Sun Jishan

Sun Jishan is an explorer who grafts life into everyone's art, and is known as the "bringer of light". He is a painter, screenwriting theorist, famous designer, founder of the extended virtual psychology school, and university teacher.

Chinese name: Sun Jishan

Foreign name: Jamal

Nationality: Chinese

Ethnicity: Han

Date of birth: October 30

Occupation: Artist

Representative works: "Land of Silence", "Impression of Xi'an", "Grave"

Gender: Male

Introduction to Sun Jishan

Name: Sun Jishan English: Jamal Gender: Male Birthday: October 30 Zodiac sign: Scorpio Blood type: Blood type B Education: Renmin University of China Likes Actor: JudeLaw Favorite singer: Robin Williams, Daughtry Favorite movie: "The Green Mile", "Mona Lisa Smile" Favorite sport: Swimming Favorite color: blue Artists I admire: Corot, Camille, Pissarro, Chagall, Michelangelo, Leonardoda Vinci

Painting works of art

"Land of Silence", "Impression of Xi'an", "Grave", "Food", "Iron Stove", "Love in the House", "Dream", "Hongqiao" ", "Danger", "Melding", "Dance of the Swan", "Gathering, Parting and Mercy", "Yiyuan", "Night Patrol", "Dali Impression", "Song of Life", etc. Screenwriting works: "Magnliadenudata", "Romantic Time", "White Lies", "Goback to the Origin", "The Price of the 11th Floor (Unfinished)", etc. Edited and published books: "Photoshop", "Olympic Spirit", "Happy Family", "Ordos", "Managing the City", "Art Internal Reference", "Stars in the Snowy Land", "Art Gallery Management", "Color Basics", "Masterpieces of Famous Teachers of the 21st Century-2011", "Young Entrepreneurs", "Yuanao", etc.

Excerpts from classic lines

Art criticism

Teacher Xiao Sun has the quality and style of a soldier in the army. ——Director Chang

A magnificent chapter of Homer’s epic. ——World Art

Live in your own world, weave a better future, and live well. ——Wang Yushan

Sun Jishan is relatively introverted and sensitive. ——Beijing News

He has a very strategic vision, looks at problems from a new perspective, and always thinks about what to do tomorrow and never stops. ——Qingchuan

Sun Jishan’s works made me deeply realize that the most important potential meaning of life lies in the discovery of one’s own heart. ——Fan Zhe

What the heart thinks, what the heart reaches, the dialectical unity of appearance and interior created him a special talent. ——Dayu

Teacher Sun is funny and humorous. He has strong self-confidence and is very enviable. He is also very thoughtful and always finds ways to trouble us, which will benefit you a lot. ——Student Kong Minnan

The teacher Jishan I know is like a child. This child has unique thoughts and vision. Fossil Interest Class, he always inspires people around him in clever ways. There is no doubt that I benefited from him during my four years in college. ——Liu Weiwei

Artistic History

Introduction

Sun Jishan’s paintings have a strong philosophical meaning and the emotions conveyed in his works are sincere. He has integrated dreams, life insights, thoughts and ideas into his works. The number of works is nearly 20,000, and the works are extremely exquisite. The landscapes he writes are full of dreamlike silence, 'lively', 'smart' and 'simple'. Every plant and tree appearing in the painting expresses the sincere feelings of the characters. The expression concept is free and casual, and the dots, lines, surfaces, and other components are fully utilized. His emotions are pinned on the sincere expression of the painting, which is both emotional and rational. The ideal decorative beauty and the regular beauty of order. He paints with Chinese paint and vellum. A famous person once commented on his characters: Snow is the skin and the moon is the bones. Qionghua Yaorui, national beauty and heavenly fragrance. The car is decorated with pearls, and the clothes are sewn with brocade. Gold branches and green feathers, jade pendants are bright. The lust is strong and the hands are brilliant. The graceful and graceful posture speaks volumes without saying a word. Although there are no arms, it still depicts the ambiguity of the heart. Jishan is more inclined to the macro world of art. He will be a banner in exploring the potential instincts of human nature and exploring the eternal connotation factors of art and the infinite spiritual world. Witnessing Yoshiyama's works is like entering a primitive and mysterious realm. The works convey fantasy and the ancient breath of life. Macroscopic, simple, mysterious, casual and orthodox are the keys to understanding the connotation of Jishan's works. He has been invited to participate in international cultural and artistic exchanges many times. The work he participated in the "South Korea International Art Exhibition" is "Greater China", a modern digital woodblock print, size 14.2×21cm, created in May 2008. The application of techniques and materials in the work "Greater China" is different from traditional Chinese printmaking. With the new development, the work reflects the profound influence of modern art on the art of printmaking. What is seen here is development and innovation, breakthrough and harmony. This work is the artist's efforts. This work was created to commemorate the 5.12 earthquake.

