My favorite classic work "Qilu. Long March"
"The Red Army is not afraid of the difficulty of the expedition, and it only waits for thousands of rivers and mountains. The five ridges are meandering and the waves are thin, and the Wumeng is majestic. The golden sands The water beats the clouds and the cliffs are warm, and the iron ropes across the Dadu Bridge are cold. I am even more happy with the thousands of miles of snow in Minshan. The three armies are all happy after the passing. "This semester, we studied the great leader Mao Zedong's "Seven Rhymes. The Long March", and I was deeply attracted by this poem in the history of creation. Immortal masterpieces attract.
The Long March is a great feat unprecedented in human history. These fifty-six words bear all the dangers and obstacles on the Long March and are full of the spirit of the Communist Party of China. Thousands of lofty sentiments. It is a heroic epic of the Chinese revolution and a brilliant pearl in the treasure house of Chinese poetry. It is a landmark work both in the history of revolution and in the history of poetry. It is a glorious portrayal and passionate ode to the Red Army's strategic shift of 25,000 miles and its march to the anti-Japanese battlefield. It vividly describes the dangerous and magnificent scenes of the Long March, deeply portrays the psychological state of the Red Army who is not afraid of difficulties, and concentratedly expresses the heroic spirit of the Red Army. As an immortal epic of the Chinese revolution, "The Long March" is an outstanding example of the combination of revolutionary romanticism and revolutionary realism, and an immortal work of revolutionary optimism.
"The Red Army is not afraid of the difficulties of the expedition, and the vast rivers and mountains are just waiting." First of all, it praises the Red Army's brave and tenacious revolutionary spirit of not being afraid of difficulties. This is the central idea of ??the whole poem and the artistic tone of the whole poem. It is the beginning of the spirit of the whole poem and the knot of the artistic conception of the whole poem. ??
"The five ridges are meandering with fine waves, and the Wumeng is majestic with mud balls." Describes the Red Army's conquest of the mountains. Wuling and Wumeng are objective existences, but when they enter the poet's field of vision, they become aesthetic objects. So it is no longer a simple mountain, but an emotional object. Highlighting the Red Army's contempt for difficulties. Through the two sets of antagonistic relationships between the great and the very small, the tenacious and heroic spirit of the Red Army is fully demonstrated.
"The clouds and cliffs are warm when the golden sands and water beat, and the iron cables across the Dadu Bridge are cold." Describes the Red Army's conquest of water. The Red Army's crossing of the Jinsha River and Dadu River was of great significance in the history of the Long March. The Jinsha River was wide and fast, and Chiang Kai-shek dreamed of using this day to encircle and annihilate the Red Army on the borders of Sichuan, Yunnan and Guizhou. In May 1935, the Red Army skillfully crossed the Jinsha River. If the skillful crossing of the Jinsha River is the most intelligent and successful battle in the Red Army's strategy and tactics, then the forced crossing of the Dadu River is the bravest and most tenacious battle in which the Red Army performs. The Dadu River is no less dangerous than the Jinsha River, and is heavily guarded by the enemy. The cunning enemy even removed the planks of the Luding Bridge on the river, leaving only thirteen iron cables. However, the heroic Red Army braved the enemy's bullets and braved the Dadu River, shattering Chiang Kai-shek's attempt to make the Red Army become the second Shi Dakai. Therefore, the battles written in these two sentences are of typical significance. "
"I am even more pleased with the thousands of miles of snow in Minshan Mountain. The three armies are all happy after the passing. "This is the end of my feelings for the above. The Red Army crossed Wuling, crossed Wumeng, crossed Jinsha, and captured Dadu. It was naturally gratifying to break out of the enemy's siege. And now, the Red Army has crossed Minshan Mountain and entered Shaanxi. In the north, the victory of the Grand Division is not far away, and the purpose of the strategic shift has been basically achieved. Compared with all the joys in the past, it is naturally more sorrowful4. The arrival of laughter concludes with this, and the optimistic spirit of the whole poem is further revealed.
The first couplet uses straightforward vocabulary and heroic momentum to lead the whole poem. , highly summarizes the heroic spirit of the Red Army in defying difficulties and obstacles and marching forward courageously. It uses the spirit of revolutionary optimism and the style of revolutionary romanticism, and becomes the program of the whole article. The answer is resounding and the writing is critical. The tone showed that the Red Army faced numerous difficulties and dangers arising from military, political, natural and other aspects during the Long March, as well as the internal left-leaning opportunism line of Wang Ming and Zhang Guotao's separatism. The words briefly glance at the difficulties, deepening the expression of "not afraid" and showing the Red Army's pride in despising difficulties and being calm and leisurely. "Thousands of Rivers and Mountains" is a still painting, with hardships and dangers as the main subject, showing a condensed picture of the Red Army's Long March. An overview of a magnificent journey.
Taking over "Thousands of Mountains", Zhan Lian followed the route of the Red Army's Long March, overlooking Wuling and Wumeng Mountains, two typical high mountains, and depicted a set of aerial bird's-eye view of the difficulties point by point: In front of the Red Army, the steep Wuling Mountains stretching for several provinces were just like tiny waves rising slightly on the water; the vast and boundless Wumeng Mountain was just like a small rolling mud ball. The author first uses the exaggeration of "winding" and "majestic" to express the majesty of the mountain, using the "raising" method, and then uses the metaphors of "thin waves" and "niwan" to express its insignificance. It is a "suppression" technique, and the suppression and uplifting further shows the greatness of the Red Army. The anthropomorphic dynamic description of "soaring" and "walking" turns the static mountain into an animal form, and both the mountain and the Red Army are animated. This couplet can be said to have extraordinary imagination, novel language, broad realm, and myriad atmospheres.
The neck joint takes over "Wanshui". A close look at the two sides of the Jinsha River and the cable bridge on the Dadu River depicts a set of enlarged close-ups: the Red Army is crossing the river in hot weather, and the waves of the Jinsha River are crashing. The steep banks give people a warm feeling; the iron cables of the Luding Bridge, which the Red Army seized in the cold weather, hang across the fast-flowing river, giving people a cold feeling. One "warm" and one "cold" not only describe the weather conditions, but also describe the psychological feelings. The author contrasts two feelings with each other, not only expressing the joy of the Red Army after crossing the Jinsha River, but also the thrilling capture of Luding Bridge, which shows the incomparable bravery of the Red Army. One "shoot" and one "horizontal" are also methods of describing stillness with movement. This couplet contrasts with nature and neatness, using the natural environment to express infinite emotions and is very powerful.
The last couplet describes the final course of the Long March. Climbing the "Thousands of Miles of Snow" Minshan Mountain is actually more difficult than the "winding" Wuling Mountains and the "majestic" Wumeng Mountain. But at this time, because victory is in sight, I feel comfortable, "joyful" comes from my heart, and my eyes look The windy and snowy road becomes extremely beautiful. Finally, the chapter ends with "Kai Yan", which describes the jubilant joy of the Red Army after crossing the snow-capped mountains, and at the same time heralds the complete victory of the Long March.
Throughout the whole poem, it is majestic, magnificent, high-spirited and vigorous. Not only is it vigorous and rhythmic, but it is also subtle and rhythmic. The antithesis in the poem is very neat and the words used are very precise.
Say nothing and turn a blind eye to the vicious and vicious enemy. ——This kind of seductive spirit that looks down upon the mountains and rivers cannot be possessed by a great man who is a commander-in-chief of the three armed forces who is victorious in every battle and has overall overall control. Nor can the poem "Long March" have such a mind and cannot express such words. This is Mao Zedong's art. Style, this is the charm of Mao Zedong’s poetry and art!