Huai Su, a native of Changsha, is a monk. He likes drinking and gets drunk nine times a day. His name is drunken monk and he eats meat. It is said that his family is poor and has no money to buy paper to write, so he often writes with banana leaves. Huai Su's cursive script is as famous as Zhang Xu's.
Known as.
Huai Su's calligraphy is famous for its wild grass, and the most famous works handed down from generation to generation are autobiographical posts, fish food posts and bitter bamboo shoots posts. In the self-narrative posts, the fine and rigid font and continuous bold and unrestrained words are the biggest characteristics of his calligraphy.
Calligraphers of Huai Su Hall, whose characters hide the truth, have a common surname Qian. When he was a child, he was a good Buddha and became a monk. The monk's name is Huai Su, and he is from Changsha. Exquisite and diligent in learning calligraphy, he is famous for being good at cursive, and he is the leader of a generation of coquettish cursive writers in the history of calligraphy. The cursive script he wrote is called cursive script, and its brushwork is round and powerful, making it turn into a ring, bold and unrestrained, in one go, just like another cursive script writer in Tang Dynasty, Zhang Xu, whose name is Zhang Dian, who is crazy or drunk. It can be said that it is a classical romantic art, which has a far-reaching influence on later generations. He also wrote poems and had contacts with poets such as Li Bai, Du Fu and Su Xun. Good at drinking, whenever drinking rises, regardless of walls, clothes, utensils, arbitrary writing, when people call it a drunken monk. Huai Su's representative works include self-narration, bitter bamboo shoots and eating fish.
Huai Su is an outstanding calligrapher in the history of China. His cursive script is called Crazy Grass. His pen is round and powerful, making it turn like a ring, unrestrained and smooth, just like Zhang Xu. Later generations all know whether Zhang Dian is crazy or drunk. It can be said that it is a classical romantic art, which has a far-reaching influence on later generations. He also wrote poems and had contacts with poets such as Li Bai, Du Fu and Su Xun. Good at drinking, whenever drinking rises, regardless of walls, clothes, utensils, arbitrary writing, when people call it a drunken monk. His cursive script was written by Zhang Zhi and Zhang Xu. After reading it, the general manager said: Huai Su's cursive script changed at will with the help of electricity, and Song and Zhu continued to list Huai Su's book as a wonderful work. Comments: If a strong man draws his sword, the color of the gods is moving.
Huai Su was smart and eager to learn since he was a child. He said straight to the point in his self-report post: Huai Su lived in Changsha, where he was a Buddha when he was young, and he loved writing in his spare time after Zen. His spirit of studying hard and practicing hard is amazing. Because he couldn't afford to buy paper, Huai Su found a board and a disc and painted it with white paint to write. Later, Huai Su thought the lacquer board was smooth and not easy to ink, so he planted more than 10,000 plantains on a wasteland near the temple. When the banana grew up, he picked the leaves and spread them on the table, waving at the post. Because Huai Su practiced calligraphy day and night, the old banana leaves were peeled off and the lobules were reluctant to pick, so he thought of a way to stand in front of the banana tree with pen and ink and write to the fresh leaves, even if the sun shone on him like a frying pan; The biting north wind cracked his hands and skin, but he kept practicing calligraphy regardless. He kept writing about one place after another. This is the famous calligraphy practice of Huai Su Banana.
Features of the work/Huai Su
In the history of cursive art, Huai Su and his self-narrative posts have been discussed for calligraphy lovers for more than 1,200 years since the middle Tang Dynasty. Huai Su, a monk at the age of ten, was born in Lingling, Yongzhou. When he was young, he loved calligraphy in his spare time after meditation. He is poor and has no paper or ink. He planted more than 10,000 plantains to practice calligraphy and used plantain leaves instead of paper. Because the residence is all banana forests, it is funny to call the residence green temple. Instead of paper, we use paint plates and boards to study hard and study hard. The plates are all written, and there are many broken pens, which are buried together and called pen burial.
