Question 1: What other poems are there by Li Shangyin, a poet of the Tang Dynasty? Li Shangyin's "Chang'e": Chang'e should regret stealing the elixir, and the blue sea and blue sky are in her heart every night.

Li Shangyin's "Untitled? It's Hard to Say Goodbye When We Meet": Spring silkworms don't run out of silk until they die, and wax torches turn to ashes before tears dry up.

Li Shangyin's "Night Rain Sends to the North": Why should I cut off the candles from the west window and talk about the night rain in Bashan?

Li Shangyin's "Jin Se": This feeling can be recalled later, but it was already at a loss at the time.

Li Shangyin's "Untitled? Last Night's Stars and Last Night's Wind": There is no colorful phoenix flying wings in the body, but there is a clear understanding in the heart.

Li Shangyin's "Leyouyuan/Deng Leyouyuan": The sunset is infinitely beautiful, but it is almost dusk.

Li Shangyin's "Wanqing": God's will pities the quiet grass, and the world is full of night clearing.

Li Shangyin's "Han Donglang impromptuly sent a poem to each other, which completely shocked him. The rest of the day was reciting the lines of sitting with Pei Hui for a long time all night long. He has a mature style, so he became the second most outstanding person to send a reward and present a fearful person? One of them 》: The tung flowers are thousands of miles away on the Danshan Road, and the young phoenix is ??clearer than the old phoenix.

Li Shangyin's "Two Poems as Gifts? One": The plantains do not show their lilac knots, but they face the same spring breeze and have their own sorrows.

Question 2: What other poems were written by the poet Li Shangyin of the Tang Dynasty? There are 594 extant poems by Li Shangyin, 16 poems outside the "Collection", 4 poems are included in Chen Shangjun's "Supplement to the Complete Poems of the Tang Dynasty", and 614 extant poems by the Communist Party of China, but some poems were obviously included by mistake.

Representative works

"Drinking with the Lord under the Moon"

"Jinse"

"Chongguo Saint Maiden Temple" "

"Frost Moon"

"Cicada"

"Gift to Liu Sihu"

"After mourning, he went to Eastern Shu to seek refuge. "Encountering Snow"

"Le Youyuan"

"Two Songs from the Northern Qi Dynasty"

"Night Rain Sends to the North"

" "Recalling Plum Blossoms"

"Giving Willows"

"Su Luo's Pavilion to Send Cui Yong and Cui Gun"

"Wind and Rain"

"Mengze"

"Sent to Linghu Langzhong"

"Du Gongbu left the banquet in Shuzhong"

"Sui Palace"

"February 2nd"

"Choubiyi"

"Four Untitled Poems"

"Yishan"

" "Drunk under the Flowers"

"Qujiang"

"Falling Flowers"

"Willow"

"Wei You"

"Untitled"

"Three Poems from Bicheng"

"Duanju"

"Ode to History"

"Qi "Gong Ci"

"Plum Blossoms Seen in Fufengjie in Mid-November"

"Two Poems by Mawei"

"Fuping Shaohou"

"Palace Ci"

"Two Poems as Gifts"

"Yin of Chu"

"Banqiao Xiaofare"

"Galaxy Blowing the Sheng"

"Sunset Tower"

"Evening Clear"

"Dragon Pond"

"Tears" < /p>

"The Floating Oriole"

"Wu Gong"

"Chang'e"

"Remembering a Master"

"Dry Rain"

"Two Untitled Poems"

"Jia Sheng"

"An Ding Tower"

"Nine Days"

"Song in the Room"

Beautiful verses passed down from generation to generation

The sunset is infinitely beautiful, but it is almost dusk. (Wu Jue Deng Le You Yuan)

Chang'e should regret stealing the elixir, and the blue sea and blue sky will keep her heart in mind every night. (Qijue Chang'e)

It is difficult to say goodbye when we meet, the east wind is powerless and the flowers are withered. (Qilu Untitled)

The spring silkworms will not run out until they are dead, and the wax torch will turn to ashes before the tears dry up.

