Era: Ming Dynasty
Introduction to Dong Xiaowan:
Dong Xiaowan (1624-1651 AD) was one of the "Eight Beauties of Qinhuai" in the late Ming Dynasty. Her name is Bai, her nickname is Qinglian, she is a native of Suzhou, a singing prostitute, and her name belongs to Nanjing Jiaofang Sile Ji. In 1639, Dong Xiaowan got acquainted with the famous people of Fushe who ventured to explore the territory. After the fall of the Ming Dynasty, Xiaowan fled with the Mao family, and then shared the joys and sorrows with Mao Pijiang until his death.
When she was 16 years old, she was already famous and was considered one of the "Eight Beauties of Qinhuai" along with Liu Rushi, Chen Yuanyuan and Li Xiangjun. In 1639, Maoxiang and Xiaowan, who failed the provincial examination, met by chance in Bantang, Suzhou. She fell in love with Maoxiang at first sight and kept saying: "Weirdo! Stranger!" Although she expressed her admiration to Maoxiang many times, she never got his approval. Because Maoxiang had already fallen in love with Chen Yuanyuan, a famous Wu family prostitute, and made an "engagement to marry" in 1641. The following year, Maoxiang passed through Suzhou for his sixth provincial examination. When he visited Chen Yuanyuan again, the building was empty. Coupled with the failure in the examination room, he was extremely depressed. In the winter of that year, with Liu Rushi's mediation, Qian Qianyi came forward to redeem Xiaowan's body, and then hired a boat from Bantang to send him to Rugao. In the spring of the following year, Maodong got married. Xiaowan has outstanding talents, is good at poetry and painting, and is especially good at playing the piano. The guqin in Shuiming Tower today was something that was close to her heart back then.
He was fond of quietness, and would fall in love with him whenever he went to remote ravines in the woods. Because he disliked the noise and extravagance, he lived alone in Bantang, Suzhou for six years. Xiaowan is fascinated by the mountains and rivers. Against the background of the beautiful scenery, she is also prone to tenderness, and she sincerely gives people a charming smile. Therefore, she was invited again and again to visit Taihu Lake, climb Mount Huangshan, and go boating on the West Lake. She stayed there for ten and a half days. Not long after Dong Xiaowan left Qinhuai River, a young man came to Qinhuai River to look for her. That young man was Mao Bijiang.
Famous poems by Dong Xiaowan, a singing prostitute in the Ming Dynasty
1. Although the heart has been cut off, love will not be over, but life will not follow and death will follow. ——Dong Xiaowan's "With Mao Pijiang"
2. Looking back, Gushan has no home and will not be a flower of interpretation in the world. The virgins and beauties cried together, regretting that they had missed Shui Xue in their lives. ——Dong Xiaowan's "Sorrowful Passing on the Lonely Mountain"
3. When I am sick, I look at the flowers and think deeply, sitting alone by the quiet window playing the Yao Qin. Oriole also seems to know people's thoughts, and Liuwai always makes good sounds. ——Dong Xiaowan's "The Green Window Occasionally Comes"
4. There is no one who can be proud of me. It seems that I am the only one who knows the truth. ——Dong Xiaowan's "Chrysanthemums with Pijiang"
5. Sitting alone under the maple forest, the cloud peaks reflect the light. The pine path is dyed with red clouds, and the white clouds return to the secluded valley. ——Dong Xiaowan Famous quotes by Feng Xiaoqing, a female poet of the Ming Dynasty
Era: Ming Dynasty
Introduction to Feng Xiaoqing:
Feng Xiaoqing, whose name is Xuan and whose courtesy name is Xiaoqing. During the Wanli period of the Ming Dynasty, he was born in Yangzhou (now part of Jiangsu) in Nanzhili. Married to Feng, a wealthy young man from Hangzhou, and gave birth to a concubine. It is taboo to use the same surname and only use the given name. Gong Shi Ci, interpreting the rhythm. He was jealous of the wealthy lady and moved to Gushan. Relatives persuaded him to remarry, but he refused. He became ill from grief and resentment, and ordered the painter to paint the portrait himself. He died at the age of eighteen.
According to records in the "Book of Female Talents" in the early Qing Dynasty, Feng Xiaoqing's real name was Xuanxuan. He was born in the late Ming Dynasty and was born roughly in the late Wanli period. His deeds are recorded in Zhang Dai's "Xiao Qing Buddha" in "Xihu Meng Xun" "She" article:
Xiaoqing is from Guangling. When he was ten years old, he met an old nun and dictated the Heart Sutra, which he recited immediately.
The nun said: "My son is early and wise but has little fortune. Please beg me to be my disciple." The mother refused. If you grow up, you will be good at reading, understanding music and playing chess. By mistake, she fell into a wealthy family in the martial arts world and became his mistress. The eldest woman is extremely jealous and overbearing. One day, when I took Xiaoqing to Tianzhu, the eldest woman said, "There are countless Buddhas in the West, and he is the only great master of rites in the world. Why?" Xiaoqing said, "I am compassionate." The eldest woman smiled and said, "I am also compassionate. "Then he hid himself in the Buddha's house on the solitary mountain and ordered a nun to accompany him. Xiaoqing had nothing to do, so he often came to the pond to take pictures, chatting with shadows, chattering like questions and answers, and stopped frequently when seeing others. Therefore, his poem has the line "The thin shadow is reflected in the spring water, you must pity me and I pity you". Later, he became ill and lost all his grains. He drank a little pear juice every day and was dying. He asked the painter to take a portrait, and he changed it again and again, but it still didn't look like it.
