The wind is blowing, which was released by Miyazaki Hayao on 20 13. Although it is based on the most sensitive topic of World War II in Japan, with fighter designer Jiro Horui as the protagonist, it still tells a dreamlike and pure story. ?

The description of the Great Kanto Earthquake in the Wind is very shocking, and the details and dynamics are very powerful. The shot of the rail being lifted by the waves was taken from the front, and the train rushing out of the rail came face to face. The earth roared like a wild animal, and the land and railway tracks set off a huge wave of destruction. People who are in a hurry look very small under the power of nature.

The wind is very strong and directly jumps over the war. Facing Jiro's dream, he walks through countless self-designed airplane wrecks and walks out of the dark clouds. "The wind is very strong, and we must work hard to survive." This is Naoko's farewell in the wind, and it also symbolizes post-war Japan. Despite the bitter fruit of the war, I still strive to live bravely for my dreams. ?

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From April to 20th, 2009 1 0,1June, 2009, Miyazaki Hayao serialized the cartoon "The Wind is Coming" in the monthly magazine Model Graphics. The protagonist of this work is Jiro Horue, a Japanese fighter designer who was active during World War II. He once designed a Zero fighter and was invincible in the air force.

At the same time, the title of the cartoon and the plot of falling in love with the heroine are taken from the novel of the same name by Chen Xiong, a contemporary writer of Horizo. Animators who have always been famous for their anti-war stance are obsessed with killing fighters and battleships for various reasons, and the contradiction between them is particularly prominent in this highly personalized work.

Perhaps it is precisely because of this contradiction and the ubiquitous taste of life's eight bitterness that Miyazaki Hayao didn't intend to make it into an animated film at first. Miyazaki Hayao's old partner, Studio Ghibli's producer toshio suzuki, finally succeeded in promoting this project. At the beginning of the comic series, he proposed painting, but Miyazaki Hayao flatly refused, on the grounds that "animated films should be made for children, not adults".