He is generous and keen on cursive writing, but he has no intention of practicing Zen. He drinks and eats meat, makes friends with celebrities, and makes friends with Li Bai and Yan Zhenqing. It is famous for its weeds. There are many records about Huai Su in Tang literature. The speed of the pen, like a whirlwind of showers, flies around and changes at will, and the statutes can be obtained. Princes and celebrities also like to make friends with this crazy monk. Tang Renhua wrote in a poem: The mad monk moved to Beijing the day before yesterday, rode the horse of the maharaja in the morning and stayed at the maharaja's house at dusk. Who doesn't build a plain screen, who doesn't draw a white wall. The powder wall is shaken clear and the plain screen is frosted. I can't forget your swaying posture, the horse welcomes the seat, and the golden plate drinks bamboo leaves. Ten drinks and five drinks don't understand. After a hundred drinks, you will be crazy. . Predecessors commented that Mad Grass inherited Zhang Xu and made new progress, saying that madness followed subversion, which was also called drunkenness. Have a great influence on future generations.
Huai Su is good at using the pure momentum of the central pen as a big grass, such as "whirlwind shower, full of momentum, suddenly", and a thousand words spread all over the wall. Although it was so fast, Huai flew across the grass almost without mistakes.
Compared with the confusion and omissions of many calligraphers, it is much better. Wild grass knows Huai Su. Although it is the first, it is ever-changing and will never leave the statutes of Wei and Jin Dynasties. This is really due to his extreme penance. There are many books handed down from Huai Su, including Thousand Words, Jing Jing, Notre Dame, Hiding the Truth, Fagong, beriberi, Self-narration, Bitter Bamboo Shoots, Eating Fish and Chapter 42.
Studying the works of Huai Su above, we can find that their styles are not all the same, which can be roughly divided into three types: First, those who have not completely got rid of their predecessors' styles, such as Notre Dame, Eating Fish, Sorrow, Zang Zhen, Zhu Tie, etc., have retained a lot of Jin Fa, while Notre Dame has Yan Zhenqing style. Secondly, he has his own style skills, such as pure classics, forty-two chapters classics and self-narrative posts. Third, following a peaceful style of writing, such as a thousand words of grass, is quite different from his arrogant style of writing and completely changed, which can also be said to be his outstanding point.
Main Works/Huai Su
Self-narrative post
Paper, vertical 31.4cm, horizontal1510.0cm; 126 line, ***698 words. There are four words in front of the post: quotations from Li Dongyang's seal script, hidden truth and self-report. The original is now in the Palace Museum in Taiwan. Self-narrative posts are the representative works of Huai Su's cursive script. The first six lines are said to have been written by Su Shunqin, who is the collector of this post. Compared with those below the seventh line, there is a world of difference. When you open the whole volume and overlook it, the difference is even more obvious. The whole article is crazy grass, pen and pen in the middle, such as cone drawing sand table, vertical and horizontal oblique straight; Echoing up and down like a storm, you can imagine that when you are doing exercises, your heart and hands are in harmony, and pride is full of enthusiasm. In the Ming Dynasty, Angie called this post: The colors of ink, air and paper are wonderful and moving, and the vertical and horizontal changes occur at the ends of the hair, which is mysterious. As far as cursive writing is concerned, among the traditions since the Jin and Tang Dynasties, Xi's father and son are the mainstream with the most bookish characteristics, while those who belong to the anti-tradition should push Huai Su's self-narrative to be wild all the way. It is said that Yan Zhenqing once awarded Xu's brushwork to Huai, so it can also be said that Xu-Yan Zhenqing-Huai Su is in the same strain. Judging from the remaining works, Yan Zhenqing showed an anti-traditional tendency in both regular script and running script. As far as cursive writing is concerned, Huai Su probably learned his own calligraphy from Zhang Xu's works.