The painter looked at it for a long time, and his craftsmanship was exquisite. Nai said: "That's right." In front of the bed where he offered pear wine, he shouted: "Xiao Qing! Xiao Qing!" He died in grief at the age of eighteen. A poem left behind. When the lady heard of his death, she went to the Buddha's house, asked for his pictures and poems, burned them, and then hurried away.
1. The thin figure is self-pitying in the autumn water, you must pity me and I pity you. - Feng Xiaoqing's "Resentment"
2. There are also people in the world who are obsessed with me, why are they sad? Xiao Qing.
——Feng Xiaoqing
3. The thin figure is photographed in the spring water, you must pity me and I pity you. ——Feng Xiaoqing's "Resentment"
4. Wearing new makeup! But no one appreciated it, and he even argued with the portrait! This elegant makeup look! Where can I rank in the harem? Looking sadly at your slender figure in the water, you should pity my love for you. ...——Feng Xiaoqing
5. In front of Master Jishou Ciyun, if you do not ascend to the Pure Land, you will not ascend to heaven. I am willing to be a drop of poplar branch water and sprinkle it on the human world and the lotus root. ——Feng Xiaoqing
6. Xinzhuang actually competed with Huatu, who is Zhaoyang? The thin figure is reflected in the spring water. You must pity me and I pity you. ——Feng Xiaoqing's "Resentment" Excerpts from classic poems by the novelist Shi Naian of the Ming Dynasty
Era: Ming Dynasty
Shi Naian's works: "Water Margin"
Brief introduction of Shi Naian:
Shi Naian (1296-about 1371), named Zian (some say Ming Er), real name Yanduan, Han nationality, from Xinghua (now Xinghua County, Jiangsu Province), originally from Suzhou , novelist in the late Yuan and early Ming dynasties. He is knowledgeable about the past and the present, and is talented. He has written all kinds of classics, poems, astronomy, geography, medical divination, astrology, etc. He was a Jinshi at the age of 36. He later abandoned his official position and returned home. He wrote books behind closed doors and studied "The Romance of the Three Kingdoms" with his disciple Luo Guanzhong. , the creation of "The Legend of Three Sui Ping Yao", collecting and sorting out stories about Liangshan Bo, Song Jiang and other heroic figures, and finally wrote "Water Margin", one of the "Four Great Classics". Shi Naian became a scholar in the first year of Yanyou of the Yuan Dynasty, and passed the imperial examination in the first year of Taiding (1324). In the second year of Shun (1331), he became a Jinshi and soon became the Yin of Qiantang County, Zhejiang Province. Shi Naian's hometown, Shijiaqiao Village, Xinduo Township, Xinghua, Jiangsu Province, has a cemetery and a memorial hall, and the "Shi Family Genealogy" survives.
Shi Naian was a novelist in the late Yuan and early Ming dynasties. He was a native of Shijiaqiao, Baijuchang, Xinghua, Yangzhou Prefecture, Daming (South Zhili) (now Shijiaqiao, Xinghua, Taizhou, Jiangsu). At the end of the Yuan Dynasty, Zhang Shicheng revolted in Baijuchang (now part of Xinghua and Dafeng), established the anti-Yuan regime in Pingjiang (Suzhou) as the capital, and established himself as the King of Wu (Zhu Yuanzhang was also the King of Wu, and was called Xiwu in history to distinguish the two). Shi Naian served Zhang Shicheng, and later Shi Naian moved to Xinghua to escape the chaos. The one hundred and eight heroes who flooded Liangshan were actually the shadows of the generals of the uprising army in the late Yuan Dynasty. He was a famous writer in the late Yuan and early Ming dynasties. Shi Naian was Luo Guanzhong's teacher. He lived in Shijia Lane, Changmenwai, Suzhou, and once served as an official in Qiantang (Hangzhou).
Shi Naian has been smart, studious, talented, filial and righteous since he was a child.
He was a scholar at the age of 19, a scholar at the age of 28, and a Jinshi with Liu Bowen at the age of 36.
In the first year of Yanyou (1314) of the Yuan Dynasty, he passed the examination to become a scholar, in the first year of Taiding (1324), he passed the examination, and in the second year of Shun (1331), he became a Jinshi. Soon he was appointed Yin of Qiantang County. He was reprimanded by the county magistrate for defending the grievances of the poor, so he resigned and returned home.
In the 13th year of the Yuan Dynasty (1353), Zhang Shicheng, a salt man of Baijuchang, and other 18 strong men led the strong men to revolt against the Yuan Dynasty. Zhang Shicheng respected his literary and military skills and repeatedly invited him to serve as the military commander. Shi Naian happily went there with the grand plan of building the "Wangdaolesuo" and provided Zhang Shicheng with many strategies to attack cities and seize land. Later, because Zhang Shicheng was arrogant and arrogant, acted arbitrarily, trusted sycophants, and alienated loyal people, Zhang Shicheng refused to accept Shi Naian's several suggestions, so he left Pingjiang angrily and composed the "Farewell on the Autumn River" suite as a gift to Lu Yuan, who was also in Zhangmu. , Liu Liang et al. After that, he traveled around the world, treating people's illnesses and solving their problems.
