2. Attach the original text:
Li Weng's antithesis
(Qing) Li Yu
Soup to rice, willow to elm, short sleeves to long weight. Cockscomb to phoenix tail, peony to lotus. Zhou, Han Xiangru and Wu Wang went to Kuanglu. Mingyue Mountain Temple is far away, and it is sunny and empty. A strong man has three feet of sword around his waist and five books in his belly. The shadows are faint and fragrant, the plum blossoms in Jinggu Mountain are light and cloudy, and the wicker in the old house is comfortable.
3. Introduction to the author:
Li Yu (1611680), formerly known as "Li Weng", was later renamed Yu. Han nationality, Li Xia Village, Lanxi, Jinhua, Zhejiang. Writers, dramatists, drama theorists and aestheticians in the late Ming and early Qing Dynasties.
As a clever boy, he was praised as "Li" by the world. He once set up a troupe to perform in various places, accumulated rich experience in drama creation and performance, and put forward a relatively perfect drama theory system. Known as "the father of China's drama theory", "the world comedian" and "Oriental Shakespeare" by later generations, he is an advocate of leisure culture and a pioneer of cultural industry, and is listed as one of the world cultural celebrities.
He has created a large number of works in his life, including Ten Songs of Li Weng (including Kite Mistake), Silent Play (also known as Lian), Twelfth Floor, Essays, A Family Talk by Li Weng and so on, with more than five million words. He also revised the History of the Three Kingdoms, revised Jin Ping Mei and initiated the compilation of Mustard Seed Garden, which is a rare artistic genius in the cultural history of China.