His work "Rong", also known as "You and Me", painting size: 30×40cm, material: acrylic, was created in August 2008. There is a slight breeze in the picture, and there are many white clouds in the blue sky. Moistened by the river, the two trees echo each other and are full of vitality. The picture shows the way of heaven and earth, the flourishing of humanity, and is of profound significance. This work was used as a 2009 New Year's prize postcard. Served as the art director of the Military Support Olympics Office and participated in the design of the Military Support Olympics Leading Group Office. He participated in the design of the "Collecting Tibet" exhibition held at the Capital Museum and made great efforts for the "Collecting Tibet Exhibition". "Treasuring Tibet - Exhibition of Ye Xingsheng's Achievements in Rescuing and Protecting Tibetan Folk Cultural Heritage" has generated strong repercussions in Beijing. General Secretary Hu personally visited the exhibition to show cordial care and congratulated the success of the exhibition. He is actively active in the world of human art and human reality creativity. Any job will be regarded as a profession, and any profession, regardless of reality or size, requires professional qualities and will receive attention and respect. To this end, he gave a specific explanation on the concept of industry representatives in various fields of society: industry representatives, It represents the latest technological applications in the field, the latest creative concepts, the most standardized industry rules and the best industry models. He believes that any profession should receive attention and respect, and should require professional qualities. In today's diversified and rapid development of modern art, in order to promote the truth, goodness and beauty of art, the Art Alliance has formulated the Art Rules for Everyone, which has given a new interpretation to the development and innovation of art. In his concluding speech at the China Art Forum, he expressed his gratitude to those engaged in art. Friends appeal: Art requires courage, but also wisdom.

Rule

"Art Rules for Everyone" Art can disappear forever, art can deceive sincerity. Art can be dirty and pure, art can be copied and reborn. Art can be unconventional, and art can be sensational. Art can be self-centered, art can be independent of the world, art can write and direct by itself, art can be cynical, art can pursue truth, art can be mediocre, art can create value, art can get rid of embarrassment, art can create miracles, art can destroy In life, art can control the future, art can maintain peace, art can wait and see, art can unite as one, art can be art for everyone, and art can be art from beginning to end. ‘Everyone’s Art Rules’ cracks the garbled code of art and reveals the inside story of art.

This rule adheres to the concept of "Art Alliance": advocating harmony and equality between people, achieving communication and dialogue between people, and promoting cooperation and development between people. , and finally build a new era of artistic harmony for everyone in the world. The "new dialectical standards" he established in 2008 gave the vocabulary new ideas and connotations. The "Dialectical New Standard" has played a positive "catalytic role" in deciphering the garbled code of human thought, reconstructing ideological positioning, and determining behavioral goals in the 21st century. The specific vocabulary is as follows: Genius: A person with general talents and unique personality, who is 'sought after' by a few people and 'agrees with' by the majority. Master: A person who is relatively old, has died or is about to be buried by history, and hopes to be positioned by history. Genius: A person with two qualities: genius and master. Talented: A person with big ideas. Genius: A person who has a special idea and finds a way to realize it. Talent: People without morals, cultivation, or quality. Success: People on the verge of death. High-quality people: People who set the rules and regulations of life for others and go beyond the rules and regulations themselves. Low-quality people: people with ideas, knowledge, thoughtfulness, and step-by-step, rigid people. People: Insiders. Adult: outsider. Villain: A person who is half shorter than an adult. Mediocre person: A person who is neither big nor small. Strongman: A person who keeps 'twirling' around in a circle. Blind person: A person who only knows the truth of things, lacks experience and acts slowly. Lazy person: A person who enjoys and is free-thinking. Real person: a living person. Dead Man: A completely free man. Dummy: A person with a thin mask. Bad guy: A very talented person. (The above is for artistic thinking only)