Later he went to sit in the home of Xu Qi, a wealthy man in Zhutang, Jiangyin. In addition to teaching, he also studied the creation of "Three Kingdoms" and "The Legend of Sansui Pingyao" with Luo Guanzhong, who was his disciple, and collected and organized the Northern Song Dynasty. The story of the uprising of 108 people led by Song Jiang in Shuibo Liangshan in the last years prepared the material for writing "The Biography of the Heroes of Jianghu". In the twenty-seventh year of Zhengzheng (1367), after Zhu Yuanzhang destroyed Zhang Shicheng, he investigated Zhang Shicheng's subordinates everywhere. In order to avoid trouble, Shi Naian consulted his friend Gu Ti in Xinghua for advice, built a house in Baiju, and lived in seclusion since then, concentrating on the creation of "The Legend of Jianghu Huo Ke". After the book "The Legend of Jianghu Heroes" was written, it was named "Water Margin".
Excerpts from classic poems by the Ming Dynasty novelist Shi Naian
1. If we are destined to meet each other thousands of miles away, if we are not destined to meet each other, we will never meet. ——Shi Naian's "Water Margin"
2. It's difficult to paint the skin of a tiger, but it's difficult to know the person and the face but not the heart. ——Shi Naian's "Water Margin"
3. In the drunkenness The universe is vast, and the sun and moon are long in the pot.
——Shi Naian's "Water Margin"
4. It's not that you're bad, brother, it's that the world is unclean and doesn't allow you to behave like this - Shi Naian's "Water Margin"
5 , the auspicious clouds confuse the Phoenix Pavilion, and the auspicious energy covers the dragon tower. The smoke-containing willows blow the flags, and the dew palace flowers welcome the swords and halberds. ——Shi Naian's "Water Margin"
6. Peace is originally determined by the general, and the general is not allowed to see peace. ——Shi Naian's "Water Margin"
7. If you don't have true loyalty on weekdays, don't talk about life and death in emergencies. ——Shi Naian
8. The body is like a tiger in the mountains, and the nature is like adding fuel to the fire. Ambitious, bold and resourceful, he meets people everywhere to help him. All with one stick and two fists. The world-shaking reputation is all over Huangzhou, and Shi Xiu is a desperate man. ——Shi Naian's "Water Margin"
9. The clouds cover the top of the peak, and the sun turns around the mountainside; the high mountains seem to be connected to the Tianguan, and the jagged peaks invade the Han Dynasty. In front of the rock, flowers and trees dance in the spring breeze, secretly exhaling fragrance; at the entrance of the cave, the skin of the vines is covered with rain, and its tender threads hang upside down. Feiyun Waterfall, the shadow of the Milky Way is soaked in the cold moonlight; the cliffs are green with pines, and the iron bells shake the dragon's tail. The roots of the mountain stand tall in the Three Thousand Realms, and the mountain range has been held high for tens of thousands of years. ——Shi Naian's "Water Margin"
10. Take it or leave it, and don't regret it later. ——Shi Naian
11. The root is in the corner of the earth and the top is connected to the heart of the sky. From a distance, you can see the traces of chaotic clouds being worn away, and from a close look, you can see the bright moon swallowing its soul flatly. The different heights are called mountains, the stone passages on the sides are called Xiu, the interesting road of spiritual energy is called the top, the flat top is called the top, the round head and the strong bottom are called mountains, the hidden tigers and leopards are called caves, and the hidden winds and hidden clouds are called The rock is called a cave where experts live in seclusion. There is a state and a boundary, which is called a mansion; where woodcutters come and go, it is called a path; where carriages and horses can pass, it is called a road; when water has sounds, it is called a stream; when crossing the source in ancient times, it is called a stream; and when water dripping from a cliff is called a spring, it is called a stream. The left wall is a cover and the right wall is a reflection. What comes out are clouds and what comes out is fog. The tip of the cone looks small, it is rugged and steep, it is suspended in the air and it looks dangerous, and the cut stone looks flat. Thousands of peaks compete for beauty, thousands of valleys contend for streams, waterfalls fly sideways, and vines hang upside down. When the tiger roars, the wind rises at the mouth of the valley; when the ape cries, the moon falls on the mountainside. Just like indigo dyed into thousands of pieces of jade, and green gauze covering thousands of piles of smoke. ——Shi Naian's "Water Margin"
12. The flowers bloomed and were blown down by the wind, and the bright moon was covered by clouds and mist. ——Shi Naian's "Water Margin"
13. Take a look at the hidden places in the woods and see how many talented scholars there are. There is no need to worry about the benefits of a false name book, cutting ice and snow, talking and laughing and watching Wu Gou. Review the former king and the later emperor, distinguish the true from the false, occupy the central state, and the seven heroes disturb the enemy in the Spring and Autumn Period. The rise and fall are like brittle willows, and the life experience is like an empty boat. See countless fame, countless pictures, and countless escapes. In an instant, under the new moon, Changchuan River falls, and the rivers and lakes turn into ancient roads in mulberry fields. I am surprised to ask for a fish-friendly tree, and I am like a poor ape choosing a tree, but I am afraid that it will damage the bow and bend the tree. It's better to hold the cup in your palm and listen to the new music. ——Shi Naian's "Water Margin·Opening Words"
14. You can be surprised when the wild geese fly apart. There is a king around me to forgive me, and I can live this life free from the dust. Has your ambition to seize territory and siege the city been paid off? Chen Ci wants to travel with Chisong. At that time, people were obsessed with fame because they were afraid that it would never end. ——Shi Naian's "Water Margin,_Yan Qing"
15. "Black mane, thin and curved eyebrows, smooth eyes, fragrant mouth, straight nose and red nose" Breasts and cheeks, pink and shiny face, light curling body, jade slender hands, a twisted waist, soft pus belly, pointed feet, flowery shoes, meaty grandma breasts, Bai Shengsheng has legs. ——Shi Naian's "Water Margin"
