White clouds embrace the quiet stone, and the green Xiaomei is clear and clear. Zhang Sir commented on Xie Lingyun's "Passing the Ningshu" in the Southern Song Dynasty: The beauty of these two poems lies in their colorful colors. The three colors of white, green and clear are mixed, and the combination of high, medium and low near and far shows an open, quiet, tranquil and leisurely realm. However, the artistic charm of poetry does not end there. The word "hold" in the first half of the sentence adds a broad-mindedness; the word "mei" in the second half of the sentence also adds a delicate touch, with hardness and softness complementing each other. Moreover, these two words use personification to skillfully turn silence into movement, making the white clouds and green waves seem to float in front of us and ripple in our hearts! Generally speaking, the landscape atmosphere of Xie's poems can be seen through this poem. In addition to being light and free, it also has a kind of delicacy and softness, which makes people feel relaxed and happy after reading it. However, in Zhang Sir's opinion, the most wonderful thing lies in the word "Qinglian". The water waves are clear and rippling, and the skylight, cloud shadows, stone interests, and Xiaozi are all reflected in it. The beautiful scenery is gathered together, and all the wonderful things are gathered together, making it difficult for you to distinguish between the sky and the water. This is the real "painting in poetry, and painting in painting". Poetry" Ah! The blue sky is like a clear river, and the film washes out at the beginning of the month. Sir Zhang's comments on "Sitting at Night with Love" by Hui Zhouti of the Qing Dynasty: These two lines of poems give people a sense of being free from the world, fresh and indifferent, like hibiscus emerging from water, without any decoration, but showing high class. First of all, the blue sky lays out a broad background for us and sets a stage for the moonrise to perform. The word Chengjiang has indirectly revealed the brightness of the moon. This sentence is both clear and natural, yet concise and implicit. It shows a beautiful picture of the night falling far away and the silver moon about to rise. It brings people into an atmosphere of meditation and daydream, which perfectly reflects the title. On the basis of the background setting and atmosphere rendering in the previous sentence, the moon that illuminates the blue sky like a clear river finally came out. The author used the word "piece" to exaggerate the brightness of the moon. The word "chu" is used to cleverly express the joy of moonrise. The word "wash" is a pun, which not only expresses the purity of the moon, but also echoes the word Chengjiang mentioned above. The whole poem has a broad realm, bright colors, lofty mood, and is enjoyable to taste. However, in Sir Zhang's view, the best part lies in the layering of the poems. The bottom layer is the blue sky, above it is the moonlight, and above it is the moon. The layers are superimposed without being redundant. The whole is harmonious and integrated, like an ink landscape, leaping in front of you... The stars hang down on the plains and the vast fields, and the moon surges into the river. Zhang Sir's comment on Du Fu's "Sentimental Journey at Night": The stars hang low, but their light is far away, so the plains are vast. The opening sentence outlines the plain night scene and sets off the author's boundless emotions. As the saying goes, "Although the night is quiet, my heart is still restless." In the vast world, there are solitary people, and the feeling of wandering arises spontaneously. The next sentence is quite interesting. The surging moonlight makes people feel the rushing of the river. The sparkling light should be a warm color to the eyes; however, it is not like this. The river is rushing and the dead are like this, it is actually a melancholy that will never return. The contrast is wonderful and there is no trace. These two lines of poetry have always been praised as famous lines in Du's poetry. They are similar to Li Bai's "Mountains follow the plains and the fields end, and the river flows into the wilderness". They are both derived from careful observation and in-depth experience. However, in Zhang Sir's opinion, the most wonderful thing lies in the wonderful use of the words "chui" and "yong". If you want to go down, the realm will be wider, and if you want to go up, your mind will be farther. It turns silence into movement, with sound and color, and combines the near and far, making people feel "a drop of the sky and the earth, envy the infinite Yangtze River", and the following sentence "Why is it fluttering?" It's like, the sky and the earth are like sand and gulls" echoing in unison. A good spring cannot be hidden, the pink walls slant and reveal the apricot blossoms. Sir Zhang commented on Zhang Liangchen's "Odd Titles" of the Song Dynasty: The beauty of this sentence lies in the step-by-step process. Spring is good, but it only lasts for a while, but it cannot be hidden. It is delayed to the best of its ability, so it is fascinating. In the second half of the sentence, the word "white wall" seems to dilute the theme; and the word "lew" seems to be naughty; at the end, the apricot blossom appears, but it is just a sprig. Although the mystery is revealed, the meaning is still not complete! The beauty of contrast lies in one heart! Generally speaking, spring is good throughout: because spring is good, you can't hide it; because spring is good, you are not afraid of wall powder; because spring is good, you only need to reveal one tip. Just imagine, if all the apricot blossoms were exposed, wouldn’t everyone be dumbfounded? However, precisely like this, the lethality of sentences is unparalleled! However, in Sir Zhang's opinion, the most wonderful thing lies in the accurate use of the word "a paragraph". There is a section of spring, a section of wall, a section of apricot blossoms, good spring, pink wall, pretty apricot flowers, all kinds of tastes and feelings, to name a few, the fallen flowers are colorful and beautiful! The clouds and sun reflect each other, and the sky and water are clear and fresh. Xie Lingyun of the Southern Song Dynasty, "Climbing the Lonely Island in the River" Comments by Zhang Sir: We have commented on many poems about the same color of water and sky, such as Wang Bo's "Autumn water lasts forever and the sky is one color", Mao Zedong's "Fish are flying on the shallow bottom", Zu "The full moon is in the boat" chanted by Su Shi, "The water below the tower overlooking the lake is like the sky", Du Fu's "The world floats day and night", Wen Ru's "After being drunk, I don't know that the sky is in the water, the boat is full of clear dreams and the stars are overwhelming", and " Fish in the clouds, eagle in the water"... These two poems are by no means inferior to them. In the first half of the sentence, the clouds and sun shine, complementing each other and setting off cleverly. In the second half of the sentence, the water is clear, the water is clear, the water is clear, the water is clear, the water is clear, the water is clear, the water is clear, the water is clear, the water is clear, the water is clear, the water is clear, the water is clear, the water is clear, the water is fresh, and the water is clear and empty. In particular, the word "fresh" is used to describe the sky, which shows the "clearness" of the water, the clear blue sky, and the natural color, which makes people can't help but feel happy. The realm of the whole poem is fresh and open, calm and natural, and it is pure and beautiful. However, in Sir Zhang’s view, the best part lies in its layered charm. The clouds reflect the sun, the sun shines in the sky, the sky is clear, and the water is fresh and empty. It is a beautiful journey, with endless enjoyment and endless aftertaste. The ethereal and elegant nature of Daxie's landscape poetry can be seen from this.

The article is reprinted from the Chinese Language Grand View Garden of middle school. Pick a sentence yourself