Xiaocao qianziwen
A thousand words of ink on grass. There are many kinds of thousands of words written by Huai Su in the fifteenth year of Zhenyuan, among which Xiao Zhenyuan is the best, also known as the silk book with thousands of posts, with 84 lines and 1045 words. Inexplicably, it is said that Huai Su's stippling in A Thousand Words and a Silk Plain is abnormal and criss-crossed. I was careless at first, but I followed the pattern and conformed to the chemical industry. This book was written by Huai Su in his later years. In his later years, Huai Su cursive script changed from whirlwind to quaint and simple, and the words were not connected with each other, and the brushwork was more vigorous and simple. It has always been valued by the book forest because it returns to the dull work for glory. Huai Su cursive script. Wang Shizhen commented:
On the book post
Cursive ink, paper, 38.5 cm long and 40.5 cm wide, 9 lines, ***85 words. Generally speaking, it inherited and developed Zhang Xu's cursive script, so there is a saying that he is crazy. Dong Zhuiguang wrote a postscript saying: Huai Su is good at calligraphy, but he said his brushwork is ignorant. Looking at the storytelling in the Tang Dynasty, it is said that Zhang Xu will not be reduced. Although he has been galloping outside the rope and ink, he has been advancing and retreating in the festival. Today, his book claims that the clock is really out of date and the grass is out of date. However, in any case, his cursive script always aims at indulgence. On the other hand, the book post is very different from our common Huai Su cursive script. His book posts are even and stable, and the rules of entry and exit are absolutely crazy and weird. This is a masterpiece with the significance of Cao Zhang in this meadow.
Artistic Features/Huai Su
In the history of cursive art, Huai Su and his self-narrative posts have been discussed for calligraphy lovers for more than 1,200 years since the middle Tang Dynasty. Huai Su, a monk at the age of ten, was born in Lingling, Yongzhou. When he was young, he loved calligraphy in his spare time after meditation. He is poor and has no paper or ink. He planted more than 10,000 plantains to practice calligraphy and used plantain leaves instead of paper. Because the residence is all banana forests, it is funny to call the residence green temple. Instead of paper, we use paint plates and boards to study hard and study hard. The plates are all written, and there are many broken pens, which are buried together and called pen burial.
Atlas of Huai Su's works: generous temperament, keen on cursive writing, but unwilling to meditate. He drinks and eats meat, makes friends with celebrities, and makes friends with Li Bai and Yan Zhenqing. It is famous for its weeds. There are many records about Huai Su in Tang literature. The speed of the pen, like a whirlwind of showers, flies around and changes at will, and the statutes can be obtained. Princes and celebrities also like to make friends with this crazy monk. Tang Renhua wrote in a poem: The mad monk moved to Beijing the day before yesterday, rode the horse of the maharaja in the morning and stayed at the maharaja's house at dusk. Who doesn't build a plain screen, who doesn't draw a white wall. The powder wall is shaken clear and the plain screen is frosted. I can't forget your swaying posture, the horse welcomes the seat, and the golden plate drinks bamboo leaves. Ten drinks and five drinks don't understand. After a hundred drinks, you will be crazy. . Predecessors commented that Mad Grass inherited Zhang Xu and made new progress, saying that madness followed subversion, which was also called drunkenness. Have a great influence on future generations.
Huai Su is good at using the pure momentum of the central pen as a big grass, such as a whirlwind of showers, full of momentum, until suddenly three or five sounds, full of words. Although the speed is fast, Huai Su can cross the grass with few mistakes. Compared with the confusion and omissions of many calligraphers, it is much better. Wild grass knows Huai Su. Although it is the first, it is ever-changing and will never leave the statutes of Wei and Jin Dynasties. This is really due to his extreme penance. There are many books handed down from Huai Su, including Thousand Words, Jing Jing, Notre Dame, Hiding the Truth, Fagong, beriberi, Self-narration, Bitter Bamboo Shoots, Eating Fish and Chapter 42.
Studying the works of Huai Su above, we can find that their styles are not all the same, which can be roughly divided into three types: First, those who have not completely got rid of their predecessors' styles, such as Notre Dame, Eating Fish, Sorrow, Zang Zhen, Zhu Tie, etc., have retained a lot of Jin Fa, while Notre Dame has Yan Zhenqing style. Secondly, he has his own style skills, such as pure classics, forty-two chapters classics and self-narrative posts. Third, following a peaceful style of writing, such as a thousand words of grass, is quite different from his arrogant style of writing and completely changed, which can also be said to be his outstanding point.