16. In all directions, there are families with different surnames. The heaven and earth show the essence of Gangsha, and the human environment combines the beauty of Jingling. Seeing each other day and night from thousands of miles away, life and death can be the same within an inch. In appearance and language, there is no difference between north and south and east and west. Although the people are different, they are brave and courageous, and their loyalty and trustworthiness are the same. Among them, there are sons and grandsons of emperors, rich generals and officials, as well as three religions and nine schools, even hunters, fishermen, butchers and executioners, all of whom are called brothers, regardless of high or low; there are also brothers and sisters, couples, uncles, nephews, uncles, and uncles. Following the master and servant, fighting and enmity, enjoying the same wine and feast, no matter how close or distant they are. Either an elf, a rough-and-tumble, a simple villager, or a romantic, they don't interfere with each other, they really recognize each other and live together; or they have pens and tongues, or swords and guns, or Mercedes-Benz, or cheating, each has its own strengths, it really depends on the talent. ——Shi Naian's "Water Margin"
17. The willows contain smoke and the flags are brushed, and the palace flowers with dew welcome the swords and halberds. ——Shi Naian's "Water Margin"
18. Xingxing cherishes Xingxing, and a good man cherishes a good man.
——Shi Naian's "Water Margin Chapter 19"
19. Every injustice has its owner, and every debt has its owner! You sergeants, don’t work for Liu Gao! Those two new coaches haven't seen your Grandpa Hua's skills yet. I'll show you today! ——Shi Naian's "Water Margin"
20. The sunlight outside the window flickered by, and the shadows of flowers on the table moved forward. Before a glass of music was given, the chenpai under the stairs told the time again. ——Shi Naian's "Water Margin"
21. If you extend kindness widely, you will never meet again in life; if you make many enemies, it will be difficult to turn back when the road is narrow. ——Shi Naian
22. Thousands of streams are densely packed, with several peaks standing in rows of wild geese. The mountains and cliffs are as stone as a city wall, and clouds and trees surround the sky. ——Shi Naian's "Water Margin"
23. The chief teacher drank all the water from the three rivers, and it is difficult to wash away the shame of the present. ——Shi Naian
24. A general is hidden in the chest, and a powerful soldier is hidden in the belly. ——Shi Naian
25. From a distance, I saw flags covering the sun, swords like hemp, armored cavalry in front, and generals behind them; they were slashing and killing on the road to Bailong Temple. ! ——Shi Naian
26. Softness is the foundation of one’s life, and strength is the womb of trouble.——Shi Naian
27. The sky has returned to heaven, and the earthly evil should return to the earth. middle. They have served as temple food for gods throughout the ages, and are heroes throughout history. Don't hide your actions to blame God, the Han Pengchi tribe is already pitiful. Dedicated to serving the country and destroying the front, he captured the Liao Dynasty in a hundred battles. However, Yaogang Star is gone now, but the slanderers and traitors are still there! I had known that the poison of poison was buried in the yellow soil, and I had learned how to use the barbarian boats. When he is born as a cauldron, when he dies, he becomes a marquis. A man's ambition in life has been fulfilled. The iron horse hisses at night, the moon rises in the mountains, and the black ape roars in autumn and the clouds thicken at dusk. There is no need for the source to seek the authentic work, but Zhongliang is welcome to use it as the source. For thousands of years, polygonum has been buried in the jade ground, and the falling flowers and singing birds are always a source of worry. ——Shi Naian
28. Lieutenant Hong fell under the root of the tree, fighting with his thirty-six teeth. His heart was like fifteen buckets, rattling all over the place. However, his whole body felt numb as if from the heavy wind, his legs felt like a beaten rooster, and he kept moaning in pain. ——Shi Naian's "Water Margin"
29. What should the people do if they are rude? Wealth should not be taken without justice. ——Shi Naian
30. People stand up with their fists, horses walk with their arms, and people stand up with their faces. ——Shi Naian
31. Lin Chong jumped up and looked through the crack in the wall. He saw a fire in the forage yard, and everything was burning. When I looked at the fire, I saw: a little spiritual platform, the five elements of creation, Bing Ding passed down in the world. In the ignorant heart, disasters arise in Cangzhou. Cooking an iron cauldron can produce all things. The golden elixir is returned to Chonglou. Thinking about the present and the past, the south has left its position, and Yinghuo is the most prominent. The green window returns to the flames; deep inside the flowers, the fishing boat is hidden. Fighting fiercely at Chibi, Gong Jin was happy to make a plan. King Li Jin was drunk at the post office, while Tian Dan was driving cattle in Jimo. Zhou Baosi smiled at Lishan, so he played with the princes. ——Shi Naian's "Lin Jiaotou Fengxue Mountain Temple"
32. Zhao Kuo can read his father's letter, so why is Wen Bin so stupid? ——Shi Naian
33. With a broad chest, he has the majesty of being invincible to ten thousand men; ——Shi Naian
34. The red sun is scorching like fire, and the wild fields and rice are half withered. ——Shi Naian A collection of excerpts of famous love quotes and poems from Tang Yin and Tang Bohu in the Ming Dynasty
Era: Ming Dynasty
Introduction to Tang Yin:
Tang Yin (1470-1523), courtesy name Bohu, whose name is Ziwei, also known as Liuru Jushi, Taohua Temple Master, Tang Sheng of Lu State, Fleeing Zen Immortal Official, etc. It is said that he was born in Yin month, Yin day and Yin time in the sixth year of Chenghua, Xianzong of Ming Dynasty, so he was named Tang Yin. Han nationality, native of Wuxian County (now Suzhou, Jiangsu Province). He was cynical but talented. He was good at famous poems and prose. He was known as one of the "Four Talents of Jiangnan" together with Zhu Yunming, Wen Zhengming, and Xu Zhenqing. He also had more famous paintings, and was known as one of the "Four Wu Clan Schools" together with Shen Zhou, Wen Zhengming, and Qiu Ying.
