Liu Bannong and others wrote "The Skills of the Golden Flower". This describes Sai Jinhua, a famous prostitute who was once the number one scholar in the late Qing Dynasty and the early Republic of China: "Just say me, when I took it off, I wore a big hairpin on my head and three rows of small ones, four in each row, all of which were jade. She wore five sets of hair-the most fashionable hairstyle at that time-with a gold chain around her neck and an enamel silver watch. Wear fox skin in winter for deep color. The milk bead pendant on my ear is worth thousands of taels. "
Shanghai Times: "Nowadays, a kind of dissolute clothes is popular among women, which is really indecent and unsightly. The arm of women's shirt is exposed about a foot, while women's trousers are hung more than a foot high, even in summer, wearing a pink gauze vest, and a gauze shirt with eye gauze covers almost all muscles. This demon costume, which started as a prostitute, is hard to blame. Learning from prostitutes is a popular bad habit of all ladies in Shanghai. Demon clothing is enchanting and obscene, and female education is ruined, which is extremely good. "
2. Write a sentence% 1 with the flavor of the Republic of China, and finally understand that some roads can only be taken by one person. People who invite their peers will spend the rainy season with them, but one day they will be separated at a ferry. On the world of mortals, walking alone, the green radish brushed the skirt, and Qingyun wet the promise. Mountains and water can be forgotten in pairs, and days and months can be irrelevant. At that time, there was only one person's floating world, and one person's small water flowed forever.
2, it is said that the world is fuzzy, we are often lost in the ocean of smoke, and all the dusty fireworks always make you and I dare not breathe freely. After Qian Fan's death, looking back at that year, that innocent dream had already drifted away, and now the years left only desolation everywhere.
Some people say that falling in love with a city is because people you like live in it. In fact, falling in love with a city may be for a vivid scenery in the city, for a childhood memory, and for a familiar old house. Maybe, just for the city. Just like falling in love with someone, sometimes you don't need any reason, no antecedents, nothing to do with romance, just love.
We should believe that everyone comes to this world with a mission. No matter how ordinary and insignificant he is, there is always a corner for him to put aside, and there is always a person who needs his existence. Some people are in their own small world, guarding simple stability and happiness and living an undisturbed life. Some people fully interpret the joys and sorrows of life with gorgeous gestures in the troubled secular world.
It takes only a moment to meet someone, but it often takes a lifetime to fall in love with someone. It's not wrong to meet by chance and then turn back, and it's not perfect to love for a lifetime. In the doomed fate, we really have no choice.
6. Everyone knows that all good things must come to an end, but they still promise forever. How far is forever? How many people have asked this sentence. Some people say that it will always be tomorrow; Some people say that forever is a lifetime; Others say it will last forever. Maybe they are all right, maybe they are all wrong, maybe nothing in the world is eternal. You have come all the way to an agreement, and one day you will suddenly leave, and meeting again will become a matter of a lifetime.
7. Many people have been slaves of the years, followed the time in a hurry, and forgot what they wanted to pursue at the beginning and what they got now.
8. It is happy to wait for a colorful flower. It is happy to dream in the sun with the person you like. It is also happiness to grow old with a period of time intertwined with cold and warm.
9. Staying is an instant, and turning around is the end of the world.
10, people who are destined, no matter how far apart, will eventually get together and join hands in the world of mortals.
3. What sentences describe women's wear in the Republic of China? 1. The long skirt is light green, with light blue peony embroidered on the cuffs, a few auspicious clouds hooked by silver silk thread, a row of blue sea clouds at the hem, and a wide pale yellow brocade wrapped around the chest.
2. The body gently rotates the long skirt to unfold, and the posture is elegant like the wind blowing willows. The wind bun exposes the temples, and the eyebrows and eyes sweep with spring. The skin is as delicate as jade, the cherry mouth is not red or tender, and the two strands of hair on the cheek are gently brushed with the wind, adding a bit of attractive amorous feelings, while the flexible eyes are smart and naughty.