(Untitled in Qilu)

When you asked about your return date, you had not yet heard of it. The night rain in Bashan filled the autumn pond. How can I cut off the candles from the west window and talk about the rainy night in Bashan? (Qi Jue Night Rain is sent to the north)

It’s a pity that I sit down at the front table in the middle of the night and don’t ask about the common people or the ghosts and gods. (Qi Jue Jia Sheng)

On the Danshan Road with tung flowers, the young phoenix is ??clearer than the old phoenix. (Qijue Han Donglang impromptuly wrote poems to send off)

The moon in the sea has tears, and the sun in Lantian is warm and the jade produces smoke. This feeling can be recalled later, but it was already at a loss. (Qilu Jinse)

Last night the stars and the wind were on the west side of the painting building and on the east side of Guitang. There is no colorful phoenix flying wings in the body, but there is a clear understanding in the heart. (Qilu Untitled)

Liu Lang already hated that Pengshan Mountain was far away, and even more so that he was separated by 10,000 layers of Pengshan Mountain. (Two untitled poems of Qilu)

In the heart of spring, don’t let the flowers bloom, every inch of lovesickness and every inch of gray. (Two untitled poems of Qilu)

God’s will pities the quiet grass, and the world is clear at night. (Wulu Wanqing)

The autumn clouds linger and the frost flies late, leaving the withered lotuses to listen to the sound of rain. (Qijuesu Luo's Pavilion cares about Cui Yong and Cui Gun)

Question 3: Is Li Shangyin a writer? Hello, Li Shangyin was a poet in the Tang Dynasty, so he can naturally be regarded as a writer.

Question 4: Which dynasty was Li Shangyin a poet? Li Shangyin Li Shangyin, courtesy name Yishan, nicknamed Yuxisheng and Fan Nansheng, was a famous poet in the Tang Dynasty. His ancestral home was Qinyang, Hanoi (now Jiaozuo City, Henan Province), and he was born in Xingyang, Zhengzhou. He is good at poetry writing, and his parallel prose has high literary value. He is one of the most outstanding poets in the late Tang Dynasty. Together with Du Mu, he is known as "Xiao Li Du", and with Wen Tingyun, he is known as "Wen Li". Because his poetry and prose are of the same period, Duan Chengshi and Wen Tingyun have similar styles, and all three of them are ranked sixteenth in the family, so they are called "Thirty-Six Styles\"...

Question 5: Written by Li Shangyin, a poet of the Tang Dynasty It's hard to say goodbye when we meet, the east wind is powerless and the flowers are withered.

The spring silkworms will not run out until they die, and the wax torch will not dry until it turns to ashes.

When I look in the mirror at dawn, I am worried about the clouds on my temples. When I sing at night, I should feel the cold moonlight. There is not much way to get to Pengshan, so the bluebird is eager to explore

Question 6: What dynasty was the poet Li Shangyin from? Li Shangyin (about 813-about 858), a poet of the Tang Dynasty, had the courtesy name Yishan and the nickname Yuxi. Sheng, also known as Fan Nansheng, was a poet in the late Tang Dynasty. He was as famous as Du Mu and was called "Little Li Du". Among them, Li Shangyin's poetic style is closer to that of Du Fu. "The only person in the Tang Dynasty who learned from Lao Du and gained his vassalship was Yishan" (Wang Anshi said), while Du Mu's poetic style is more similar to Li Bai.

Li Shangyin, like Li He, is a clan member of the Tang Dynasty. However, due to his age, his family has become very poor. He was enlightened since he was a child, and at the age of 16 he wrote two articles, "Taipei Lun" and "Sheng Lun". His ancient prose "went out among the public" and was appreciated by Linghu Chu, who stayed in Dongdu (Luoyang). Linghu Chu was a master of parallel prose at that time. Li Shangyin received his careful guidance and soon excelled in his skill. This skill became a very important factor in his later livelihood. An important skill.

At the age of twenty-six, Li Shangyin got the help of Linghu and his son and became a Jinshi. The following year, he entered the shogunate of Wang Maoyuan, the Jiedushi envoy of Jingyuan, and later married his daughter. But at that time, the Niu (Sengru) and Li (Deyu) parties were fiercely fighting, Linghu Chu belonged to the Niu Party, and Wang Maoyuan belonged to the Li Party. Li Shangyin's move was seen as taking refuge in Wang Maoyuan, so he was accused by Linghu Chu's son Linghu of "taking advantage and stealing profits". From then on, he spent his whole life in the strife between the Niu and Li parties, living in poverty and desolation. Bianzhou" ("An Ding Tower") has great ambition and talent, and he was forty-six years old.