Tang Yin was born on the fourth day of February in the sixth year of Chenghua in the Ming Dynasty (March 6, 1470) and died on the second day of December in the second year of Jiajing (January 7, 1524). Born into a merchant family, his father is Tang Guangde and his mother is Qiu. He was smart since he was a child, but when he was in his 20s, his family suffered a series of misfortunes. His parents, wife, and sister died one after another, and his family declined. Under the advice of his friend Zhu Zhishan, he concentrated on studying. At the age of 29, he participated in the Yingtianfu public examination and won the first place "Jie Yuan". At the age of 30, he went to Beijing to take the exam, but was implicated in a fraud case and was denounced as a citizen. After that, he decided not to make progress and made a living by selling paintings. In the ninth year of Zhengde (1514), he went to Nanchang for more than half a year at the invitation of King Ning Zhu Chenhao. Later, he realized that King Ning had evil intentions, so he pretended to be crazy and even ran naked on the street to escape.
Life was difficult in his later years, and he died of illness at the age of 54. The last poem he wrote before his death revealed his unforgettable complex mood of nostalgia for the world but resentment and world-weariness: "If you are born in the earth and have an end, it doesn't matter if you die and return to the underworld. The earth and the earth are all similar, just drifting in a foreign land." In commemoration On the 540th anniversary of Tang Yin's birth, coupletist Chen Zhisui's "In Commemoration of Tang Yin" said: "Painting reaches the state of samadhi, and dreams and sleeps are like the body."
He is good at landscapes, figures, flowers and birds, and he studied landscapes with Zhou Chen in his early years. Later, he followed the example of Li Tang and Liu Songnian and made some changes. The mountains and ridges in the painting are chopping with a small axe. They are majestic and precipitous, but the brushwork is delicate, the layout is sparse, and the style is elegant and elegant. Most of the figure paintings are of ladies and historical stories, which are inherited from the tradition of the Tang Dynasty. They have clear and thin lines, bright and elegant colors, graceful postures and accurate shapes. They are also freehand figures with simple and comprehensive brushwork, which is full of interest. His flower and bird paintings are good at freehand ink painting, free and easy, and elegant in style. In addition to painting, Tang Yin also practiced calligraphy, adopting the method of Zhao Mengfu, and his calligraphy style is unique and handsome. There are "Returning Thoughts on a Donkey", "Sound of Pines on the Mountain Road", "Shiming Picture", "Prostitutes in Wangshu Palace", "Li Duanduan's Settlement", "Hibiscus by the Water", "Autumn Wind Fan", "Hundred Beautiful Pictures", "Withered Trees and Birds", "Green Peaks on Both Sides", "Looking at the Spring and Listening to the Wind", "Peony Lady Picture", "Zhenze Smoke Trees", "Xiao Blowing Picture", " Paintings such as "Ban Ji's Fan" and "Apricot Blossom Thatched House" are handed down from generation to generation.
