Han guang
Nanshan tree is so big and tall that you can't enjoy the cool under it. There are women on the Han River who want to pursue the impossible.
The Hanshui River is so vast that it is impossible to cross it. The river is so long that it is impossible to take a raft.
Never put off till tomorrow what you can. There's no branch on it. Say Joe. Think and speak. Hanshui River, out of Zanjia Mountain in Xingyuanfu, to Dabie Mountain and into the river in Hanyang County. The custom of Jianghan, whose daughter loves to swim, swims after the Han and Wei Dynasties, such as the song of the levee. Swimming, sneaking around The river flows out of Minshan Mountain in Yongkang County, flows eastward into Hanshui River, and flows northeast into the sea. The brave, Chang Ye. Square and elegant. The transformation of the king of Wen, from near to far, first reached between Jianghan and later changed to the custom of fornication. Therefore, people saw her daughter on this trip and knew that her modesty and serenity were not what she could have asked for the day before yesterday. Because of the rise of the tree, the contrast between Jianghan and Jianghan has been repeatedly lamented.
The firewood was mixed with wood, and the twigs of Vitex negundo were cut down with a knife. The girl is getting married, so feed the horse quickly.
The Hanshui River is so vast that it is impossible to cross it. The river is so long that it is impossible to take a raft.
Never put off till tomorrow what you can. Short and thick, beautiful appearance. Wrong, miscellaneous. Chu, Mu Ming, Jing. Son, refers to a wandering woman. Hey, feed it. If you want to lick your horse with the wrong salary, you will be very happy. Taking Jianghan as a contrast, I lamented that I couldn't reach it in the end and was deeply admired.
Firewood is thick, and wormwood is cut with a knife. Son of Yu Gui. Tell me about it.
The Hanshui River is so vast that it is impossible to cross it. The river is so long that it is impossible to take a raft.
Never put off till tomorrow what you can. Artemisia selengensis, Artemisia selengensis Leaves like wormwood, blue and white, several inches long, produced in Mizusawa. The pony is the smallest horse.
Zhu Zhu
translate
The trees in Nanshan are big and tall.
Don't rest in the shade under the tree.
There are wandering girls on the Han River.
Want to pursue the impossible.
The Han River is wide and wide.
Want to spend the impossible.
This river is very long,
It is impossible to cross the river by raft.
The firewood and grass are mixed together,
Cut the thorn with a knife.
This girl is getting married,
Feed her horse quickly.
The Han River is wide and wide.
Want to spend the impossible.
This river is very long,
It is impossible to cross the river by raft.
The firewood and grass are mixed together,
Cut Artemisia selengensis with a knife.
This girl is getting married,
Feed the foal quickly.
The Han River is wide and wide.
Want to spend the impossible.
This river is very long,
It is impossible to cross the river by raft.
Make an appreciative comment
This is a love poem. The lyric hero is a young woodcutter. He loves a beautiful girl, but he never gets what he wants. He can't get rid of his emotions. Facing the vast river, he sang this touching poem and poured out his sadness.
As far as the theme of this article is concerned, there is no sufficient basis for Mao's praise of "virtue and people" in Preface to Poetry. "Selected Works" quoted "Preface to Han Poetry" and said: "Han's popularity is also pleasing." Chen Qiyuan's Comments on Mao Poems in the Qing Dynasty went on to say: "Those who speak (say) by their husbands must ask for it, but they can only meet it, and they can't ask for it." The interpretation of the theme of the poem and the grasp of the poetic context are concise and accurate. "Han has a wandering girl, but she can't think" is the central poem that embodies the theme of the poem; "Han is so big, you can't swim;" The river will keep flowing. Don't even think about it. "The overlapping three songs repeatedly show the sentimental feelings, expectations and yearning of the lyric hero for the' wandering girl' on the water side. Three poets in Korea interpreted the "wandering girl" as the goddess of Hanshui, and later they also had quite a few followers, which added a layer of love between man and god to this poem. However, a book of songs is widely practiced in real life, and The Wind of the Fifteen Kingdoms is a folk song praising secular feelings, so it seems unnecessary to associate this poem with myths and legends.