Li Shangyin had outstanding achievements in art. Among his poems, the seven verses are the highest. There are also many famous poems and aphorisms in other five-character poems, quatrains, seven ancient poems, and five ancient poems. His poems emphasize artistic conception, are subtle and subtle, affectionate, obscure and tortuous, with deep sustenance, gorgeous and beautiful, and are the essence of gold and jade. He is good at using historical allusions and myths and legends to form rich and colorful art through imagination, association and symbolism. Image; his "Bixing" is based on the "Book of Songs", "Beauty Herb" is modeled on "Li Sao", which is the essence of Du Fu's poetry, and his beautiful imagination and language are directly derived from Li He. If Li He's poems are more imaginative, then Li Shangyin's poems are more emblematic.

Li Shangyin's poems were very popular in the early Song Dynasty. The "Xikun style" imitated the usage of Yishan poetry and later became the Xikun poetry school. However, it only mechanically learned the piling up of rhetoric and could not obtain Yishan poetry. The essence of.

Li Shangyin’s epic poems borrowed from the past to satirize the present without any scruples. For example, the two poems of "Mawei" directly pointed out that Emperor Ming of the Tang Dynasty "how he was the emperor in the fourth century, and was not as good as the Lu family with Mochou", thus "criticizing Chengyu" "The courage of" is also rare in the Tang Dynasty with loose and open politics; and in "Ode to History", "I have reviewed the virtuous countries and families in the past, and their success was caused by diligence and frugality, and their failure was caused by extravagance", and in "Northern Qi", "The little pity and jade body spread across the night. Poems such as "I have reported that Zhou Shi has entered Jinyang" are all direct denunciations and satires of Tang Jingzong's extravagant style; the famous poem "Jia Sheng": "In the middle of the night, I seek talents and visit ministers, but Jia Sheng's talent is even more incompetent. I am so poor in the middle of the night." Xi, don't ask about the common people or ghosts and gods." He reprimanded the emperors of the late Tang Dynasty for their ridiculous behavior of seeking immortality and making elixirs for immortality, and thus harming the country. "A Hundred Rhymes in the Western Suburbs" truly describes the situation of the people after the war and drought three years after the Ganlu Incident. It also traces a series of major changes in the country over the past hundred years and explores the political solution from the comparison between the past and the present. , worrying about the country and its people, quite similar to Du Fu's "Northern Expedition".

Li Shangyin's love poems are extremely accomplished. He has more than ten "Untitled" poems, and there are more than ten poems that take the first two words as the title but are actually untitled, such as "Jin Se", " "Bicheng", "Weiyou", etc., and several other poems that seem to have titles but are actually untitled, writing about lingering love, fantasy, and sadness: "There is no colorful phoenix flying in the body, but there is a clear understanding in the heart"; "When we meet It’s hard to say goodbye, the east wind is powerless and all the flowers can be withered”; “The life of a goddess is just a dream, my sister-in-law lives without a man”; “If you don’t believe in the storm, the rhombus branches are weak, who can teach the fragrance of osmanthus leaves to the moon dew”; “Liu Lang already hates Pengshan for being far away” , and there are ten thousand layers of Pengshan Mountain"; "In the heart of spring, don't let the flowers bloom, every inch of lovesickness and every inch of gray."

His "Jin Se" has splendid and gorgeous writing, easy to understand literal meaning and profound content. It has always been said that "a Jinse can solve people's difficulties". In addition, "The young girl Su'e can withstand the cold, and she fights with the beautiful women in the frost in the middle of the moon" ("Frost Moon"); "God's will pity the grass, and the world will be clear again at night" ("Wanqing"); "Chang'e should regret stealing the elixir, the blue sea The blue sky and the heart of the night" ("Chang'e") also left a deep impression on people.

Like Li He, Li Shangyin is also good at writing dreams; life is like a dream, and dreams are like life. In Li Shangyin’s poems, these two realms are in harmony, and he can find relief from the painful life through dreams. , find a bright, beautiful and happy life through dreams. Such as "I am a colored pen passed down in a dream, and I want to write flowers and leaves and send them to the morning clouds" ("Peony"); "Ten years of dreaming of picking up Huazhi" ("East Return"), etc.

Li Shangyin's poems are certainly a wonder in the poetry garden, and his writing is also a unique flower in the literary world. His poetry is sincere, convoluted and tortuous, but his prose is sharp, straight and vigorous, unique, witty and unstoppable. He refutes secular opinions and expresses his heart directly. This chapter of work...>>

Question 7: What is the nickname of Li Shangyin, a poet of the Tang Dynasty? His courtesy name is Yishan

His nickname is Yuxisheng

Also known as Fan Nansheng.

Can't be called a layman...

Not as popular as a poet.

