These two poems depict the image of a fisherman fishing alone in a cold river. There is a lonely boat in a place where there is almost no life in the snow. There is a fisherman on the boat, wearing hemp fiber, fishing alone on the snowy river. This fisherman's image is obviously a portrayal of the poet himself, which expresses the poet's lofty spirit of perseverance and integrity despite his loneliness after the failure of political reform.
The famous sentences in Liu Zongyuan's Jiang Xue and Liu Zongyuan's Jiang Xue are the last two sentences: a boat, a bamboo cloak and an old man fishing in the cold Jiang Xue.
Appreciation: These two poems depict the image of a fisherman fishing alone in an icy river. In a place where there is almost no life in the snow, there is a solitary boat carrying a fisherman in hemp fiber, fishing alone on the snowy river. This fisherman's image is obviously a portrayal of the poet himself, which expresses the poet's lofty spirit of perseverance and integrity despite his loneliness after the failure of political reform.
Jiang Xue's famous sentence Jiang Xue written by Liu Zongyuan.
Author: Liu Zongyuan
There are no birds flying over those mountains, and there are no traces of people in those paths.
A boat, a bamboo cloak, fishing alone in the cold snow.
Liu Zongyuan's famous sentence Jiang Xue Liu Zongyuan's famous sentence Jiang Xue is: There are no birds in hundreds of mountains, and there are no footprints in thousands of paths.
Jiang Xue is a landscape poem written by Liu Zongyuan, a poet in the Tang Dynasty, which describes a snowy scene in Jiangxiang. The mountain is snow and the road is white. The birds disappeared, and so did the people. The distant scenery is boundless, and your scenery is lonely and cold. The artistic conception is secluded and lonely. The fisherman's image is beautifully carved, clear and complete. Poetry uses rhyme, which always enhances taste and is powerful.
Poets through the ages always talk to each other. Throughout the ages, Dan Qing's wonderful hands have been scrambling to draw many moving snow scenes on the river.
About the author:
Liu Zongyuan (773-8 19), with thick words, was a famous writer and thinker in the Tang Dynasty. Liu, a native of Hedong (now Ruicheng, Yuncheng, Shanxi), was born in an official family, with few talents and high aspirations. In his early years, he was a scholar in the exam, and his writings were mainly flowery rhetoric. One of the eight masters in Tang and Song Dynasties, Han Yu and he jointly advocated the movement of ancient Chinese prose in Tang Dynasty and called it "Liu Han". Liu Yuxi also called it "Liu Liu". Wang Wei, Meng Haoran and Wei also called it "Wang Meng". Liu Zongyuan left more than 600 poems and works in his life, and his philosophy is characterized by simple materialism. His political thoughts are mainly manifested in his social historical view of attaching importance to "potential" and Confucian people-oriented thought. His literary works are simple and natural in language and elegant and meaningful in style. His representative works include Qian Donkey, Snake Catcher, Eight Stories of Yongzhou, Jiang Xue and so on.
Original text:
Xue Jiang
Author Liu Zongyuan, Tang Dynasty
There are no birds flying over those mountains, and there are no traces of people in those paths.
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
What is Liu Zongyuan's famous sentence about Jiang Xue? A boat, a bamboo cloak, an old man fishing in the cold Jiang Xue.
Xue Jiang
Author: Liu Zongyuan (Tang Dynasty)
There are no birds flying over those mountains, and there are no traces of people in those paths.
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
Liu Zongyuan's famous sentence in Jiang Xue's Jiang Xue is: a boat, a bamboo cloak, an old man fishing in the cold Jiang Xue.
Xue Jiang
Author: Liu Zongyuan
There are no birds flying over those mountains, and there are no traces of people in those paths.
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
Brief analysis: These two poems depict the image of a fisherman fishing alone in an icy river. There is a lonely boat in a place where there is almost no life in the snow. There is a fisherman on the boat, wearing hemp fiber, fishing alone on the snowy river. This fisherman's image is obviously a portrayal of the poet himself, which expresses the poet's lofty spirit of perseverance and integrity despite his loneliness after the failure of political reform.