(Drafted) The school of extended virtual psychology is another school after the school of structuralism and functionalism, the school of behaviorism, the school of psychoanalysis, the school of cognitive psychology and the school of humanistic psychology. A school of psychology. The founder of the school artistically elaborated and summarized the theoretical concepts based on many years of extensive investigation and research. This school of thought takes people's virtual psychology to a new level. In the 21st century, when human thinking is constantly changing, and development and innovation have brought a high degree of unity to human goals and ideas, how to deal with the negative impacts of development and innovation, so as to prevent individuals and their groups from being severely hit and harmed by the 'mutations' of ideas? ? The theory elaborates on the subtle separation between people and between people and society, breaking the stereotyped "conventions and laws" from the creative concept of psychological thinking. Extended virtual psychology fills the gap in the implementation of human's unknown psychological motivations and self-response and relief. It will play an important role in expanding human's unknown psychological cognition and maintaining the establishment of thinking flexibility. At the same time, it lays the foundation for the reconstruction of psychological thinking in the 22nd century. . Note: "Extended Virtual Psychology" is also known as "Alien Psychology".

Interview with Sun Jishan

Excerpts: "Art Internal Reference", soonstudio website "Bobcat Ideology" Reporter: Mei Ziyu/2007.6.15 at Diaoyutai State Guesthouse

< p>Reporter: When did you first get the inspiration for this and start creating the work? Bobcat: It was during the SARS period. Artistic ideas are very profound and must be backed by a theory.

From that time on, I began to focus on a painting topic that interested me, that is, the human body, the graceful body. Reporter: Why did you choose the human body? Bobcat: The human body is beautiful. Reporter: How do you identify men and women in your paintings? Shanmao: My works are gender-neutral. At that time and even now, I don’t consider the gender of them. If I had to specify the gender, of course it would be contrary to the concept I expressed. I want to express my softness. In order to avoid many strange questions, I made an excuse to say that those with their backs turned are basically women, and those facing the front are men. It is more appropriate to say neutral, but of course this seems inappropriate. Emphasizing men in genderless is more in line with my expression concept. Reporter: Why do the characters you draw have no heads and arms? Shanmao: This is a gradual process of change. At first, the objects are very concrete, including the environment, the characters’ hands, feet, and facial features, etc. are all realistic. As their feudal consciousness diminishes, the characters slowly begin to get naked, as if they have moved from ignorance to a civilized era. The male body, without the arms and head, expresses my consciousness better. I don’t mean to be unconventional. I did it unconsciously during the creative process. We still see heads today. People with beauty horns have this shape after removing their hair. This is only one aspect of beauty, and it is also an expression of life intentions. Chinese people have also begun to drift away from the awareness of sexual perversion in their ideology. Reporter: From the beginning to today, you have created tens of thousands of works. How do you get inspiration, and how do you ensure that you have inspiration every day? Bobcat: I am challenging myself. This is indeed a painful and joyful process. The pain is because I have reached the end of my life several times, and the joy is because I have renewed my consciousness and discoveries, which can sustain my creative life. After several reincarnations and twists and turns, I feel that I have grown a lot. Sometimes I have no inspiration at all, so I force myself to paint. This is the golden period, because it is so important. This is the transformation period of the work. I regard this inspiration process as a treasure, so it is both painful and joyful. Reporter: What content does your work involve? Lynx: In a nutshell, all-encompassing, involving what I can feel and touch. Such as life, death, war, love, sex, lies, murder, abuse, philosophy, prophecy, fables, fantasy, dreams, real life, etc. After reading, I will use my own painting method to express my consciousness. There is a reason for existence, and there is value for existence. This world is very interesting, black and white are often reversed and transformed. In my paintings, my thoughts can be unruly, and I am organizing an ideal dream habitat. Gradually, I feel that the characters in my works have been given a sacred mission and a new concept of consciousness, which will definitely enter people's lives. Reporter: Some classmates said that you lived and ate in the studio during your college days? Paint every day? Shanmao: I have to go to class during the day for my creative needs. After 11pm, the surrounding environment will be quieter, so you can think about some questions. When you are alone, full of energy, coupled with a touch of music, this is the best period for the birth of your work. There was such a stage. Reporter: How do you evaluate similar works from other countries? Bobcat: It’s like a big family, with many brothers and sisters, and I am one of them. Japan, Spain, and Mexico all have representative artists, and their works are of course very interesting. Sex is the "origin" of human beings, so it is not surprising that some works depict sex, and it cannot be regarded as shameful. Sex is equality. , excitement and pleasure are human instincts, and their works also bring people a kind of visual and psychological enjoyment. This is an era of diversity, so we must look at problems dialectically and not be limited to the time, otherwise we may be victims of the times. Reporter: How do you evaluate your work? Shanmao: I think some of my ideas are hidden in everyone’s feelings after reading the work. My works are more about breaking through the stereotypes and expressing truth, goodness and beauty. Even the blood is poignant and beautiful. You will bear such beauty for it. Of course, there are not many such works. Looking at their beautiful and crystal bodies, you will feel unbearable. They are lonely, longing and romantic. I think my works should go to the world, hoping to have more cultural exchange opportunities so that more people can better understand the absolute consciousness of existence. Reporter: What other ideas do you have in the future? Shanmao: I have many ideas. As a representative of China, I would like to promote an art culture. I would like to recommend myself.