A collection of excerpts of famous love quotes and poems from Tang Yin and Tang Bohu in the Ming Dynasty
1. There is a peach blossom nunnery in Taohuawu, and a peach blossom fairy under the peach blossom nunnery. The Peach Blossom Fairy planted peach trees and picked peach blossoms in exchange for wine money. The world laughs at me for being too crazy, but I laugh at others because they can’t see through it. There are no tombs of heroes from the Five Tombs, and there are no flowers or wine to cultivate the fields. ——Tang Bohu's "Song of Peach Blossom Temple"
2. Peach Blossom Temple in Taohuawu, Peach Blossom Fairy in Peach Blossom Temple; Peach Blossom Fairy grows peach trees and picks peach flowers in exchange for wine money. When I'm sober, I just sit in front of flowers; when I'm drunk, I come to sleep under the flowers; half-awake and half-drunk day after day, the flowers fall and bloom year after year. I hope that when I die in old age and spend my time in wine, I don’t want to bow in front of carriages and horses. Those who are rich in carriages and horses are happy, and those who are poor in wine cup branches are lucky. If the rich and the noble are compared to the poor and the lowly, one is on the ground and the other is in the sky; if the poor and the lowly are compared to a chariot and a horse, he has to drive and I have nothing to do. Others laugh at me for being too crazy, but I laugh at others because they can't see through it; there are no tombs of heroes in the Five Tombs, and there are no flowers or wine to cultivate the fields. ——Tang Yin's "Song of Peach Blossom Temple"
3. Peach Blossom Temple in Taohuawu, and Peach Blossom Fairy under Peach Blossom Temple; Peach Blossom Fairy plants peach trees and picks peach flowers in exchange for wine money. When I'm sober, I just sit in front of flowers; when I'm drunk, I come to sleep under the flowers; half-awake and half-drunk day after day, the flowers fall and bloom year after year. I hope that when I die in old age, I am unwilling to bow in front of the chariot and the horse. The chariot and the horse are full of wealth for the rich, and the wine cup and the branches of the wine are for the poor. Others laugh at me for being too crazy, but I laugh at others because they can't see through it; there are no tombs of heroes in the Five Tombs, and there are no flowers or wine to cultivate the fields. ——Tang Yin's "Song of Peach Blossom Temple"
4. If you are born in the world of the sun and have an end, it doesn't matter if you die and return to the underworld. The earth and the underworld are all similar, just like wandering in a foreign land. ——Tang Yin's "Death Poem"
5. The pear blossoms are beaten by the rain and behind closed doors, they live up to their youth and live in vain. They enjoy the pleasures of their youth. Thousands of cries, traces of cries, dawn, looking at the sky at dusk, watching the clouds, thinking about you when sitting, thinking about you - Tang Bohu's "One Cut Plum"
6. When you are sober, you only sit in front of flowers, and when you are drunk, you still come to sleep under the flowers; Half awake and half drunk day after day, flowers fall and bloom year after year. ——Tang Yin's "Song of Peach Blossom Temple"
7. Peach Blossom Temple in Taohuawu, and the Peach Blossom Fairy under the Peach Blossom Temple. The Peach Blossom Fairy planted peach trees and picked peach blossoms in exchange for wine money. When I'm sober, I just sit in front of the flowers; when I'm drunk, I come to sleep under the flowers. Half drunk and half awake day after day, flowers fall and bloom year after year. I wish I could die in my old age and spend my time drinking wine, rather than bow in front of my carriage. The chariot, dust, and horses are all enough to reveal the matter, and the wine-cup branches are the hermit's fate. If we compare the manifest ones to the hermits, one is on the ground and the other is in the sky. If flowers and wine are compared to chariots and horses, how busy they are and how idle I am. Others laugh at me for being crazy, but I laugh at others because they can’t see through it. There are no tombs of heroes from the Five Tombs, and there are no flowers or wine to cultivate the fields. ——Tang Bohu's "Song of Peach Blossom Temple"
8. Three glasses of pure white wine and a few heartfelt words. When will I return home and have a laugh with her? ——Tang Bohu's "Drunk Poems"
9. I paint the long orchid river water, and love the thick maple leaves on the evening pavilion. The autumn moon shines brightly on the Buddhist temple, and smoke curls around the light building. ——Tang Yin
10. When you are sober, you just sit in front of flowers. When you are drunk, you come to sleep under flowers.——Tang Yin
11. In life, you don’t get drunk in front of flowers, and so does life when flowers laugh. stay. ——Tang Yin's "Song of Drinking Wine Under the Flowers"
12. Half drunk and half awake day after day, the flowers bloom and wither year after year.
——Tang Bohu's "Song of Peach Blossom Temple"
13. The rain hits the pear blossoms behind closed doors, forgetting youth, and missing youth. Enjoyable things, who cares? Ecstasy under the flowers, ecstasy under the moon. ——Tang Yin's "One Cut Plum"
14. Others laugh at me because I am too crazy, but I laugh at others because they cannot see through. ——Tang Yin's "Song of Peach Blossom Temple"
15. The steps are covered with red moss and green branches. Du Yu's voice is sad! After a short period of intercourse, they separated again. The colorful phoenix flew alone, and the colorful phoenix lived alone. How long will it take to miss each other after we say goodbye? It's hard to know what will happen next, and it's hard to predict what will happen next. How can this feeling express lovesickness? A love word, a love poem. The rain hits the pear blossoms and the door is closed behind closed doors. I am living up to my youth and living in vain! Enjoyable things, who cares? Ecstasy under the flowers, ecstasy under the moon. The eyebrows are full of sorrow, and the sun is frowning, and there are thousands of cry marks, and ten thousand cry marks; I look at the sky at dawn and the clouds at dusk, and I miss you when I walk, and I miss you when I sit. ——Tang Yin's "A Cut of Plum Blossoms"