3. A light green tunic dress is flawless, and it is simply too beautiful. A red silk dress has a low neckline, revealing a full chest, a face like a hibiscus and eyebrows like a willow. Her eyes are more charming than peach blossoms, her skin is like snow, her black hair is tied into a tall beauty bun, her beads are dazzling in the sun, and her bright red lips are slightly raised. What a beautiful woman.
Today, she decorated herself, and the light pink carved silk cheongsam swayed like peach blossoms in winter, charming and moving. These dignitaries have seen many women and I have seen many plum blossom makeup, but this is the first time I have seen them.
It can be said that it is a very mysterious thing: it was not until Cixi listened to politics and became famous as a "mother instrument" that the secret was revealed. The "big wings pull", which was popular in the late Qing Dynasty, was recognized by the world as the official hairstyle of harem concubines, and eunuchs, ladies-in-waiting and folk women followed suit and spread to the stage of drama. In fact, the hair styles of empresses in the Qing Dynasty also experienced the same process as the social development in the Qing Dynasty, from low to high, from simplicity to complexity, from simplicity to luxury.
6. She squatted on the ground to manage the box, with a small saucer with flowers on her knees, beside a sky-blue satin dress and a red Ping Jin skirt for dressing up and dancing.
7. She is wearing a white gauze cheongsam with a narrow blue edge-dark blue and white.
8. A blue-green shirt and a pleated skirt with scattered flowers, water mist and green grass.
9. Women in the Republic of China, such as the green flowers on Qingshui Lake, the lotus is gentle, the plum blossom is aloof, the peach blossom is brilliant, and the lotus is lofty.
10. When it comes to women in the Republic of China, how can we ignore China's classic-cheongsam, especially the Shanghai style cheongsam in the Republic of China, which is a model of cheongsam? In the Republic of China, the Song sisters brought the beauty of cheongsam to the extreme and the temperament of women to the extreme. I don't know whether the cheongsam has achieved female beauty or female beauty has interpreted the soul of the cheongsam.
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12. Didn't you see those silks and satins that are full of charm, praised by all the gods and danced by the fairies? Beautiful! Fairy is the national quintessence of China's elegant and noble clothing-cheongsam.
13. It is no exaggeration to say that cheongsam is a poem. It expresses a woman's virtue, elegance and gentleness with flowing melody and rich poetry. It is the complex and dream of women in China, and the beauty carved in the bones of women in China. Where there are women in China, there is a beautiful image of beautiful cheongsam.
14. Dressed in a red cheongsam, she looks like a wild rose that leaves the corner quietly and stubbornly, like a dancing red butterfly, full of the perfect integration of the temperament of the old times and the new era.
15. Cao Yuan in The Golden Lock is the daughter of a sesame oil shop. After marrying into a large family, he followed suit in clothes in order not to be looked down upon. She is "wearing a silver-red shirt with a roll of onions and white thread on it, and her feet are black and blue." After the Revolution of 1911, the feminist movement appeared. Influenced by the idea of "equality between men and women", tops and trousers have become women's fashion dresses.
4. Sentences written by Liu Bannong describing girls' costumes and Beiyang warlords in the Republic of China. "Skills of the Golden Flower": The description of the top scholar's wife and famous prostitute "Golden Flower" in the late Qing Dynasty and the early Republic of China is like this-"Let's talk about me, except for wearing a big hairpin on my head and three rows of small ones, four in each row, all of which are jade.
She wore five sets of hair-the most fashionable hairstyle at that time-with a gold chain around her neck and an enamel silver watch. Wear fox skin in winter for deep color.
The milk bead pendant on my ear is worth thousands of taels. "Shanghai Times": "Nowadays, a kind of lewd clothes is popular among women, which is really indecent and unsightly.
The arm of women's shirt is exposed about a foot, while women's trousers are hung more than a foot high, even in summer, wearing a pink gauze vest, and a gauze shirt with eye gauze covers almost all muscles. This demon costume, which started as a prostitute, is hard to blame. Learning from prostitutes is a popular bad habit of all ladies in Shanghai.
