Why langston hughes still dominates Hughes' poems as a poet comes from Hughes' poem Me, which was first published in 1926.
Me too, singing about America.
I am a black brother.
They asked me to eat in the kitchen.
When serial numbers are used,
But I laughed,
Eat well,
Become strong.
Tomorrow,
I'll be at the dinner table
Be a company.
No one dares.
Said to me,
Eating in the kitchen,
Then.
Besides,
They will see how beautiful I am.
Feel ashamed-
Me too, American.
Langston hughes's poems. With the permission of Harold Ober Associates Incorporated, this poem is very important to affirm the mission of the museum to tell American history through African-American experience. It embodies this history. At a special moment in the early 20th century, Jim Crawford in the whole south practiced apartheid. And oppose those who deny this importance and existence.
Only line 18 captures a series of interwoven themes about the relationship between African Americans and most cultures and societies, which shows that Hughes realizes the painful complexity of this relationship.
Tomorrow,
I'll be at the table
The time of appearance.
There is a multi-dimensional pun in the title, "Me too", at the beginning and end of the poem. If you hear the second word, it will suddenly transfer the terrain to the second person, the second person or even the second person.
Hughes strongly represents the second category, those who are excluded. This poem is full of drama, depicting African-Americans out of sight, eating in the kitchen, and keeping pace with the "company" at the dinner table.
African-Americans, according to W.E.B. Dubois' groundbreaking work "Black Soul", always exist in two places at the same time. Interestingly, Langston didn't expand who owns the kitchen. Of course, the house is American, and the owner of the house and kitchen has never appointed it or seen it, because it cannot be reflected. Hughes' sly wink was aimed at African-Americans who worked as slaves and servants on plantations. He respects those who live under the stairs or in the cabin. Even if excluded, the existence of African-Americans can be reflected by the smooth operation of houses, the appearance of meals on the table and the continuation of material life. Enduring the unbearable, their spirit now lives in these galleries, dozens of cultural relics in the underground historical corridor of the museum, and the towering artistic and cultural corridor at the top of the bronze crown building.
If you hear "Tai" as "Two", it is not submission, another way of saying it is division.
Hughes paid tribute to Dubois, his contemporary thought leader and founder of the National Association for the Advancement of Colored People. His speeches and articles on African-American identity and split consciousness will attract the audience. The firm radicalism that inspired and promoted the civil rights movement in the mid-20th century.
According to du bois in his groundbreaking book "Black Soul", African Americans always exist in two places at the same time:
"A person once felt his two identities, an American and a black; Two souls, two thoughts and two discordant struggles; Two rival ideals in the dark body,
Dubois made the African-American body take on so much work, which was beautifully presented in Hughes' second section, I am a Darker Brother, as a container of his sense of national division.
Du bois wrote that in the process of "merging the double self into a better and truer self", he was constantly eager to end this pain. "The old self will not disappear."
The feeling of being split in two is not only the root of the problem, not only for African Americans, but also for the United States. As Lincoln said, slavery and freedom exist: "A divided family cannot stand on its own feet."
Langston hughes made walt whitman's literary heroes express their political views more clearly: "I also sing American songs." (NPG, Thomas Copthwaite Akins1891(printed in 1979) Hughes linked the sense of unity of different parts of American democracy, and he almost directly mentioned walt whitman at the beginning of his poem.
Whitman wrote, "I sing the electricity of the body", and then linked the strength of the body with all the virtues of American democracy, in which power is given to everyone who acts in concert with his partner. Whitman believes that the "electricity" of the body forms a cohesive force, which binds people together in friendship and love: "I hear American songs and various carols.
Hughes' thesis "I also sing about America" makes Whitman's literary heroes more political.
This verb is very important here because it implies the hidden but unrecognized creative work provided by African Americans to create America. African-Americans helped the birth of America. To this end, their work should occupy a place at the dinner table and enjoy delicious food with colleagues and companies all over the world.
The end of the poem changes because of the change.
"I am also an American."
The existence of has been established and recognized. The house is divided into a whole, and each part sings sweetly with its own harmony. The political problem of all this, if not the problem of poetry itself, is a simple assertion of existence-"They will see how beautiful I am." It may not be enough. "
The New African-American Museum in national mall is a powerful assertion of existence and legitimacy, which is a unique tragic story and inextricably linked with the whole American history. "Me too" is Hughes' most optimistic sentence. He is intoxicated with the body and soul of his people and the power that exists in transcendental change. However, he is fully aware of the obstacles to the real liberation and acceptance of African-Americans by the Democratic House of Representatives. He is a poet, remember? He also wrote, "What happens if a dream is postponed?" ? ""