16. People are young and old when they are worried, but flowers are young and carefree. Young and old don't care, they just drink their poems and get drunk in front of the flowers. ——Tang Yin's "Old Boy"
17. Being drunk can relieve a thousand sorrows, but waking up from drinking is still there - Tang Yin
18. There are flowers but no moon, and the hatred is vast, and there is a moon but no flowers. Hate grows longer. The flowers are as beautiful as a person standing in a moon mirror, and the moon is as bright as water illuminating the fragrance of the flowers. Holding a candle and walking under the moon, looking for flowers, carrying wine in front of the moon to taste. There are such beautiful flowers and such a moon, so don’t treat the flowers and the moon as ordinary. - Tang Yin’s "Yin of the Flower and Moon"
19. Don’t blame me for being sad when I was young. Where can I be without melancholy when I am in spring, and where can I not be pitiful when I am in love. There is snow on the cup of Duqu pear blossoms, and the fragrance of Baling grass is smoked in the dream. The future is filled with golden tears, and the public case is filled with white bones and Zen. The old queen thought that she should have no regrets. She held her alms bowl in front of the courtyard. ——Tang Bohu's "Ci"
20. Don't force everything to happen, so why bother to use tricks? If you have three meals to eat, you will always be satisfied, and you will be able to take advantage of the wind. When did trouble begin, and how long will it take to stop harming everyone? It is better to dissolve enemies than to make enemies, and everyone should look back and look at the future - Tang Yin's "Sigh of the World"
21. Is it good for a man to be a slave to a flower? Langdao is not as graceful as flowers. The beauty heard this and became jealous, not believing that a dead flower is better than a living person. Crush the flowers into pieces and throw them in front of the man: Please let him sleep with the flowers today! ——Tang Yin's "Jealous Flowers"
22. The eyebrows are full of sorrow, and the sun is frowning, with thousands of cry marks, thousands of cry marks. I look at the sky at dawn and the clouds at dusk. I miss you when I walk and I miss you when I sit. ——Tang Yin's "One Cut Plum"
23. I asked you who you are, and you turned out to be me. I didn't recognize you, but you wanted to recognize me. Hey! I can't live without you, but you can't live without me. A hundred years later, you and I will be gone. ——Tang Bohu's "Tang Bohu's Self-Praise"
24. When the name is unknown, the heart is immortal, and then read the article by light of the lamp. ——Tang Yin's "Night Reading"
25. If there is a lamp but no moon, it will not entertain people. If there is a moon but no lamp, it is not spring. When spring arrives in the world, people are like jade, and when the lamp is burning, the moon is like silver. The streets are full of pearls and emeralds, and the village girls are dancing, and the local gods are playing and singing. If you don't show your beauty and open your mouth to smile, how can you spend this good time? ——Tang Yin's "Lantern Festival"
26. "Half awake and half drunk day after day, flowers bloom and fall year after year. ——Tang Bohu's "Peach Blossom Temple""
27. Not chained Jindan does not sit in meditation, does not work as a merchant, and does not plow the fields. When you have time to write, just sell it on the green hills, so as not to make money to do evil in the world. ——Tang Yin's "Poetry of Yan Zhi"
28. A hundred words, but I want to know why, but I can't explain it because of neglect and ink. In the 11th year of the Provincial Examination of Hongzhi, Tang Bohu, who was named Xie Yuan, died in his later years. In the Taohua Temple in Taohuawu in front of the Anding Tree, there are peach blossom fairies in Taohua Temple. The Peach Blossom Fairies plant peach trees and pick peach blossoms for wine money. When I'm sober, I just sit in front of the flowers; when I'm drunk, I come to sleep under the flowers; half-awake and half-drunk day after day, the flowers fall and bloom year after year. I hope that when I die in old age, I am unwilling to bow in front of the chariot and the horse. I hope that the chariot and the horse are rich enough to be interesting, and the wine cup and the branches of the wine are poor. If the rich and the noble are compared to the poor and the lowly, one is on the ground and the other is in the sky; if the poor and the lowly are compared to a chariot and a horse, he has to drive and I have nothing to do. Others laugh at me for being crazy, but I laugh at others for not being able to see through it; there are no tombs of the heroes of the Five Tombs, and there are no flowers or wine to cultivate the fields. ——Tang Yin's "History of the Ming Dynasty"
29. Peach Blossom Temple in Taohuawu, Peach Blossom Fairy in Peach Blossom Temple; Peach Blossom Fairy grows peach trees and picks peach flowers in exchange for wine money. When I'm sober, I just sit in front of the flowers; when I'm drunk, I come to sleep under the flowers; half-awake and half-drunk day after day, the flowers fall and bloom year after year. Others laugh at me for being too crazy, but I laugh at others because they can't see through it; there are no tombs of the heroes of Wuling, and there are no flowers or wine to cultivate the fields. ——Tang Bohu's "Song of Peach Blossom Temple"
30. I wish I could die of old age among the flowers and wine, and I don't want to bow in front of my carriage. ——Tang Bohu's "Peach Blossom Temple"
31. As time goes by, no one is better than a thousand days. In the depth of spring, flowers sometimes turn red. You must endure what is right and wrong, and you will become half-demented and half-deaf.
