing new at all. Beauty's famous quotes: racing driver, writer, Time Magazine's 100 most influential people in the world, Han Han "Triple Door"