Question 8: Is Li Shangyin a litterateur in my country? Hello, Li Shangyin was a poet in the Tang Dynasty, so he can naturally be regarded as a litterateur.

Question 9: Was Li Shangyin from the Song Dynasty? Li Shangyin (about 812 or 813 - about 858), Han nationality, named Yishan, also known as Yuxisheng and Fan Nansheng, was a famous poet in the late Tang Dynasty. His ancestral home was Hanoi, Huaizhou (now Qinyang City, Henan), and he was born in Xingyang (now Qinyang City, Henan) Today's Xingyang, Zhengzhou). His poems have high literary value. He and Du Mu are collectively called "Xiao Li Du", and Wen Tingyun are collectively called "Wen Li". They are similar in style to Duan Chengshi and Wen Tingyun of the same period, and they are both ranked high in the family. 16, so they are also called thirty-six styles. In "Three Hundred Tang Poems", 22 of Li Shangyin's poems were included, ranking 4th. His poems have novel ideas and rich styles, especially some love poems. It is full of sentimentality and has been recited by people. However, it is too obscure and confusing to be understood. There is even a saying that "poets all love Xikun, but they only regret that no one can write Zheng Jian". Because he was caught in the partisan struggle between Niu and Li, he was very unambitious in his life. After his death, he was buried in his hometown Qinyang (the junction of today's Qinyang and Boai County).

Question 10: What is the relationship between Tang Dynasty poet Wen Tingyun and Li Shangyin? Li Shangyin, male, Han nationality, named Yishan, so he also Known as Li Yishan, also known as Yuxisheng and Fan Nansheng (Fan Nanzi), he is a famous poet in the late Tang Dynasty. His ancestral home is Hanoi, Huaizhou. Wen Tingyun: (812-866), whose real name is Qi and whose courtesy name is Feiqing, was from Qi, Taiyuan (now Qi County, Shanxi). Descendant of Wen Yanbo, Prime Minister of the Tang Dynasty. Wen Yanbo, a famous poet in ancient my country, is mentioned in two "Books of the Tang Dynasty".

Although Wen Tingyun was from Bingzhou, he, like Bai Juyi, Liu Zongyuan and other famous poets, spent most of his life away from home. According to research, Wen Tingjun traveled to the Jianghuai River with his family when he was a child, and later settled in the suburbs of Yu County (now Hu County, Shaanxi Province), close to Du Ling, so he called himself Du Ling Tourist [1] Prefecture Hanoi (now Qinyang, Henan Province), Born in Xingyang, Henan (now Xingyang, Zhengzhou). The literary value of the poems is very high. In the third year of Kaicheng reign of Emperor Wenzong of Tang Dynasty (AD 838), he was awarded the title of Jinshi. He once served as Hongnong Lieutenant, Zuo Mufu, and Dongchuan Jiedushi Judge. In the early days, Li Shangyin was deeply appreciated by Ling Huchu, an important member of the Niu Party, for his literary talent. Later, Wang Maoyuan of the Li Party loved his talent and married his daughter to him, so he was rejected by the Niu Party. From then on, Li Shangyin struggled to survive in the cracks between the Niu and Li parties, and worked as a staff member in various vassal towns. He was depressed and frustrated, and later fell into poverty for the rest of his life. In the late Tang Dynasty, Tang poetry was not as good as before under the light of its predecessors, but Li Shangyin pushed Tang poetry to another peak. He was the most famous poet in the late Tang Dynasty, and Du Mu was as famous as him. The two are collectively known as "Little Li Du", and together with Li He and Li Bai, they are collectively known as "Three Lis". There is "Li Yishan Poetry Collection". Together with Wen Tingyun, they are called "Wen Li". Because their poetry styles are similar to those of Duan Chengshi and Wen Tingyun of the same period, and all three of them were ranked sixteenth in the family, they are collectively called "Thirty-sixth Style". His poems are novel in conception and beautiful in style, especially some of his love poems, which are touching and pathos and are widely read. But it is too obscure and confusing to understand. There is a saying that "poets always love Xikun and hate that no one writes Zheng Jian." Because he was caught in the partisan struggle between Niu and Li, he was very frustrated in his life. Finally, he died of depression and unhappiness,[2] and was buried in Xingyang, Zhengzhou (today's Alfalfa Village, Xingyang). According to the "New Book of Tang", there are twenty volumes of "Collection of Fan Nan", twenty volumes of "Collection of Fan Nan", three volumes of "Poems from Yuxi", one volume of "Fu", and one volume of "Wen". Some of the works have been lost