Article by Sun Jishan

"Revelation of the Master of Art"

Reporter on August 1, 2008: What kind of titles do artists like? Jishan: Craftsman, painter, painter, artist, master, genius, which one do you prefer? I think most artists are dreaming. If they draw a circle, people will rush to get in. Let more people spend their whole lives paying attention to these false names, which is conducive to the stability of people's hearts and the stability of society. No matter which one you choose, I will support it. Reporter: How do you determine the existence of the master? Jishan: Masters are not exclusive to art. Masters are not far away and are always by your side. Although all masters are deified, no one stipulates that they are out of reach. The idea that we have been instilled for a long time is to make the master great and insurmountable. Maybe the propagandists are amateurs and have ulterior motives. The title of deified master should be attributed to the origin of worship, and the master is the epitome of its process. Modern masters are everywhere. As long as you observe carefully and understand deeply, you will find them.

All people can become masters and have the basic qualities of a master. Why don’t they become masters? Maybe you are imprisoned by your thoughts, maybe you are forced by life, maybe you have lost your way, maybe you are led astray, maybe you are stubborn in your own living space and cannot extricate yourself, maybe you lack self-confidence, maybe you don’t have time to think, it’s a pity. Reporter: Among the artists you have come into contact with, are there any masters who can connect with the world? Jishan: The penetration of Western modern art ideas is a good thing. Our national awareness of art promotion is very weak, and Chinese culture and art have a long history. It seems that artists always exist in struggle and opposition. Art does not conflict, nor does it need to. It's just the human mind that is causing trouble. Chinese people's ideology is beginning to move away from conservatism, and young artists are expected to become world art masters. Artists need the test of history, especially art masters. A master is people's pursuit and a hope. If there is one, what can it prove? Reporter asked: How do you think you can become a master? Jishan: Dead, as most people think. There is no comparison between the art masters of the past and the modern art masters. A person's value and artistic thoughts only belong to that period, and only the spirit can continue. In this society, no one can ask you to become a master, because everyone is looking at the world with open eyes, everyone is smart and understands it very well! The publicity of some art institutions may bring some artists to glory, but it is often short-lived. There were countless masters from five hundred years ago. The reason why they could not become masters may be that they have been tempered by time, or they did not leave more works, or they died at the same time as their works. Nowadays, children are showing off their skills in the virtual game world, and they can also become game masters. If a beggar is very wealthy and ranks first among beggars, they can also be called a master beggar. Masters have the characteristics of stages and time. It seems that the starting point of modern masters is very low. We must look at their value. Not all masters are valuable, and not all valuable masters have practical significance. In short, becoming a master is easy. Reporter asked: Do you think the master will have a future? Yoshiyama: Who wants to live up to his reputation after death? Wouldn't it be very realistic if you could gain both fame and fortune while you were still alive? Living people and thoughtful people must reshuffle the cards, find ways to pursue excellence, open their hearts, and face the bright future of the master.

"On Intuition and Perception"

