The original text is as follows:
To control a person, he must dress appropriately. Son of Qi Hou, wife of Wei Hou. East Palace's sister, Duke Xing's aunt, Tan.
Soft, skin solidified, collar like a salamander, teeth like a rhinoceros, a cicada's head is a moth's eyebrow, she smiled and looked forward to it.
Master Di Di said that in the countryside. Four animals are arrogant, and Zhu Biao goes his own way. I am looking forward to North Korea. The doctor retired effortlessly.
The river is rich, and the living water in the north runs. When you do, you will become rich. Exposure is guilty, and ordinary people are guilty.
Translation:
What a beautiful girl, a beautiful linen coat. She is the daughter of Qi Hou, the bride of Wei Hou, the sister of the Prince, the sister of Xing Hou, and her elder sister Tan Gong. Hands are as soft as spring, skin is as white and moist as jelly, neck is as beautiful as salamander, and teeth are the neatest. Full forehead, slender eyebrows, touching smile and touching eyes.
What a tall girl, the car parked in the farmland in the country. Look how energetic those four horses are. HongLing was tied to the horse's chew, and the float Xu hurried to the court. Your doctors left the court early, so don't bother the king too much now. The water of the Yellow River is white and flows northward into the sea. Fish nets swish in the water, fish brush in the water, and reeds are long on both sides. The girl who marries him is tall and the man who marries him is handsome!
Extended data:
Shuoren is a poem in the Book of Songs Feng Wei. This is a poem praising Qi Zhuanggong's daughter and Wei Zhuanggong's wife Zhuang Jiang. Among them, the wonderful description of Zhuang Jiang's beauty in the sentence "Qiao Qian Xi, beautiful eyes looking forward to Xi" has permanently fixed the graceful appearance of China's classical beauty and has been highly respected.
Throughout Feng Wei said that people, extravagant technology was used, saying that all aspects of people were tirelessly singing. For example, in the first chapter, she mainly talked about her origins-her three relatives, her father and her brother's husband, all powerful people in various vassal States at that time, and she was a noble family.
The third and fourth chapters mainly focus on the solemnity and solemnity of the wedding, especially in the fourth chapter. Among the seven sentences, six are connected and have overlapping words. The mighty Yellow River flows northward into the sea; The sound of casting nets into the water, the swish of fish tails hitting the water, and the lush reeds and grass by the river are magnificent and beautiful natural scenes.
Is to lead to "common ginger is evil, ordinary people are evil"-a large number of large-scale dowry teams, those men and women, like Zhuang Jiang himself, are all slender and handsome. All of the above, from the luxurious life experience to the grand ceremony, from the personnel scene to the natural landscape, are all bright or dark, hidden or obvious, or directly or indirectly set off the natural beauty of Zhuang Jiang.
The person who directly describes her beauty is mainly in the second chapter, except for the scanning at the beginning of "She is beautiful and well dressed". Here, seven vivid metaphors are used, such as close-ups and meticulous paintings of movies, to depict her gorgeous portrait-soft hands, fresh skin color, beautiful neck and even white teeth.
Until the full forehead and eyebrows are repaired without any defects, it is really a beautiful thing in the world. However, the artistic effect of these meticulous descriptions is not as good as that of "smiling skillfully and looking forward to beautiful eyes". This poem opened the precedent for later generations to write beauty by metaphor, and it has always been respected and favored by people. Sun Liankui's Poems reveals the word "clever smile and beautiful eyes" and reveals the mystery of why it is written well.
In his view, metaphors such as "hands are like soft fingers", although the poet did his best, only described the beauty's shape, while words such as "clever smile" and "beautiful eyes" conveyed the beauty's spirit. You can also add that sentences such as "soft hand" are static, and "clever smile" is dynamic.
In the appreciation of aesthetic art, "spirit" is higher than "form" and "movement" is better than "quietness". Of course, formal and static descriptions are also essential. They are the foundation of God's beauty and dynamic beauty. Without these foundations, its posturing may become an annoying imitation. But more importantly, after all, it is the beauty of vitality and movement.
The beauty of form is pleasing to the eye, and the beauty of god is touching. Static writing is likely to become rigid, rigid and rigid, just like paper flowers. Without vitality, writing in a dynamic way can make the characters come alive, with vivid charm and spirit, as if coming out of the paper, entering the reader's mind and shocking the reader's heart. In life, a beautiful woman with graceful posture and regular facial features will definitely leave a deep impression on people.
But it seems that a casual smile and a glance are more memorable. If you are an affectionate young man, this kind of smile and hope will even enter his dream and arouse his dream of pure and innocent love. The words "clever smile" and "beautiful eyes" in this poem are really "a warning", and the words "money" and "hope" are particularly vivid.
The ancients interpreted "money" as "good mouth support" and "hope" as "moving eyes" "Oral assistance" refers to both sides of the corners of the mouth, and "moving eyes" refers to the circulation of the eyes. You can imagine how charming the charming smile and eyes are.
Thousands of years have passed, and the aristocratic family boasted in the poem has become an old dog. Metaphors such as "softness" and "congealing fat" are no longer moving, adjectives such as "alive" and "softness" are no longer used, while "smart smile and beautiful eyes" are still bright and vivid, and the scene is always new, which can still activate people's beautiful association and imagination.
"Vivid portrayal is being blocked", which was originally the creative experience summed up by painters in the Six Dynasties, and is also applicable to other artistic creation activities. This "blockage" is the eye. Eyes are the windows of the soul, and the expressions of characters are nothing more than the expression of eyes.
But "eyes" should be understood broadly, which can refer to everything closely related to people's inner world and spirit, such as Li Xi's "clever smile" in this poem. Leonardo da Vinci's famous painting Mona Lisa also gained eternal charm with "eternal smile". In short, any artistic creation should be good at capturing and expressing key points. A key is better than a key.