Demon clothing smelting iron teaches lewdness, and female education degenerates to the extreme. "Zhang Ailing's description of clothing:" Yellow robe with big sleeves, noisy clouds; Black silk with pink edges, a long blue-gray dress and light yellow tortoise-shell glasses; Ruyi rimmed sapphire blue with apple green embroidered blouse and trousers "has an olive green dark silk, which has a big shadow and is full of storms."
There is also a kind of silk Japanese material, light lake color, shining wood grain and water grain; Every other way, there are two plum blossoms floating on the water, and the silver hooks are drawn by iron, like colorful glass windows in medieval churches, with heavy iron frames embedded in red glass. "Recommend" Changing Clothes ":"Changing Clothes "is a beautiful article by legendary writer Zhang Ailing.
With calm and indifferent pen and ink, the author described the hundred-year clothing evolution before and after the Revolution of 1911 with a short thousand words, and skillfully described her unique views on clothing between the lines. If the clothes handed down from generation to generation are not sold to second-hand collectors in large quantities, it will be a brilliant and lively thing to dry clothes in June every year.
You walk between bamboo poles, with silk walls on both sides-tunnels dug in ancient palaces buried underground. You put your forehead on the gold embroidered flower.
When the sun was here, it burned the gold thread very hot, but now it is cold. Once upon a time, people worked all their lives, and their actions gradually became dusty; Children and grandchildren hang clothes, shake off dust and fly in the dim sunshine.
If memory has a smell, it is the smell of camphor, sweet and safe, like a clear piece of music, sweet and melancholy, like a forgotten sadness. It is hard for us to imagine the world in the past, so slow, quiet and tidy-under the rule of the Qing Dynasty for 300 years, women had no fashion at all! People from generation to generation will not get bored wearing the same clothes.
By the time of the founding of the People's Republic of China, women's clothing still retained the remarkable legacy of the Ming Dynasty, because "men are superior to women". From the middle of17th century to the end of19th century, extremely wide shirts and trousers were popular, and there was a calm atmosphere.
The collar is very low and there is nothing. In informal occasions, the "gown" worn outside is widened to reveal the "middle coat".
There is a tight and narrow "small coat" in the "middle coat", which will not be taken off when sleeping. Most of them are charming, pink or pink. On top of the three coats, a "cloud shoulder vest" was added, which was inlaid with wide black satin and had a big cloud head.
The standard shoulder-cut beauty, thin waist and flat chest, thin and small, disappeared under the weight of this layer of clothes. She doesn't exist, she's just a hanger.
People in China don't approve of women who are too conspicuous. The sensational virtues recorded in history-such as an arm pulled by a strange man and then cut off-have won ordinary admiration, but the intellectual class always vaguely feels a little sorry for it, because a woman should not attract too much attention; Ren is an iron name that hangs on the lips of millions of people and rusts in the breathing steam.
If a woman wants to stand out, even this ostentatious way is opposed, not to mention fancy clothes, which is naturally more immoral. When you go out, the skirt and trousers are more regular.
It's usually black. During Chinese New Year, my wife wears red and my aunt wears pink. Widows wear black dresses, but after her husband died for many years, if her in-laws are in the hall, they can wear lake color or snow blue.
The fine pleats on the skirt are the most rigorous test of a woman's manners. A girl with a good family education, even if she walks steadily, the pleated skirt is not motionless, but only the slightest shaking.
Jasper, a small family who is not used to wearing skirts, feels stormy when she walks. Even more harsh is the bride's red dress, with a half-inch wide ribbon hanging around her waist and bells tied at both ends.
There is only a faint tinkling sound when acting, like a wind chime on a pagoda in a distant mountain. As late as 1920, more chic and free pleated skirts became popular and were completely abolished.
Wearing leather clothes, but still can't afford some discrepancy, they are regarded as nouveau riche. Leather clothes have certain seasons and are classified in detail.
If it is extremely cold in October, it is ok to wear three layers of skin. As for what skin to wear, it depends on the season, not the weather. Wear "little hair" in early winter, such as green sheep, purple lamb and pearl lamb; Then wear "medium hair", such as silver mouse, gray mouse, gray ridge, fox leg, fragrant shoulder and Japanese knife; Wear "heavy hair" in winter-white fox, green fox, western fox, mysterious fox and mink.
