Meng Haoran, who ranked last, was full of complaints, so he expressed his frustration in his official career in the form of self-pity. On the surface, this poem is a series of self-reproaches, but there are endless complaints in the bones; I said that I have nothing to recommend myself, but I complain that I don't want to be used by the world.
Literally, "I won't petition at the North Palace Gate" actually expresses the feeling that "Wei Que's heart will always be there, but he won't forget the letter from Kinmen". Only then did I realize that my previous thoughts were too naive; I thought that with the precedent of Ma Zhou's "direct crime and seeking kindness", the emperors of the Tang Dynasty would do the same from generation to generation; Only to find that the reality is so disappointing. So a cavity bitter water, from this sentence "I am not petitioning at the North Palace Gate" self-love words. Obviously, "going to this crumbling hut on Zhongnanshan" has no choice but to do so. All kinds of contradictory feelings are expressed in one word, with endless aftertaste.
Three or four sentences specifically describe the reasons for the frustration. "I was exiled by a wise ruler because of my mistake", with complex feelings, is ironic, but not all ironic. The poet has great ambitions since he was a child. "Hold the whip and respect the teacher, hold Mao Gong, be grateful to play the crown, and be safe!" He also boasted that "ci fu is also quite clever." That's it, that's it. Not "incompetent". Therefore, "no talent" is not only a modest word, but also contains the feeling that the talent is unknown and the good horse has not met Bole. And this person who doesn't know "talent" must be "knowing the Lord". Visible "Ming" is also "unknown", which means complaining. In addition, the word "Ming Zhu" does contain the meaning of flattery, reflecting that his desire for official positions has not disappeared, and I hope the emperor can see it. This sentence is about resentment, self-pity, sadness and pleading, and the feelings are quite complicated. And "I haven't seen a friend for so long" is more euphemistic than the previous sentence, full of twists and turns; This is because the "old friend" is not recommended or effectively recommended, and the poet said that he alienated the old friend because of "illness", which is a layer; In ancient times, "poverty" and "illness" were interlinked, and saying "poverty" with "many diseases" was another layer of resentment against the indifference of the world; It is said that because "the old friend is sparse", the wise master can't see himself clearly, which is another layer. Of these three meanings, the last one is the theme.
It is impossible for a poet not to be anxious because he is eager to be an official, his career is slim, his temples are gray and his reputation is bad. Five or six sentences are a portrayal of this mentality. White-haired, green day (spring day), originally a heartless thing, is decorated with the words "urging" and "forcing", which just shows the poet's complex feelings of helplessness and unwillingness to die in vain.
It is precisely because of the poet's unbearable anguish that it became "so I lay awake and meditated" and wrote a haunting, anxious and embarrassing modality. "Moonlit Window Empty" is even more ingenious. It puts down the previous meaning, but only reflects the difficulty of resentment. It seems that writing a scene is actually lyrical: one complements the "insomnia" in the previous sentence, and the scene is confusing and memorable. The misty and empty night scene is very similar to the lonely and melancholy mood inside. The word "virtual" is a pun, which contains the emptiness of the courtyard, the emptiness of the quiet night, the emptiness of the official career and the emptiness of the mood. Biography of Literature and Art in the New Tang Dynasty: (Wang) Wei privately invited (Meng Haoran) to join the Inner Division. I am Xuanzong, and Haoran hides under the bed. Wei was right, and the emperor was very happy: "I have heard of him, but I have never seen him. Why can't you hide? " Hao Haoran came out. When the emperor asked about his poems, Haoran bowed again and recited what he had done. At the end of the sentence "I was exiled by a wise ruler because of my mistakes", the emperor said: "Your Majesty did not ask for an official position, but I never abandoned your Majesty. How can you falsely accuse me? " Due to release.
Prime Minister Wang's letter: Meng Haoran's poems are also known as Kaiyuan, which has no sense of official position and bleak language. However, the poems such as "Northern Que" and "Nanshan", which should have been angry and impetuous, were not out of emotion, but lost the sum of sound and gas, and eventually abandoned their jobs and became wise.
Liu Chenweng commented on Wang Mengshi: Liu Yun: Others have this beginning, but there is no such ending. Every time they see shortness of breath. Youyun: It is his most proud poem and his most frustrated day, so it was recited by Ming Chengzu.
Fang Hui's Random Notes on Lv Kui: Paleness beyond eight sentences.
The Return of Tang Poetry: Gordon pai' ea chung-hoon: Five-character forgiveness (under the sentence of "North Valve"). Tan Yun: It's good to talk to yourself. Gordon pai' ea chung-hoon: Haoran recited these two sentences in front of Ming Chengzu. Mountain people are naturally wild.
Zhou Wei said, "Three or four words are immortal and insightful, and they can be cast in the fire of heaven and earth."
Adding Tang Poetry to Pick Money: The conclusion is very lonely, but it only describes the scenery, not lonely, implicit and tasteful.
Huang Sheng's Moment of Tang Poetry: Writing scenery is meaningful. This poem is resentful, but the language is gentle. Lu Lun also wrote a poem, "Xia Di in Zhongnanshan belongs to me.". By comparing this, we can see the identity of people in the prosperous Tang Dynasty.
Xu Zeng's "Er 'anshuo Tang Poetry": This work is true in every word and should be regarded as a very successful work of Haoran.
Tang Xian's Samadhi Collection Note: Purity is full of true qi.
A Reader of Modern Texts in Early Tang Dynasty: Chen Degong said: It is the most difficult to describe the quality of writing with three or four strokes. Song people did it and lost. Poetry is easy to construct, but quality is difficult to work. Five or six "Qingyang" is unexpected. Spring before the year and spring after the year can be used, and spring after the year is more affectionate.
Comment on Ying Kui's Dharma and Essence: Maple: A Life-long Frustrated Poem and a Proud Masterpiece for Generations. Ji Yun: The third and fourth days were safe, but unfortunately I met the Ming emperor. Or feel that resentment is too great, not as good as Lao Du's "and save me from dying in my old age!" Sentence, and it is based on success or failure. The conclusion sentence is also called by predecessors, and the artistic conception is extremely beautiful. However, the sentence "Therefore, I lie awake and think" is particularly touching and sincere, and won the poet's demeanor.
Zhang Qianyi's Poem on Silkworm Cocoon Zhai: Hard as Iron without Anger.
Detailed explanation of Selected Poems of Tang Poetry: Wu Suimei said: This kind is the most elegant and self-consistent without seeking work.
Gao Buting's Poems in Tang and Song Dynasties: The sentence has profound artistic conception.