What kind of mood did Jiang Xue's last two sentences reflect? 1, the last two sentences, "A leaf boat, a bamboo cloak, an old fisherman cold river-snow", show the indomitable character of the poet Yongzhen despite the lonely situation after the failure of innovation.
2. Original text
Jiang Xue Liu Zongyuan
There are no birds flying over those mountains, and there are no traces of people in those paths.
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
Step 3 take notes
Absolutely: no, no.
Wan Jing: Virtual refers to thousands of ways.
Footprints of people.
Loneliness: loneliness.
Basket: Bi Yi, Dai Li: Bamboo hat. ("gun", ancient clothes used for rain protection; "Dai", a hat used in ancient times to prevent rain. )
One person: One person.
translate
Birds and mountains are all extinct; All the roads, no sign of anyone. Alone on the river, fisherman Dai Li; Fishing alone is not afraid of ice and snow.
4. Brief analysis
In this poem, everything is snowy, the mountains are snowy, the roads are snowy, and "Qian Shan" and "Wanjing" are snowy, making "birds fly away" and "people disappear". Even the awning and fisherman's hat are covered with snow. But the author did not explicitly associate these scenes with "snow". On the contrary, in this painting, there is only Jiang and only Rulu. Of course, the river will not store snow, and it will not be covered by snow. Even if it falls into the river, it will immediately become water. However, the author only used the word "cold river snow" to connect the two images with the farthest relationship, giving people a feeling of being relatively empty, distant and narrow, forming a long-distance lens. This makes the main objects described in the poem more concentrated, more dexterous and more prominent. Because even the river seems to be covered with snow, even the places where there is no snow are covered with snow, which completely describes the dense and thick snow and completely sets off the atmosphere of water and sky. As for the word "cold" used above, it is of course to point out the climate; But the poet's subjective intention is to write the fisherman's spiritual world quietly. Imagine, in such a cold and quiet environment, the old fisherman is not afraid of the cold and the snow, forgetting everything and devoting himself to fishing. Although his body is lonely, his personality is lofty and aloof, even a little awe-inspiring. This illuminated and beautified image of the fisherman is actually the sustenance and portrayal of Liu Zongyuan's own thoughts and feelings. It can be seen that the word "Hanjiangxue" is the "finishing touch", which organically links the front and back parts of the whole poem, forming a concise and general picture and shaping a complete and prominent image of the fisherman.
On the significance of these two poems in Jiang Xue by Liu Zongyuan.
Jiang Xue is a landscape poem written by a poet in the Tang Dynasty, which describes the snow scene in Jiangxiang. The mountain is snow and the road is white. The birds disappeared, and so did the people. The distant scenery is boundless, and your scenery is lonely and cold. The artistic conception is secluded and lonely. The fisherman's image is beautifully carved, clear and complete. Poetry uses rhyme, which always enhances taste and is powerful.
original text
Xue Jiang
There are no birds in the mountains 1, 10,000 paths, 2 people, 3 people.
4 boats alone, 5 Weng, 6 fishing alone in the Han River snow.
To annotate ...
Absolutely: no, no.
Wan Jing: Virtual refers to thousands of ways.
Footprints of people.
Loneliness: loneliness.
Basket: Bi Yi, Dai Li: Bamboo hat. ("gun", ancient clothes used for rain protection; "Dai", a hat used in ancient times to prevent rain. )
One person: One person.
Vernacular translation
Birds and mountains are all extinct; All the roads, no sign of anyone.
Alone on the river, fisherman Dai Li; Fishing alone is not afraid of ice and snow.
Creation background
In Yongzhenyuan, Liu Zongyuan participated in the political reform movement headed by Wang. Because of the joint counterattack of conservative forces and eunuchs, the innovation failed. Therefore, Liu Zongyuan was relegated to Yongzhou, which is known as the "Southern Wilderness". Known as Sima when he was in office, he was actually a "criminal" with no real power and was monitored by local officials. There was no place for him in the official residence, so he had to settle down in the west wing of longxing temple, a monk temple.
After Liu Zongyuan was demoted to Yongzhou, he was greatly depressed mentally. By describing the scenery of mountains and rivers and praising the fishermen who live in seclusion between mountains and rivers, he expressed his lofty and detached feelings and his political frustration. So he wrote this famous poem with resentment.