Only people with fame can wear mink. People in the middle and lower classes used to be much richer than they are now, and most of them had a robe inlaid with gold, silver or sheepskin.
The girls' Zhao adds some color to the gloomy winter moon. Judging from the pictures of past dynasties, Zhao Jun wore an Eskimo-style wind pocket, which was simple and generous, and many of them imitated Hollywood stars.
China/KLOC-Zhao in the 0/9th century is crazy and charming. It is a melon-skin hat, with a circle of skin around the brim, a huge red velvet ball at the top of the hat, two pink ribbons hanging from the back of the head, and a pair of golden seals at the end of the ribbon, which often collide with each other. Pay too much attention to details.
For the clothing points of this period. In modern western fashion, unnecessary embellishments are not unchanged, but they all have a purpose-to develop blue eyes, subsidize underdeveloped breasts, make people look taller or shorter, focus on the waist, and eliminate the excessive curve of buttocks ... The embellishment on ancient Chinese clothes is completely meaningless.
If it's purely decorative, why not answer it?
5. The sentence describing celebrities, Mrs. Sha, wearing a graceful cheongsam, graceful, smiling like a flower, jade sounds flowing gently, as bright as Yun Zheyue, and flying like snow flowing in the return air. Didn't you see the silk satin, full of charm, praised by all gods, and the fairy danced? Beautiful! Fairy is the national quintessence of China's elegant and noble clothing-cheongsam. It is no exaggeration to say that cheongsam is a poem. It expresses a woman's virtue, elegance and gentleness with flowing melody and rich poetry. It is the complex and dream of women in China, and the beauty carved in the bones of women in China. Where there are women in China, there is a beautiful image of beautiful cheongsam.
I like this picture: spring in the south of the Yangtze River, misty and rainy, graceful women holding oil umbrellas and wearing plain cheongsam, with a little sad eyes, suddenly thinking, just walking in the rain ... I have always had a soft spot for cheongsam, and I like its fit and elegance.
In my opinion, no matter whether a woman is tall or thin, as long as she wears a fitted cheongsam, she can exude a strong femininity. When I close my eyes, the picture I like to sketch is: "In the early morning, in the misty rain and fog, a graceful Jiangnan woman with delicate skin, wearing a floral cheongsam and holding an elegant flower umbrella, walked leisurely in the street under the shade of green trees. Her calm smile and unhurried little steps give people a warm and beautiful feeling. "
Qipao and I, perhaps like a young girl, suddenly saw a charming young woman with all kinds of amorous feelings everywhere, and smelled a faint fragrance in our hearts, but there were also mysteries that could not be seen through. Listening to the rain all night is generally poetic and hazy. As everyone knows, how to solve the amorous feelings in youth! Cheongsam, this beautiful sadness, walked side by side with me for a period of Huaying years. I still like cheongsam. When I was walking in the street, I saw an elegant woman holding a bun high. I always look up to and like such a woman. Qipao, if you can't wear it, you might as well not wear it! I have always been addicted to such perfection and persistence.
Cheongsam body shaping, which has both oriental traditional classical charm and fashion trend elements, can be described as the essence of combining Chinese and western. A woman with a thin waist can wear a slim and moving charm, and a plump woman can wear a strong charm. Every woman will have a cheongsam that suits her! There is also a talented poet who wrote a beautiful poem. Although there is no cheongsam between the lines, she is a sad and beautiful cheongsam woman. This is Dai Wangshu's Rain Lane.
This is a gorgeous satin and an elegant cheongsam. During the Republic of China, it was the favorite of old Shanghai ladies. Cheongsam combined with western beauties has evolved from the most Chinese style to the most Chinese beauty, bringing the temperament and luxury of oriental women to the extreme! Fine hand embroidery and beautiful Mo Yun flowers are graceful. Now it seems that this cheongsam can not help but gather the beauty and temperament of China since ancient times, and also the beauty of international fashion today. Because of this, not all women can wear cheongsam.