Famous quotes for learning calligraphy

1. Form refers to its form; spirit refers to its spirit.

2. If there is merit but no nature, the spirit will not be born; if there is nature but no merit, the spirit will not be real.

3. The wonderful way of writing is that the spirit is the most important, followed by the form and quality. Those who have both can be introduced to the ancients.

4. High rhyme, deep emotion, solid quality and majesty, cannot be used as a book without it.

5. Characters are special and temperaments are different. The style of writing will bring out the evil and the right.

6. Academic scriptures and theories all originate from the heart. If the heart is not correct, the actions will be wrong.

7. Anyone who comes to the ancients must look for their resemblance. They will peel off and change over time, and the remains will be inspired by the spirit.

8. The beauty of one meal can only satisfy you for a day. If you realize it at a glance, it will nourish you for a lifetime.

9. Don’t adhere to ancient methods, don’t hold on to your own opinions, just live.

10. To form a knot, it is better to get the form than to get the brushwork, and to get the brushwork not as good as the atmosphere.

11. The beauty of calligraphy and painting must be understood by spirit, and it is difficult to find it in form.

12. When the ancients wrote books, they could see the structure in the liaison office; they could see the artistic conception in the scattered places.

13. Although my book is not very good, it comes up with new ideas and does not follow the ancients, which is a blessing.

14. A person with integrity has an upright and upright character in his writing.

15. Correct calligraphy rectifies people’s hearts and leads to the leisurely holy way.

16. When I was a teenager, I learned to write regular scripts, which is my first level of skill.

17. Therefore, there is vividness due to the brushwork, and liveliness due to the ink spirit.

18. The so-called divine product is because it was written by my god.

19. Calligraphy is about ingenuity, while clumsiness is about straightforwardness and lack of transformation.

20. Beginners' books are very similar to books. If you write slowly, you will determine the flow of the writing. If you are busy, you will lose the rules.

21. If you only learn from one family, you will only be a slave to others; if you gather all the talents and return them to me, you will achieve great success.

22. Those who were good at calligraphy in ancient times must first learn regular script, and gradually move to cursive script, without departing from regular script.

23. The character of writing and the emotion of ink are all based on the human temperament. This is the first task of writing with rationality and emotion.

24. Copying is the key to learning calligraphy. However, we must first seek the meaning of the ancients, then study the pen, and then follow the style.

25. Whenever you read the ancient writings, you must be patient and calm. It will have its own effect over time. Do not just try it lightly and change it when you see differences.

26. Stone carving cannot be learned, but it is no longer your own handwriting to have someone carve it, so you must observe the original work to gain interest.

27. The law is higher than the intention, the usage is higher, the intention is higher than the law and the intention, and the intention is to rectify the spirit of the law.

28. The heart is in harmony with the qi, and the qi is in harmony with the heart; Shen is the function of the heart, and the heart must be calm.

29. In calligraphy and painting, the first priority is character, and integrity is excellence. Not only does everyone value his writing, but he also admires his person.

30. Books originate from nature, nature is established, and yin and yang are born. When yin and yang are born, the form and qi are established.

31. Scholars have two views: observing things and observing me. Observe things to resemble emotions, observe me to understand virtue.

32. To learn from the ancients’ calligraphy, you must obtain their divine bones, courage, character, and lifeblood. Don’t just look at the appearance without seeking deeply.

33. Academic knowledge is among the immortals. The bell god is the best, the bell spirit is the same, and the bell shape is the same.

34. When learning calligraphy, you must follow the steps of the ancients, and do not rely on the people of the past. To learn from the ancients, you must get their sacred bones, and don't just look at their appearance.

35. If you learn half and sprinkle half, you won’t learn everything. If you don’t want to do it all, you can’t do it all, and you don’t have to do it all.

36. Writing a book must be one’s own, but it does not mean that one should not learn from the ancients; one must look at the original work, but that does not mean that one should not learn from inscriptions.

37. When writing a calligraphy, you must try your best to pause, twist and turn. Once you have mastered the writing skills, you should pay more attention to the Tang Dynasty to tighten its structure.

38. Therefore, there is no thoughtfulness in studying books. Just like the children of the old family, they just follow the rules and are fed and warmed for life.

39. Take the meaning and give up the shape, without seeking the meaning. Therefore, if the shape is obtained, the meaning overflows from the shape; if the shape is lost, what is the meaning?

40. Copying the ancients is not in the opposite place, but in the divine meeting. The eyes and minds are connected, and they are spotless, similar but not similar, which is incredible.

41. When writing a book, it is easy to lose the position of the ancients, but to gain more of the ancients' writing style; when writing a book, it is easy to gain the position of the ancients, but to lose more of the ancients' writing style.

42. Xian Zizhenggong said: Those who have not yet established a family of books should be related to ancient stickers. No matter what stickers, they are enough to model my writing skills.

43. Mortals have different qi, blood, muscles and bones. The heart is dense and dense, and the hand is clumsy. The beauty and ugliness of writing lie in the heart and hand.

44. The key to learning calligraphy is to grasp the spirit, and the best is Qi. If you imitate the body posture, although the shape is similar but there is no spirit, it is the fault of those who do not know how to calligraphy.

45. Books are valuable to the gods, and gods are different from me and others. What enters his body, I transform into the past; what enters my spirit, the ancient transforms into me.

46. The only way to get the best is to get the best. Everyone says so. However, everyone wants to reach the highest realm in the world, but not everyone can reach it.

47. The font sizes of ancient stickers are quite different. Just like an old man traveling with his young grandson, the length and length of the trip vary, but the love is true and persistent, and the pain and itching are related.

48. When studying calligraphy, one must read it from the Tang Dynasty stele. When it reaches its peak, and then transfer it to the people of Jin Dynasty, then the charm will be full of backbone. Otherwise, it will be written as weak.