——Tang Yin's "Warning to the World"
32. Why should you be ruthless? It's because we are in love with you. ——Tang Yin's "Poetry of Falling Flowers"
33. Up and up and up again, up to the high mountain. With your head raised, the red sun and white clouds are low, and you can see all the seas and lakes. ——Tang Yin
34. It started to rain last night, and several of the begonias were light and delicate. The beauty came out of the orchid room at dawn and turned to the mirror to compare her red clothes. Asking the man, "Flowers are beautiful and beautiful," the man said, "They are not as graceful as the flowers." The beautiful lady became jealous at the words, and did not believe that a dead flower was better than a living person. She crushed the flower into pieces and threw it in front of the man: Please let me sleep with the flowers today! - Tang Yin "Jealous Flowers"
35. There are secluded bushes along the three paths of my hometown, and the dark frost falls in the blue sky all night long. Many guests who have not returned from the world have taken advantage of the fence to watch the autumn breeze. ——Tang Yin's "Chrysanthemums"
< p> 36. The world laughs at me for being too crazy, but I laugh at others because they cannot see through it. Without the tombs of the heroes of Wuling, there are no flowers and no wine to cultivate the fields - Tang Bohu's "Tang Bohu Lights the Autumn Fragrance"37. Laughing, dancing and singing wildly. For fifty years, I have been enjoying myself in the flowers. I have spread my name all over the world, but I am ashamed to call myself an author of poems and poems. I have to work hard and not lose an inch of my heart. -Tang Yin
38. I lie on my pillow at night and think deeply. I lie alone for a long time with a broken lamp leaking. I think deeply that my hair on my temples will turn gray in the future. I don’t know when my belt will turn yellow after death. I want to do it before I die. When the name is not revealed, the heart is immortal, and I turn on the light to read the article. - Tang Yin's "Night Reading"
39. When I am free, I only sell the peach blossoms for wine money. >
40. Firewood, rice, oil, salt, soy sauce, vinegar and tea are all in other people's homes; at the end of the year, there is nothing to do, and I look at plum blossoms in Zhutang Temple. ——Tang Bohu's "New Year's Eve Account"
41. The heroes of Wuling are missing. Tomb, no flowers, no wine, hoeing for fields? - Tang Yin's "Song of Peach Blossom Temple"
42. Orioles sing on the green poplar branches, and wine flags hang on the tips of red apricots - Tang Yin
43. There are secluded bushes along the three paths of the garden, and frost falls into the blue sky all night long. ——Tang Yin's "Chrysanthemum"
44. The peony garden is so deep in spring that one inch of time is worth a thousand taels of gold. It’s hard to let go of love. ——Tang Yin
45. The three steps of a man’s determination: harmonize his family, govern the country, and bring peace to the world. ——Tang Yin
46. You must tolerate right and wrong. Demented and half-deaf - Tang Yin's "Warning to the World"
47. The red crown on the head does not need to be cut, and the whole body is covered with snow. I dare not speak lightly in my life, and thousands of houses will open. - Tang Yin. "Painting a Chicken"
48. Things in the world are like a boat with a short canopy, moving to the west or east - Tang Yin's "Warning to the World"
49. When you are sober, you just sit in front of the flowers. When you are drunk, you still come to sleep under the flowers, half drunk and half awake day after day, and the flowers are wrapped in flowers year after year. To my dear girl - "Peach Blossom Temple" by Tang Yin
50. Half asleep and half awake day after day. , the flowers fall and bloom year after year. ——Tang Yin's "Song of Peach Blossom Temple"
51. In Taohuawu, under the Peach Blossom Temple, the peach blossom fairy planted peach trees and folded the branches to use as wine money, sobering up only in the flowers. Sitting in front of me when I'm drunk, I have to sleep under the flowers. I'm drunk day after day after the flowers. I'm awake year after year. I don't want to bow in front of the chariot and horses. I hope I'll grow old and die in the flowers and wine. The chariots and horses are rich. The rich are interested in the wine cup branches. The poor are destined to be rich. Compared with the poor and humble, on the plains and in the sky, if the poor and the humble are compared with chariots and horses, they have to drive, I have nothing to do, the world laughs at me, I am so crazy, I laugh, the world cannot see through, remember the tomb of the hero of Wuling, no wine, no flowers, hoeing the fields - Tang Yin's "Song of Peach Blossom Temple"
52. [Ming Dynasty] Tang Yin's "Song of Peach Blossom Temple" Peach Blossom Temple in Taohuawu, and Peach Blossom Fairy under Peach Blossom Temple. The Peach Blossom Fairy planted peach trees and picked peach blossoms in exchange for wine money. When I'm sober, I just sit in front of the flowers; when I'm drunk, I come to sleep under the flowers. Half drunk and half awake day after day, flowers fall and bloom year after year. I wish I could die in my old age and spend my time drinking wine, rather than bow in front of my carriage. The chariot, dust, and horses are all enough to reveal the matter, and the wine-cup branches are the hermit's fate. If we compare the manifest ones to the hermits, one is on the ground and the other is in the sky. If flowers and wine are compared to chariots and horses, how busy they are and how idle I am. Others laugh at me for being crazy, but I laugh at others because they can’t see through it. There are no tombs of heroes from the Five Tombs, and there are no flowers or wine to cultivate the fields. ——Tang Yin's "Song of Peach Blossom Temple"
53. If you don't refine elixirs and don't sit in meditation, you will eat when you are hungry and sleep when you are tired. In his career, he is both a painter and a poet, tracing lace and willow edges. The bodies in the mirror look young and old, and the couple in front of the lamp have the same full moon. Thousands of joys and thousands of drunkenness, the idle people in the world are immortals - Tang Yin's "Feelings"
54. Ecstasy under the flowers, ecstasy under the moon. The eyebrows are full of sorrow, and the sun is frowning, and there are thousands of crying marks, and thousands of crying marks. I look at the sky at dawn and the clouds at dusk. I miss you when I walk and I miss you when I sit.
——Tang Yin's "A Cut of Plum Blossoms"
55. Long Sha should miss me in his 20th year, and his writings can draw threads in his years. ——Tang Yin's "Untitled"
56. Peach Blossom Temple in Taohuawu, and Peach Blossom Fairy under Peach Blossom Temple. The Peach Blossom Fairy planted peach trees and picked peach blossoms in exchange for wine money. ——Tang Yin