From the external structure, Han Guang has three chapters, the first chapter is independent, and the last two chapters are repeated, which seems to be no different from other folk songs in The Book of Songs. But in terms of artistic conception, the three chapters are interlinked at different levels and have their own poetic internal logic. Can be split in two.
First of all, the opening sentences of the three chapters of the whole poem vividly imply the labor process of the young woodcutter, who, as a lyric hero, cuts firewood for reward. Fang Yurun once wrote: "In the first chapter, it is said that trees are flourishing and firewood is collected; The second time is about Chu, which is the front of the topic; Trigement is a matter of getting paid "(The Book of Songs Primitive Man). Therefore, Fang summarized the theme of Han Guang as "Jiang Gan Qiao Sang" and denied the essence of his love poems, which was still pedantic. But the rising sentence implies the process of collecting firewood, which has both written basis and labor experience.
Secondly, from the structural form, the first chapter seems to be independent of the second and third chapters; From the perspective of emotional expression, the front and back parts are closely connected, which skillfully conveys the tortuous and complicated emotional course of the lyric hero from hope to disappointment and from fantasy to disillusionment. Where there is hope and pursuit, there will be disappointment and loss; However, the poem doesn't say anything here, it makes readers understand the young people's desire for love. The poem begins with disappointment and hopelessness. In the first chapter, there are eight sentences and four words "impossible", which express the hopelessness of pursuit vividly and irreversibly. Generally, the first sentence is regarded as fun; If we interpret it in another way and put "Korea has a wandering girl, so it can't think" in the first place, then "there are trees in the south, so it can't think" can be regarded as a metaphor, which, together with "Korea is too broad to swim and think" and "Jiang is too long to think", constitutes a set of powerful metaphors; The feeling of unattainable infinite disappointment is also stronger. What the loved ones pursued in those days is hard to achieve today. But my heart is unwilling, and my feelings are hard to pull away, so I turned from reality to fantasy. The third and third chapters repeatedly describe the dreamland of infatuation: one day, a "wandering girl" wants to marry me and feed the horse first; The "little girl" will marry me one day, feed the pony and pull the cart. But dreamland is dreamland after all. Once you open your eyes and face the reality, you will fall deeper into the abyss of disillusionment. He is still infatuated, but the duet of "Han Guang" and "Jiang Yong" in the second and third chapters is already Long song who wants to cry after disillusionment. Compared with the first song, it is really a man's sorrow. In short, the poems before and after are relatively independent, but the emotional clues are clear and identifiable.
Chen Qiyuan's Discrimination of Shi Mao and Ji Gu summarized Han Guang's poetic scene as "visible but impossible". This is also the so-called "longing situation" of western romanticism, which shows that the object you are eager to pursue is far away, and on the other side, you can look at your heart but can't touch your body. It is a realm that you can always yearn for but never reach. Feng Jia San in Qin Dynasty is also a masterpiece depicting "homesickness". Compared with Hanbitsoft, it is an ethereal symbol and a concrete realism. There are no specific events and scenes in the whole novel, so it is difficult to know whether the protagonist is male or female. The poet deliberately exaggerated a vague and elusive emotion of pursuing yearning. Han Guang is much more concrete and realistic, with concrete characters: a woodcutter and a wandering girl; The emotional course of exquisite emblem: hope and disappointment to fantasy and disillusionment; Even the subjective dreamland of "My son returns home" and the description of natural scenery of "Hanguang Jiangyong" are concrete. Wang Shizhen believes that Han Guang is the beginning of China's landscape literature. The few poems in The Book of Songs (poems with classrooms) that "depict landscapes" are not without scenes. Of course, ethereal symbols can provide a broad imagination space, but concrete realism cannot easily surpass aesthetics. Perhaps this is why Qian Zhongshu's Biography of Guanju talks about the prototype artistic conception of "the land of longing", while the Book of Songs focuses on Qin Feng Jia, supplemented by Nan Zhou Han Guang.