Make an appreciative comment
The landscape poems written by Liu Zongyuan have a remarkable feature, that is, the objective realm is relatively quiet, while the poet's subjective state of mind is relatively lonely, sometimes even too lonely, too cold and cheerless, without any human fireworks. This song "Jiang Xue" is like this. The poet painted a quiet and cold picture in only 20 words: on the snowy river, a boat and an old fisherman were fishing alone on the cold river. What the poet shows his readers is this: the world is so pure and silent, spotless and silent; The fisherman's life is so noble, and his character is so aloof. In fact, this is an imaginary realm created by Liu Zongyuan because he hated the declining society of the Tang Dynasty at that time. Compared with the characters in the Peach Blossom Garden, I'm afraid they are more ethereal and far away from the world. What the poet wants to describe in detail is very simple, but it is just a boat, an old fisherman wearing hemp fiber and Li hat, fishing on the snowy river, and that's all. However, in order to highlight the main description object, the poet did not hesitate to use half of the space to describe its background, and made the background as broad as possible, almost to an infinite extent. The wider the background, the more prominent the main description object is. First of all, the poet used the words "Qianshan" and "Wanjing" to set off the following two pictures of "boating alone" and "fishing alone". Without the words "thousand" and "ten thousand", the words "loneliness" and "independence" at the back will appear bland and uninspiring. Secondly, birds flying on the mountain and people walking on the road are very common things and the most general image. But the poet put them under the "Qianshan" and "Wanjing" and added the word "absolutely" and "extinct", which suddenly turned the most common and summarized dynamic into extreme silence and absolute silence, forming an unusual scene. So the following two sentences used to be static descriptions. Because they are exquisite, lively and active in this absolutely silent background. It can also be said that the first two sentences were originally a foil. According to the general understanding, it is enough to outline the outline, and there is no need to make great efforts to carve it. However, poets just don't handle it this way. It's like making a movie. How many close-ups are used to explain and reflect every corner of the background? The more specific and detailed you write, the more exaggerated you are. The last two sentences, originally the object that the poet wanted to highlight, turned into a telephoto lens, which was reduced many times, giving readers an ethereal and transparent feeling. Only by writing in this way can we express the lofty and detached thoughts and feelings that the author is eager to show to readers. As for the formation of this sense of remoteness, it is mainly the effect that the author adds a word "snow" at the end of the whole poem, which is connected with the word "Jiang".
In this poem, everything is snowy, the mountains are snowy, the roads are snowy, and "Qian Shan" and "Wanjing" are snowy, making "birds fly away" and "people disappear". Even the awning and fisherman's hat are covered with snow. But the author did not explicitly associate these scenes with "snow". On the contrary, in this painting, there is only Jiang and only Rulu. Of course, the river will not store snow, and it will not be covered by snow. Even if it falls into the river, it will immediately become water. However, the author only used the word "cold river snow" to connect the two images with the farthest relationship, giving people a feeling of being relatively empty, distant and narrow, forming a long-distance lens. This makes the main objects described in the poem more concentrated, more dexterous and more prominent. Because even the river seems to be covered with snow, even the places where there is no snow are covered with snow, which completely describes the dense and thick snow and completely sets off the atmosphere of water and sky. As for the word "cold" used above, it is of course to point out the climate; But the poet's subjective intention is to write the fisherman's spiritual world quietly. Imagine, in such a cold and quiet environment, the old fisherman is not afraid of the cold and the snow, forgetting everything and devoting himself to fishing. Although his body is lonely, his personality is lofty and aloof, even a little awe-inspiring. This illuminated and beautified image of the fisherman is actually the sustenance and portrayal of Liu Zongyuan's own thoughts and feelings. It can be seen that the word "Hanjiangxue" is the "finishing touch", which organically links the front and back parts of the whole poem, forming a concise and general picture and shaping a complete and prominent image of the fisherman.
Describe the background in a concrete and meticulous way, and depict the subject image in a long-distance picture; Fine and extremely exaggerated generalizations are intricately unified in a poem, which is the unique artistic feature of this landscape poem.
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