July 17, 2005 All desires are difficult to control. It is precisely because of desires that I cannot stop all 'mechanical' movements , just like painting, each experience is different. Therefore, I cherish every emergence of inspiration and strive to find the shining point of inspiration, and treat it as a treasure. I always feel that my works illustrate a life process. From the origin of mankind to its demise. The work reproduces the state of a person or a symbol shuttling in the middle; it is also a life's overall grasp and thinking of its life. After rising to this level, I carefully touched the subtle emotions of life and the reappearance of life and dreams. In the meantime, sensitivity and desire create value. Because materials and people's "conscious aesthetics" are limited, they also limit the contemporary nature of "painting" from ancient times to the present. Along with the distinction between painters, craftsmen, painters, artists, masters and geniuses, the mainstream of art has also changed. When the value of art is transferred to the 'artist', it becomes an understanding of the state of human beings, and thus more attention is paid to the human beings themselves, precisely because of different "value concepts". At one time, individuality was born. The stronger the individuality, the more rare things become, the more valuable they become. The more individuality increases, the more rare things become more valuable. We have entered a magical vortex from which no one can escape! Let your own will soothe your soul, and masters and geniuses will always be high. When we become ancient barbarians, they will be the leaders of the barbarians. Let life arouse your desire, let genius arouse your will. This is only dedicated to friends with beautiful souls.

"Little Grass"

In May 2006, a small grass is a world. Perhaps it is more appropriate to say it this way. Today in the 21st century, people's consciousness and concepts are also In the update of Kuaibu, talking about grass, why can it grow? The reason is not as simple as we think. How much territory do they occupy? Is there enough living space? Does the land where it grows have enough material energy? How do they resolve their disputes? The benevolent sees benevolence, the wise see wisdom. I just want to raise necessary questions here. Maybe they are in line with the principle of natural selection and survival of the fittest? Therefore, they can survive stubbornly and tenaciously. Life itself may be a process. From my current life experience, I feel that people themselves are actually extremely fragile. Because they are weak, they strive to be strong. Being strong may be dangerous. The existence and disappearance of anything in the world must have its value and reason. The value of its existence lies in its ability to achieve an appropriate balance in a specific time and space as much as possible. The reason for disappearance lies not only in the laws of nature, but also in people themselves. Here I must also mention the human issue. The root of human tragedy and drama is that everyone has desires and goals. This may be an unfathomable problem. This question is also the key to almost all problems. Painting is no exception. It can be said that it has gone through a long and bumpy journey from the ‘art’ of primitive humans to truly great art. Is truly great art a copy of reality, a revelatory presentation of the future? It is a way of perceiving the future world and a new spirit that transcends the actual mental state.

I think this kind of transcendence and spirituality is not only a revelation, guidance and liberation for human beings who are pragmatic and unable to reflect on themselves; art also bears the important task of continuously liberating human cultural intelligence

Sun Jishan's famous sayings

Don't eliminate students with outstanding personalities and talents in orderly and strict management. ——Sun Jishan Smiling is a kind of strength, a kind of self-confidence, and it is also the most valuable professional quality for teachers and disciplinary staff! ——Since Sun Jishan taught at Beijing Academy of Science and Technology, what makes me most gratified is that he has formed a "valuable plot" in his treatment of students and in education and teaching. I sincerely hope that any employee will be successful regardless of his position. We must fulfill our responsibilities, empathize with others, treat them equally, and put the overall situation first. ——Sun Jishan There is no end to quality. Quality needs to be cultivated. High quality should be strategic guidance and benign expression that integrates into the environment but is higher than the environment. ——Sun Jishan

Teacher Memories

Meaningful Stories Li Yingjie July 13, 2008 17: Teaching is a very meaningful job, and it is also a mechanical and repetitive job. It requires patience, love, care, and a pair of eyes that are good at discovery. In my 18 years of teaching career, there are many touching stories that I will never forget. That was a student named Sun Jishan who graduated in 2000. He majored in art. In 2001, he was admitted to the Animation Department of Xu Beihong, Renmin University of China. On New Year's Day in 2001, I received a letter from him, which said: "Teacher, thank you for teaching me during a critical period. I will never forget it no matter what in the future. It took me a whole day to write this letter to you." Weeks." I looked at this letter. It was written in three different fonts, and each stroke was written very carefully. Looking at these words, I recalled the scene of a class when he was a sophomore in high school. . I usually put special emphasis on students' writing, but every time his homework was written, it was very sloppy and could not be read clearly. Once when I was giving a class review, I asked him to stand up and said that I heard that your paintings are very beautiful, but I can't compliment your handwriting. It's because your writing is good and the teacher can't appreciate it, or your handwriting is really messy, teacher. Can't see clearly? People say that there is no distinction between calligraphy and painting. The teacher hopes that your calligraphy will be as good as your paintings in the future and you will be praised by people. He accepted it happily, and after a while, his writing improved greatly. Through this incident, I realized that criticism must be artistic, praise first, then criticize, and criticism must be pertinent to achieve good results.